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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42B3CB it is the complementary color #BD4C34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42B3CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42B3CB shade: #47B3C6, #58C5D9, #69D7EC, #7AE9FF and #8BFBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42B3CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42B3CB shade: #42B3CB, #31A1B8, #208FA5, #0F7D92 and #006B7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42B3CB shade: #43B4CB, #438FCB, #436ACB, #4345CB and #6643CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42B3CB shade: #43B4CB, #438FCB, #436ACB, #4345CB and #4343CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42B3CB shade matches the following richer shades: #43B4CB, #2FC0DF and #1CCDF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42B3CB shade: #43B4CB, #56A7B8, #6A9AA5, #7D8E91 and #90817E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42B3CB shade: #43CB99, #43CBBE, #43B5CB, #4390CB and #436CCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42B3CB shade: #288193, #319DB4, #43B4CB, #63C1D4 and #84CEDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42B3CB shade: #42B3CB, #7543CB and #CBAC43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42B3CB shade: #42B3CB, #CB43B5 and #B5CB43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42B3CB shade: #42B3CB, #7543CB, #CB5A43 and #99CB43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42B3CB shade: #42B3CB, #9E43CB, #CB5A43 and #70CB43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 12 / 0 / 20

HEX #42B3CB

RGB 66 179 203

HSL 190.51, 0.57%, 0.53%

LAB 67.81, -24.06, -21.49

 

Complementary color

CMYK 0 / 60 / 72 / 26

HEX #BD4C34

RGB 189 76 52

HSL 10.51, 0.57%, 0.47%

LAB 47.28, 44.1, 36.98

 

CMYK 64 / 10 / 0 / 22

HEX #47B3C6

RGB 71 179 198

HSL 188.98, 0.53%, 0.53%

LAB 67.77, -24.8, -18.78

 

CMYK 59 / 9 / 0 / 15

HEX #58C5D9

RGB 88 197 217

HSL 189.3, 0.63%, 0.6%

LAB 74.2, -25.31, -19.36

 

CMYK 56 / 9 / 0 / 7

HEX #69D7EC

RGB 105 215 236

HSL 189.62, 0.78%, 0.67%

LAB 80.55, -25.7, -19.9

 

CMYK 52 / 9 / 0 / 0

HEX #7AE9FF

RGB 122 233 255

HSL 189.92, 1%, 0.74%

LAB 86.82, -25.98, -20.41

 

CMYK 45 / 2 / 0 / 0

HEX #8BFBFF

RGB 139 251 255

HSL 182.07, 1%, 0.77%

LAB 92.44, -31.03, -11.9

 

CMYK 67 / 12 / 0 / 20

HEX #42B3CB

RGB 66 179 203

HSL 190.51, 0.57%, 0.53%

LAB 67.81, -24.06, -21.49

 

CMYK 73 / 13 / 0 / 28

HEX #31A1B8

RGB 49 161 184

HSL 190.22, 0.58%, 0.46%

LAB 61.31, -23.19, -20.87

 

CMYK 81 / 13 / 0 / 35

HEX #208FA5

RGB 32 143 165

HSL 189.92, 0.68%, 0.39%

LAB 54.73, -22, -20.17

 

CMYK 90 / 14 / 0 / 43

HEX #0F7D92

RGB 15 125 146

HSL 189.62, 0.81%, 0.32%

LAB 48.06, -20.39, -19.36

 

CMYK 100 / 16 / 0 / 50

HEX #006B7F

RGB 0 107 127

HSL 189.45, 1%, 0.25%

LAB 41.29, -18.31, -18.45

 

CMYK 67 / 11 / 0 / 20

HEX #43B4CB

RGB 67 180 203

HSL 190.15, 0.57%, 0.53%

LAB 68.13, -24.42, -21

 

CMYK 67 / 30 / 0 / 20

HEX #438FCB

RGB 67 143 203

HSL 206.47, 0.57%, 0.53%

LAB 57.22, -4.41, -37.86

 

