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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42C753 it is the complementary color #BD38AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42C753. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42C753 shade: #47C74E, #58D961, #69EB74, #7AFD87 and #8BFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42C753. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42C753 shade: #42C753, #31B540, #20A32D, #0F911A and #007F07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42C753 shade: #43C753, #55C743, #79C743, #9DC743 and #C0C743

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42C753 shade: #43C753, #43C777, #43C79B, #43C7BE and #43ABC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42C753 shade matches the following richer shades: #43C753, #2FDB45 and #1BEE36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42C753 shade: #43C753, #56B362, #6A9F71, #7E8B80 and #92778E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42C753 shade: #7AC743, #56C743, #43C752, #43C775 and #43C798

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42C753 shade: #2A8D37, #34AC43, #43C753, #62D070 and #82DA8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42C753 shade: #42C753, #439DC7 and #C74368

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42C753 shade: #42C753, #5243C7 and #C75243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42C753 shade: #42C753, #439DC7, #C743B7 and #C76C43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42C753 shade: #42C753, #4375C7, #C743B7 and #C79443

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 58 / 22

HEX #42C753

RGB 66 199 83

HSL 127.67, 0.54%, 0.52%

LAB 71.3, -59.26, 46.92

 

Complementary color

CMYK 0 / 70 / 9 / 26

HEX #BD38AC

RGB 189 56 172

HSL 307.67, 0.54%, 0.48%

LAB 47.78, 64.92, -34.06

 

CMYK 64 / 0 / 61 / 22

HEX #47C74E

RGB 71 199 78

HSL 123.28, 0.53%, 0.53%

LAB 71.38, -58.86, 49.29

 

CMYK 59 / 0 / 55 / 15

HEX #58D961

RGB 88 217 97

HSL 124.19, 0.63%, 0.6%

LAB 77.62, -59.36, 48.06

 

CMYK 55 / 0 / 51 / 8

HEX #69EB74

RGB 105 235 116

HSL 125.08, 0.76%, 0.67%

LAB 83.8, -59.62, 46.77

 

CMYK 52 / 0 / 47 / 1

HEX #7AFD87

RGB 122 253 135

HSL 125.95, 0.97%, 0.74%

LAB 89.92, -59.71, 45.48

 

CMYK 45 / 0 / 40 / 0

HEX #8BFF9A

RGB 139 255 154

HSL 127.76, 1%, 0.77%

LAB 91.39, -53.32, 38.27

 

CMYK 67 / 0 / 58 / 22

HEX #42C753

RGB 66 199 83

HSL 127.67, 0.54%, 0.52%

LAB 71.3, -59.26, 46.92

 

CMYK 73 / 0 / 65 / 29

HEX #31B540

RGB 49 181 64

HSL 126.82, 0.57%, 0.45%

LAB 65.02, -58.33, 48.15

 

CMYK 80 / 0 / 72 / 36

HEX #20A32D

RGB 32 163 45

HSL 125.95, 0.67%, 0.38%

LAB 58.69, -56.83, 49.08

 

CMYK 90 / 0 / 82 / 43

HEX #0F911A

RGB 15 145 26

HSL 125.08, 0.81%, 0.31%

LAB 52.32, -54.49, 49.33

 

CMYK 100 / 0 / 94 / 50

HEX #007F07

RGB 0 127 7

HSL 123.31, 1%, 0.25%

LAB 45.9, -51.14, 48.17

 

CMYK 66 / 0 / 58 / 22

HEX #43C753

RGB 67 199 83

HSL 127.27, 0.54%, 0.52%

LAB 71.33, -59.07, 46.95

 

CMYK 57 / 0 / 66 / 22

HEX #55C743

RGB 85 199 67

HSL 111.82, 0.54%, 0.52%

LAB 71.68, -56.79, 54.44

 

CMYK 39 / 0 / 66 / 22

HEX #79C743

RGB 121 199 67

HSL 95.45, 0.54%, 0.52%

LAB 73.1, -46.21, 56.39

 

