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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42D07D it is the complementary color #BD2F82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42D07D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42D07D shade: #47D078, #58E28B, #69F49E, #7AFFB1 and #8BFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42D07D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42D07D shade: #42D07D, #31BE6A, #20AC57, #0F9A44 and #008831

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42D07D shade: #43D07E, #43D058, #55D043, #7BD043 and #A1D043

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42D07D shade: #43D07E, #43D0A4, #43D0CA, #43B0D0 and #438BD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42D07D shade matches the following richer shades: #43D07E, #30E37B and #1DF677

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42D07D shade: #43D07E, #56BD81, #69AA84, #7C9787 and #8F848B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42D07D shade: #56D043, #43D056, #43D07C, #43D0A1 and #43D0C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42D07D shade: #279A57, #2FBB69, #43D07E, #64D895 and #85E1AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42D07D shade: #42D07D, #437CD0 and #D04343

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42D07D shade: #42D07D, #7C43D0 and #D07C43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42D07D shade: #42D07D, #437CD0, #D04398 and #D09843

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42D07D shade: #42D07D, #4351D0, #D04398 and #D0C243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 40 / 18

HEX #42D07D

RGB 66 208 125

HSL 144.93, 0.6%, 0.54%

LAB 74.67, -56.13, 30.49

 

Complementary color

CMYK 0 / 75 / 31 / 26

HEX #BD2F82

RGB 189 47 130

HSL 324.93, 0.6%, 0.46%

LAB 44.89, 62.25, -13.33

 

CMYK 66 / 0 / 42 / 18

HEX #47D078

RGB 71 208 120

HSL 141.46, 0.59%, 0.55%

LAB 74.7, -56.13, 33.12

 

CMYK 61 / 0 / 38 / 11

HEX #58E28B

RGB 88 226 139

HSL 142.17, 0.7%, 0.62%

LAB 80.92, -56.41, 31.7

 

CMYK 57 / 0 / 35 / 4

HEX #69F49E

RGB 105 244 158

HSL 142.88, 0.86%, 0.68%

LAB 87.08, -56.51, 30.36

 

CMYK 52 / 0 / 31 / 0

HEX #7AFFB1

RGB 122 255 177

HSL 144.81, 1%, 0.74%

LAB 91.16, -53.68, 26.36

 

CMYK 45 / 0 / 23 / 0

HEX #8BFFC4

RGB 139 255 196

HSL 149.48, 1%, 0.77%

LAB 92.13, -45.98, 18.13

 

CMYK 68 / 0 / 40 / 18

HEX #42D07D

RGB 66 208 125

HSL 144.93, 0.6%, 0.54%

LAB 74.67, -56.13, 30.49

 

CMYK 74 / 0 / 44 / 25

HEX #31BE6A

RGB 49 190 106

HSL 144.26, 0.59%, 0.47%

LAB 68.4, -55.5, 32.03

 

CMYK 81 / 0 / 49 / 33

HEX #20AC57

RGB 32 172 87

HSL 143.57, 0.69%, 0.4%

LAB 62.08, -54.48, 33.67

 

CMYK 90 / 0 / 56 / 40

HEX #0F9A44

RGB 15 154 68

HSL 142.88, 0.82%, 0.33%

LAB 55.72, -52.86, 35.39

 

CMYK 100 / 0 / 64 / 47

HEX #008831

RGB 0 136 49

HSL 141.62, 1%, 0.27%

LAB 49.29, -50.54, 37.08

 

CMYK 68 / 0 / 39 / 18

HEX #43D07E

RGB 67 208 126

HSL 145.11, 0.6%, 0.54%

LAB 74.71, -55.78, 30.03

 

CMYK 68 / 0 / 58 / 18

HEX #43D058

RGB 67 208 88

HSL 128.94, 0.6%, 0.54%

LAB 74.2, -61.59, 48.02

 