CMYK 67 / 48 / 0 / 20

HEX #436ACB

RGB 67 106 203

HSL 222.79, 0.57%, 0.53%

LAB 46.73, 18.06, -54.52

 

CMYK 67 / 66 / 0 / 20

HEX #4345CB

RGB 67 69 203

HSL 239.12, 0.57%, 0.53%

LAB 37.41, 41.31, -69.65

 

CMYK 50 / 67 / 0 / 20

HEX #6643CB

RGB 102 67 203

HSL 255.44, 0.57%, 0.53%

LAB 39.83, 47.88, -65.57

 

CMYK 67 / 11 / 0 / 20

HEX #43B4CB

RGB 67 180 203

HSL 190.15, 0.57%, 0.53%

LAB 68.13, -24.42, -21

 

CMYK 67 / 30 / 0 / 20

HEX #438FCB

RGB 67 143 203

HSL 206.47, 0.57%, 0.53%

LAB 57.22, -4.41, -37.86

 

CMYK 67 / 48 / 0 / 20

HEX #436ACB

RGB 67 106 203

HSL 222.79, 0.57%, 0.53%

LAB 46.73, 18.06, -54.52

 

CMYK 67 / 66 / 0 / 20

HEX #4345CB

RGB 67 69 203

HSL 239.12, 0.57%, 0.53%

LAB 37.41, 41.31, -69.65

 

CMYK 67 / 67 / 0 / 20

HEX #4343CB

RGB 67 67 203

HSL 240, 0.57%, 0.53%

LAB 36.97, 42.51, -70.38

 

CMYK 67 / 11 / 0 / 20

HEX #43B4CB

RGB 67 180 203

HSL 190.15, 0.57%, 0.53%

LAB 68.13, -24.42, -21

 

CMYK 79 / 14 / 0 / 13

HEX #2FC0DF

RGB 47 192 223

HSL 190.57, 0.73%, 0.53%

LAB 71.98, -26.6, -26.09

 

CMYK 88 / 15 / 0 / 5

HEX #1CCDF2

RGB 28 205 242

HSL 190.37, 0.89%, 0.53%

LAB 76.27, -28.27, -29.79

 

CMYK 67 / 11 / 0 / 20

HEX #43B4CB

RGB 67 180 203

HSL 190.15, 0.57%, 0.53%

LAB 68.13, -24.42, -21

 

CMYK 53 / 9 / 0 / 28

HEX #56A7B8

RGB 86 167 184

HSL 190.41, 0.41%, 0.53%

LAB 64.22, -19.94, -16.34

 

CMYK 36 / 7 / 0 / 35

HEX #6A9AA5

RGB 106 154 165

HSL 191.19, 0.25%, 0.53%

LAB 60.69, -13.24, -10.9

 

CMYK 14 / 2 / 0 / 43

HEX #7D8E91

RGB 125 142 145

HSL 189, 0.08%, 0.53%

LAB 57.8, -5.44, -3.67

 

CMYK 0 / 10 / 13 / 44

HEX #90817E

RGB 144 129 126

HSL 10, 0.08%, 0.53%

LAB 55.21, 5.16, 3.69

 

CMYK 67 / 0 / 25 / 20

HEX #43CB99

RGB 67 203 153

HSL 157.94, 0.57%, 0.53%

LAB 73.68, -48.32, 14.42

 

CMYK 67 / 0 / 6 / 20

HEX #43CBBE

RGB 67 203 190

HSL 174.26, 0.57%, 0.53%

LAB 74.59, -39.16, -4.22

 

CMYK 67 / 11 / 0 / 20

HEX #43B5CB

RGB 67 181 203

HSL 189.71, 0.57%, 0.53%

LAB 68.43, -24.92, -20.55

 

CMYK 67 / 29 / 0 / 20

HEX #4390CB

RGB 67 144 203

HSL 206.03, 0.57%, 0.53%

LAB 57.51, -4.98, -37.4

 

