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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42BF27 it is the complementary color #BD40D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42BF27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42BF27 shade: #47BF22, #58D135, #69E348, #7AF55B and #8BFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42BF27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42BF27 shade: #42BF27, #31AD14, #209B01, #0F8900 and #007700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42BF27 shade: #42BE27, #6BBE27, #94BE27, #BCBE27 and #BE9827

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42BF27 shade: #42BE27, #27BE35, #27BE5E, #27BE87 and #27BEAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42BF27 shade matches the following richer shades: #42BE27, #36D114 and #2AE402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42BF27 shade: #42BE27, #4EAC3A, #5A994C, #66875F and #727471

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42BF27 shade: #94BE27, #6BBE27, #43BE27, #27BE34 and #27BE5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42BF27 shade: #2A7A19, #369C20, #42BE27, #54D638 and #72DD5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42BF27 shade: #42BF27, #27BCBE and #BE277F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42BF27 shade: #42BF27, #2743BE and #BE2743

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42BF27 shade: #42BF27, #27BCBE, #A327BE and #BE2A27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42BF27 shade: #42BF27, #278FBE, #A327BE and #BE5727

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 80 / 25

HEX #42BF27

RGB 66 191 39

HSL 109.34, 0.66%, 0.45%

LAB 68.44, -60.51, 60.97

 

Complementary color

CMYK 13 / 70 / 0 / 15

HEX #BD40D8

RGB 189 64 216

HSL 289.34, 0.66%, 0.55%

LAB 51.2, 69.45, -54.13

 

CMYK 63 / 0 / 82 / 25

HEX #47BF22

RGB 71 191 34

HSL 105.86, 0.7%, 0.44%

LAB 68.55, -59.68, 62.52

 

CMYK 58 / 0 / 75 / 18

HEX #58D135

RGB 88 209 53

HSL 106.54, 0.63%, 0.51%

LAB 74.78, -60.73, 62.89

 

CMYK 54 / 0 / 68 / 11

HEX #69E348

RGB 105 227 72

HSL 107.23, 0.73%, 0.59%

LAB 80.97, -61.41, 62.56

 

CMYK 50 / 0 / 63 / 4

HEX #7AF55B

RGB 122 245 91

HSL 107.92, 0.89%, 0.66%

LAB 87.09, -61.83, 61.82

 

CMYK 45 / 0 / 57 / 0

HEX #8BFF6E

RGB 139 255 110

HSL 108, 1%, 0.72%

LAB 90.84, -59, 58.19

 

CMYK 65 / 0 / 80 / 25

HEX #42BF27

RGB 66 191 39

HSL 109.34, 0.66%, 0.45%

LAB 68.44, -60.51, 60.97

 

CMYK 72 / 0 / 88 / 32

HEX #31AD14

RGB 49 173 20

HSL 108.63, 0.79%, 0.38%

LAB 62.16, -58.9, 59.92

 

CMYK 79 / 0 / 99 / 39

HEX #209B01

RGB 32 155 1

HSL 107.92, 0.99%, 0.31%

LAB 55.84, -56.59, 57.57

 

CMYK 89 / 0 / 100 / 46

HEX #0F8900

RGB 15 137 0

HSL 113.43, 1%, 0.27%

LAB 49.49, -53.18, 52.56

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 65 / 0 / 79 / 25

HEX #42BE27

RGB 66 190 39

HSL 109.27, 0.66%, 0.45%

LAB 68.12, -60.18, 60.67

 

CMYK 44 / 0 / 79 / 25

HEX #6BBE27

RGB 107 190 39

HSL 92.98, 0.66%, 0.45%

LAB 69.54, -49.02, 62.51

 

CMYK 22 / 0 / 79 / 25

HEX #94BE27

RGB 148 190 39

HSL 76.69, 0.66%, 0.45%

LAB 71.74, -34.03, 65.33

 

