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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42C0B2 it is the complementary color #BD3F4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42C0B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42C0B2 shade: #47C0AD, #58D2C0, #69E4D3, #7AF6E6 and #8BFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42C0B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42C0B2 shade: #42C0B2, #31AE9F, #209C8C, #0F8A79 and #007866

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42C0B2 shade: #44C1B3, #44C191, #44C16F, #44C14E and #5BC144

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42C0B2 shade: #44C1B3, #44ADC1, #448BC1, #4469C1 and #4448C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42C0B2 shade matches the following richer shades: #44C1B3, #2FD5C2, #1BE9D2 and #07FDE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42C0B2 shade: #44C1B3, #58ACA3, #6C9893, #808483 and #947074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42C0B2 shade: #44C16F, #44C191, #44C1B2, #44AEC1 and #448CC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42C0B2 shade: #2C857B, #37A498, #44C1B3, #63CBBF and #81D5CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42C0B2 shade: #42C0B2, #4E44C1 and #C18044

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42C0B2 shade: #42C0B2, #B244C1 and #C1B244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42C0B2 shade: #42C0B2, #4E44C1, #C14452 and #B6C144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42C0B2 shade: #42C0B2, #7344C1, #C14452 and #91C144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 7 / 25

HEX #42C0B2

RGB 66 192 178

HSL 173.33, 0.5%, 0.51%

LAB 70.92, -37.54, -3.09

 

Complementary color

CMYK 0 / 67 / 59 / 26

HEX #BD3F4D

RGB 189 63 77

HSL 353.33, 0.5%, 0.49%

LAB 45.51, 51.35, 20.15

 

CMYK 63 / 0 / 10 / 25

HEX #47C0AD

RGB 71 192 173

HSL 170.58, 0.49%, 0.52%

LAB 70.91, -38.04, -0.36

 

CMYK 58 / 0 / 9 / 18

HEX #58D2C0

RGB 88 210 192

HSL 171.15, 0.58%, 0.58%

LAB 77.27, -38.29, -1.3

 

CMYK 54 / 0 / 7 / 11

HEX #69E4D3

RGB 105 228 211

HSL 171.71, 0.69%, 0.65%

LAB 83.54, -38.43, -2.16

 

CMYK 50 / 0 / 7 / 4

HEX #7AF6E6

RGB 122 246 230

HSL 172.26, 0.87%, 0.72%

LAB 89.75, -38.49, -2.96

 

CMYK 45 / 0 / 2 / 0

HEX #8BFFF9

RGB 139 255 249

HSL 176.9, 1%, 0.77%

LAB 93.38, -34.37, -7.39

 

CMYK 66 / 0 / 7 / 25

HEX #42C0B2

RGB 66 192 178

HSL 173.33, 0.5%, 0.51%

LAB 70.92, -37.54, -3.09

 

CMYK 72 / 0 / 9 / 32

HEX #31AE9F

RGB 49 174 159

HSL 172.8, 0.56%, 0.44%

LAB 64.51, -36.97, -2.08

 

CMYK 79 / 0 / 10 / 39

HEX #209C8C

RGB 32 156 140

HSL 172.26, 0.66%, 0.37%

LAB 58.02, -36.12, -0.94

 

CMYK 89 / 0 / 12 / 46

HEX #0F8A79

RGB 15 138 121

HSL 171.71, 0.8%, 0.3%

LAB 51.45, -34.87, 0.35

 

CMYK 100 / 0 / 15 / 53

HEX #007866

RGB 0 120 102

HSL 171, 1%, 0.24%

LAB 44.79, -33.17, 1.82

 

CMYK 65 / 0 / 7 / 24

HEX #44C1B3

RGB 68 193 179

HSL 173.28, 0.5%, 0.51%

LAB 71.3, -37.41, -3.08

 

CMYK 65 / 0 / 25 / 24

HEX #44C191

RGB 68 193 145

HSL 156.96, 0.5%, 0.51%

LAB 70.46, -45.78, 14.22

 

