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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42DA7B it is the complementary color #BD2584. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42DA7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42DA7B shade: #47DA76, #58EC89, #69FE9C, #7AFFAF and #8BFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42DA7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42DA7B shade: #42DA7B, #31C868, #20B655, #0FA442 and #00922F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42DA7B shade: #44DA7C, #44DA53, #5CDA44, #85DA44 and #ADDA44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42DA7B shade: #44DA7C, #44DAA5, #44DACD, #44BEDA and #4496DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42DA7B shade matches the following richer shades: #44DA7C, #31EC77 and #1FFE73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42DA7B shade: #44DA7C, #56C881, #68B685, #7AA48A and #8C918E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42DA7B shade: #5DDA44, #44DA53, #44DA7B, #44DAA3 and #44DACB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42DA7B shade: #22AA55, #28CC66, #44DA7C, #66E194 and #89E8AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42DA7B shade: #42DA7B, #4485DA and #DA4449

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42DA7B shade: #42DA7B, #7B44DA and #DA7B44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42DA7B shade: #42DA7B, #4485DA, #DA44A3 and #DA9944

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42DA7B shade: #42DA7B, #4458DA, #DA44A3 and #DAC644

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 44 / 15

HEX #42DA7B

RGB 66 218 123

HSL 142.5, 0.67%, 0.56%

LAB 77.72, -60.17, 35.48

 

Complementary color

CMYK 0 / 80 / 30 / 26

HEX #BD2584

RGB 189 37 132

HSL 322.5, 0.67%, 0.44%

LAB 43.96, 65.36, -15.97

 

CMYK 67 / 0 / 46 / 15

HEX #47DA76

RGB 71 218 118

HSL 139.18, 0.67%, 0.57%

LAB 77.75, -60.15, 38.04

 

CMYK 63 / 0 / 42 / 7

HEX #58EC89

RGB 88 236 137

HSL 139.86, 0.8%, 0.64%

LAB 83.9, -60.53, 36.6

 

CMYK 59 / 0 / 39 / 0

HEX #69FE9C

RGB 105 254 156

HSL 140.54, 0.99%, 0.7%

LAB 89.99, -60.73, 35.23

 

CMYK 52 / 0 / 31 / 0

HEX #7AFFAF

RGB 122 255 175

HSL 143.91, 1%, 0.74%

LAB 91.12, -54.05, 27.32

 

CMYK 45 / 0 / 24 / 0

HEX #8BFFC2

RGB 139 255 194

HSL 148.45, 1%, 0.77%

LAB 92.09, -46.37, 19.09

 

CMYK 70 / 0 / 44 / 15

HEX #42DA7B

RGB 66 218 123

HSL 142.5, 0.67%, 0.56%

LAB 77.72, -60.17, 35.48

 

CMYK 76 / 0 / 48 / 22

HEX #31C868

RGB 49 200 104

HSL 141.85, 0.61%, 0.49%

LAB 71.53, -59.42, 37.03

 

CMYK 82 / 0 / 53 / 29

HEX #20B655

RGB 32 182 85

HSL 141.2, 0.7%, 0.42%

LAB 65.29, -58.24, 38.65

 

CMYK 91 / 0 / 60 / 36

HEX #0FA442

RGB 15 164 66

HSL 140.54, 0.83%, 0.35%

LAB 59.02, -56.45, 40.28

 

CMYK 100 / 0 / 68 / 43

HEX #00922F

RGB 0 146 47

HSL 139.32, 1%, 0.29%

LAB 52.69, -53.96, 41.78

 

CMYK 69 / 0 / 43 / 15

HEX #44DA7C

RGB 68 218 124

HSL 142.4, 0.67%, 0.56%

LAB 77.77, -59.67, 35.06

 

CMYK 69 / 0 / 62 / 15

HEX #44DA53

RGB 68 218 83

HSL 126, 0.67%, 0.56%

LAB 77.28, -65.39, 53.79

 