CMYK 1 / 0 / 79 / 25

HEX #BCBE27

RGB 188 190 39

HSL 60.79, 0.66%, 0.45%

LAB 74.61, -17.39, 68.99

 

CMYK 0 / 20 / 79 / 25

HEX #BE9827

RGB 190 152 39

HSL 44.9, 0.66%, 0.45%

LAB 64.6, 3.39, 60.15

 

CMYK 65 / 0 / 79 / 25

HEX #42BE27

RGB 66 190 39

HSL 109.27, 0.66%, 0.45%

LAB 68.12, -60.18, 60.67

 

CMYK 79 / 0 / 72 / 25

HEX #27BE35

RGB 39 190 53

HSL 125.56, 0.66%, 0.45%

LAB 67.66, -63.75, 55.35

 

CMYK 79 / 0 / 51 / 25

HEX #27BE5E

RGB 39 190 94

HSL 141.85, 0.66%, 0.45%

LAB 68.07, -58.8, 37.64

 

CMYK 79 / 0 / 29 / 25

HEX #27BE87

RGB 39 190 135

HSL 158.15, 0.66%, 0.45%

LAB 68.76, -50.96, 17.15

 

CMYK 79 / 0 / 8 / 25

HEX #27BEAF

RGB 39 190 175

HSL 174.04, 0.66%, 0.45%

LAB 69.72, -40.85, -3.27

 

CMYK 65 / 0 / 79 / 25

HEX #42BE27

RGB 66 190 39

HSL 109.27, 0.66%, 0.45%

LAB 68.12, -60.18, 60.67

 

CMYK 74 / 0 / 90 / 18

HEX #36D114

RGB 54 209 20

HSL 109.21, 0.83%, 0.45%

LAB 73.83, -69.2, 69.95

 

CMYK 82 / 0 / 99 / 11

HEX #2AE402

RGB 42 228 2

HSL 109.38, 0.98%, 0.45%

LAB 79.6, -76.61, 76.6

 

CMYK 65 / 0 / 79 / 25

HEX #42BE27

RGB 66 190 39

HSL 109.27, 0.66%, 0.45%

LAB 68.12, -60.18, 60.67

 

CMYK 55 / 0 / 66 / 33

HEX #4EAC3A

RGB 78 172 58

HSL 109.47, 0.5%, 0.45%

LAB 62.87, -49.36, 48.58

 

CMYK 41 / 0 / 50 / 40

HEX #5A994C

RGB 90 153 76

HSL 109.09, 0.34%, 0.45%

LAB 57.54, -35.75, 34.03

 

CMYK 24 / 0 / 30 / 47

HEX #66875F

RGB 102 135 95

HSL 109.5, 0.17%, 0.45%

LAB 52.93, -19.82, 17.84

 

CMYK 2 / 0 / 3 / 55

HEX #727471

RGB 114 116 113

HSL 100, 0.01%, 0.45%

LAB 48.59, -1.36, 1.38

 

CMYK 22 / 0 / 79 / 25

HEX #94BE27

RGB 148 190 39

HSL 76.69, 0.66%, 0.45%

LAB 71.74, -34.03, 65.33

 

CMYK 44 / 0 / 79 / 25

HEX #6BBE27

RGB 107 190 39

HSL 92.98, 0.66%, 0.45%

LAB 69.54, -49.02, 62.51

 

CMYK 65 / 0 / 79 / 25

HEX #43BE27

RGB 67 190 39

HSL 108.87, 0.66%, 0.45%

LAB 68.14, -59.96, 60.7

 

CMYK 79 / 0 / 73 / 25

HEX #27BE34

RGB 39 190 52

HSL 125.17, 0.66%, 0.45%

LAB 67.66, -63.83, 55.71

 

CMYK 79 / 0 / 52 / 25

HEX #27BE5C

RGB 39 190 92

HSL 141.06, 0.66%, 0.45%

LAB 68.04, -59.11, 38.6

 

