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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #430182 it is the complementary color #BCFE7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #430182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #430182 shade: #48017D, #591390, #6A25A3, #7B37B6 and #8C49C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #430182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #430182 shade: #430182, #32006F, #21005C, #100049 and #000036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #430182 shade: #440183, #670183, #83017D, #83015A and #830137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #430182 shade: #440183, #210183 and #010183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #430182 shade matches the following richer shades: #440183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #430182 shade: #440183, #440C79, #43176E, #432263 and #432C58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #430182 shade: #010683, #200183, #420183, #650183 and #83017F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #430182 shade: #1A0132, #2F015A, #440183, #5902AC and #6E02D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #430182 shade: #430182, #830128 and #01830E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #430182 shade: #430182, #834201 and #018342

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #430182 shade: #430182, #830128, #428301 and #01835C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #430182 shade: #430182, #830101, #428301 and #018383

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 99 / 0 / 49

HEX #430182

RGB 67 1 130

HSL 270.7, 0.98%, 0.26%

LAB 19.34, 50.63, -55.23

 

Complementary color

CMYK 26 / 0 / 51 / 0

HEX #BCFE7D

RGB 188 254 125

HSL 90.7, 0.98%, 0.74%

LAB 93.04, -41.36, 54.64

 

CMYK 42 / 99 / 0 / 51

HEX #48017D

RGB 72 1 125

HSL 274.35, 0.98%, 0.25%

LAB 19.56, 49.99, -51.66

 

CMYK 38 / 87 / 0 / 44

HEX #591390

RGB 89 19 144

HSL 273.6, 0.77%, 0.32%

LAB 25.57, 51.92, -53.63

 

CMYK 35 / 77 / 0 / 36

HEX #6A25A3

RGB 106 37 163

HSL 272.86, 0.63%, 0.39%

LAB 31.88, 52.66, -54.86

 

CMYK 32 / 70 / 0 / 29

HEX #7B37B6

RGB 123 55 182

HSL 272.13, 0.54%, 0.46%

LAB 38.41, 52.48, -55.49

 

CMYK 30 / 64 / 0 / 21

HEX #8C49C9

RGB 140 73 201

HSL 271.41, 0.54%, 0.54%

LAB 45.02, 51.86, -55.81

 

CMYK 48 / 99 / 0 / 49

HEX #430182

RGB 67 1 130

HSL 270.7, 0.98%, 0.26%

LAB 19.34, 50.63, -55.23

 

CMYK 55 / 100 / 0 / 56

HEX #32006F

RGB 50 0 111

HSL 267.03, 1%, 0.22%

LAB 14.55, 44.89, -51.02

 

CMYK 64 / 100 / 0 / 64

HEX #21005C

RGB 33 0 92

HSL 261.52, 1%, 0.18%

LAB 9.77, 38.79, -46.41

 

CMYK 78 / 100 / 0 / 71

HEX #100049

RGB 16 0 73

HSL 253.15, 1%, 0.14%

LAB 5.34, 31.05, -40.74

 

CMYK 100 / 100 / 0 / 79

HEX #000036

RGB 0 0 54

HSL 240, 1%, 0.11%

LAB 2.41, 16.91, -31.9

 

CMYK 48 / 99 / 0 / 49

HEX #440183

RGB 68 1 131

HSL 270.92, 0.98%, 0.26%

LAB 19.6, 50.95, -55.43

 

CMYK 21 / 99 / 0 / 49

HEX #670183

RGB 103 1 131

HSL 287.08, 0.98%, 0.26%

LAB 25.39, 55.25, -45.7

 

CMYK 0 / 99 / 5 / 49

HEX #83017D

RGB 131 1 125

HSL 302.77, 0.98%, 0.26%

LAB 30.22, 58.85, -33.87

 

CMYK 0 / 99 / 31 / 49

HEX #83015A

RGB 131 1 90

HSL 318.92, 0.98%, 0.26%

LAB 28.34, 54.13, -14.26

 

CMYK 0 / 99 / 58 / 49

HEX #830137

RGB 131 1 55

HSL 335.08, 0.98%, 0.26%

LAB 27.08, 50.82, 7.39

 

CMYK 48 / 99 / 0 / 49

HEX #440183

RGB 68 1 131

HSL 270.92, 0.98%, 0.26%

LAB 19.6, 50.95, -55.43

 

CMYK 75 / 99 / 0 / 49

HEX #210183

RGB 33 1 131

HSL 254.77, 0.98%, 0.26%

LAB 15.4, 48.62, -62.51

 

CMYK 99 / 99 / 0 / 49

HEX #010183

RGB 1 1 131

HSL 240, 0.98%, 0.26%

LAB 13.63, 47.92, -65.51

 

CMYK 48 / 99 / 0 / 49

HEX #440183

RGB 68 1 131

HSL 270.92, 0.98%, 0.26%

LAB 19.6, 50.95, -55.43

 

CMYK 48 / 99 / 0 / 49

HEX #440183

RGB 68 1 131

HSL 270.92, 0.98%, 0.26%

LAB 19.6, 50.95, -55.43

 

CMYK 44 / 90 / 0 / 53

HEX #440C79

RGB 68 12 121

HSL 270.83, 0.82%, 0.26%

LAB 19.53, 45.59, -49.18

 