CMYK 21 / 0 / 66 / 22

HEX #9DC743

RGB 157 199 67

HSL 79.09, 0.54%, 0.52%

LAB 75.09, -33.08, 59.09

 

CMYK 4 / 0 / 66 / 22

HEX #C0C743

RGB 192 199 67

HSL 63.18, 0.54%, 0.52%

LAB 77.55, -18.89, 62.42

 

CMYK 66 / 0 / 58 / 22

HEX #43C753

RGB 67 199 83

HSL 127.27, 0.54%, 0.52%

LAB 71.33, -59.07, 46.95

 

CMYK 66 / 0 / 40 / 22

HEX #43C777

RGB 67 199 119

HSL 143.64, 0.54%, 0.52%

LAB 71.81, -53.62, 29.83

 

CMYK 66 / 0 / 22 / 22

HEX #43C79B

RGB 67 199 155

HSL 160, 0.54%, 0.52%

LAB 72.5, -46.2, 11.69

 

CMYK 66 / 0 / 5 / 22

HEX #43C7BE

RGB 67 199 190

HSL 175.91, 0.54%, 0.52%

LAB 73.39, -37.34, -5.99

 

CMYK 66 / 14 / 0 / 22

HEX #43ABC7

RGB 67 171 199

HSL 192.73, 0.54%, 0.52%

LAB 65.31, -21.05, -23.09

 

CMYK 66 / 0 / 58 / 22

HEX #43C753

RGB 67 199 83

HSL 127.27, 0.54%, 0.52%

LAB 71.33, -59.07, 46.95

 

CMYK 79 / 0 / 68 / 14

HEX #2FDB45

RGB 47 219 69

HSL 127.67, 0.7%, 0.52%

LAB 77.1, -70.28, 59.2

 

CMYK 89 / 0 / 77 / 7

HEX #1BEE36

RGB 27 238 54

HSL 127.68, 0.86%, 0.52%

LAB 82.73, -78.83, 69.95

 

CMYK 66 / 0 / 58 / 22

HEX #43C753

RGB 67 199 83

HSL 127.27, 0.54%, 0.52%

LAB 71.33, -59.07, 46.95

 

CMYK 52 / 0 / 45 / 30

HEX #56B362

RGB 86 179 98

HSL 127.74, 0.38%, 0.52%

LAB 65.83, -44.95, 33.04

 

CMYK 33 / 0 / 29 / 38

HEX #6A9F71

RGB 106 159 113

HSL 127.92, 0.22%, 0.52%

LAB 60.83, -27.34, 18.57

 

CMYK 9 / 0 / 8 / 45

HEX #7E8B80

RGB 126 139 128

HSL 129.23, 0.05%, 0.52%

LAB 56.54, -6.94, 4.27

 

CMYK 0 / 18 / 3 / 43

HEX #92778E

RGB 146 119 142

HSL 308.89, 0.11%, 0.52%

LAB 53.23, 14.67, -8.52

 

CMYK 39 / 0 / 66 / 22

HEX #7AC743

RGB 122 199 67

HSL 95, 0.54%, 0.52%

LAB 73.15, -45.87, 56.45

 

CMYK 57 / 0 / 66 / 22

HEX #56C743

RGB 86 199 67

HSL 111.36, 0.54%, 0.52%

LAB 71.71, -56.54, 54.49

 

CMYK 66 / 0 / 59 / 22

HEX #43C752

RGB 67 199 82

HSL 126.82, 0.54%, 0.52%

LAB 71.32, -59.19, 47.4

 

CMYK 66 / 0 / 41 / 22

HEX #43C775

RGB 67 199 117

HSL 142.73, 0.54%, 0.52%

LAB 71.77, -53.98, 30.82

 

CMYK 66 / 0 / 24 / 22

HEX #43C798

RGB 67 199 152

HSL 158.64, 0.54%, 0.52%

LAB 72.43, -46.89, 13.21

 

