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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4312B7 it is the complementary color #BCED48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4312B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4312B7 shade: #4812B2, #5924C5, #6A36D8, #7B48EB and #8C5AFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4312B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4312B7 shade: #4312B7, #3200A4, #210091, #10007E and #00006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4312B7 shade: #4212B5, #6E12B5, #9A12B5, #B512A4 and #B51278

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4312B7 shade: #4212B5, #1612B5 and #1212B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4312B7 shade matches the following richer shades: #4212B5 and #3C02C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4312B7 shade: #4212B5, #4922A5, #4F3295, #564285 and #5C5275

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4312B7 shade: #123BB5, #1512B5, #4012B5, #6C12B5 and #9712B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4312B7 shade: #270A6A, #350E8F, #4212B5, #5016DB and #672FEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4312B7 shade: #4312B7, #B51266 and #25B512

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4312B7 shade: #4312B7, #B54012 and #12B540

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4312B7 shade: #4312B7, #B51266, #87B512 and #12B561

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4312B7 shade: #4312B7, #B51235, #87B512 and #12B592

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 90 / 0 / 28

HEX #4312B7

RGB 67 18 183

HSL 257.82, 0.82%, 0.39%

LAB 26.86, 59.49, -75.28

 

Complementary color

CMYK 21 / 0 / 70 / 7

HEX #BCED48

RGB 188 237 72

HSL 77.82, 0.82%, 0.61%

LAB 87.84, -38.13, 70.86

 

CMYK 60 / 90 / 0 / 30

HEX #4812B2

RGB 72 18 178

HSL 260.25, 0.82%, 0.38%

LAB 26.8, 58.6, -72.38

 

CMYK 55 / 82 / 0 / 23

HEX #5924C5

RGB 89 36 197

HSL 259.75, 0.69%, 0.46%

LAB 32.74, 59.09, -73.76

 

CMYK 51 / 75 / 0 / 15

HEX #6A36D8

RGB 106 54 216

HSL 259.26, 0.68%, 0.53%

LAB 39, 58.61, -74.42

 

CMYK 48 / 69 / 0 / 8

HEX #7B48EB

RGB 123 72 235

HSL 258.77, 0.8%, 0.6%

LAB 45.42, 57.66, -74.66

 

CMYK 45 / 65 / 0 / 0

HEX #8C5AFE

RGB 140 90 254

HSL 258.29, 0.99%, 0.67%

LAB 51.89, 56.52, -74.69

 

CMYK 63 / 90 / 0 / 28

HEX #4312B7

RGB 67 18 183

HSL 257.82, 0.82%, 0.39%

LAB 26.86, 59.49, -75.28

 

CMYK 70 / 100 / 0 / 36

HEX #3200A4

RGB 50 0 164

HSL 258.29, 1%, 0.32%

LAB 21.43, 57.95, -72.93

 

CMYK 77 / 100 / 0 / 43

HEX #210091

RGB 33 0 145

HSL 253.66, 1%, 0.28%

LAB 17.31, 52.57, -68.13

 

CMYK 87 / 100 / 0 / 51

HEX #10007E

RGB 16 0 126

HSL 247.62, 1%, 0.25%

LAB 13.33, 47.2, -62.82

 

CMYK 100 / 100 / 0 / 58

HEX #00006B

RGB 0 0 107

HSL 240, 1%, 0.21%

LAB 9.49, 41.8, -56.93

 

CMYK 64 / 90 / 0 / 29

HEX #4212B5

RGB 66 18 181

HSL 257.67, 0.82%, 0.39%

LAB 26.53, 58.9, -74.65

 

CMYK 39 / 90 / 0 / 29

HEX #6E12B5

RGB 110 18 181

HSL 273.87, 0.82%, 0.39%

LAB 32, 63.24, -65.44

 

CMYK 15 / 90 / 0 / 29

HEX #9A12B5

RGB 154 18 181

HSL 290.06, 0.82%, 0.39%

LAB 38.97, 69.53, -53.78

 

CMYK 0 / 90 / 9 / 29

HEX #B512A4

RGB 181 18 164

HSL 306.26, 0.82%, 0.39%

LAB 42.67, 71.59, -37.46

 

CMYK 0 / 90 / 34 / 29

HEX #B51278

RGB 181 18 120

HSL 322.45, 0.82%, 0.39%

LAB 40.59, 66.11, -13.83

 

CMYK 64 / 90 / 0 / 29

HEX #4212B5

RGB 66 18 181

HSL 257.67, 0.82%, 0.39%

LAB 26.53, 58.9, -74.65

 

CMYK 88 / 90 / 0 / 29

HEX #1612B5

RGB 22 18 181

HSL 241.47, 0.82%, 0.39%

LAB 23.47, 56.82, -79.82

 

CMYK 90 / 90 / 0 / 29

HEX #1212B5

RGB 18 18 181

HSL 240, 0.82%, 0.39%

LAB 23.33, 56.73, -80.06

 

CMYK 64 / 90 / 0 / 29

HEX #4212B5

RGB 66 18 181

HSL 257.67, 0.82%, 0.39%

LAB 26.53, 58.9, -74.65

 

CMYK 70 / 99 / 0 / 23

HEX #3C02C5

RGB 60 2 197

HSL 257.85, 0.98%, 0.39%

LAB 26.84, 65.94, -83.64

 

CMYK 64 / 90 / 0 / 29

HEX #4212B5

RGB 66 18 181

HSL 257.67, 0.82%, 0.39%

LAB 26.53, 58.9, -74.65

 