CMYK 59 / 0 / 68 / 18

HEX #55D043

RGB 85 208 67

HSL 112.34, 0.6%, 0.54%

LAB 74.48, -60.02, 57.44

 

CMYK 41 / 0 / 68 / 18

HEX #7BD043

RGB 123 208 67

HSL 96.17, 0.6%, 0.54%

LAB 75.9, -49.25, 59.38

 

CMYK 23 / 0 / 68 / 18

HEX #A1D043

RGB 161 208 67

HSL 80, 0.6%, 0.54%

LAB 77.93, -35.67, 62.12

 

CMYK 68 / 0 / 39 / 18

HEX #43D07E

RGB 67 208 126

HSL 145.11, 0.6%, 0.54%

LAB 74.71, -55.78, 30.03

 

CMYK 68 / 0 / 21 / 18

HEX #43D0A4

RGB 67 208 164

HSL 161.28, 0.6%, 0.54%

LAB 75.44, -47.87, 11.02

 

CMYK 68 / 0 / 3 / 18

HEX #43D0CA

RGB 67 208 202

HSL 177.45, 0.6%, 0.54%

LAB 76.42, -38.16, -7.99

 

CMYK 68 / 15 / 0 / 18

HEX #43B0D0

RGB 67 176 208

HSL 193.62, 0.6%, 0.54%

LAB 67.13, -20.82, -25.29

 

CMYK 68 / 33 / 0 / 18

HEX #438BD0

RGB 67 139 208

HSL 209.36, 0.6%, 0.54%

LAB 56.3, -0.37, -42.12

 

CMYK 68 / 0 / 39 / 18

HEX #43D07E

RGB 67 208 126

HSL 145.11, 0.6%, 0.54%

LAB 74.71, -55.78, 30.03

 

CMYK 79 / 0 / 46 / 11

HEX #30E37B

RGB 48 227 123

HSL 145.14, 0.76%, 0.54%

LAB 80.18, -65.77, 38.58

 

CMYK 88 / 0 / 52 / 4

HEX #1DF677

RGB 29 246 119

HSL 144.88, 0.92%, 0.54%

LAB 85.76, -74.21, 47.44

 

CMYK 68 / 0 / 39 / 18

HEX #43D07E

RGB 67 208 126

HSL 145.11, 0.6%, 0.54%

LAB 74.71, -55.78, 30.03

 

CMYK 54 / 0 / 32 / 26

HEX #56BD81

RGB 86 189 129

HSL 145.05, 0.44%, 0.54%

LAB 69.44, -43.71, 21.49

 

CMYK 38 / 0 / 22 / 33

HEX #69AA84

RGB 105 170 132

HSL 144.92, 0.28%, 0.54%

LAB 64.5, -29.35, 13.15

 

CMYK 18 / 0 / 11 / 41

HEX #7C9787

RGB 124 151 135

HSL 144.44, 0.11%, 0.54%

LAB 60.04, -12.82, 5.29

 

CMYK 0 / 8 / 3 / 44

HEX #8F848B

RGB 143 132 139

HSL 321.82, 0.05%, 0.54%

LAB 56.29, 5.46, -2.27

 

CMYK 59 / 0 / 68 / 18

HEX #56D043

RGB 86 208 67

HSL 111.91, 0.6%, 0.54%

LAB 74.51, -59.78, 57.48

 

CMYK 68 / 0 / 59 / 18

HEX #43D056

RGB 67 208 86

HSL 128.09, 0.6%, 0.54%

LAB 74.18, -61.84, 48.91

 

CMYK 68 / 0 / 40 / 18

HEX #43D07C

RGB 67 208 124

HSL 144.26, 0.6%, 0.54%

LAB 74.67, -56.14, 31.02

 

CMYK 68 / 0 / 23 / 18

HEX #43D0A1

RGB 67 208 161

HSL 160, 0.6%, 0.54%

LAB 75.38, -48.57, 12.53

 

CMYK 68 / 0 / 4 / 18

HEX #43D0C7

RGB 67 208 199

HSL 176.17, 0.6%, 0.54%

LAB 76.33, -38.99, -6.5

 

