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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42CD93 it is the complementary color #BD326C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42CD93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42CD93 shade: #47CD8E, #58DFA1, #69F1B4, #7AFFC7 and #8BFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42CD93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42CD93 shade: #42CD93, #31BB80, #20A96D, #0F975A and #008547

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42CD93 shade: #42CD93, #42CD6D, #42CD48, #61CD42 and #87CD42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42CD93 shade: #42CD93, #42CDB8, #42BCCD, #4296CD and #4271CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42CD93 shade matches the following richer shades: #42CD93, #2EE096 and #1BF399

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42CD93 shade: #42CD93, #55B98F, #68A68C, #7C9289 and #8F7F86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42CD93 shade: #42CD46, #42CD6B, #42CD90, #42CDB5 and #42BFCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42CD93 shade: #279467, #30B57E, #42CD93, #62D5A5 and #83DEB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42CD93 shade: #42CD93, #4262CD and #CD5942

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42CD93 shade: #42CD93, #9042CD and #CD9042

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42CD93 shade: #42CD93, #4262CD, #CD427E and #CDAC42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42CD93 shade: #42CD93, #4B42CD, #CD427E and #C3CD42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 28 / 20

HEX #42CD93

RGB 66 205 147

HSL 154.96, 0.58%, 0.53%

LAB 74.14, -50.61, 18.27

 

Complementary color

CMYK 0 / 74 / 43 / 26

HEX #BD326C

RGB 189 50 108

HSL 334.96, 0.58%, 0.47%

LAB 44.49, 58.9, -0.39

 

CMYK 65 / 0 / 31 / 20

HEX #47CD8E

RGB 71 205 142

HSL 151.79, 0.57%, 0.54%

LAB 74.16, -50.81, 20.96

 

CMYK 61 / 0 / 28 / 13

HEX #58DFA1

RGB 88 223 161

HSL 152.44, 0.68%, 0.61%

LAB 80.42, -51.02, 19.66

 

CMYK 56 / 0 / 25 / 5

HEX #69F1B4

RGB 105 241 180

HSL 153.09, 0.83%, 0.68%

LAB 86.61, -51.08, 18.46

 

CMYK 52 / 0 / 22 / 0

HEX #7AFFC7

RGB 122 255 199

HSL 154.74, 1%, 0.74%

LAB 91.59, -49.38, 15.74

 

CMYK 45 / 0 / 15 / 0

HEX #8BFFDA

RGB 139 255 218

HSL 160.86, 1%, 0.77%

LAB 92.61, -41.46, 7.49

 

CMYK 68 / 0 / 28 / 20

HEX #42CD93

RGB 66 205 147

HSL 154.96, 0.58%, 0.53%

LAB 74.14, -50.61, 18.27

 

CMYK 74 / 0 / 32 / 27

HEX #31BB80

RGB 49 187 128

HSL 154.35, 0.58%, 0.46%

LAB 67.84, -50.09, 19.68

 

CMYK 81 / 0 / 36 / 34

HEX #20A96D

RGB 32 169 109

HSL 153.72, 0.68%, 0.39%

LAB 61.47, -49.24, 21.24

 

CMYK 90 / 0 / 40 / 41

HEX #0F975A

RGB 15 151 90

HSL 153.09, 0.82%, 0.33%

LAB 55.04, -47.89, 22.97

 

CMYK 100 / 0 / 47 / 48

HEX #008547

RGB 0 133 71

HSL 152.03, 1%, 0.26%

LAB 48.55, -45.98, 24.87

 

CMYK 68 / 0 / 28 / 20

HEX #42CD93

RGB 66 205 147

HSL 154.96, 0.58%, 0.53%

LAB 74.14, -50.61, 18.27

 

CMYK 68 / 0 / 47 / 20

HEX #42CD6D

RGB 66 205 109

HSL 138.56, 0.58%, 0.53%

LAB 73.5, -57.74, 37.09

 