CMYK 66 / 0 / 80 / 52

HEX #2A7A19

RGB 42 122 25

HSL 109.48, 0.66%, 0.29%

LAB 44.92, -42.63, 42.74

 

CMYK 65 / 0 / 79 / 39

HEX #369C20

RGB 54 156 32

HSL 109.35, 0.66%, 0.37%

LAB 56.75, -51.6, 51.92

 

CMYK 65 / 0 / 79 / 25

HEX #42BE27

RGB 66 190 39

HSL 109.27, 0.66%, 0.45%

LAB 68.12, -60.18, 60.67

 

CMYK 61 / 0 / 74 / 16

HEX #54D638

RGB 84 214 56

HSL 109.37, 0.66%, 0.53%

LAB 76.23, -63.21, 63.27

 

CMYK 48 / 0 / 59 / 13

HEX #72DD5B

RGB 114 221 91

HSL 109.38, 0.66%, 0.61%

LAB 79.64, -54.94, 53.36

 

CMYK 65 / 0 / 80 / 25

HEX #42BF27

RGB 66 191 39

HSL 109.34, 0.66%, 0.45%

LAB 68.44, -60.51, 60.97

 

CMYK 79 / 1 / 0 / 25

HEX #27BCBE

RGB 39 188 190

HSL 180.79, 0.66%, 0.45%

LAB 69.55, -35.61, -11.76

 

CMYK 0 / 79 / 33 / 25

HEX #BE277F

RGB 190 39 127

HSL 325.03, 0.66%, 0.45%

LAB 44.13, 64.51, -12.62

 

CMYK 65 / 0 / 80 / 25

HEX #42BF27

RGB 66 191 39

HSL 109.34, 0.66%, 0.45%

LAB 68.44, -60.51, 60.97

 

CMYK 79 / 65 / 0 / 25

HEX #2743BE

RGB 39 67 190

HSL 228.87, 0.66%, 0.45%

LAB 34.32, 34.89, -67.18

 

CMYK 0 / 79 / 65 / 25

HEX #BE2743

RGB 190 39 67

HSL 348.87, 0.66%, 0.45%

LAB 42.47, 59.45, 22.36

 

CMYK 65 / 0 / 80 / 25

HEX #42BF27

RGB 66 191 39

HSL 109.34, 0.66%, 0.45%

LAB 68.44, -60.51, 60.97

 

CMYK 79 / 1 / 0 / 25

HEX #27BCBE

RGB 39 188 190

HSL 180.79, 0.66%, 0.45%

LAB 69.55, -35.61, -11.76

 

CMYK 14 / 79 / 0 / 25

HEX #A327BE

RGB 163 39 190

HSL 289.27, 0.66%, 0.45%

LAB 42.7, 67.89, -52.99

 

CMYK 0 / 78 / 79 / 25

HEX #BE2A27

RGB 190 42 39

HSL 1.19, 0.66%, 0.45%

LAB 42.38, 57.33, 38.95

 

CMYK 65 / 0 / 80 / 25

HEX #42BF27

RGB 66 191 39

HSL 109.34, 0.66%, 0.45%

LAB 68.44, -60.51, 60.97

 

CMYK 79 / 25 / 0 / 25

HEX #278FBE

RGB 39 143 190

HSL 198.68, 0.66%, 0.45%

LAB 55.88, -12.67, -32.65

 

CMYK 14 / 79 / 0 / 25

HEX #A327BE

RGB 163 39 190

HSL 289.27, 0.66%, 0.45%

LAB 42.7, 67.89, -52.99

 

CMYK 0 / 54 / 79 / 25

HEX #BE5727

RGB 190 87 39

HSL 19.07, 0.66%, 0.45%

LAB 49.39, 38.56, 45.93

 

Description

Color code: HEX #42BF27 | qconv.com Color code: HEX #42BF27 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 191 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 191 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 80 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 80% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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