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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42CAA8 it is the complementary color #BD3557. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42CAA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42CAA8 shade: #47CAA3, #58DCB6, #69EEC9, #7AFFDC and #8BFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42CAA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42CAA8 shade: #42CAA8, #31B895, #20A682, #0F946F and #00825C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42CAA8 shade: #44CAA9, #44CA85, #44CA60, #4CCA44 and #70CA44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42CAA8 shade: #44CAA9, #44C8CA, #44A3CA, #447FCA and #445BCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42CAA8 shade matches the following richer shades: #44CAA9, #31DEB2 and #1DF1BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42CAA8 shade: #44CAA9, #57B79F, #6BA395, #7E908C and #927D82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42CAA8 shade: #44CA61, #44CA85, #44CAA9, #44C8CA and #44A4CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42CAA8 shade: #299278, #32B393, #44CAA9, #64D3B8 and #84DCC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42CAA8 shade: #42CAA8, #444BCA and #CA7344

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42CAA8 shade: #42CAA8, #A944CA and #CAA944

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42CAA8 shade: #42CAA8, #444BCA, #CA4466 and #CAC444

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42CAA8 shade: #42CAA8, #6644CA, #CA4466 and #A9CA44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 17 / 21

HEX #42CAA8

RGB 66 202 168

HSL 165, 0.56%, 0.53%

LAB 73.69, -44.53, 6.37

 

Complementary color

CMYK 0 / 72 / 54 / 26

HEX #BD3557

RGB 189 53 87

HSL 345, 0.56%, 0.47%

LAB 44.31, 55.99, 12.37

 

CMYK 65 / 0 / 19 / 21

HEX #47CAA3

RGB 71 202 163

HSL 162.14, 0.55%, 0.54%

LAB 73.69, -44.92, 9.08

 

CMYK 60 / 0 / 17 / 14

HEX #58DCB6

RGB 88 220 182

HSL 162.73, 0.65%, 0.6%

LAB 79.98, -45.15, 7.97

 

CMYK 56 / 0 / 16 / 7

HEX #69EEC9

RGB 105 238 201

HSL 163.31, 0.8%, 0.67%

LAB 86.19, -45.25, 6.95

 

CMYK 52 / 0 / 14 / 0

HEX #7AFFDC

RGB 122 255 220

HSL 164.21, 1%, 0.74%

LAB 92.05, -44.83, 5.59

 

CMYK 45 / 0 / 6 / 0

HEX #8BFFEF

RGB 139 255 239

HSL 171.72, 1%, 0.77%

LAB 93.12, -36.74, -2.61

 

CMYK 67 / 0 / 17 / 21

HEX #42CAA8

RGB 66 202 168

HSL 165, 0.56%, 0.53%

LAB 73.69, -44.53, 6.37

 

CMYK 73 / 0 / 19 / 28

HEX #31B895

RGB 49 184 149

HSL 164.44, 0.58%, 0.46%

LAB 67.35, -44, 7.58

 

CMYK 81 / 0 / 22 / 35

HEX #20A682

RGB 32 166 130

HSL 163.88, 0.68%, 0.39%

LAB 60.95, -43.17, 8.93

 

CMYK 90 / 0 / 25 / 42

HEX #0F946F

RGB 15 148 111

HSL 163.31, 0.82%, 0.32%

LAB 54.48, -41.91, 10.45

 

CMYK 100 / 0 / 29 / 49

HEX #00825C

RGB 0 130 92

HSL 162.46, 1%, 0.25%

LAB 47.93, -40.19, 12.16

 

CMYK 66 / 0 / 16 / 21

HEX #44CAA9

RGB 68 202 169

HSL 165.22, 0.56%, 0.53%

LAB 73.76, -43.97, 5.94

 

CMYK 66 / 0 / 34 / 21

HEX #44CA85

RGB 68 202 133

HSL 149.1, 0.56%, 0.53%

LAB 73, -51.97, 24.11

 