CMYK 68 / 0 / 65 / 20

HEX #42CD48

RGB 66 205 72

HSL 122.59, 0.58%, 0.53%

LAB 73.08, -62.56, 53.76

 

CMYK 53 / 0 / 68 / 20

HEX #61CD42

RGB 97 205 66

HSL 106.62, 0.58%, 0.53%

LAB 73.93, -55.96, 57.37

 

CMYK 34 / 0 / 68 / 20

HEX #87CD42

RGB 135 205 66

HSL 90.22, 0.58%, 0.53%

LAB 75.58, -44.01, 59.61

 

CMYK 68 / 0 / 28 / 20

HEX #42CD93

RGB 66 205 147

HSL 154.96, 0.58%, 0.53%

LAB 74.14, -50.61, 18.27

 

CMYK 68 / 0 / 10 / 20

HEX #42CDB8

RGB 66 205 184

HSL 170.94, 0.58%, 0.53%

LAB 75, -41.79, -0.37

 

CMYK 68 / 8 / 0 / 20

HEX #42BCCD

RGB 66 188 205

HSL 187.34, 0.58%, 0.53%

LAB 70.55, -27.95, -18.43

 

CMYK 68 / 27 / 0 / 20

HEX #4296CD

RGB 66 150 205

HSL 203.74, 0.58%, 0.53%

LAB 59.32, -7.88, -35.7

 

CMYK 68 / 45 / 0 / 20

HEX #4271CD

RGB 66 113 205

HSL 219.71, 0.58%, 0.53%

LAB 48.73, 14.22, -52.46

 

CMYK 68 / 0 / 28 / 20

HEX #42CD93

RGB 66 205 147

HSL 154.96, 0.58%, 0.53%

LAB 74.14, -50.61, 18.27

 

CMYK 79 / 0 / 33 / 12

HEX #2EE096

RGB 46 224 150

HSL 155.06, 0.74%, 0.53%

LAB 79.67, -59.92, 24.22

 

CMYK 89 / 0 / 37 / 5

HEX #1BF399

RGB 27 243 153

HSL 155, 0.9%, 0.53%

LAB 85.32, -67.56, 30.28

 

CMYK 68 / 0 / 28 / 20

HEX #42CD93

RGB 66 205 147

HSL 154.96, 0.58%, 0.53%

LAB 74.14, -50.61, 18.27

 

CMYK 54 / 0 / 23 / 27

HEX #55B98F

RGB 85 185 143

HSL 154.8, 0.42%, 0.53%

LAB 68.47, -39.3, 12.57

 

CMYK 37 / 0 / 16 / 35

HEX #68A68C

RGB 104 166 140

HSL 154.84, 0.26%, 0.53%

LAB 63.43, -26.01, 7.19

 

CMYK 15 / 0 / 6 / 43

HEX #7C9289

RGB 124 146 137

HSL 155.45, 0.09%, 0.53%

LAB 58.65, -9.7, 2.14

 

CMYK 0 / 11 / 6 / 44

HEX #8F7F86

RGB 143 127 134

HSL 333.75, 0.07%, 0.53%

LAB 54.8, 7.38, -1.56

 

CMYK 68 / 0 / 66 / 20

HEX #42CD46

RGB 66 205 70

HSL 121.73, 0.58%, 0.53%

LAB 73.06, -62.76, 54.57

 

CMYK 68 / 0 / 48 / 20

HEX #42CD6B

RGB 66 205 107

HSL 137.7, 0.58%, 0.53%

LAB 73.47, -58.05, 38.05

 

CMYK 68 / 0 / 30 / 20

HEX #42CD90

RGB 66 205 144

HSL 153.67, 0.58%, 0.53%

LAB 74.08, -51.25, 19.78

 

CMYK 68 / 0 / 12 / 20

HEX #42CDB5

RGB 66 205 181

HSL 169.64, 0.58%, 0.53%

LAB 74.92, -42.57, 1.14

 

