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Color name
HEX #42F495

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42F495 it is the complementary color #BD0B6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42F495. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42F495 shade: #47F490, #58FFA3, #69FFB6, #7AFFC9 and #8BFFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42F495. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42F495 shade: #42F495, #31E282, #20D06F, #0FBE5C and #00AC49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42F495 shade: #43F496, #43F466, #50F443, #80F443 and #AFF443

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42F495 shade: #43F496, #43F4C5, #43F3F4, #43C3F4 and #4394F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42F495 shade matches the following richer shades: #43F496

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42F495 shade: #43F496, #53E497, #63D498, #73C499 and #83B49A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42F495 shade: #52F443, #43F463, #43F493, #43F4C2 and #43F4F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42F495 shade: #0DD86B, #1CF280, #43F496, #6AF6AB and #91F9C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42F495 shade: #42F495, #4381F4 and #F44C43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42F495 shade: #42F495, #9343F4 and #F49343

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42F495 shade: #42F495, #4381F4, #F443A4 and #F4B643

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42F495 shade: #42F495, #434CF4, #F443A4 and #F4EB43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 39 / 4

HEX #42F495

RGB 66 244 149

HSL 147.98, 0.89%, 0.61%

LAB 86.02, -64.98, 33.31

 

Complementary color

CMYK 0 / 94 / 44 / 26

HEX #BD0B6A

RGB 189 11 106

HSL 327.98, 0.89%, 0.39%

LAB 41.37, 67.44, -3.73

 

CMYK 71 / 0 / 41 / 4

HEX #47F490

RGB 71 244 144

HSL 145.32, 0.89%, 0.62%

LAB 86.03, -65.16, 35.84

 

CMYK 65 / 0 / 36 / 0

HEX #58FFA3

RGB 88 255 163

HSL 146.95, 1%, 0.67%

LAB 89.97, -63.08, 31.64

 

CMYK 59 / 0 / 29 / 0

HEX #69FFB6

RGB 105 255 182

HSL 150.8, 1%, 0.71%

LAB 90.73, -56.36, 23.16

 

CMYK 52 / 0 / 21 / 0

HEX #7AFFC9

RGB 122 255 201

HSL 155.64, 1%, 0.74%

LAB 91.63, -48.96, 14.77

 

CMYK 45 / 0 / 14 / 0

HEX #8BFFDC

RGB 139 255 220

HSL 161.9, 1%, 0.77%

LAB 92.65, -41.02, 6.53

 

CMYK 73 / 0 / 39 / 4

HEX #42F495

RGB 66 244 149

HSL 147.98, 0.89%, 0.61%

LAB 86.02, -64.98, 33.31

 

CMYK 78 / 0 / 42 / 11

HEX #31E282

RGB 49 226 130

HSL 147.46, 0.75%, 0.54%

LAB 79.99, -64.12, 34.86

 

CMYK 85 / 0 / 47 / 18

HEX #20D06F

RGB 32 208 111

HSL 146.93, 0.73%, 0.47%

LAB 73.91, -62.89, 36.51

 

CMYK 92 / 0 / 52 / 25

HEX #0FBE5C

RGB 15 190 92

HSL 146.4, 0.85%, 0.4%

LAB 67.8, -61.15, 38.24

 

CMYK 100 / 0 / 58 / 33

HEX #00AC49

RGB 0 172 73

HSL 145.47, 1%, 0.34%

LAB 61.64, -58.85, 40.02

 

CMYK 73 / 0 / 39 / 4

HEX #43F496

RGB 67 244 150

HSL 148.14, 0.89%, 0.61%

LAB 86.05, -64.67, 32.86

 

CMYK 73 / 0 / 58 / 4

HEX #43F466

RGB 67 244 102

HSL 131.86, 0.89%, 0.61%

LAB 85.43, -71.91, 54.88

 

CMYK 67 / 0 / 73 / 4

HEX #50F443

RGB 80 244 67

HSL 115.59, 0.89%, 0.61%

LAB 85.41, -73.11, 68.71

 

CMYK 48 / 0 / 73 / 4

HEX #80F443

RGB 128 244 67

HSL 99.32, 0.89%, 0.61%

LAB 86.85, -61.67, 70.62

 

CMYK 28 / 0 / 73 / 4

HEX #AFF443

RGB 175 244 67

HSL 83.39, 0.89%, 0.61%

LAB 89.03, -46.29, 73.5

 

CMYK 73 / 0 / 39 / 4

HEX #43F496

RGB 67 244 150

HSL 148.14, 0.89%, 0.61%

LAB 86.05, -64.67, 32.86

 

CMYK 73 / 0 / 19 / 4

HEX #43F4C5

RGB 67 244 197

HSL 164.07, 0.89%, 0.61%

LAB 86.96, -54.84, 10.02

 

CMYK 73 / 0 / 0 / 4

HEX #43F3F4

RGB 67 243 244

HSL 180.34, 0.89%, 0.61%

LAB 87.88, -42.29, -13.18

 

CMYK 73 / 20 / 0 / 4

HEX #43C3F4

RGB 67 195 244

HSL 196.61, 0.89%, 0.61%

LAB 74.03, -19.22, -34.26

 

CMYK 73 / 39 / 0 / 4

HEX #4394F4

RGB 67 148 244

HSL 212.54, 0.89%, 0.61%

LAB 60.7, 6.92, -55.2

 

CMYK 73 / 0 / 39 / 4

HEX #43F496

RGB 67 244 150

HSL 148.14, 0.89%, 0.61%

LAB 86.05, -64.67, 32.86

 

CMYK 73 / 0 / 39 / 4

HEX #43F496

RGB 67 244 150

HSL 148.14, 0.89%, 0.61%

LAB 86.05, -64.67, 32.86

 

