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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42C916 it is the complementary color #BD36E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42C916. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42C916 shade: #47C911, #58DB24, #69ED37, #7AFF4A and #8BFF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42C916. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42C916 shade: #42C916, #31B703, #20A500, #0F9300 and #008100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42C916 shade: #43CA16, #73CA16, #A3CA16, #CAC016 and #CA9016

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42C916 shade: #43CA16, #16CA1B, #16CA4B, #16CA7C and #16CAAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42C916 shade matches the following richer shades: #43CA16 and #39DC04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42C916 shade: #43CA16, #4CB829, #55A63B, #5E934D and #67815F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42C916 shade: #A3CA16, #73CA16, #43CA16, #16CA19 and #16CA49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42C916 shade: #2A800E, #36A512, #43CA16, #53E723 and #70EB48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42C916 shade: #42C916, #16CAC1 and #CA168B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42C916 shade: #42C916, #1643CA and #CA1643

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42C916 shade: #42C916, #16CAC1, #9D16CA and #CA161F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42C916 shade: #42C916, #169DCA, #9D16CA and #CA4316

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 89 / 21

HEX #42C916

RGB 66 201 22

HSL 105.25, 0.8%, 0.44%

LAB 71.55, -64.53, 67.78

 

Complementary color

CMYK 19 / 77 / 0 / 9

HEX #BD36E9

RGB 189 54 233

HSL 285.25, 0.8%, 0.56%

LAB 51.08, 75.98, -63.96

 

CMYK 65 / 0 / 92 / 21

HEX #47C911

RGB 71 201 17

HSL 102.39, 0.84%, 0.43%

LAB 71.66, -63.64, 68.73

 

CMYK 60 / 0 / 84 / 14

HEX #58DB24

RGB 88 219 36

HSL 102.95, 0.72%, 0.5%

LAB 77.8, -65.09, 70.56

 

CMYK 56 / 0 / 77 / 7

HEX #69ED37

RGB 105 237 55

HSL 103.52, 0.83%, 0.57%

LAB 83.89, -66.12, 71.28

 

CMYK 52 / 0 / 71 / 0

HEX #7AFF4A

RGB 122 255 74

HSL 104.09, 1%, 0.65%

LAB 89.93, -66.83, 71.26

 

CMYK 45 / 0 / 64 / 0

HEX #8BFF5D

RGB 139 255 93

HSL 102.96, 1%, 0.68%

LAB 90.69, -60.63, 65.14

 

CMYK 67 / 0 / 89 / 21

HEX #42C916

RGB 66 201 22

HSL 105.25, 0.8%, 0.44%

LAB 71.55, -64.53, 67.78

 

CMYK 73 / 0 / 98 / 28

HEX #31B703

RGB 49 183 3

HSL 104.67, 0.97%, 0.36%

LAB 65.38, -62.49, 65.1

 

CMYK 81 / 0 / 100 / 35

HEX #20A500

RGB 32 165 0

HSL 108.36, 1%, 0.32%

LAB 59.17, -59.65, 60.4

 

CMYK 90 / 0 / 100 / 42

HEX #0F9300

RGB 15 147 0

HSL 113.88, 1%, 0.29%

LAB 52.92, -56.15, 55.31

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 67 / 0 / 89 / 21

HEX #43CA16

RGB 67 202 22

HSL 105, 0.8%, 0.44%

LAB 71.89, -64.65, 68.08

 

CMYK 43 / 0 / 89 / 21

HEX #73CA16

RGB 115 202 22

HSL 89, 0.8%, 0.44%

LAB 73.51, -51.8, 70.09

 

CMYK 19 / 0 / 89 / 21

HEX #A3CA16

RGB 163 202 22

HSL 73, 0.8%, 0.44%

LAB 76.12, -34.08, 73.32

 

CMYK 0 / 5 / 89 / 21

HEX #CAC016

RGB 202 192 22

HSL 56.67, 0.8%, 0.44%

LAB 76.26, -12.8, 74.66

 

CMYK 0 / 29 / 89 / 21

HEX #CA9016

RGB 202 144 22

HSL 40.67, 0.8%, 0.44%

LAB 63.8, 12.6, 64.91

 

CMYK 67 / 0 / 89 / 21

HEX #43CA16

RGB 67 202 22

HSL 105, 0.8%, 0.44%

LAB 71.89, -64.65, 68.08

 

CMYK 89 / 0 / 87 / 21

HEX #16CA1B

RGB 22 202 27

HSL 121.67, 0.8%, 0.44%

LAB 71.21, -70.54, 66.25

 

CMYK 89 / 0 / 63 / 21

HEX #16CA4B

RGB 22 202 75

HSL 137.67, 0.8%, 0.44%

LAB 71.5, -66.84, 50.54

 

CMYK 89 / 0 / 39 / 21

HEX #16CA7C

RGB 22 202 124

HSL 154, 0.8%, 0.44%

LAB 72.14, -59.17, 27.55

 

CMYK 89 / 0 / 15 / 21

HEX #16CAAC

RGB 22 202 172

HSL 170, 0.8%, 0.44%

LAB 73.15, -48.05, 3.34

 

CMYK 67 / 0 / 89 / 21

HEX #43CA16

RGB 67 202 22

HSL 105, 0.8%, 0.44%

LAB 71.89, -64.65, 68.08

 

CMYK 74 / 0 / 98 / 14

HEX #39DC04

RGB 57 220 4

HSL 105.28, 0.96%, 0.44%

LAB 77.32, -72.33, 74.67

 

CMYK 67 / 0 / 89 / 21

HEX #43CA16

RGB 67 202 22

HSL 105, 0.8%, 0.44%

LAB 71.89, -64.65, 68.08

 

