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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42C234 it is the complementary color #BD3DCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42C234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42C234 shade: #47C22F, #58D442, #69E655, #7AF868 and #8BFF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42C234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42C234 shade: #42C234, #31B021, #209E0E, #0F8C00 and #007A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42C234 shade: #41C133, #68C133, #8EC133, #B4C133 and #C1A833

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42C234 shade: #41C133, #33C14C, #33C172, #33C198 and #33C1BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42C234 shade matches the following richer shades: #41C133, #32D520 and #22E90C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42C234 shade: #41C133, #51AE47, #619A5B, #71866F and #817283

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42C234 shade: #8DC133, #67C133, #42C133, #33C14B and #33C171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42C234 shade: #2B8022, #36A12B, #41C133, #5BD04E and #79D96F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42C234 shade: #42C234, #33B3C1 and #C1337A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42C234 shade: #42C234, #3342C1 and #C13342

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42C234 shade: #42C234, #33B3C1, #B333C1 and #C14233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42C234 shade: #42C234, #3389C1, #B333C1 and #C16C33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 73 / 24

HEX #42C234

RGB 66 194 52

HSL 114.08, 0.58%, 0.48%

LAB 69.46, -60.64, 57.72

 

Complementary color

CMYK 7 / 70 / 0 / 20

HEX #BD3DCB

RGB 189 61 203

HSL 294.08, 0.58%, 0.52%

LAB 50.06, 68.22, -48.51

 

CMYK 63 / 0 / 76 / 24

HEX #47C22F

RGB 71 194 47

HSL 110.2, 0.61%, 0.47%

LAB 69.56, -59.94, 59.59

 

CMYK 58 / 0 / 69 / 17

HEX #58D442

RGB 88 212 66

HSL 110.96, 0.63%, 0.55%

LAB 75.8, -60.81, 59.25

 

CMYK 54 / 0 / 63 / 10

HEX #69E655

RGB 105 230 85

HSL 111.72, 0.74%, 0.62%

LAB 81.98, -61.34, 58.47

 

CMYK 51 / 0 / 58 / 3

HEX #7AF868

RGB 122 248 104

HSL 112.5, 0.91%, 0.69%

LAB 88.1, -61.64, 57.47

 

CMYK 45 / 0 / 52 / 0

HEX #8BFF7B

RGB 139 255 123

HSL 112.73, 1%, 0.74%

LAB 90.98, -57.54, 52.53

 

CMYK 66 / 0 / 73 / 24

HEX #42C234

RGB 66 194 52

HSL 114.08, 0.58%, 0.48%

LAB 69.46, -60.64, 57.72

 

CMYK 72 / 0 / 81 / 31

HEX #31B021

RGB 49 176 33

HSL 113.29, 0.68%, 0.41%

LAB 63.19, -59.25, 57.65

 

CMYK 80 / 0 / 91 / 38

HEX #209E0E

RGB 32 158 14

HSL 112.5, 0.84%, 0.34%

LAB 56.87, -57.14, 56.39

 

CMYK 89 / 0 / 100 / 45

HEX #0F8C00

RGB 15 140 0

HSL 113.57, 1%, 0.27%

LAB 50.52, -54.07, 53.39

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 66 / 0 / 74 / 24

HEX #41C133

RGB 65 193 51

HSL 114.08, 0.58%, 0.48%

LAB 69.11, -60.59, 57.72

 

CMYK 46 / 0 / 74 / 24

HEX #68C133

RGB 104 193 51

HSL 97.61, 0.58%, 0.48%

LAB 70.4, -50.46, 59.43

 

CMYK 26 / 0 / 74 / 24

HEX #8EC133

RGB 142 193 51

HSL 81.55, 0.58%, 0.48%

LAB 72.32, -37.15, 61.96

 

CMYK 7 / 0 / 74 / 24

HEX #B4C133

RGB 180 193 51

HSL 65.49, 0.58%, 0.48%

LAB 74.88, -21.79, 65.31

 

CMYK 0 / 13 / 74 / 24

HEX #C1A833

RGB 193 168 51

HSL 49.44, 0.58%, 0.48%

LAB 69.17, -3.38, 60.23

 

CMYK 66 / 0 / 74 / 24

HEX #41C133

RGB 65 193 51

HSL 114.08, 0.58%, 0.48%

LAB 69.11, -60.59, 57.72

 

CMYK 74 / 0 / 61 / 24

HEX #33C14C

RGB 51 193 76

HSL 130.56, 0.58%, 0.48%

LAB 69.02, -60.67, 47.37

 

CMYK 74 / 0 / 41 / 24

HEX #33C172

RGB 51 193 114

HSL 146.62, 0.58%, 0.48%

LAB 69.51, -54.89, 29.34

 

CMYK 74 / 0 / 21 / 24

HEX #33C198

RGB 51 193 152

HSL 162.68, 0.58%, 0.48%

LAB 70.25, -46.78, 10.08

 

CMYK 74 / 0 / 1 / 24

HEX #33C1BF

RGB 51 193 191

HSL 179.15, 0.58%, 0.48%

LAB 71.29, -36.41, -9.69

 

CMYK 66 / 0 / 74 / 24

HEX #41C133

RGB 65 193 51

HSL 114.08, 0.58%, 0.48%

LAB 69.11, -60.59, 57.72

 

CMYK 77 / 0 / 85 / 16

HEX #32D520

RGB 50 213 32

HSL 114.03, 0.74%, 0.48%

LAB 75.06, -70.56, 68.71

 

CMYK 85 / 0 / 95 / 9

HEX #22E90C

RGB 34 233 12

HSL 114.03, 0.9%, 0.48%

LAB 81.1, -78.6, 76.89

 

