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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42E346 it is the complementary color #BD1CB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42E346. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42E346 shade: #47E341, #58F554, #69FF67, #7AFF7A and #8BFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42E346. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42E346 shade: #42E346, #31D133, #20BF20, #0FAD0D and #009B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42E346 shade: #40E244, #68E240, #94E240, #BFE240 and #E2DA40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42E346 shade: #40E244, #40E270, #40E29C, #40E2C8 and #40D2E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42E346 shade matches the following richer shades: #40E244 and #2EF433

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42E346 shade: #40E244, #52D155, #64BF66, #75AD77 and #879C88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42E346 shade: #94E240, #69E240, #40E243, #40E26E and #40E299

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42E346 shade: #1BB51F, #20D925, #40E244, #64E867 and #88ED8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42E346 shade: #42E346, #40BFE2 and #E2407E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42E346 shade: #42E346, #4340E2 and #E24340

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42E346 shade: #42E346, #40BFE2, #E240E0 and #E26340

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42E346 shade: #42E346, #408FE2, #E240E0 and #E29440

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 69 / 11

HEX #42E346

RGB 66 227 70

HSL 121.49, 0.74%, 0.57%

LAB 79.92, -69.93, 61.89

 

Complementary color

CMYK 0 / 85 / 2 / 26

HEX #BD1CB9

RGB 189 28 185

HSL 301.49, 0.74%, 0.43%

LAB 45.84, 74.47, -44.78

 

CMYK 69 / 0 / 71 / 11

HEX #47E341

RGB 71 227 65

HSL 117.78, 0.74%, 0.57%

LAB 79.99, -69.49, 63.83

 

CMYK 64 / 0 / 66 / 4

HEX #58F554

RGB 88 245 84

HSL 118.51, 0.89%, 0.65%

LAB 86.02, -70.49, 63.16

 

CMYK 59 / 0 / 60 / 0

HEX #69FF67

RGB 105 255 103

HSL 119.21, 1%, 0.7%

LAB 89.63, -68.4, 59.51

 

CMYK 52 / 0 / 52 / 0

HEX #7AFF7A

RGB 122 255 122

HSL 120, 1%, 0.74%

LAB 90.35, -62.18, 52.08

 

CMYK 45 / 0 / 45 / 0

HEX #8BFF8D

RGB 139 255 141

HSL 121.03, 1%, 0.77%

LAB 91.2, -55.21, 44.35

 

CMYK 71 / 0 / 69 / 11

HEX #42E346

RGB 66 227 70

HSL 121.49, 0.74%, 0.57%

LAB 79.92, -69.93, 61.89

 

CMYK 77 / 0 / 76 / 18

HEX #31D133

RGB 49 209 51

HSL 120.75, 0.63%, 0.51%

LAB 73.86, -68.43, 62.34

 

CMYK 83 / 0 / 83 / 25

HEX #20BF20

RGB 32 191 32

HSL 120, 0.71%, 0.44%

LAB 67.78, -66.28, 62.06

 

CMYK 91 / 0 / 92 / 32

HEX #0FAD0D

RGB 15 173 13

HSL 119.25, 0.86%, 0.36%

LAB 61.67, -63.31, 60.55

 

CMYK 100 / 0 / 100 / 39

HEX #009B00

RGB 0 155 0

HSL 120, 1%, 0.3%

LAB 55.53, -59.42, 57.35

 

CMYK 72 / 0 / 70 / 11

HEX #40E244

RGB 64 226 68

HSL 121.48, 0.74%, 0.57%

LAB 79.56, -70.12, 62.25

 

CMYK 54 / 0 / 72 / 11

HEX #68E240

RGB 104 226 64

HSL 105.19, 0.74%, 0.57%

LAB 80.58, -61.93, 65.07

 

CMYK 35 / 0 / 72 / 11

HEX #94E240

RGB 148 226 64

HSL 88.89, 0.74%, 0.57%

LAB 82.41, -48.45, 67.52

 

CMYK 15 / 0 / 72 / 11

HEX #BFE240

RGB 191 226 64

HSL 72.96, 0.74%, 0.57%

LAB 84.91, -32.41, 70.82

 

CMYK 0 / 4 / 72 / 11

HEX #E2DA40

RGB 226 218 64

HSL 57.04, 0.74%, 0.57%

LAB 85.34, -14.29, 72.13

 

CMYK 72 / 0 / 70 / 11

HEX #40E244

RGB 64 226 68

HSL 121.48, 0.74%, 0.57%

LAB 79.56, -70.12, 62.25

 

CMYK 72 / 0 / 50 / 11

HEX #40E270

RGB 64 226 112

HSL 137.78, 0.74%, 0.57%

LAB 79.98, -65.04, 43.74

 

CMYK 72 / 0 / 31 / 11

HEX #40E29C

RGB 64 226 156

HSL 154.07, 0.74%, 0.57%

LAB 80.67, -57.25, 22.53

 

CMYK 72 / 0 / 12 / 11

HEX #40E2C8

RGB 64 226 200

HSL 170.37, 0.74%, 0.57%

LAB 81.65, -47.03, 0.77

 

CMYK 72 / 7 / 0 / 11

HEX #40D2E2

RGB 64 210 226

HSL 185.93, 0.74%, 0.57%

LAB 77.68, -32.61, -19

 

CMYK 72 / 0 / 70 / 11

HEX #40E244

RGB 64 226 68

HSL 121.48, 0.74%, 0.57%

LAB 79.56, -70.12, 62.25

 

CMYK 81 / 0 / 79 / 4

HEX #2EF433

RGB 46 244 51

HSL 121.52, 0.9%, 0.57%

LAB 84.75, -79.08, 72.81

 

