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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #431A97 it is the complementary color #BCE568. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #431A97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #431A97 shade: #481A92, #592CA5, #6A3EB8, #7B50CB and #8C62DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #431A97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #431A97 shade: #431A97, #320884, #210071, #10005E and #00004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #431A97 shade: #431A99, #661A99, #881A99, #991A87 and #991A65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #431A97 shade: #431A99, #211A99 and #1A1A99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #431A97 shade matches the following richer shades: #431A99 and #3E0BA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #431A97 shade: #431A99, #48288A, #4D377C, #52456D and #57545F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #431A97 shade: #1A3599, #201A99, #421A99, #641A99 and #861A99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #431A97 shade: #240E52, #341475, #431A99, #5320BC and #642ADB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #431A97 shade: #431A97, #991A57 and #24991A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #431A97 shade: #431A97, #99421A and #1A9942

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #431A97 shade: #431A97, #991A57, #70991A and #1A995B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #431A97 shade: #431A97, #991A31, #70991A and #1A9981

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 83 / 0 / 41

HEX #431A97

RGB 67 26 151

HSL 259.68, 0.71%, 0.35%

LAB 24.21, 48.22, -60.29

 

Complementary color

CMYK 18 / 0 / 55 / 10

HEX #BCE568

RGB 188 229 104

HSL 79.68, 0.71%, 0.65%

LAB 85.87, -32.12, 55.73

 

CMYK 51 / 82 / 0 / 43

HEX #481A92

RGB 72 26 146

HSL 263, 0.7%, 0.34%

LAB 24.3, 47.52, -57.05

 

CMYK 46 / 73 / 0 / 35

HEX #592CA5

RGB 89 44 165

HSL 262.31, 0.58%, 0.41%

LAB 30.98, 47.03, -57.63

 

CMYK 42 / 66 / 0 / 28

HEX #6A3EB8

RGB 106 62 184

HSL 261.64, 0.5%, 0.48%

LAB 37.79, 46.05, -57.78

 

CMYK 39 / 61 / 0 / 20

HEX #7B50CB

RGB 123 80 203

HSL 260.98, 0.54%, 0.55%

LAB 44.6, 44.92, -57.73

 

CMYK 37 / 56 / 0 / 13

HEX #8C62DE

RGB 140 98 222

HSL 260.32, 0.65%, 0.63%

LAB 51.36, 43.78, -57.61

 

CMYK 56 / 83 / 0 / 41

HEX #431A97

RGB 67 26 151

HSL 259.68, 0.71%, 0.35%

LAB 24.21, 48.22, -60.29

 

CMYK 62 / 94 / 0 / 48

HEX #320884

RGB 50 8 132

HSL 260.32, 0.89%, 0.27%

LAB 18, 47.63, -58.78

 

CMYK 71 / 100 / 0 / 56

HEX #210071

RGB 33 0 113

HSL 257.52, 1%, 0.22%

LAB 12.71, 44.3, -55.44

 

CMYK 83 / 100 / 0 / 63

HEX #10005E

RGB 16 0 94

HSL 250.21, 1%, 0.18%

LAB 8.29, 38.52, -50.27

 

CMYK 100 / 100 / 0 / 71

HEX #00004B

RGB 0 0 75

HSL 240, 1%, 0.15%

LAB 4.59, 29.9, -43.41

 

CMYK 56 / 83 / 0 / 40

HEX #431A99

RGB 67 26 153

HSL 259.37, 0.71%, 0.35%

LAB 24.42, 48.77, -61.18

 

CMYK 33 / 83 / 0 / 40

HEX #661A99

RGB 102 26 153

HSL 275.91, 0.71%, 0.35%

LAB 29.07, 53.76, -53.39

 

CMYK 11 / 83 / 0 / 40

HEX #881A99

RGB 136 26 153

HSL 291.97, 0.71%, 0.35%

LAB 34.54, 59.77, -44.25

 

CMYK 0 / 83 / 12 / 40

HEX #991A87

RGB 153 26 135

HSL 308.5, 0.71%, 0.35%

LAB 36.48, 60.28, -29.94

 

CMYK 0 / 83 / 34 / 40

HEX #991A65

RGB 153 26 101

HSL 324.57, 0.71%, 0.35%

LAB 34.9, 55.83, -10.99

 

CMYK 56 / 83 / 0 / 40

HEX #431A99

RGB 67 26 153

HSL 259.37, 0.71%, 0.35%

LAB 24.42, 48.77, -61.18

 

CMYK 78 / 83 / 0 / 40

HEX #211A99

RGB 33 26 153

HSL 243.31, 0.71%, 0.35%

LAB 21.44, 45.65, -66.21

 

CMYK 83 / 83 / 0 / 40

HEX #1A1A99

RGB 26 26 153

HSL 240, 0.71%, 0.35%

LAB 21.05, 45.24, -66.87

 

CMYK 56 / 83 / 0 / 40

HEX #431A99

RGB 67 26 153

HSL 259.37, 0.71%, 0.35%

LAB 24.42, 48.77, -61.18

 

CMYK 63 / 93 / 0 / 35

HEX #3E0BA7

RGB 62 11 167

HSL 259.62, 0.88%, 0.35%

LAB 23.85, 56.82, -70.69

 

CMYK 56 / 83 / 0 / 40

HEX #431A99

RGB 67 26 153

HSL 259.37, 0.71%, 0.35%

LAB 24.42, 48.77, -61.18

 