CMYK 56 / 79 / 0 / 35

HEX #4922A5

RGB 73 34 165

HSL 257.86, 0.66%, 0.39%

LAB 27.51, 49.37, -63.39

 

CMYK 47 / 66 / 0 / 42

HEX #4F3295

RGB 79 50 149

HSL 257.58, 0.5%, 0.39%

LAB 29.7, 37.41, -50.04

 

CMYK 35 / 50 / 0 / 48

HEX #564285

RGB 86 66 133

HSL 257.91, 0.34%, 0.39%

LAB 33.07, 24.7, -34.72

 

CMYK 21 / 30 / 0 / 54

HEX #5C5275

RGB 92 82 117

HSL 257.14, 0.18%, 0.39%

LAB 37.1, 12.09, -18.45

 

CMYK 90 / 67 / 0 / 29

HEX #123BB5

RGB 18 59 181

HSL 224.91, 0.82%, 0.39%

LAB 30.86, 35.26, -67.57

 

CMYK 88 / 90 / 0 / 29

HEX #1512B5

RGB 21 18 181

HSL 241.1, 0.82%, 0.39%

LAB 23.43, 56.79, -79.88

 

CMYK 65 / 90 / 0 / 29

HEX #4012B5

RGB 64 18 181

HSL 256.93, 0.82%, 0.39%

LAB 26.33, 58.76, -74.99

 

CMYK 40 / 90 / 0 / 29

HEX #6C12B5

RGB 108 18 181

HSL 273.13, 0.82%, 0.39%

LAB 31.71, 63, -65.92

 

CMYK 17 / 90 / 0 / 29

HEX #9712B5

RGB 151 18 181

HSL 288.96, 0.82%, 0.39%

LAB 38.46, 69.05, -54.62

 

CMYK 63 / 91 / 0 / 58

HEX #270A6A

RGB 39 10 106

HSL 258.13, 0.83%, 0.23%

LAB 13.76, 38.8, -49.09

 

CMYK 63 / 90 / 0 / 44

HEX #350E8F

RGB 53 14 143

HSL 258.14, 0.82%, 0.31%

LAB 20.26, 49.05, -61.93

 

CMYK 64 / 90 / 0 / 29

HEX #4212B5

RGB 66 18 181

HSL 257.67, 0.82%, 0.39%

LAB 26.53, 58.9, -74.65

 

CMYK 63 / 90 / 0 / 14

HEX #5016DB

RGB 80 22 219

HSL 257.66, 0.82%, 0.47%

LAB 32.69, 68.4, -86.66

 

CMYK 56 / 80 / 0 / 8

HEX #672FEA

RGB 103 47 234

HSL 257.97, 0.82%, 0.55%

LAB 39.34, 65.94, -84.16

 

CMYK 63 / 90 / 0 / 28

HEX #4312B7

RGB 67 18 183

HSL 257.82, 0.82%, 0.39%

LAB 26.86, 59.49, -75.28

 

CMYK 0 / 90 / 44 / 29

HEX #B51266

RGB 181 18 102

HSL 329.08, 0.82%, 0.39%

LAB 39.94, 64.33, -3.51

 

CMYK 80 / 0 / 90 / 29

HEX #25B512

RGB 37 181 18

HSL 113.01, 0.82%, 0.39%

LAB 64.55, -63.32, 62.28

 

CMYK 63 / 90 / 0 / 28

HEX #4312B7

RGB 67 18 183

HSL 257.82, 0.82%, 0.39%

LAB 26.86, 59.49, -75.28

 

CMYK 0 / 65 / 90 / 29

HEX #B54012

RGB 181 64 18

HSL 16.93, 0.82%, 0.39%

LAB 43.56, 45.55, 49.24

 

CMYK 90 / 0 / 65 / 29

HEX #12B540

RGB 18 181 64

HSL 136.93, 0.82%, 0.39%

LAB 64.6, -61.9, 47.57

 

CMYK 63 / 90 / 0 / 28

HEX #4312B7

RGB 67 18 183

HSL 257.82, 0.82%, 0.39%

LAB 26.86, 59.49, -75.28

 

CMYK 0 / 90 / 44 / 29

HEX #B51266

RGB 181 18 102

HSL 329.08, 0.82%, 0.39%

LAB 39.94, 64.33, -3.51

 

CMYK 25 / 0 / 90 / 29

HEX #87B512

RGB 135 181 18

HSL 76.93, 0.82%, 0.39%

LAB 68.2, -35.77, 66.8

 

CMYK 90 / 0 / 46 / 29

HEX #12B561

RGB 18 181 97

HSL 149.08, 0.82%, 0.39%

LAB 64.99, -57.11, 32.2

 

CMYK 63 / 90 / 0 / 28

HEX #4312B7

RGB 67 18 183

HSL 257.82, 0.82%, 0.39%

LAB 26.86, 59.49, -75.28

 

CMYK 0 / 90 / 71 / 29

HEX #B51235

RGB 181 18 53

HSL 347.12, 0.82%, 0.39%

LAB 38.75, 60.99, 26.03

 

CMYK 25 / 0 / 90 / 29

HEX #87B512

RGB 135 181 18

HSL 76.93, 0.82%, 0.39%

LAB 68.2, -35.77, 66.8

 

CMYK 90 / 0 / 19 / 29

HEX #12B592

RGB 18 181 146

HSL 167.12, 0.82%, 0.39%

LAB 65.94, -46.39, 7.16

 

Description

Color code: HEX #4312B7 | qconv.com Color code: HEX #4312B7 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 18 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 18 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 90 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 90% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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