CMYK 70 / 0 / 61 / 45

HEX #2A8D37

RGB 42 141 55

HSL 127.88, 0.54%, 0.36%

LAB 51.63, -46.61, 37.06

 

CMYK 70 / 0 / 61 / 33

HEX #34AC43

RGB 52 172 67

HSL 127.5, 0.54%, 0.44%

LAB 62.2, -54.37, 43.65

 

CMYK 66 / 0 / 58 / 22

HEX #43C753

RGB 67 199 83

HSL 127.27, 0.54%, 0.52%

LAB 71.33, -59.07, 46.95

 

CMYK 53 / 0 / 46 / 18

HEX #62D070

RGB 98 208 112

HSL 127.64, 0.54%, 0.6%

LAB 75.38, -51.48, 38.17

 

CMYK 40 / 0 / 35 / 15

HEX #82DA8D

RGB 130 218 141

HSL 127.5, 0.54%, 0.68%

LAB 80.07, -42.29, 29.82

 

CMYK 67 / 0 / 58 / 22

HEX #42C753

RGB 66 199 83

HSL 127.67, 0.54%, 0.52%

LAB 71.3, -59.26, 46.92

 

CMYK 66 / 21 / 0 / 22

HEX #439DC7

RGB 67 157 199

HSL 199.09, 0.54%, 0.52%

LAB 61.16, -13.6, -29.48

 

CMYK 0 / 66 / 48 / 22

HEX #C74368

RGB 199 67 104

HSL 343.18, 0.54%, 0.52%

LAB 48.46, 55.1, 8

 

CMYK 67 / 0 / 58 / 22

HEX #42C753

RGB 66 199 83

HSL 127.67, 0.54%, 0.52%

LAB 71.3, -59.26, 46.92

 

CMYK 59 / 66 / 0 / 22

HEX #5243C7

RGB 82 67 199

HSL 246.82, 0.54%, 0.52%

LAB 37.72, 43.35, -66.77

 

CMYK 0 / 59 / 66 / 22

HEX #C75243

RGB 199 82 67

HSL 6.82, 0.54%, 0.52%

LAB 50.19, 45.71, 32.35

 

CMYK 67 / 0 / 58 / 22

HEX #42C753

RGB 66 199 83

HSL 127.67, 0.54%, 0.52%

LAB 71.3, -59.26, 46.92

 

CMYK 66 / 21 / 0 / 22

HEX #439DC7

RGB 67 157 199

HSL 199.09, 0.54%, 0.52%

LAB 61.16, -13.6, -29.48

 

CMYK 0 / 66 / 8 / 22

HEX #C743B7

RGB 199 67 183

HSL 307.27, 0.54%, 0.52%

LAB 51.35, 64.99, -34.79

 

CMYK 0 / 46 / 66 / 22

HEX #C76C43

RGB 199 108 67

HSL 18.64, 0.54%, 0.52%

LAB 55.35, 32.61, 38.48

 

CMYK 67 / 0 / 58 / 22

HEX #42C753

RGB 66 199 83

HSL 127.67, 0.54%, 0.52%

LAB 71.3, -59.26, 46.92

 

CMYK 66 / 41 / 0 / 22

HEX #4375C7

RGB 67 117 199

HSL 217.27, 0.54%, 0.52%

LAB 49.54, 9.76, -47.72

 

CMYK 0 / 66 / 8 / 22

HEX #C743B7

RGB 199 67 183

HSL 307.27, 0.54%, 0.52%

LAB 51.35, 64.99, -34.79

 

CMYK 0 / 26 / 66 / 22

HEX #C79443

RGB 199 148 67

HSL 36.82, 0.54%, 0.52%

LAB 64.75, 10.87, 49.08

 

Description

Color code: HEX #42C753 | qconv.com Color code: HEX #42C753 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 199 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 199 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 58 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 58% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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