CMYK 48 / 71 / 0 / 46

HEX #48288A

RGB 72 40 138

HSL 259.59, 0.55%, 0.35%

LAB 25.95, 38.47, -49.37

 

CMYK 38 / 56 / 0 / 51

HEX #4D377C

RGB 77 55 124

HSL 259.13, 0.39%, 0.35%

LAB 28.81, 26.55, -35.96

 

CMYK 25 / 37 / 0 / 57

HEX #52456D

RGB 82 69 109

HSL 259.5, 0.22%, 0.35%

LAB 32.16, 14.87, -21.19

 

CMYK 8 / 12 / 0 / 63

HEX #57545F

RGB 87 84 95

HSL 256.36, 0.06%, 0.35%

LAB 36.35, 3.63, -5.94

 

CMYK 83 / 65 / 0 / 40

HEX #1A3599

RGB 26 53 153

HSL 227.24, 0.71%, 0.35%

LAB 26.92, 28.97, -57.18

 

CMYK 79 / 83 / 0 / 40

HEX #201A99

RGB 32 26 153

HSL 242.83, 0.71%, 0.35%

LAB 21.38, 45.58, -66.31

 

CMYK 57 / 83 / 0 / 40

HEX #421A99

RGB 66 26 153

HSL 258.9, 0.71%, 0.35%

LAB 24.31, 48.65, -61.37

 

CMYK 35 / 83 / 0 / 40

HEX #641A99

RGB 100 26 153

HSL 274.96, 0.71%, 0.35%

LAB 28.77, 53.43, -53.89

 

CMYK 12 / 83 / 0 / 40

HEX #861A99

RGB 134 26 153

HSL 291.02, 0.71%, 0.35%

LAB 34.2, 59.39, -44.82

 

CMYK 56 / 83 / 0 / 68

HEX #240E52

RGB 36 14 82

HSL 259.41, 0.71%, 0.19%

LAB 11.26, 29.33, -37.13

 

CMYK 56 / 83 / 0 / 54

HEX #341475

RGB 52 20 117

HSL 259.79, 0.71%, 0.27%

LAB 17.99, 39.31, -49.22

 

CMYK 56 / 83 / 0 / 40

HEX #431A99

RGB 67 26 153

HSL 259.37, 0.71%, 0.35%

LAB 24.42, 48.77, -61.18

 

CMYK 56 / 83 / 0 / 26

HEX #5320BC

RGB 83 32 188

HSL 259.62, 0.71%, 0.43%

LAB 30.65, 57.61, -71.93

 

CMYK 54 / 81 / 0 / 14

HEX #642ADB

RGB 100 42 219

HSL 259.66, 0.71%, 0.51%

LAB 36.89, 63.7, -79.64

 

CMYK 56 / 83 / 0 / 41

HEX #431A97

RGB 67 26 151

HSL 259.68, 0.71%, 0.35%

LAB 24.21, 48.22, -60.29

 

CMYK 0 / 83 / 43 / 40

HEX #991A57

RGB 153 26 87

HSL 331.18, 0.71%, 0.35%

LAB 34.39, 54.34, -2.73

 

CMYK 76 / 0 / 83 / 40

HEX #24991A

RGB 36 153 26

HSL 115.28, 0.71%, 0.35%

LAB 55.31, -54.43, 52.23

 

CMYK 56 / 83 / 0 / 41

HEX #431A97

RGB 67 26 151

HSL 259.68, 0.71%, 0.35%

LAB 24.21, 48.22, -60.29

 

CMYK 0 / 57 / 83 / 40

HEX #99421A

RGB 153 66 26

HSL 18.9, 0.71%, 0.35%

LAB 39.14, 34.13, 40.23

 

CMYK 83 / 0 / 57 / 40

HEX #1A9942

RGB 26 153 66

HSL 138.9, 0.71%, 0.35%

LAB 55.48, -51.8, 36.13

 

CMYK 56 / 83 / 0 / 41

HEX #431A97

RGB 67 26 151

HSL 259.68, 0.71%, 0.35%

LAB 24.21, 48.22, -60.29

 

CMYK 0 / 83 / 43 / 40

HEX #991A57

RGB 153 26 87

HSL 331.18, 0.71%, 0.35%

LAB 34.39, 54.34, -2.73

 

CMYK 27 / 0 / 83 / 40

HEX #70991A

RGB 112 153 26

HSL 79.37, 0.71%, 0.35%

LAB 58.32, -31.85, 56.09

 

CMYK 83 / 0 / 41 / 40

HEX #1A995B

RGB 26 153 91

HSL 150.71, 0.71%, 0.35%

LAB 55.84, -47.48, 23.5

 

CMYK 56 / 83 / 0 / 41

HEX #431A97

RGB 67 26 151

HSL 259.68, 0.71%, 0.35%

LAB 24.21, 48.22, -60.29

 

CMYK 0 / 83 / 68 / 40

HEX #991A31

RGB 153 26 49

HSL 349.13, 0.71%, 0.35%

LAB 33.42, 51.42, 20.68

 

CMYK 27 / 0 / 83 / 40

HEX #70991A

RGB 112 153 26

HSL 79.37, 0.71%, 0.35%

LAB 58.32, -31.85, 56.09

 

CMYK 83 / 0 / 16 / 40

HEX #1A9981

RGB 26 153 129

HSL 168.66, 0.71%, 0.35%

LAB 56.67, -38.43, 3.35

 

Description

Color code: HEX #431A97 | qconv.com Color code: HEX #431A97 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 26 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 26 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 83 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 83% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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