CMYK 39 / 79 / 0 / 57

HEX #43176E

RGB 67 23 110

HSL 270.34, 0.65%, 0.26%

LAB 19.77, 38.46, -41.69

 

CMYK 32 / 66 / 0 / 61

HEX #432263

RGB 67 34 99

HSL 270.46, 0.49%, 0.26%

LAB 20.97, 29.7, -32.56

 

CMYK 24 / 50 / 0 / 65

HEX #432C58

RGB 67 44 88

HSL 271.36, 0.33%, 0.26%

LAB 22.65, 20.46, -22.64

 

CMYK 99 / 95 / 0 / 49

HEX #010683

RGB 1 6 131

HSL 237.69, 0.98%, 0.26%

LAB 14.26, 45.97, -64.46

 

CMYK 76 / 99 / 0 / 49

HEX #200183

RGB 32 1 131

HSL 254.31, 0.98%, 0.26%

LAB 15.32, 48.58, -62.66

 

CMYK 50 / 99 / 0 / 49

HEX #420183

RGB 66 1 131

HSL 270, 0.98%, 0.26%

LAB 19.3, 50.76, -55.92

 

CMYK 23 / 99 / 0 / 49

HEX #650183

RGB 101 1 131

HSL 286.15, 0.98%, 0.26%

LAB 25.04, 54.95, -46.3

 

CMYK 0 / 99 / 3 / 49

HEX #83017F

RGB 131 1 127

HSL 301.85, 0.98%, 0.26%

LAB 30.35, 59.16, -34.93

 

CMYK 48 / 98 / 0 / 80

HEX #1A0132

RGB 26 1 50

HSL 270.61, 0.96%, 0.1%

LAB 4.26, 22.69, -25.84

 

CMYK 48 / 99 / 0 / 65

HEX #2F015A

RGB 47 1 90

HSL 271.01, 0.98%, 0.18%

LAB 11.72, 39.04, -41.77

 

CMYK 48 / 99 / 0 / 49

HEX #440183

RGB 68 1 131

HSL 270.92, 0.98%, 0.26%

LAB 19.6, 50.95, -55.43

 

CMYK 48 / 99 / 0 / 33

HEX #5902AC

RGB 89 2 172

HSL 270.71, 0.98%, 0.34%

LAB 27.15, 61.95, -68.14

 

CMYK 48 / 99 / 0 / 16

HEX #6E02D5

RGB 110 2 213

HSL 270.71, 0.98%, 0.42%

LAB 34.32, 72.68, -80.39

 

CMYK 48 / 99 / 0 / 49

HEX #430182

RGB 67 1 130

HSL 270.7, 0.98%, 0.26%

LAB 19.34, 50.63, -55.23

 

CMYK 0 / 99 / 69 / 49

HEX #830128

RGB 131 1 40

HSL 342, 0.98%, 0.26%

LAB 26.74, 49.89, 17.15

 

CMYK 99 / 0 / 89 / 49

HEX #01830E

RGB 1 131 14

HSL 126, 0.98%, 0.26%

LAB 47.33, -51.96, 47.96

 

CMYK 48 / 99 / 0 / 49

HEX #430182

RGB 67 1 130

HSL 270.7, 0.98%, 0.26%

LAB 19.34, 50.63, -55.23

 

CMYK 0 / 50 / 99 / 49

HEX #834201

RGB 131 66 1

HSL 30, 0.98%, 0.26%

LAB 35.45, 24.2, 45.25

 

CMYK 99 / 0 / 50 / 49

HEX #018342

RGB 1 131 66

HSL 150, 0.98%, 0.26%

LAB 47.79, -46.13, 26.63

 

CMYK 48 / 99 / 0 / 49

HEX #430182

RGB 67 1 130

HSL 270.7, 0.98%, 0.26%

LAB 19.34, 50.63, -55.23

 

CMYK 0 / 99 / 69 / 49

HEX #830128

RGB 131 1 40

HSL 342, 0.98%, 0.26%

LAB 26.74, 49.89, 17.15

 

CMYK 50 / 0 / 99 / 49

HEX #428301

RGB 66 131 1

HSL 90, 0.98%, 0.26%

LAB 48.75, -40.19, 52.33

 

CMYK 99 / 0 / 30 / 49

HEX #01835C

RGB 1 131 92

HSL 162, 0.98%, 0.26%

LAB 48.27, -40.53, 12.64

 

CMYK 48 / 99 / 0 / 49

HEX #430182

RGB 67 1 130

HSL 270.7, 0.98%, 0.26%

LAB 19.34, 50.63, -55.23

 

CMYK 0 / 99 / 99 / 49

HEX #830101

RGB 131 1 1

HSL 0, 0.98%, 0.26%

LAB 26.3, 48.7, 38.62

 

CMYK 50 / 0 / 99 / 49

HEX #428301

RGB 66 131 1

HSL 90, 0.98%, 0.26%

LAB 48.75, -40.19, 52.33

 

CMYK 99 / 0 / 0 / 49

HEX #018383

RGB 1 131 131

HSL 180, 0.98%, 0.26%

LAB 49.35, -29.28, -8.61

 

Description

Color code: HEX #430182 | qconv.com Color code: HEX #430182 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 1 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 1 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 99 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 99% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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