CMYK 58 / 0 / 69 / 15

HEX #5CDA44

RGB 92 218 68

HSL 110.4, 0.67%, 0.56%

LAB 77.78, -61.79, 60.6

 

CMYK 39 / 0 / 69 / 15

HEX #85DA44

RGB 133 218 68

HSL 94, 0.67%, 0.56%

LAB 79.36, -49.96, 62.73

 

CMYK 21 / 0 / 69 / 15

HEX #ADDA44

RGB 173 218 68

HSL 78, 0.67%, 0.56%

LAB 81.54, -35.54, 65.66

 

CMYK 69 / 0 / 43 / 15

HEX #44DA7C

RGB 68 218 124

HSL 142.4, 0.67%, 0.56%

LAB 77.77, -59.67, 35.06

 

CMYK 69 / 0 / 24 / 15

HEX #44DAA5

RGB 68 218 165

HSL 158.8, 0.67%, 0.56%

LAB 78.51, -51.59, 14.83

 

CMYK 69 / 0 / 6 / 15

HEX #44DACD

RGB 68 218 205

HSL 174.8, 0.67%, 0.56%

LAB 79.49, -41.72, -5.05

 

CMYK 69 / 13 / 0 / 15

HEX #44BEDA

RGB 68 190 218

HSL 191.2, 0.67%, 0.56%

LAB 71.63, -24.72, -23.86

 

CMYK 69 / 31 / 0 / 15

HEX #4496DA

RGB 68 150 218

HSL 207.2, 0.67%, 0.56%

LAB 59.98, -3.16, -41.93

 

CMYK 69 / 0 / 43 / 15

HEX #44DA7C

RGB 68 218 124

HSL 142.4, 0.67%, 0.56%

LAB 77.77, -59.67, 35.06

 

CMYK 79 / 0 / 50 / 7

HEX #31EC77

RGB 49 236 119

HSL 142.46, 0.83%, 0.56%

LAB 82.9, -69.31, 43.96

 

CMYK 88 / 0 / 55 / 0

HEX #1FFE73

RGB 31 254 115

HSL 142.6, 0.99%, 0.56%

LAB 88.17, -77.13, 52.21

 

CMYK 69 / 0 / 43 / 15

HEX #44DA7C

RGB 68 218 124

HSL 142.4, 0.67%, 0.56%

LAB 77.77, -59.67, 35.06

 

CMYK 57 / 0 / 36 / 22

HEX #56C881

RGB 86 200 129

HSL 142.63, 0.51%, 0.56%

LAB 72.81, -48.31, 26.04

 

CMYK 43 / 0 / 27 / 29

HEX #68B685

RGB 104 182 133

HSL 142.31, 0.35%, 0.56%

LAB 68.09, -35.11, 17.59

 

CMYK 26 / 0 / 16 / 36

HEX #7AA48A

RGB 122 164 138

HSL 142.86, 0.19%, 0.56%

LAB 63.77, -19.74, 8.92

 

CMYK 3 / 0 / 2 / 43

HEX #8C918E

RGB 140 145 142

HSL 144, 0.02%, 0.56%

LAB 59.69, -2.41, 0.95

 

CMYK 57 / 0 / 69 / 15

HEX #5DDA44

RGB 93 218 68

HSL 110, 0.67%, 0.56%

LAB 77.81, -61.55, 60.64

 

CMYK 69 / 0 / 62 / 15

HEX #44DA53

RGB 68 218 83

HSL 126, 0.67%, 0.56%

LAB 77.28, -65.39, 53.79

 

CMYK 69 / 0 / 44 / 15

HEX #44DA7B

RGB 68 218 123

HSL 142, 0.67%, 0.56%

LAB 77.76, -59.84, 35.54

 

CMYK 69 / 0 / 25 / 15

HEX #44DAA3

RGB 68 218 163

HSL 158, 0.67%, 0.56%

LAB 78.47, -52.04, 15.83

 