CMYK 65 / 0 / 42 / 24

HEX #44C16F

RGB 68 193 111

HSL 140.64, 0.5%, 0.51%

LAB 69.84, -52.54, 31.39

 

CMYK 65 / 0 / 60 / 24

HEX #44C14E

RGB 68 193 78

HSL 124.8, 0.5%, 0.51%

LAB 69.41, -57.35, 47.02

 

CMYK 53 / 0 / 65 / 24

HEX #5BC144

RGB 91 193 68

HSL 108.96, 0.5%, 0.51%

LAB 70.02, -52.89, 52.28

 

CMYK 65 / 0 / 7 / 24

HEX #44C1B3

RGB 68 193 179

HSL 173.28, 0.5%, 0.51%

LAB 71.3, -37.41, -3.08

 

CMYK 65 / 10 / 0 / 24

HEX #44ADC1

RGB 68 173 193

HSL 189.6, 0.5%, 0.51%

LAB 65.72, -23.76, -19.13

 

CMYK 65 / 28 / 0 / 24

HEX #448BC1

RGB 68 139 193

HSL 205.92, 0.5%, 0.51%

LAB 55.63, -5.32, -34.69

 

CMYK 65 / 46 / 0 / 24

HEX #4469C1

RGB 68 105 193

HSL 222.24, 0.5%, 0.51%

LAB 45.88, 15.31, -50.12

 

CMYK 65 / 63 / 0 / 24

HEX #4448C1

RGB 68 72 193

HSL 238.08, 0.5%, 0.51%

LAB 37.32, 36.25, -63.96

 

CMYK 65 / 0 / 7 / 24

HEX #44C1B3

RGB 68 193 179

HSL 173.28, 0.5%, 0.51%

LAB 71.3, -37.41, -3.08

 

CMYK 78 / 0 / 9 / 16

HEX #2FD5C2

RGB 47 213 194

HSL 173.13, 0.66%, 0.51%

LAB 77.33, -44.93, -2.38

 

CMYK 88 / 0 / 10 / 9

HEX #1BE9D2

RGB 27 233 210

HSL 173.3, 0.82%, 0.51%

LAB 83.53, -50.53, -1.82

 

CMYK 97 / 0 / 11 / 1

HEX #07FDE2

RGB 7 253 226

HSL 173.41, 0.98%, 0.51%

LAB 89.76, -55.11, -1.08

 

CMYK 65 / 0 / 7 / 24

HEX #44C1B3

RGB 68 193 179

HSL 173.28, 0.5%, 0.51%

LAB 71.3, -37.41, -3.08

 

CMYK 49 / 0 / 5 / 33

HEX #58ACA3

RGB 88 172 163

HSL 173.57, 0.34%, 0.51%

LAB 65.14, -27.73, -3.25

 

CMYK 29 / 0 / 3 / 40

HEX #6C9893

RGB 108 152 147

HSL 173.18, 0.18%, 0.51%

LAB 59.66, -16.01, -2.19

 

CMYK 3 / 0 / 1 / 48

HEX #808483

RGB 128 132 131

HSL 165, 0.02%, 0.51%

LAB 54.79, -1.68, 0.02

 

CMYK 0 / 24 / 22 / 42

HEX #947074

RGB 148 112 116

HSL 353.33, 0.14%, 0.51%

LAB 50.86, 14.86, 3.31

 

CMYK 65 / 0 / 42 / 24

HEX #44C16F

RGB 68 193 111

HSL 140.64, 0.5%, 0.51%

LAB 69.84, -52.54, 31.39

 

CMYK 65 / 0 / 25 / 24

HEX #44C191

RGB 68 193 145

HSL 156.96, 0.5%, 0.51%

LAB 70.46, -45.78, 14.22

 

CMYK 65 / 0 / 8 / 24

HEX #44C1B2

RGB 68 193 178

HSL 172.8, 0.5%, 0.51%

LAB 71.27, -37.68, -2.57

 

CMYK 65 / 10 / 0 / 24

HEX #44AEC1

RGB 68 174 193

HSL 189.12, 0.5%, 0.51%

LAB 66.02, -24.27, -18.68

 