CMYK 72 / 0 / 70 / 11

HEX #40E244

RGB 64 226 68

HSL 121.48, 0.74%, 0.57%

LAB 79.56, -70.12, 62.25

 

CMYK 61 / 0 / 59 / 18

HEX #52D155

RGB 82 209 85

HSL 121.42, 0.58%, 0.57%

LAB 74.86, -59.25, 50.24

 

CMYK 48 / 0 / 47 / 25

HEX #64BF66

RGB 100 191 102

HSL 121.32, 0.42%, 0.57%

LAB 70.13, -45.48, 36.57

 

CMYK 32 / 0 / 31 / 32

HEX #75AD77

RGB 117 173 119

HSL 122.14, 0.25%, 0.57%

LAB 65.75, -29.43, 22.08

 

CMYK 13 / 0 / 13 / 39

HEX #879C88

RGB 135 156 136

HSL 122.86, 0.1%, 0.57%

LAB 62.26, -11.4, 8

 

CMYK 35 / 0 / 72 / 11

HEX #94E240

RGB 148 226 64

HSL 88.89, 0.74%, 0.57%

LAB 82.41, -48.45, 67.52

 

CMYK 54 / 0 / 72 / 11

HEX #69E240

RGB 105 226 64

HSL 104.81, 0.74%, 0.57%

LAB 80.61, -61.66, 65.12

 

CMYK 72 / 0 / 70 / 11

HEX #40E243

RGB 64 226 67

HSL 121.11, 0.74%, 0.57%

LAB 79.55, -70.2, 62.61

 

CMYK 72 / 0 / 51 / 11

HEX #40E26E

RGB 64 226 110

HSL 137.04, 0.74%, 0.57%

LAB 79.96, -65.33, 44.66

 

CMYK 72 / 0 / 32 / 11

HEX #40E299

RGB 64 226 153

HSL 152.96, 0.74%, 0.57%

LAB 80.62, -57.87, 24.01

 

CMYK 85 / 0 / 83 / 29

HEX #1BB51F

RGB 27 181 31

HSL 121.56, 0.74%, 0.41%

LAB 64.47, -63.9, 59.26

 

CMYK 85 / 0 / 83 / 15

HEX #20D925

RGB 32 217 37

HSL 121.62, 0.74%, 0.49%

LAB 76.11, -73.53, 68.4

 

CMYK 72 / 0 / 70 / 11

HEX #40E244

RGB 64 226 68

HSL 121.48, 0.74%, 0.57%

LAB 79.56, -70.12, 62.25

 

CMYK 57 / 0 / 56 / 9

HEX #64E867

RGB 100 232 103

HSL 121.36, 0.74%, 0.65%

LAB 82.59, -61.34, 51.3

 

CMYK 43 / 0 / 41 / 7

HEX #88ED8B

RGB 136 237 139

HSL 121.78, 0.74%, 0.73%

LAB 85.84, -48.98, 38.44

 

CMYK 71 / 0 / 69 / 11

HEX #42E346

RGB 66 227 70

HSL 121.49, 0.74%, 0.57%

LAB 79.92, -69.93, 61.89

 

CMYK 72 / 15 / 0 / 11

HEX #40BFE2

RGB 64 191 226

HSL 192.96, 0.74%, 0.57%

LAB 72.12, -23.27, -27.47

 

CMYK 0 / 72 / 44 / 11

HEX #E2407E

RGB 226 64 126

HSL 337.04, 0.74%, 0.57%

LAB 53.32, 66.16, 2.32

 

CMYK 71 / 0 / 69 / 11

HEX #42E346

RGB 66 227 70

HSL 121.49, 0.74%, 0.57%

LAB 79.92, -69.93, 61.89

 

CMYK 70 / 72 / 0 / 11

HEX #4340E2

RGB 67 64 226

HSL 241.11, 0.74%, 0.57%

LAB 38.47, 51.7, -81.15

 

CMYK 0 / 70 / 72 / 11

HEX #E24340

RGB 226 67 64

HSL 1.11, 0.74%, 0.57%

LAB 52.46, 60.89, 37.87

 

CMYK 71 / 0 / 69 / 11

HEX #42E346

RGB 66 227 70

HSL 121.49, 0.74%, 0.57%

LAB 79.92, -69.93, 61.89

 

CMYK 72 / 15 / 0 / 11

HEX #40BFE2

RGB 64 191 226

HSL 192.96, 0.74%, 0.57%

LAB 72.12, -23.27, -27.47

 

CMYK 0 / 72 / 1 / 11

HEX #E240E0

RGB 226 64 224

HSL 300.74, 0.74%, 0.57%

LAB 57.29, 78.52, -48.63

 

CMYK 0 / 56 / 72 / 11

HEX #E26340

RGB 226 99 64

HSL 12.96, 0.74%, 0.57%

LAB 57.52, 47.35, 43.6

 

CMYK 71 / 0 / 69 / 11

HEX #42E346

RGB 66 227 70

HSL 121.49, 0.74%, 0.57%

LAB 79.92, -69.93, 61.89

 

CMYK 72 / 37 / 0 / 11

HEX #408FE2

RGB 64 143 226

HSL 210.74, 0.74%, 0.57%

LAB 58.25, 3.13, -49.13

 

CMYK 0 / 72 / 1 / 11

HEX #E240E0

RGB 226 64 224

HSL 300.74, 0.74%, 0.57%

LAB 57.29, 78.52, -48.63

 

CMYK 0 / 35 / 72 / 11

HEX #E29440

RGB 226 148 64

HSL 31.11, 0.74%, 0.57%

LAB 67.81, 22.22, 54.66

 

Description

Color code: HEX #42E346 | qconv.com Color code: HEX #42E346 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 227 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 227 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 69 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 69% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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