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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42CCCB it is the complementary color #BD3334. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42CCCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42CCCB shade: #47CCC6, #58DED9, #69F0EC, #7AFFFF and #8BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42CCCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42CCCB shade: #42CCCB, #31BAB8, #20A8A5, #0F9692 and #00847F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42CCCB shade: #42CDCC, #42CDA6, #42CD81, #42CD5B and #4ECD42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42CCCB shade: #42CDCC, #42A8CD, #4283CD, #425DCD and #4242CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42CCCB shade matches the following richer shades: #42CDCC, #2EE0DF and #1BF3F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42CCCB shade: #42CDCC, #55B9B9, #68A6A5, #7C9292 and #8F7F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42CCCB shade: #42CD80, #42CDA5, #42CDCA, #42AACD and #4285CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42CCCB shade: #279494, #30B5B4, #42CDCC, #62D5D5 and #83DEDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42CCCB shade: #42CCCB, #5B42CD and #CD9342

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42CCCB shade: #42CCCB, #CA42CD and #CDCA42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42CCCB shade: #42CCCB, #5B42CD, #CD4244 and #B3CD42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42CCCB shade: #42CCCB, #8542CD, #CD4244 and #89CD42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 0 / 20

HEX #42CCCB

RGB 66 204 203

HSL 179.57, 0.58%, 0.53%

LAB 75.24, -36.18, -10.29

 

Complementary color

CMYK 0 / 73 / 72 / 26

HEX #BD3334

RGB 189 51 52

HSL 359.57, 0.58%, 0.47%

LAB 43.41, 54.55, 32.57

 

CMYK 65 / 0 / 3 / 20

HEX #47CCC6

RGB 71 204 198

HSL 177.29, 0.57%, 0.54%

LAB 75.2, -36.85, -7.62

 

CMYK 60 / 0 / 2 / 13

HEX #58DED9

RGB 88 222 217

HSL 177.76, 0.67%, 0.61%

LAB 81.47, -37.28, -8.46

 

CMYK 56 / 0 / 2 / 6

HEX #69F0EC

RGB 105 240 236

HSL 178.22, 0.82%, 0.68%

LAB 87.67, -37.58, -9.23

 

CMYK 52 / 0 / 0 / 0

HEX #7AFFFF

RGB 122 255 255

HSL 180, 1%, 0.74%

LAB 92.96, -36.41, -11.19

 

CMYK 45 / 0 / 0 / 0

HEX #8BFFFF

RGB 139 255 255

HSL 180, 1%, 0.77%

LAB 93.55, -32.91, -10.25

 

CMYK 68 / 0 / 0 / 20

HEX #42CCCB

RGB 66 204 203

HSL 179.57, 0.58%, 0.53%

LAB 75.24, -36.18, -10.29

 

CMYK 74 / 0 / 1 / 27

HEX #31BAB8

RGB 49 186 184

HSL 179.12, 0.58%, 0.46%

LAB 68.92, -35.42, -9.39

 

CMYK 81 / 0 / 2 / 34

HEX #20A8A5

RGB 32 168 165

HSL 178.68, 0.68%, 0.39%

LAB 62.53, -34.37, -8.39

 

CMYK 90 / 0 / 3 / 41

HEX #0F9692

RGB 15 150 146

HSL 178.22, 0.82%, 0.32%

LAB 56.08, -32.93, -7.25

 

CMYK 100 / 0 / 4 / 48

HEX #00847F

RGB 0 132 127

HSL 177.73, 1%, 0.26%

LAB 49.54, -31.09, -5.98

 

CMYK 68 / 0 / 0 / 20

HEX #42CDCC

RGB 66 205 204

HSL 179.57, 0.58%, 0.53%

LAB 75.56, -36.37, -10.34

 

CMYK 68 / 0 / 19 / 20

HEX #42CDA6

RGB 66 205 166

HSL 163.17, 0.58%, 0.53%

LAB 74.56, -46.3, 8.69

 