CMYK 65 / 27 / 0 / 24

HEX #448CC1

RGB 68 140 193

HSL 205.44, 0.5%, 0.51%

LAB 55.92, -5.89, -34.23

 

CMYK 67 / 0 / 8 / 48

HEX #2C857B

RGB 44 133 123

HSL 173.26, 0.5%, 0.35%

LAB 50.38, -28.51, -2.32

 

CMYK 66 / 0 / 7 / 36

HEX #37A498

RGB 55 164 152

HSL 173.39, 0.5%, 0.43%

LAB 61.33, -33.39, -2.81

 

CMYK 65 / 0 / 7 / 24

HEX #44C1B3

RGB 68 193 179

HSL 173.28, 0.5%, 0.51%

LAB 71.3, -37.41, -3.08

 

CMYK 51 / 0 / 6 / 20

HEX #63CBBF

RGB 99 203 191

HSL 173.08, 0.5%, 0.59%

LAB 75.53, -33.08, -3.27

 

CMYK 39 / 0 / 4 / 16

HEX #81D5CC

RGB 129 213 204

HSL 173.57, 0.5%, 0.67%

LAB 79.96, -27.59, -3.59

 

CMYK 66 / 0 / 7 / 25

HEX #42C0B2

RGB 66 192 178

HSL 173.33, 0.5%, 0.51%

LAB 70.92, -37.54, -3.09

 

CMYK 60 / 65 / 0 / 24

HEX #4E44C1

RGB 78 68 193

HSL 244.8, 0.5%, 0.51%

LAB 37.12, 40.23, -64.26

 

CMYK 0 / 34 / 65 / 24

HEX #C18044

RGB 193 128 68

HSL 28.8, 0.5%, 0.51%

LAB 59.15, 19.33, 42.14

 

CMYK 66 / 0 / 7 / 25

HEX #42C0B2

RGB 66 192 178

HSL 173.33, 0.5%, 0.51%

LAB 70.92, -37.54, -3.09

 

CMYK 8 / 65 / 0 / 24

HEX #B244C1

RGB 178 68 193

HSL 292.8, 0.5%, 0.51%

LAB 48.82, 61.23, -44.81

 

CMYK 0 / 8 / 65 / 24

HEX #C1B244

RGB 193 178 68

HSL 52.8, 0.5%, 0.51%

LAB 71.96, -7.72, 56.22

 

CMYK 66 / 0 / 7 / 25

HEX #42C0B2

RGB 66 192 178

HSL 173.33, 0.5%, 0.51%

LAB 70.92, -37.54, -3.09

 

CMYK 60 / 65 / 0 / 24

HEX #4E44C1

RGB 78 68 193

HSL 244.8, 0.5%, 0.51%

LAB 37.12, 40.23, -64.26

 

CMYK 0 / 65 / 58 / 24

HEX #C14452

RGB 193 68 82

HSL 353.28, 0.5%, 0.51%

LAB 47.08, 50.93, 19.32

 

CMYK 6 / 0 / 65 / 24

HEX #B6C144

RGB 182 193 68

HSL 65.28, 0.5%, 0.51%

LAB 75.14, -20.02, 59.28

 

CMYK 66 / 0 / 7 / 25

HEX #42C0B2

RGB 66 192 178

HSL 173.33, 0.5%, 0.51%

LAB 70.92, -37.54, -3.09

 

CMYK 40 / 65 / 0 / 24

HEX #7344C1

RGB 115 68 193

HSL 262.56, 0.5%, 0.51%

LAB 40.62, 47.08, -58.42

 

CMYK 0 / 65 / 58 / 24

HEX #C14452

RGB 193 68 82

HSL 353.28, 0.5%, 0.51%

LAB 47.08, 50.93, 19.32

 

CMYK 25 / 0 / 65 / 24

HEX #91C144

RGB 145 193 68

HSL 83.04, 0.5%, 0.51%

LAB 72.61, -34.88, 55.84

 

Description

Color code: HEX #42C0B2 | qconv.com Color code: HEX #42C0B2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 192 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 192 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 7 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 7% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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