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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42D717 it is the complementary color #BD28E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42D717. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42D717 shade: #47D712, #58E925, #69FB38, #7AFF4B and #8BFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42D717. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42D717 shade: #42D717, #31C504, #20B300, #0FA100 and #008F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42D717 shade: #42D917, #77D917, #ABD917, #D9D317 and #D99E17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42D717 shade: #42D917, #17D920, #17D954, #17D988 and #17D9BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42D717 shade matches the following richer shades: #42D917 and #38EC03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42D717 shade: #42D917, #4DC62A, #58B23E, #629F51 and #6D8B64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42D717 shade: #ACD917, #78D917, #44D917, #17D91D and #17D951

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42D717 shade: #2B8E0F, #37B413, #42D917, #59E930 and #77ED55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42D717 shade: #42D717, #17D9D2 and #D91792

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42D717 shade: #42D717, #1744D9 and #D91744

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42D717 shade: #42D717, #17D9D2, #AC17D9 and #D9171D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42D717 shade: #42D717, #17A5D9, #AC17D9 and #D94B17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 89 / 16

HEX #42D717

RGB 66 215 23

HSL 106.56, 0.81%, 0.47%

LAB 75.96, -68.91, 71.37

 

Complementary color

CMYK 19 / 83 / 0 / 9

HEX #BD28E8

RGB 189 40 232

HSL 286.56, 0.81%, 0.53%

LAB 49.69, 79.64, -65.64

 

CMYK 67 / 0 / 92 / 16

HEX #47D712

RGB 71 215 18

HSL 103.86, 0.85%, 0.46%

LAB 76.06, -68.09, 72.26

 

CMYK 62 / 0 / 84 / 9

HEX #58E925

RGB 88 233 37

HSL 104.39, 0.82%, 0.53%

LAB 82.1, -69.67, 74.17

 

CMYK 58 / 0 / 78 / 2

HEX #69FB38

RGB 105 251 56

HSL 104.92, 0.96%, 0.6%

LAB 88.1, -70.82, 74.99

 

CMYK 52 / 0 / 71 / 0

HEX #7AFF4B

RGB 122 255 75

HSL 104.33, 1%, 0.65%

LAB 89.94, -66.76, 70.92

 

CMYK 45 / 0 / 63 / 0

HEX #8BFF5E

RGB 139 255 94

HSL 103.23, 1%, 0.68%

LAB 90.7, -60.55, 64.75

 

CMYK 69 / 0 / 89 / 16

HEX #42D717

RGB 66 215 23

HSL 106.56, 0.81%, 0.47%

LAB 75.96, -68.91, 71.37

 

CMYK 75 / 0 / 98 / 23

HEX #31C504

RGB 49 197 4

HSL 106.01, 0.96%, 0.39%

LAB 69.89, -66.73, 68.62

 

CMYK 82 / 0 / 100 / 30

HEX #20B300

RGB 32 179 0

HSL 109.27, 1%, 0.35%

LAB 63.79, -63.8, 64.09

 

CMYK 91 / 0 / 100 / 37

HEX #0FA100

RGB 15 161 0

HSL 114.41, 1%, 0.32%

LAB 57.65, -60.21, 59.09

 

CMYK 100 / 0 / 100 / 44

HEX #008F00

RGB 0 143 0

HSL 120, 1%, 0.28%

LAB 51.43, -56.02, 54.07

 

CMYK 70 / 0 / 89 / 15

HEX #42D917

RGB 66 217 23

HSL 106.7, 0.81%, 0.47%

LAB 76.59, -69.52, 71.9

 

CMYK 45 / 0 / 89 / 15

HEX #77D917

RGB 119 217 23

HSL 90.31, 0.81%, 0.47%

LAB 78.23, -56.27, 73.95

 

CMYK 21 / 0 / 89 / 15

HEX #ABD917

RGB 171 217 23

HSL 74.23, 0.81%, 0.47%

LAB 80.93, -37.69, 77.27

 

CMYK 0 / 3 / 89 / 15

HEX #D9D317

RGB 217 211 23

HSL 58.14, 0.81%, 0.47%

LAB 82.59, -15.87, 80

 

CMYK 0 / 27 / 89 / 15

HEX #D99E17

RGB 217 158 23

HSL 41.75, 0.81%, 0.47%

LAB 68.94, 11.64, 69.39

 

CMYK 70 / 0 / 89 / 15

HEX #42D917

RGB 66 217 23

HSL 106.7, 0.81%, 0.47%

LAB 76.59, -69.52, 71.9

 

CMYK 89 / 0 / 85 / 15

HEX #17D920

RGB 23 217 32

HSL 122.78, 0.81%, 0.47%

LAB 76.02, -74.45, 69.45

 

CMYK 89 / 0 / 61 / 15

HEX #17D954

RGB 23 217 84

HSL 138.87, 0.81%, 0.47%

LAB 76.34, -70.3, 52.13

 

CMYK 89 / 0 / 37 / 15

HEX #17D988

RGB 23 217 136

HSL 154.95, 0.81%, 0.47%

LAB 77.03, -62.05, 27.86

 

CMYK 89 / 0 / 13 / 15

HEX #17D9BD

RGB 23 217 189

HSL 171.34, 0.81%, 0.47%

LAB 78.16, -49.7, 1.48

 

CMYK 70 / 0 / 89 / 15

HEX #42D917

RGB 66 217 23

HSL 106.7, 0.81%, 0.47%

LAB 76.59, -69.52, 71.9

 

CMYK 76 / 0 / 99 / 7

HEX #38EC03

RGB 56 236 3

HSL 106.35, 0.97%, 0.47%

LAB 82.29, -77.13, 78.75

 