CMYK 69 / 0 / 7 / 15

HEX #44DACB

RGB 68 218 203

HSL 174, 0.67%, 0.56%

LAB 79.43, -42.25, -4.06

 

CMYK 80 / 0 / 50 / 33

HEX #22AA55

RGB 34 170 85

HSL 142.5, 0.67%, 0.4%

LAB 61.43, -53.87, 33.88

 

CMYK 80 / 0 / 50 / 20

HEX #28CC66

RGB 40 204 102

HSL 142.68, 0.67%, 0.48%

LAB 72.63, -62.22, 39.36

 

CMYK 69 / 0 / 43 / 15

HEX #44DA7C

RGB 68 218 124

HSL 142.4, 0.67%, 0.56%

LAB 77.77, -59.67, 35.06

 

CMYK 55 / 0 / 34 / 12

HEX #66E194

RGB 102 225 148

HSL 142.44, 0.67%, 0.64%

LAB 81.19, -51.38, 27.53

 

CMYK 41 / 0 / 26 / 9

HEX #89E8AC

RGB 137 232 172

HSL 142.11, 0.67%, 0.72%

LAB 85, -41.03, 20.55

 

CMYK 70 / 0 / 44 / 15

HEX #42DA7B

RGB 66 218 123

HSL 142.5, 0.67%, 0.56%

LAB 77.72, -60.17, 35.48

 

CMYK 69 / 39 / 0 / 15

HEX #4485DA

RGB 68 133 218

HSL 214, 0.67%, 0.56%

LAB 55.14, 6.85, -49.59

 

CMYK 0 / 69 / 67 / 15

HEX #DA4449

RGB 218 68 73

HSL 358, 0.67%, 0.56%

LAB 51.29, 58.45, 30.96

 

CMYK 70 / 0 / 44 / 15

HEX #42DA7B

RGB 66 218 123

HSL 142.5, 0.67%, 0.56%

LAB 77.72, -60.17, 35.48

 

CMYK 44 / 69 / 0 / 15

HEX #7B44DA

RGB 123 68 218

HSL 262, 0.67%, 0.56%

LAB 43.37, 55.18, -68.35

 

CMYK 0 / 44 / 69 / 15

HEX #DA7B44

RGB 218 123 68

HSL 22, 0.67%, 0.56%

LAB 61.21, 32.41, 45.33

 

CMYK 70 / 0 / 44 / 15

HEX #42DA7B

RGB 66 218 123

HSL 142.5, 0.67%, 0.56%

LAB 77.72, -60.17, 35.48

 

CMYK 69 / 39 / 0 / 15

HEX #4485DA

RGB 68 133 218

HSL 214, 0.67%, 0.56%

LAB 55.14, 6.85, -49.59

 

CMYK 0 / 69 / 25 / 15

HEX #DA44A3

RGB 218 68 163

HSL 322, 0.67%, 0.56%

LAB 53.69, 66.63, -19.23

 

CMYK 0 / 30 / 69 / 15

HEX #DA9944

RGB 218 153 68

HSL 34, 0.67%, 0.56%

LAB 68.1, 16.37, 52.86

 

CMYK 70 / 0 / 44 / 15

HEX #42DA7B

RGB 66 218 123

HSL 142.5, 0.67%, 0.56%

LAB 77.72, -60.17, 35.48

 

CMYK 69 / 60 / 0 / 15

HEX #4458DA

RGB 68 88 218

HSL 232, 0.67%, 0.56%

LAB 43.17, 34.88, -68.87

 

CMYK 0 / 69 / 25 / 15

HEX #DA44A3

RGB 218 68 163

HSL 322, 0.67%, 0.56%

LAB 53.69, 66.63, -19.23

 

CMYK 0 / 9 / 69 / 15

HEX #DAC644

RGB 218 198 68

HSL 52, 0.67%, 0.56%

LAB 79.45, -7.39, 64.64

 

Description

Color code: HEX #42DA7B | qconv.com Color code: HEX #42DA7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 218 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 218 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 44 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 44% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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