CMYK 67 / 47 / 0 / 20

HEX #436CCB

RGB 67 108 203

HSL 221.91, 0.57%, 0.53%

LAB 47.28, 16.8, -53.64

 

CMYK 73 / 12 / 0 / 42

HEX #288193

RGB 40 129 147

HSL 190.09, 0.57%, 0.37%

LAB 49.81, -19.65, -17.24

 

CMYK 73 / 13 / 0 / 29

HEX #319DB4

RGB 49 157 180

HSL 190.53, 0.57%, 0.45%

LAB 59.94, -22.41, -20.7

 

CMYK 67 / 11 / 0 / 20

HEX #43B4CB

RGB 67 180 203

HSL 190.15, 0.57%, 0.53%

LAB 68.13, -24.42, -21

 

CMYK 53 / 9 / 0 / 17

HEX #63C1D4

RGB 99 193 212

HSL 190.09, 0.57%, 0.61%

LAB 73.25, -22.6, -18.05

 

CMYK 40 / 7 / 0 / 13

HEX #84CEDD

RGB 132 206 221

HSL 190.11, 0.57%, 0.69%

LAB 78.62, -19.19, -14.69

 

CMYK 67 / 12 / 0 / 20

HEX #42B3CB

RGB 66 179 203

HSL 190.51, 0.57%, 0.53%

LAB 67.81, -24.06, -21.49

 

CMYK 42 / 67 / 0 / 20

HEX #7543CB

RGB 117 67 203

HSL 262.06, 0.57%, 0.53%

LAB 41.39, 50.64, -62.97

 

CMYK 0 / 15 / 67 / 20

HEX #CBAC43

RGB 203 172 67

HSL 46.32, 0.57%, 0.53%

LAB 71.29, -0.32, 56.22

 

CMYK 67 / 12 / 0 / 20

HEX #42B3CB

RGB 66 179 203

HSL 190.51, 0.57%, 0.53%

LAB 67.81, -24.06, -21.49

 

CMYK 0 / 67 / 11 / 20

HEX #CB43B5

RGB 203 67 181

HSL 309.71, 0.57%, 0.53%

LAB 51.89, 65.67, -32.74

 

CMYK 11 / 0 / 67 / 20

HEX #B5CB43

RGB 181 203 67

HSL 69.71, 0.57%, 0.53%

LAB 77.84, -25.39, 62.45

 

CMYK 67 / 12 / 0 / 20

HEX #42B3CB

RGB 66 179 203

HSL 190.51, 0.57%, 0.53%

LAB 67.81, -24.06, -21.49

 

CMYK 42 / 67 / 0 / 20

HEX #7543CB

RGB 117 67 203

HSL 262.06, 0.57%, 0.53%

LAB 41.39, 50.64, -62.97

 

CMYK 0 / 56 / 67 / 20

HEX #CB5A43

RGB 203 90 67

HSL 10.15, 0.57%, 0.53%

LAB 52.3, 43.35, 35.03

 

CMYK 25 / 0 / 67 / 20

HEX #99CB43

RGB 153 203 67

HSL 82.06, 0.57%, 0.53%

LAB 76, -36.46, 59.97

 

CMYK 67 / 12 / 0 / 20

HEX #42B3CB

RGB 66 179 203

HSL 190.51, 0.57%, 0.53%

LAB 67.81, -24.06, -21.49

 

CMYK 22 / 67 / 0 / 20

HEX #9E43CB

RGB 158 67 203

HSL 280.15, 0.57%, 0.53%

LAB 46.44, 59.09, -54.56

 

CMYK 0 / 56 / 67 / 20

HEX #CB5A43

RGB 203 90 67

HSL 10.15, 0.57%, 0.53%

LAB 52.3, 43.35, 35.03

 

CMYK 45 / 0 / 67 / 20

HEX #70CB43

RGB 112 203 67

HSL 100.15, 0.57%, 0.53%

LAB 73.91, -50.73, 57.13

 

Description

Color code: HEX #42B3CB | qconv.com Color code: HEX #42B3CB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 179 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 179 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 12 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 12% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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