CMYK 68 / 0 / 37 / 20

HEX #42CD81

RGB 66 205 129

HSL 147.19, 0.58%, 0.53%

LAB 73.81, -54.25, 27.28

 

CMYK 68 / 0 / 56 / 20

HEX #42CD5B

RGB 66 205 91

HSL 130.79, 0.58%, 0.53%

LAB 73.27, -60.35, 45.53

 

CMYK 62 / 0 / 68 / 20

HEX #4ECD42

RGB 78 205 66

HSL 114.82, 0.58%, 0.53%

LAB 73.33, -60.67, 56.56

 

CMYK 68 / 0 / 0 / 20

HEX #42CDCC

RGB 66 205 204

HSL 179.57, 0.58%, 0.53%

LAB 75.56, -36.37, -10.34

 

CMYK 68 / 18 / 0 / 20

HEX #42A8CD

RGB 66 168 205

HSL 195.97, 0.58%, 0.53%

LAB 64.62, -17.73, -27.48

 

CMYK 68 / 36 / 0 / 20

HEX #4283CD

RGB 66 131 205

HSL 211.94, 0.58%, 0.53%

LAB 53.81, 3.18, -44.36

 

CMYK 68 / 55 / 0 / 20

HEX #425DCD

RGB 66 93 205

HSL 228.35, 0.58%, 0.53%

LAB 43.35, 26.88, -61.12

 

CMYK 68 / 68 / 0 / 20

HEX #4242CD

RGB 66 66 205

HSL 240, 0.58%, 0.53%

LAB 36.86, 43.64, -71.71

 

CMYK 68 / 0 / 0 / 20

HEX #42CDCC

RGB 66 205 204

HSL 179.57, 0.58%, 0.53%

LAB 75.56, -36.37, -10.34

 

CMYK 79 / 0 / 0 / 12

HEX #2EE0DF

RGB 46 224 223

HSL 179.66, 0.74%, 0.53%

LAB 81.41, -41.78, -11.82

 

CMYK 89 / 0 / 0 / 5

HEX #1BF3F2

RGB 27 243 242

HSL 179.72, 0.9%, 0.53%

LAB 87.36, -45.89, -12.97

 

CMYK 68 / 0 / 0 / 20

HEX #42CDCC

RGB 66 205 204

HSL 179.57, 0.58%, 0.53%

LAB 75.56, -36.37, -10.34

 

CMYK 54 / 0 / 0 / 27

HEX #55B9B9

RGB 85 185 185

HSL 180, 0.42%, 0.53%

LAB 69.56, -28.94, -8.88

 

CMYK 37 / 0 / 1 / 35

HEX #68A6A5

RGB 104 166 165

HSL 179.03, 0.26%, 0.53%

LAB 64.11, -20.14, -5.81

 

CMYK 15 / 0 / 0 / 43

HEX #7C9292

RGB 124 146 146

HSL 180, 0.09%, 0.53%

LAB 58.9, -7.78, -2.63

 

CMYK 0 / 11 / 11 / 44

HEX #8F7F7F

RGB 143 127 127

HSL 0, 0.07%, 0.53%

LAB 54.61, 6.1, 2.22

 

CMYK 68 / 0 / 38 / 20

HEX #42CD80

RGB 66 205 128

HSL 146.76, 0.58%, 0.53%

LAB 73.79, -54.44, 27.78

 

CMYK 68 / 0 / 20 / 20

HEX #42CDA5

RGB 66 205 165

HSL 162.73, 0.58%, 0.53%

LAB 74.53, -46.53, 9.19

 

CMYK 68 / 0 / 1 / 20

HEX #42CDCA

RGB 66 205 202

HSL 178.71, 0.58%, 0.53%

LAB 75.5, -36.93, -9.35

 

CMYK 68 / 17 / 0 / 20

HEX #42AACD

RGB 66 170 205

HSL 195.11, 0.58%, 0.53%

LAB 65.21, -18.79, -26.57

 