CMYK 70 / 0 / 89 / 15

HEX #42D917

RGB 66 217 23

HSL 106.7, 0.81%, 0.47%

LAB 76.59, -69.52, 71.9

 

CMYK 61 / 0 / 79 / 22

HEX #4DC62A

RGB 77 198 42

HSL 106.54, 0.65%, 0.47%

LAB 70.96, -60.25, 62.57

 

CMYK 51 / 0 / 65 / 30

HEX #58B23E

RGB 88 178 62

HSL 106.55, 0.48%, 0.47%

LAB 65.17, -48.5, 49.49

 

CMYK 38 / 0 / 49 / 38

HEX #629F51

RGB 98 159 81

HSL 106.92, 0.33%, 0.47%

LAB 59.88, -35.11, 34.43

 

CMYK 22 / 0 / 28 / 45

HEX #6D8B64

RGB 109 139 100

HSL 106.15, 0.16%, 0.47%

LAB 54.7, -18.45, 17.49

 

CMYK 21 / 0 / 89 / 15

HEX #ACD917

RGB 172 217 23

HSL 73.92, 0.81%, 0.47%

LAB 80.99, -37.29, 77.35

 

CMYK 45 / 0 / 89 / 15

HEX #78D917

RGB 120 217 23

HSL 90, 0.81%, 0.47%

LAB 78.28, -55.96, 74

 

CMYK 69 / 0 / 89 / 15

HEX #44D917

RGB 68 217 23

HSL 106.08, 0.81%, 0.47%

LAB 76.63, -69.16, 71.95

 

CMYK 89 / 0 / 87 / 15

HEX #17D91D

RGB 23 217 29

HSL 121.86, 0.81%, 0.47%

LAB 76.01, -74.57, 70.06

 

CMYK 89 / 0 / 63 / 15

HEX #17D951

RGB 23 217 81

HSL 137.94, 0.81%, 0.47%

LAB 76.32, -70.65, 53.39

 

CMYK 70 / 0 / 89 / 44

HEX #2B8E0F

RGB 43 142 15

HSL 106.77, 0.81%, 0.31%

LAB 51.72, -50.04, 51.83

 

CMYK 69 / 0 / 89 / 29

HEX #37B413

RGB 55 180 19

HSL 106.58, 0.81%, 0.39%

LAB 64.57, -60.06, 62.24

 

CMYK 70 / 0 / 89 / 15

HEX #42D917

RGB 66 217 23

HSL 106.7, 0.81%, 0.47%

LAB 76.59, -69.52, 71.9

 

CMYK 62 / 0 / 79 / 9

HEX #59E930

RGB 89 233 48

HSL 106.7, 0.81%, 0.55%

LAB 82.17, -68.94, 71.5

 

CMYK 50 / 0 / 64 / 7

HEX #77ED55

RGB 119 237 85

HSL 106.58, 0.81%, 0.63%

LAB 84.56, -60.22, 61.45

 

CMYK 69 / 0 / 89 / 16

HEX #42D717

RGB 66 215 23

HSL 106.56, 0.81%, 0.47%

LAB 75.96, -68.91, 71.37

 

CMYK 89 / 0 / 3 / 15

HEX #17D9D2

RGB 23 217 210

HSL 177.84, 0.81%, 0.47%

LAB 78.73, -43.9, -8.91

 

CMYK 0 / 89 / 33 / 15

HEX #D91792

RGB 217 23 146

HSL 321.96, 0.81%, 0.47%

LAB 48.81, 75.97, -16.59

 

CMYK 69 / 0 / 89 / 16

HEX #42D717

RGB 66 215 23

HSL 106.56, 0.81%, 0.47%

LAB 75.96, -68.91, 71.37

 

CMYK 89 / 69 / 0 / 15

HEX #1744D9

RGB 23 68 217

HSL 226.08, 0.81%, 0.47%

LAB 36.6, 43.12, -79.12

 

CMYK 0 / 89 / 69 / 15

HEX #D91744

RGB 217 23 68

HSL 346.08, 0.81%, 0.47%

LAB 46.69, 70.1, 28.21

 

CMYK 69 / 0 / 89 / 16

HEX #42D717

RGB 66 215 23

HSL 106.56, 0.81%, 0.47%

LAB 75.96, -68.91, 71.37

 

CMYK 89 / 0 / 3 / 15

HEX #17D9D2

RGB 23 217 210

HSL 177.84, 0.81%, 0.47%

LAB 78.73, -43.9, -8.91

 

CMYK 21 / 89 / 0 / 15

HEX #AC17D9

RGB 172 23 217

HSL 286.08, 0.81%, 0.47%

LAB 44.79, 77.81, -65.17

 

CMYK 0 / 89 / 87 / 15

HEX #D9171D

RGB 217 23 29

HSL 358.14, 0.81%, 0.47%

LAB 46.25, 68.85, 49.67

 

CMYK 69 / 0 / 89 / 16

HEX #42D717

RGB 66 215 23

HSL 106.56, 0.81%, 0.47%

LAB 75.96, -68.91, 71.37

 

CMYK 89 / 24 / 0 / 15

HEX #17A5D9

RGB 23 165 217

HSL 196.08, 0.81%, 0.47%

LAB 63.43, -16.4, -36.04

 

CMYK 21 / 89 / 0 / 15

HEX #AC17D9

RGB 172 23 217

HSL 286.08, 0.81%, 0.47%

LAB 44.79, 77.81, -65.17

 

CMYK 0 / 65 / 89 / 15

HEX #D94B17

RGB 217 75 23

HSL 16.08, 0.81%, 0.47%

LAB 51.66, 53.58, 56.3

 

Description

Color code: HEX #42D717 | qconv.com Color code: HEX #42D717 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 215 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 215 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 89 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 89% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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