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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #430117 it is the complementary color #BCFEE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #430117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #430117: #480112, #591325, #6A2538, #7B374B and #8C495E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #430117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #430117: #430117, #320004, #210000, #100000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 66 / 74

HEX #430117

RGB 67 1 23

HSL 340, 0.97%, 0.13%

LAB 11.11, 31.44, 5.91

 

Complementary color

CMYK 26 / 0 / 9 / 0

HEX #BCFEE8

RGB 188 254 232

HSL 160, 0.97%, 0.87%

LAB 94.91, -24.92, 3.88

 

CMYK 0 / 99 / 75 / 72

HEX #480112

RGB 72 1 18

HSL 345.63, 0.97%, 0.14%

LAB 12.24, 32.55, 11.04

 

CMYK 0 / 79 / 58 / 65

HEX #591325

RGB 89 19 37

HSL 344.57, 0.65%, 0.21%

LAB 18.9, 32.92, 7.15

 

CMYK 0 / 65 / 47 / 58

HEX #6A2538

RGB 106 37 56

HSL 343.48, 0.48%, 0.28%

LAB 25.78, 32.63, 4.15

 

CMYK 0 / 55 / 39 / 52

HEX #7B374B

RGB 123 55 75

HSL 342.35, 0.38%, 0.35%

LAB 32.81, 31.81, 2.08

 

CMYK 0 / 48 / 33 / 45

HEX #8C495E

RGB 140 73 94

HSL 341.19, 0.31%, 0.42%

LAB 39.83, 30.86, 0.53

 

CMYK 0 / 99 / 66 / 74

HEX #430117

RGB 67 1 23

HSL 340, 0.97%, 0.13%

LAB 11.11, 31.44, 5.91

 

CMYK 0 / 100 / 92 / 80

HEX #320004

RGB 50 0 4

HSL 355.2, 1%, 0.1%

LAB 6.2, 25, 8.17

 

CMYK 0 / 100 / 100 / 87

HEX #210000

RGB 33 0 0

HSL 0, 1%, 0.06%

LAB 2.92, 13.1, 4.62

 

CMYK 0 / 100 / 100 / 94

HEX #100000

RGB 16 0 0

HSL 0, 1%, 0.03%

LAB 1, 4.46, 1.57

 

CMYK 0 / 99 / 66 / 74

HEX #430117

RGB 67 1 23

HSL 340, 0.97%, 0.13%

LAB 11.11, 31.44, 5.91

 

CMYK 0 / 100 / 83 / 75

HEX #41000B

RGB 65 0 11

HSL 349.85, 1%, 0.13%

LAB 10.17, 30.57, 11.52

 

CMYK 0 / 100 / 100 / 75

HEX #410000

RGB 65 0 0

HSL 0, 1%, 0.13%

LAB 9.98, 30.06, 15.75

 

CMYK 0 / 83 / 100 / 75

HEX #410B00

RGB 65 11 0

HSL 10.15, 1%, 0.13%

LAB 11.71, 25.17, 18.16

 

CMYK 0 / 66 / 100 / 75

HEX #411600

RGB 65 22 0

HSL 20.31, 1%, 0.13%

LAB 13.81, 19.53, 20.99

 

CMYK 0 / 99 / 66 / 74

HEX #430117

RGB 67 1 23

HSL 340, 0.97%, 0.13%

LAB 11.11, 31.44, 5.91

 

CMYK 0 / 98 / 65 / 54

HEX #760229

RGB 118 2 41

HSL 339.83, 0.97%, 0.24%

LAB 23.85, 46.36, 12.14

 

CMYK 0 / 98 / 66 / 34

HEX #A9033A

RGB 169 3 58

HSL 340.12, 0.97%, 0.34%

LAB 35.61, 60.14, 18.33

 

CMYK 0 / 99 / 65 / 14

HEX #DC034C

RGB 220 3 76

HSL 339.82, 0.97%, 0.44%

LAB 46.71, 73.31, 23.46

 

CMYK 0 / 100 / 69 / 94

HEX #100005

RGB 16 0 5

HSL 341.25, 1%, 0.03%

LAB 1.09, 5.16, -0.32

 

CMYK 0 / 99 / 66 / 74

HEX #430117

RGB 67 1 23

HSL 340, 0.97%, 0.13%

LAB 11.11, 31.44, 5.91

 

CMYK 0 / 14 / 100 / 75

HEX #413800

RGB 65 56 0

HSL 51.69, 1%, 0.13%

LAB 23.51, -2.49, 32.34

 

CMYK 100 / 26 / 0 / 75

HEX #003041

RGB 0 48 65

HSL 195.69, 1%, 0.13%

LAB 17.9, -7.82, -14.93

 

CMYK 0 / 99 / 66 / 74

HEX #430117

RGB 67 1 23

HSL 340, 0.97%, 0.13%

LAB 11.11, 31.44, 5.91

 

CMYK 66 / 0 / 100 / 75

HEX #164100

RGB 22 65 0

HSL 99.69, 1%, 0.13%

LAB 23.51, -27.35, 31.3

 

CMYK 100 / 66 / 0 / 75

HEX #001641

RGB 0 22 65

HSL 219.69, 1%, 0.13%

LAB 8.61, 11.64, -29.75

 

CMYK 0 / 99 / 66 / 74

HEX #430117

RGB 67 1 23

HSL 340, 0.97%, 0.13%

LAB 11.11, 31.44, 5.91

 

CMYK 0 / 14 / 100 / 75

HEX #413800

RGB 65 56 0

HSL 51.69, 1%, 0.13%

LAB 23.51, -2.49, 32.34

 

CMYK 100 / 0 / 34 / 75

HEX #00412B

RGB 0 65 43

HSL 159.69, 1%, 0.13%

LAB 23.52, -25.18, 8.23

 

CMYK 100 / 86 / 0 / 75

HEX #000941

RGB 0 9 65

HSL 231.69, 1%, 0.13%

LAB 5.21, 19.99, -35.32

 

CMYK 0 / 99 / 66 / 74

HEX #430117

RGB 67 1 23

HSL 340, 0.97%, 0.13%

LAB 11.11, 31.44, 5.91

 

CMYK 17 / 0 / 100 / 75

HEX #364100

RGB 54 65 0

HSL 70.15, 1%, 0.13%

LAB 25.46, -13.76, 33.86

 

CMYK 100 / 0 / 34 / 75

HEX #00412B

RGB 0 65 43

HSL 159.69, 1%, 0.13%

LAB 23.52, -25.18, 8.23

 

CMYK 83 / 100 / 0 / 75

HEX #0B0041

RGB 11 0 65

HSL 250.15, 1%, 0.13%

LAB 4.09, 26.23, -37.13

 

Description

Color code: HEX #430117 | qconv.com Color code: HEX #430117 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 1 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 1 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 66 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 66% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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