CMYK 66 / 0 / 52 / 21

HEX #44CA60

RGB 68 202 96

HSL 132.54, 0.56%, 0.53%

LAB 72.44, -58.23, 42.17

 

CMYK 62 / 0 / 66 / 21

HEX #4CCA44

RGB 76 202 68

HSL 116.42, 0.56%, 0.53%

LAB 72.36, -59.88, 54.69

 

CMYK 45 / 0 / 66 / 21

HEX #70CA44

RGB 112 202 68

HSL 100.3, 0.56%, 0.53%

LAB 73.61, -50.25, 56.41

 

CMYK 66 / 0 / 16 / 21

HEX #44CAA9

RGB 68 202 169

HSL 165.22, 0.56%, 0.53%

LAB 73.76, -43.97, 5.94

 

CMYK 66 / 1 / 0 / 21

HEX #44C8CA

RGB 68 200 202

HSL 180.9, 0.56%, 0.53%

LAB 74.06, -34.32, -11.49

 

CMYK 66 / 19 / 0 / 21

HEX #44A3CA

RGB 68 163 202

HSL 197.46, 0.56%, 0.53%

LAB 63.08, -15.71, -28.18

 

CMYK 66 / 37 / 0 / 21

HEX #447FCA

RGB 68 127 202

HSL 213.58, 0.56%, 0.53%

LAB 52.59, 4.86, -44.59

 

CMYK 66 / 55 / 0 / 21

HEX #445BCA

RGB 68 91 202

HSL 229.7, 0.56%, 0.53%

LAB 42.73, 27.39, -60.4

 

CMYK 66 / 0 / 16 / 21

HEX #44CAA9

RGB 68 202 169

HSL 165.22, 0.56%, 0.53%

LAB 73.76, -43.97, 5.94

 

CMYK 78 / 0 / 20 / 13

HEX #31DEB2

RGB 49 222 178

HSL 164.74, 0.72%, 0.53%

LAB 79.68, -52.57, 9.55

 

CMYK 88 / 0 / 22 / 5

HEX #1DF1BC

RGB 29 241 188

HSL 165, 0.88%, 0.53%

LAB 85.4, -59.18, 12.42

 

CMYK 66 / 0 / 16 / 21

HEX #44CAA9

RGB 68 202 169

HSL 165.22, 0.56%, 0.53%

LAB 73.76, -43.97, 5.94

 

CMYK 52 / 0 / 13 / 28

HEX #57B79F

RGB 87 183 159

HSL 165, 0.4%, 0.53%

LAB 68.31, -34.23, 3.59

 

CMYK 34 / 0 / 9 / 36

HEX #6BA395

RGB 107 163 149

HSL 165, 0.23%, 0.53%

LAB 62.92, -21.59, 1.43

 

CMYK 13 / 0 / 3 / 44

HEX #7E908C

RGB 126 144 140

HSL 166.67, 0.08%, 0.53%

LAB 58.3, -7.27, -0.07

 

CMYK 0 / 14 / 11 / 43

HEX #927D82

RGB 146 125 130

HSL 345.71, 0.09%, 0.53%

LAB 54.44, 8.94, 0.27

 

CMYK 66 / 0 / 52 / 21

HEX #44CA61

RGB 68 202 97

HSL 132.99, 0.56%, 0.53%

LAB 72.45, -58.09, 41.7

 

CMYK 66 / 0 / 34 / 21

HEX #44CA85

RGB 68 202 133

HSL 149.1, 0.56%, 0.53%

LAB 73, -51.97, 24.11

 

CMYK 66 / 0 / 16 / 21

HEX #44CAA9

RGB 68 202 169

HSL 165.22, 0.56%, 0.53%

LAB 73.76, -43.97, 5.94

 

CMYK 66 / 1 / 0 / 21

HEX #44C8CA

RGB 68 200 202

HSL 180.9, 0.56%, 0.53%

LAB 74.06, -34.32, -11.49

 