CMYK 68 / 7 / 0 / 20

HEX #42BFCD

RGB 66 191 205

HSL 186.04, 0.58%, 0.53%

LAB 71.44, -29.43, -17.08

 

CMYK 74 / 0 / 30 / 42

HEX #279467

RGB 39 148 103

HSL 155.23, 0.58%, 0.37%

LAB 54.65, -41.25, 15.26

 

CMYK 73 / 0 / 30 / 29

HEX #30B57E

RGB 48 181 126

HSL 155.19, 0.58%, 0.45%

LAB 65.89, -48.28, 18.08

 

CMYK 68 / 0 / 28 / 20

HEX #42CD93

RGB 66 205 147

HSL 154.96, 0.58%, 0.53%

LAB 74.14, -50.61, 18.27

 

CMYK 54 / 0 / 23 / 16

HEX #62D5A5

RGB 98 213 165

HSL 154.96, 0.58%, 0.61%

LAB 77.82, -43.89, 13.97

 

CMYK 41 / 0 / 17 / 13

HEX #83DEB8

RGB 131 222 184

HSL 154.95, 0.58%, 0.69%

LAB 82.12, -35.77, 10.19

 

CMYK 68 / 0 / 28 / 20

HEX #42CD93

RGB 66 205 147

HSL 154.96, 0.58%, 0.53%

LAB 74.14, -50.61, 18.27

 

CMYK 68 / 52 / 0 / 20

HEX #4262CD

RGB 66 98 205

HSL 226.19, 0.58%, 0.53%

LAB 44.66, 23.7, -59

 

CMYK 0 / 57 / 68 / 20

HEX #CD5942

RGB 205 89 66

HSL 9.93, 0.58%, 0.53%

LAB 52.42, 44.52, 35.8

 

CMYK 68 / 0 / 28 / 20

HEX #42CD93

RGB 66 205 147

HSL 154.96, 0.58%, 0.53%

LAB 74.14, -50.61, 18.27

 

CMYK 30 / 68 / 0 / 20

HEX #9042CD

RGB 144 66 205

HSL 273.67, 0.58%, 0.53%

LAB 44.57, 57.02, -58.83

 

CMYK 0 / 30 / 68 / 20

HEX #CD9042

RGB 205 144 66

HSL 33.67, 0.58%, 0.53%

LAB 64.42, 15.58, 49.39

 

CMYK 68 / 0 / 28 / 20

HEX #42CD93

RGB 66 205 147

HSL 154.96, 0.58%, 0.53%

LAB 74.14, -50.61, 18.27

 

CMYK 68 / 52 / 0 / 20

HEX #4262CD

RGB 66 98 205

HSL 226.19, 0.58%, 0.53%

LAB 44.66, 23.7, -59

 

CMYK 0 / 68 / 39 / 20

HEX #CD427E

RGB 205 66 126

HSL 334.1, 0.58%, 0.53%

LAB 49.96, 59.48, -3.03

 

CMYK 0 / 16 / 68 / 20

HEX #CDAC42

RGB 205 172 66

HSL 45.76, 0.58%, 0.53%

LAB 71.47, 0.49, 56.9

 

CMYK 68 / 0 / 28 / 20

HEX #42CD93

RGB 66 205 147

HSL 154.96, 0.58%, 0.53%

LAB 74.14, -50.61, 18.27

 

CMYK 63 / 68 / 0 / 20

HEX #4B42CD

RGB 75 66 205

HSL 243.88, 0.58%, 0.53%

LAB 37.48, 44.8, -70.67

 

CMYK 0 / 68 / 39 / 20

HEX #CD427E

RGB 205 66 126

HSL 334.1, 0.58%, 0.53%

LAB 49.96, 59.48, -3.03

 

CMYK 5 / 0 / 68 / 20

HEX #C3CD42

RGB 195 205 66

HSL 64.32, 0.58%, 0.53%

LAB 79.42, -20.67, 64.76

 

Description

Color code: HEX #42CD93 | qconv.com Color code: HEX #42CD93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 205 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 205 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 28 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 28% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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