CMYK 59 / 0 / 78 / 28

HEX #4CB829

RGB 76 184 41

HSL 105.31, 0.64%, 0.44%

LAB 66.5, -55.66, 58.62

 

CMYK 49 / 0 / 64 / 35

HEX #55A63B

RGB 85 166 59

HSL 105.42, 0.48%, 0.44%

LAB 61.24, -44.88, 46.44

 

CMYK 36 / 0 / 48 / 42

HEX #5E934D

RGB 94 147 77

HSL 105.43, 0.31%, 0.44%

LAB 55.87, -31.48, 31.48

 

CMYK 20 / 0 / 26 / 49

HEX #67815F

RGB 103 129 95

HSL 105.88, 0.15%, 0.44%

LAB 51.16, -16.27, 15.45

 

CMYK 19 / 0 / 89 / 21

HEX #A3CA16

RGB 163 202 22

HSL 73, 0.8%, 0.44%

LAB 76.12, -34.08, 73.32

 

CMYK 43 / 0 / 89 / 21

HEX #73CA16

RGB 115 202 22

HSL 89, 0.8%, 0.44%

LAB 73.51, -51.8, 70.09

 

CMYK 67 / 0 / 89 / 21

HEX #43CA16

RGB 67 202 22

HSL 105, 0.8%, 0.44%

LAB 71.89, -64.65, 68.08

 

CMYK 89 / 0 / 88 / 21

HEX #16CA19

RGB 22 202 25

HSL 121, 0.8%, 0.44%

LAB 71.2, -70.62, 66.65

 

CMYK 89 / 0 / 64 / 21

HEX #16CA49

RGB 22 202 73

HSL 137, 0.8%, 0.44%

LAB 71.48, -67.07, 51.38

 

CMYK 67 / 0 / 89 / 50

HEX #2A800E

RGB 42 128 14

HSL 105.26, 0.8%, 0.28%

LAB 46.92, -45.43, 47.85

 

CMYK 67 / 0 / 89 / 35

HEX #36A512

RGB 54 165 18

HSL 105.31, 0.8%, 0.36%

LAB 59.65, -55.37, 58.19

 

CMYK 67 / 0 / 89 / 21

HEX #43CA16

RGB 67 202 22

HSL 105, 0.8%, 0.44%

LAB 71.89, -64.65, 68.08

 

CMYK 64 / 0 / 85 / 9

HEX #53E723

RGB 83 231 35

HSL 105.31, 0.8%, 0.52%

LAB 81.35, -70.18, 73.89

 

CMYK 52 / 0 / 69 / 8

HEX #70EB48

RGB 112 235 72

HSL 105.28, 0.8%, 0.6%

LAB 83.62, -62.46, 65.39

 

CMYK 67 / 0 / 89 / 21

HEX #42C916

RGB 66 201 22

HSL 105.25, 0.8%, 0.44%

LAB 71.55, -64.53, 67.78

 

CMYK 89 / 0 / 4 / 21

HEX #16CAC1

RGB 22 202 193

HSL 177, 0.8%, 0.44%

LAB 73.72, -42.24, -7.21

 

CMYK 0 / 89 / 31 / 21

HEX #CA168B

RGB 202 22 139

HSL 321, 0.8%, 0.44%

LAB 45.63, 72.15, -17.47

 

CMYK 67 / 0 / 89 / 21

HEX #42C916

RGB 66 201 22

HSL 105.25, 0.8%, 0.44%

LAB 71.55, -64.53, 67.78

 

CMYK 89 / 67 / 0 / 21

HEX #1643CA

RGB 22 67 202

HSL 225, 0.8%, 0.44%

LAB 34.9, 38.2, -73.26

 

CMYK 0 / 89 / 67 / 21

HEX #CA1643

RGB 202 22 67

HSL 345, 0.8%, 0.44%

LAB 43.56, 66.42, 24.24

 

CMYK 67 / 0 / 89 / 21

HEX #42C916

RGB 66 201 22

HSL 105.25, 0.8%, 0.44%

LAB 71.55, -64.53, 67.78

 

CMYK 89 / 0 / 4 / 21

HEX #16CAC1

RGB 22 202 193

HSL 177, 0.8%, 0.44%

LAB 73.72, -42.24, -7.21

 

CMYK 22 / 89 / 0 / 21

HEX #9D16CA

RGB 157 22 202

HSL 285, 0.8%, 0.44%

LAB 41.23, 73.06, -62.41

 

CMYK 0 / 89 / 85 / 21

HEX #CA161F

RGB 202 22 31

HSL 357, 0.8%, 0.44%

LAB 43.11, 65.12, 44.78

 

CMYK 67 / 0 / 89 / 21

HEX #42C916

RGB 66 201 22

HSL 105.25, 0.8%, 0.44%

LAB 71.55, -64.53, 67.78

 

CMYK 89 / 22 / 0 / 21

HEX #169DCA

RGB 22 157 202

HSL 195, 0.8%, 0.44%

LAB 60.38, -17.43, -32.43

 

CMYK 22 / 89 / 0 / 21

HEX #9D16CA

RGB 157 22 202

HSL 285, 0.8%, 0.44%

LAB 41.23, 73.06, -62.41

 

CMYK 0 / 67 / 89 / 21

HEX #CA4316

RGB 202 67 22

HSL 15, 0.8%, 0.44%

LAB 47.79, 51.73, 52.6

 

Description

Color code: HEX #42C916 | qconv.com Color code: HEX #42C916 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 201 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 201 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 89 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 89% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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