CMYK 66 / 19 / 0 / 21

HEX #44A4CA

RGB 68 164 202

HSL 197.01, 0.56%, 0.53%

LAB 63.38, -16.25, -27.72

 

CMYK 72 / 0 / 18 / 43

HEX #299278

RGB 41 146 120

HSL 165.14, 0.56%, 0.37%

LAB 54.43, -35.92, 5.3

 

CMYK 72 / 0 / 18 / 30

HEX #32B393

RGB 50 179 147

HSL 165.12, 0.56%, 0.45%

LAB 65.77, -42.22, 6.41

 

CMYK 66 / 0 / 16 / 21

HEX #44CAA9

RGB 68 202 169

HSL 165.22, 0.56%, 0.53%

LAB 73.76, -43.97, 5.94

 

CMYK 53 / 0 / 13 / 17

HEX #64D3B8

RGB 100 211 184

HSL 165.41, 0.56%, 0.61%

LAB 77.73, -38.27, 3.72

 

CMYK 40 / 0 / 10 / 14

HEX #84DCC6

RGB 132 220 198

HSL 165, 0.56%, 0.69%

LAB 81.93, -31.54, 2.5

 

CMYK 67 / 0 / 17 / 21

HEX #42CAA8

RGB 66 202 168

HSL 165, 0.56%, 0.53%

LAB 73.69, -44.53, 6.37

 

CMYK 66 / 63 / 0 / 21

HEX #444BCA

RGB 68 75 202

HSL 236.87, 0.56%, 0.53%

LAB 38.77, 37.45, -66.84

 

CMYK 0 / 43 / 66 / 21

HEX #CA7344

RGB 202 115 68

HSL 21.04, 0.56%, 0.53%

LAB 57.3, 30.16, 40.32

 

CMYK 67 / 0 / 17 / 21

HEX #42CAA8

RGB 66 202 168

HSL 165, 0.56%, 0.53%

LAB 73.69, -44.53, 6.37

 

CMYK 16 / 66 / 0 / 21

HEX #A944CA

RGB 169 68 202

HSL 285.22, 0.56%, 0.53%

LAB 48.05, 60.88, -51.32

 

CMYK 0 / 16 / 66 / 21

HEX #CAA944

RGB 202 169 68

HSL 45.22, 0.56%, 0.53%

LAB 70.42, 0.9, 54.84

 

CMYK 67 / 0 / 17 / 21

HEX #42CAA8

RGB 66 202 168

HSL 165, 0.56%, 0.53%

LAB 73.69, -44.53, 6.37

 

CMYK 66 / 63 / 0 / 21

HEX #444BCA

RGB 68 75 202

HSL 236.87, 0.56%, 0.53%

LAB 38.77, 37.45, -66.84

 

CMYK 0 / 66 / 50 / 21

HEX #CA4466

RGB 202 68 102

HSL 344.78, 0.56%, 0.53%

LAB 49.07, 55.45, 10.15

 

CMYK 0 / 3 / 66 / 21

HEX #CAC444

RGB 202 196 68

HSL 57.31, 0.56%, 0.53%

LAB 77.55, -13.14, 62.28

 

CMYK 67 / 0 / 17 / 21

HEX #42CAA8

RGB 66 202 168

HSL 165, 0.56%, 0.53%

LAB 73.69, -44.53, 6.37

 

CMYK 50 / 66 / 0 / 21

HEX #6644CA

RGB 102 68 202

HSL 255.22, 0.56%, 0.53%

LAB 39.95, 47.05, -64.8

 

CMYK 0 / 66 / 50 / 21

HEX #CA4466

RGB 202 68 102

HSL 344.78, 0.56%, 0.53%

LAB 49.07, 55.45, 10.15

 

CMYK 16 / 0 / 66 / 21

HEX #A9CA44

RGB 169 202 68

HSL 74.78, 0.56%, 0.53%

LAB 76.74, -29.69, 60.65

 

Description

Color code: HEX #42CAA8 | qconv.com Color code: HEX #42CAA8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 202 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 202 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 17 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 17% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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