CMYK 64 / 0 / 34 / 11

HEX #53E497

RGB 83 228 151

HSL 148.14, 0.73%, 0.61%

LAB 81.6, -55.94, 26.44

 

CMYK 53 / 0 / 28 / 17

HEX #63D498

RGB 99 212 152

HSL 148.14, 0.57%, 0.61%

LAB 77.28, -45.92, 20.11

 

CMYK 41 / 0 / 22 / 23

HEX #73C499

RGB 115 196 153

HSL 148.15, 0.41%, 0.61%

LAB 73.17, -34.5, 13.94

 

CMYK 27 / 0 / 14 / 29

HEX #83B49A

RGB 131 180 154

HSL 148.16, 0.25%, 0.61%

LAB 69.33, -21.73, 8.06

 

CMYK 66 / 0 / 73 / 4

HEX #52F443

RGB 82 244 67

HSL 114.92, 0.89%, 0.61%

LAB 85.45, -72.73, 68.77

 

CMYK 73 / 0 / 59 / 4

HEX #43F463

RGB 67 244 99

HSL 130.85, 0.89%, 0.61%

LAB 85.4, -72.26, 56.15

 

CMYK 73 / 0 / 40 / 4

HEX #43F493

RGB 67 244 147

HSL 147.12, 0.89%, 0.61%

LAB 86.01, -65.2, 34.3

 

CMYK 73 / 0 / 20 / 4

HEX #43F4C2

RGB 67 244 194

HSL 163.05, 0.89%, 0.61%

LAB 86.89, -55.54, 11.48

 

CMYK 73 / 0 / 1 / 4

HEX #43F4F1

RGB 67 244 241

HSL 178.98, 0.89%, 0.61%

LAB 88.09, -43.57, -11.31

 

CMYK 94 / 0 / 50 / 15

HEX #0DD86B

RGB 13 216 107

HSL 147.78, 0.89%, 0.45%

LAB 76.23, -67.33, 41.36

 

CMYK 88 / 0 / 47 / 5

HEX #1CF280

RGB 28 242 128

HSL 148.04, 0.89%, 0.53%

LAB 84.64, -71.62, 41.78

 

CMYK 73 / 0 / 39 / 4

HEX #43F496

RGB 67 244 150

HSL 148.14, 0.89%, 0.61%

LAB 86.05, -64.67, 32.86

 

CMYK 57 / 0 / 30 / 4

HEX #6AF6AB

RGB 106 246 171

HSL 147.86, 0.89%, 0.69%

LAB 87.93, -54.69, 24.92

 

CMYK 42 / 0 / 22 / 2

HEX #91F9C1

RGB 145 249 193

HSL 147.69, 0.9%, 0.77%

LAB 90.61, -42.41, 17.57

 

CMYK 73 / 0 / 39 / 4

HEX #42F495

RGB 66 244 149

HSL 147.98, 0.89%, 0.61%

LAB 86.02, -64.98, 33.31

 

CMYK 73 / 47 / 0 / 4

HEX #4381F4

RGB 67 129 244

HSL 218.98, 0.89%, 0.61%

LAB 55.51, 18.39, -63.51

 

CMYK 0 / 69 / 73 / 4

HEX #F44C43

RGB 244 76 67

HSL 3.05, 0.89%, 0.61%

LAB 56.89, 63.33, 42.1

 

CMYK 73 / 0 / 39 / 4

HEX #42F495

RGB 66 244 149

HSL 147.98, 0.89%, 0.61%

LAB 86.02, -64.98, 33.31

 

CMYK 40 / 73 / 0 / 4

HEX #9343F4

RGB 147 67 244

HSL 267.12, 0.89%, 0.61%

LAB 47.94, 66.21, -75.5

 

CMYK 0 / 40 / 73 / 4

HEX #F49343

RGB 244 147 67

HSL 27.12, 0.89%, 0.61%

LAB 69.83, 30.3, 56.09

 

CMYK 73 / 0 / 39 / 4

HEX #42F495

RGB 66 244 149

HSL 147.98, 0.89%, 0.61%

LAB 86.02, -64.98, 33.31

 

CMYK 73 / 47 / 0 / 4

HEX #4381F4

RGB 67 129 244

HSL 218.98, 0.89%, 0.61%

LAB 55.51, 18.39, -63.51

 

CMYK 0 / 73 / 33 / 4

HEX #F443A4

RGB 244 67 164

HSL 327.12, 0.89%, 0.61%

LAB 57.97, 73.78, -12.91

 

CMYK 0 / 25 / 73 / 4

HEX #F4B643

RGB 244 182 67

HSL 38.98, 0.89%, 0.61%

LAB 77.93, 11.91, 64.34

 

CMYK 73 / 0 / 39 / 4

HEX #42F495

RGB 66 244 149

HSL 147.98, 0.89%, 0.61%

LAB 86.02, -64.98, 33.31

 

CMYK 73 / 69 / 0 / 4

HEX #434CF4

RGB 67 76 244

HSL 236.95, 0.89%, 0.61%

LAB 42.6, 50.76, -84.52

 

CMYK 0 / 73 / 33 / 4

HEX #F443A4

RGB 244 67 164

HSL 327.12, 0.89%, 0.61%

LAB 57.97, 73.78, -12.91

 

CMYK 0 / 4 / 73 / 4

HEX #F4EB43

RGB 244 235 67

HSL 56.95, 0.89%, 0.61%

LAB 91.26, -15.07, 77.27

 

Description

Color code: HEX #42F495 | qconv.com Color code: HEX #42F495 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 244 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 244 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 39 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 39% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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