CMYK 75 / 0 / 44 / 40

HEX #279A57

RGB 39 154 87

HSL 145.04, 0.6%, 0.38%

LAB 56.32, -46.95, 26.33

 

CMYK 75 / 0 / 44 / 27

HEX #2FBB69

RGB 47 187 105

HSL 144.86, 0.6%, 0.46%

LAB 67.4, -54.87, 31.24

 

CMYK 68 / 0 / 39 / 18

HEX #43D07E

RGB 67 208 126

HSL 145.11, 0.6%, 0.54%

LAB 74.71, -55.78, 30.03

 

CMYK 54 / 0 / 31 / 15

HEX #64D895

RGB 100 216 149

HSL 145.34, 0.6%, 0.62%

LAB 78.46, -47.95, 23.29

 

CMYK 41 / 0 / 24 / 12

HEX #85E1AB

RGB 133 225 171

HSL 144.78, 0.61%, 0.7%

LAB 82.79, -39.2, 17.98

 

CMYK 68 / 0 / 40 / 18

HEX #42D07D

RGB 66 208 125

HSL 144.93, 0.6%, 0.54%

LAB 74.67, -56.13, 30.49

 

CMYK 68 / 40 / 0 / 18

HEX #437CD0

RGB 67 124 208

HSL 215.74, 0.6%, 0.54%

LAB 52.02, 8.63, -48.91

 

CMYK 0 / 68 / 68 / 18

HEX #D04343

RGB 208 67 67

HSL 0, 0.6%, 0.54%

LAB 49.29, 55.32, 31.61

 

CMYK 68 / 0 / 40 / 18

HEX #42D07D

RGB 66 208 125

HSL 144.93, 0.6%, 0.54%

LAB 74.67, -56.13, 30.49

 

CMYK 40 / 68 / 0 / 18

HEX #7C43D0

RGB 124 67 208

HSL 264.26, 0.6%, 0.54%

LAB 42.54, 53.28, -63.95

 

CMYK 0 / 40 / 68 / 18

HEX #D07C43

RGB 208 124 67

HSL 24.26, 0.6%, 0.54%

LAB 60.1, 27.74, 44.23

 

CMYK 68 / 0 / 40 / 18

HEX #42D07D

RGB 66 208 125

HSL 144.93, 0.6%, 0.54%

LAB 74.67, -56.13, 30.49

 

CMYK 68 / 40 / 0 / 18

HEX #437CD0

RGB 67 124 208

HSL 215.74, 0.6%, 0.54%

LAB 52.02, 8.63, -48.91

 

CMYK 0 / 68 / 27 / 18

HEX #D04398

RGB 208 67 152

HSL 323.83, 0.6%, 0.54%

LAB 51.49, 62.95, -16.24

 

CMYK 0 / 27 / 68 / 18

HEX #D09843

RGB 208 152 67

HSL 36.17, 0.6%, 0.54%

LAB 66.73, 12.58, 51.52

 

CMYK 68 / 0 / 40 / 18

HEX #42D07D

RGB 66 208 125

HSL 144.93, 0.6%, 0.54%

LAB 74.67, -56.13, 30.49

 

CMYK 68 / 61 / 0 / 18

HEX #4351D0

RGB 67 81 208

HSL 234.04, 0.6%, 0.54%

LAB 40.63, 35.65, -67.28

 

CMYK 0 / 68 / 27 / 18

HEX #D04398

RGB 208 67 152

HSL 323.83, 0.6%, 0.54%

LAB 51.49, 62.95, -16.24

 

CMYK 0 / 7 / 68 / 18

HEX #D0C243

RGB 208 194 67

HSL 54.04, 0.6%, 0.54%

LAB 77.52, -9.63, 62.8

 

Description

Color code: HEX #42D07D | qconv.com Color code: HEX #42D07D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 208 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 208 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 40 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 40% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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