CMYK 68 / 35 / 0 / 20

HEX #4285CD

RGB 66 133 205

HSL 211.08, 0.58%, 0.53%

LAB 54.39, 1.98, -43.45

 

CMYK 74 / 0 / 0 / 42

HEX #279494

RGB 39 148 148

HSL 180, 0.58%, 0.37%

LAB 55.84, -29.19, -8.72

 

CMYK 73 / 0 / 1 / 29

HEX #30B5B4

RGB 48 181 180

HSL 179.55, 0.58%, 0.45%

LAB 67.26, -34.36, -9.67

 

CMYK 68 / 0 / 0 / 20

HEX #42CDCC

RGB 66 205 204

HSL 179.57, 0.58%, 0.53%

LAB 75.56, -36.37, -10.34

 

CMYK 54 / 0 / 0 / 16

HEX #62D5D5

RGB 98 213 213

HSL 180, 0.58%, 0.61%

LAB 79.04, -32.33, -9.91

 

CMYK 41 / 0 / 0 / 13

HEX #83DEDD

RGB 131 222 221

HSL 179.34, 0.58%, 0.69%

LAB 83.07, -27.37, -8.05

 

CMYK 68 / 0 / 0 / 20

HEX #42CCCB

RGB 66 204 203

HSL 179.57, 0.58%, 0.53%

LAB 75.24, -36.18, -10.29

 

CMYK 56 / 68 / 0 / 20

HEX #5B42CD

RGB 91 66 205

HSL 250.79, 0.58%, 0.53%

LAB 38.77, 47.17, -68.5

 

CMYK 0 / 28 / 68 / 20

HEX #CD9342

RGB 205 147 66

HSL 34.96, 0.58%, 0.53%

LAB 65.15, 13.95, 50.18

 

CMYK 68 / 0 / 0 / 20

HEX #42CCCB

RGB 66 204 203

HSL 179.57, 0.58%, 0.53%

LAB 75.24, -36.18, -10.29

 

CMYK 1 / 68 / 0 / 20

HEX #CA42CD

RGB 202 66 205

HSL 298.71, 0.58%, 0.53%

LAB 52.8, 69.61, -45.19

 

CMYK 0 / 1 / 68 / 20

HEX #CDCA42

RGB 205 202 66

HSL 58.71, 0.58%, 0.53%

LAB 79.39, -15, 65

 

CMYK 68 / 0 / 0 / 20

HEX #42CCCB

RGB 66 204 203

HSL 179.57, 0.58%, 0.53%

LAB 75.24, -36.18, -10.29

 

CMYK 56 / 68 / 0 / 20

HEX #5B42CD

RGB 91 66 205

HSL 250.79, 0.58%, 0.53%

LAB 38.77, 47.17, -68.5

 

CMYK 0 / 68 / 67 / 20

HEX #CD4244

RGB 205 66 68

HSL 359.14, 0.58%, 0.53%

LAB 48.63, 54.79, 30.1

 

CMYK 13 / 0 / 68 / 20

HEX #B3CD42

RGB 179 205 66

HSL 71.22, 0.58%, 0.53%

LAB 78.25, -27.22, 63.2

 

CMYK 68 / 0 / 0 / 20

HEX #42CCCB

RGB 66 204 203

HSL 179.57, 0.58%, 0.53%

LAB 75.24, -36.18, -10.29

 

CMYK 35 / 68 / 0 / 20

HEX #8542CD

RGB 133 66 205

HSL 268.92, 0.58%, 0.53%

LAB 43.2, 54.78, -61.11

 

CMYK 0 / 68 / 67 / 20

HEX #CD4244

RGB 205 66 68

HSL 359.14, 0.58%, 0.53%

LAB 48.63, 54.79, 30.1

 

CMYK 33 / 0 / 68 / 20

HEX #89CD42

RGB 137 205 66

HSL 89.35, 0.58%, 0.53%

LAB 75.68, -43.3, 59.75

 

Description

Color code: HEX #42CCCB | qconv.com Color code: HEX #42CCCB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 204 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 204 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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