CMYK 66 / 0 / 74 / 24

HEX #41C133

RGB 65 193 51

HSL 114.08, 0.58%, 0.48%

LAB 69.11, -60.59, 57.72

 

CMYK 53 / 0 / 59 / 32

HEX #51AE47

RGB 81 174 71

HSL 114.17, 0.42%, 0.48%

LAB 63.73, -47.95, 43.78

 

CMYK 37 / 0 / 41 / 40

HEX #619A5B

RGB 97 154 91

HSL 114.29, 0.26%, 0.48%

LAB 58.42, -31.68, 27.31

 

CMYK 16 / 0 / 17 / 47

HEX #71866F

RGB 113 134 111

HSL 114.78, 0.09%, 0.48%

LAB 53.72, -12.29, 9.89

 

CMYK 2 / 13 / 0 / 49

HEX #817283

RGB 129 114 131

HSL 292.94, 0.07%, 0.48%

LAB 49.91, 9.13, -7.19

 

CMYK 27 / 0 / 74 / 24

HEX #8DC133

RGB 141 193 51

HSL 81.97, 0.58%, 0.48%

LAB 72.26, -37.53, 61.88

 

CMYK 47 / 0 / 74 / 24

HEX #67C133

RGB 103 193 51

HSL 98.03, 0.58%, 0.48%

LAB 70.36, -50.77, 59.37

 

CMYK 66 / 0 / 74 / 24

HEX #42C133

RGB 66 193 51

HSL 113.66, 0.58%, 0.48%

LAB 69.14, -60.38, 57.75

 

CMYK 74 / 0 / 61 / 24

HEX #33C14B

RGB 51 193 75

HSL 130.14, 0.58%, 0.48%

LAB 69.01, -60.78, 47.81

 

CMYK 74 / 0 / 41 / 24

HEX #33C171

RGB 51 193 113

HSL 146.2, 0.58%, 0.48%

LAB 69.5, -55.07, 29.84

 

CMYK 66 / 0 / 73 / 50

HEX #2B8022

RGB 43 128 34

HSL 114.26, 0.58%, 0.32%

LAB 47.06, -43.89, 41.48

 

CMYK 66 / 0 / 73 / 37

HEX #36A12B

RGB 54 161 43

HSL 114.41, 0.58%, 0.4%

LAB 58.46, -52.55, 49.75

 

CMYK 66 / 0 / 74 / 24

HEX #41C133

RGB 65 193 51

HSL 114.08, 0.58%, 0.48%

LAB 69.11, -60.59, 57.72

 

CMYK 56 / 0 / 63 / 18

HEX #5BD04E

RGB 91 208 78

HSL 114, 0.58%, 0.56%

LAB 74.75, -57.51, 53.26

 

CMYK 44 / 0 / 49 / 15

HEX #79D96F

RGB 121 217 111

HSL 114.34, 0.58%, 0.64%

LAB 78.95, -48.95, 43.31

 

CMYK 66 / 0 / 73 / 24

HEX #42C234

RGB 66 194 52

HSL 114.08, 0.58%, 0.48%

LAB 69.46, -60.64, 57.72

 

CMYK 74 / 7 / 0 / 24

HEX #33B3C1

RGB 51 179 193

HSL 185.92, 0.58%, 0.48%

LAB 67.12, -29.15, -17.05

 

CMYK 0 / 74 / 37 / 24

HEX #C1337A

RGB 193 51 122

HSL 330, 0.58%, 0.48%

LAB 45.78, 61.1, -7.02

 

CMYK 66 / 0 / 73 / 24

HEX #42C234

RGB 66 194 52

HSL 114.08, 0.58%, 0.48%

LAB 69.46, -60.64, 57.72

 

CMYK 74 / 66 / 0 / 24

HEX #3342C1

RGB 51 66 193

HSL 233.66, 0.58%, 0.48%

LAB 34.9, 37.8, -67.96

 

CMYK 0 / 74 / 66 / 24

HEX #C13342

RGB 193 51 66

HSL 353.66, 0.58%, 0.48%

LAB 44.37, 56.5, 25.52

 

CMYK 66 / 0 / 73 / 24

HEX #42C234

RGB 66 194 52

HSL 114.08, 0.58%, 0.48%

LAB 69.46, -60.64, 57.72

 

CMYK 74 / 7 / 0 / 24

HEX #33B3C1

RGB 51 179 193

HSL 185.92, 0.58%, 0.48%

LAB 67.12, -29.15, -17.05

 

CMYK 7 / 74 / 0 / 24

HEX #B333C1

RGB 179 51 193

HSL 294.08, 0.58%, 0.48%

LAB 46.71, 67.83, -48.16

 

CMYK 0 / 66 / 74 / 24

HEX #C14233

RGB 193 66 51

HSL 6.34, 0.58%, 0.48%

LAB 46.28, 49.95, 36.6

 

CMYK 66 / 0 / 73 / 24

HEX #42C234

RGB 66 194 52

HSL 114.08, 0.58%, 0.48%

LAB 69.46, -60.64, 57.72

 

CMYK 74 / 29 / 0 / 24

HEX #3389C1

RGB 51 137 193

HSL 203.66, 0.58%, 0.48%

LAB 54.5, -6.78, -36.5

 

CMYK 7 / 74 / 0 / 24

HEX #B333C1

RGB 179 51 193

HSL 294.08, 0.58%, 0.48%

LAB 46.71, 67.83, -48.16

 

CMYK 0 / 44 / 74 / 24

HEX #C16C33

RGB 193 108 51

HSL 24.08, 0.58%, 0.48%

LAB 54.35, 29.29, 45.33

 

Description

Color code: HEX #42C234 | qconv.com Color code: HEX #42C234 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 194 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 194 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 73 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 73% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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