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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42ACFD it is the complementary color #BD5302. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42ACFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42ACFD shade: #47ACF8, #58BEFF, #69D0FF, #7AE2FF and #8BF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42ACFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42ACFD shade: #42ACFD, #319AEA, #2088D7, #0F76C4 and #0064B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42ACFD shade: #44ADFD, #447BFD, #4449FD, #7144FD and #A344FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42ACFD shade: #44ADFD, #447BFD, #4449FD and #4444FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42ACFD shade matches the following richer shades: #44ADFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42ACFD shade: #44ADFD, #53ABEE, #63A9DF, #72A7CF and #81A5C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42ACFD shade: #44FDE8, #44E1FD, #44B0FD, #447FFD and #444DFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42ACFD shade: #0287EC, #1B9BFD, #44ADFD, #6DBFFE and #96D1FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42ACFD shade: #42ACFD, #B644FD and #FAFD44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42ACFD shade: #42ACFD, #FD44B0 and #B0FD44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42ACFD shade: #42ACFD, #B644FD, #FD9144 and #8BFD44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42ACFD shade: #42ACFD, #EE44FD, #FD9144 and #54FD44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 32 / 0 / 1

HEX #42ACFD

RGB 66 172 253

HSL 205.99, 0.98%, 0.63%

LAB 67.84, -3.92, -48.8

 

Complementary color

CMYK 0 / 56 / 99 / 26

HEX #BD5302

RGB 189 83 2

HSL 25.99, 0.98%, 0.37%

LAB 48.27, 39.39, 57.43

 

CMYK 71 / 31 / 0 / 3

HEX #47ACF8

RGB 71 172 248

HSL 205.76, 0.93%, 0.63%

LAB 67.74, -5, -46.23

 

CMYK 65 / 25 / 0 / 0

HEX #58BEFF

RGB 88 190 255

HSL 203.35, 1%, 0.67%

LAB 73.62, -10.1, -40.77

 

CMYK 59 / 18 / 0 / 0

HEX #69D0FF

RGB 105 208 255

HSL 198.8, 1%, 0.71%

LAB 79.23, -16.7, -32.03

 

CMYK 52 / 11 / 0 / 0

HEX #7AE2FF

RGB 122 226 255

HSL 193.08, 1%, 0.74%

LAB 84.87, -22.53, -23.36

 

CMYK 45 / 4 / 0 / 0

HEX #8BF4FF

RGB 139 244 255

HSL 185.69, 1%, 0.77%

LAB 90.51, -27.69, -14.79

 

CMYK 74 / 32 / 0 / 1

HEX #42ACFD

RGB 66 172 253

HSL 205.99, 0.98%, 0.63%

LAB 67.84, -3.92, -48.8

 

CMYK 79 / 34 / 0 / 8

HEX #319AEA

RGB 49 154 234

HSL 205.95, 0.81%, 0.55%

LAB 61.4, -2.22, -48.6

 

CMYK 85 / 37 / 0 / 16

HEX #2088D7

RGB 32 136 215

HSL 205.9, 0.74%, 0.48%

LAB 54.89, -0.12, -48.36

 

CMYK 92 / 40 / 0 / 23

HEX #0F76C4

RGB 15 118 196

HSL 205.86, 0.86%, 0.41%

LAB 48.32, 2.48, -48.04

 

CMYK 100 / 44 / 0 / 31

HEX #0064B1

RGB 0 100 177

HSL 206.1, 1%, 0.35%

LAB 41.67, 5.64, -47.65

 

CMYK 73 / 32 / 0 / 1

HEX #44ADFD

RGB 68 173 253

HSL 205.95, 0.98%, 0.63%

LAB 68.17, -4.24, -48.27

 

CMYK 73 / 51 / 0 / 1

HEX #447BFD

RGB 68 123 253

HSL 222.16, 0.98%, 0.63%

LAB 54.54, 25.43, -70.05

 

CMYK 73 / 71 / 0 / 1

HEX #4449FD

RGB 68 73 253

HSL 238.38, 0.98%, 0.63%

LAB 42.89, 55.44, -89.08

 

CMYK 55 / 73 / 0 / 1

HEX #7144FD

RGB 113 68 253

HSL 254.59, 0.98%, 0.63%

LAB 45.27, 62.98, -85.05

 

CMYK 36 / 73 / 0 / 1

HEX #A344FD

RGB 163 68 253

HSL 270.81, 0.98%, 0.63%

LAB 50.7, 70.54, -75.95

 

CMYK 73 / 32 / 0 / 1

HEX #44ADFD

RGB 68 173 253

HSL 205.95, 0.98%, 0.63%

LAB 68.17, -4.24, -48.27

 

CMYK 73 / 51 / 0 / 1

HEX #447BFD

RGB 68 123 253

HSL 222.16, 0.98%, 0.63%

LAB 54.54, 25.43, -70.05

 

CMYK 73 / 71 / 0 / 1

HEX #4449FD

RGB 68 73 253

HSL 238.38, 0.98%, 0.63%

LAB 42.89, 55.44, -89.08

 

CMYK 73 / 73 / 0 / 1

HEX #4444FD

RGB 68 68 253

HSL 240, 0.98%, 0.63%

LAB 41.93, 58.13, -90.67

 

CMYK 73 / 32 / 0 / 1

HEX #44ADFD

RGB 68 173 253

HSL 205.95, 0.98%, 0.63%

LAB 68.17, -4.24, -48.27

 

CMYK 73 / 32 / 0 / 1

HEX #44ADFD

RGB 68 173 253

HSL 205.95, 0.98%, 0.63%

LAB 68.17, -4.24, -48.27

 

CMYK 65 / 28 / 0 / 7

HEX #53ABEE

RGB 83 171 238

HSL 205.94, 0.82%, 0.63%

LAB 67.38, -5.99, -41.32

 

CMYK 56 / 24 / 0 / 13

HEX #63A9DF

RGB 99 169 223

HSL 206.13, 0.66%, 0.63%

LAB 66.79, -6.67, -33.97

 

CMYK 45 / 19 / 0 / 19

HEX #72A7CF

RGB 114 167 207

HSL 205.81, 0.49%, 0.63%

LAB 66.31, -6.85, -25.84

 

CMYK 33 / 14 / 0 / 25

HEX #81A5C0

RGB 129 165 192

HSL 205.71, 0.33%, 0.63%

LAB 66.05, -5.73, -17.83

 

CMYK 73 / 0 / 8 / 1

HEX #44FDE8

RGB 68 253 232

HSL 173.19, 0.98%, 0.63%

LAB 90.46, -49.75, -3.11

 

CMYK 73 / 11 / 0 / 1

HEX #44E1FD

RGB 68 225 253

HSL 189.08, 0.98%, 0.63%

LAB 83, -31.25, -25.28

 

CMYK 73 / 30 / 0 / 1

HEX #44B0FD

RGB 68 176 253

HSL 204.97, 0.98%, 0.63%

LAB 69.02, -5.91, -46.94

 

CMYK 73 / 50 / 0 / 1

HEX #447FFD

RGB 68 127 253

HSL 220.86, 0.98%, 0.63%

LAB 55.58, 22.96, -68.36

 

CMYK 73 / 70 / 0 / 1

HEX #444DFD

RGB 68 77 253

HSL 237.08, 0.98%, 0.63%

LAB 43.7, 53.22, -87.76

 

CMYK 99 / 43 / 0 / 7

HEX #0287EC

RGB 2 135 236

HSL 205.9, 0.98%, 0.47%

LAB 55.48, 7.18, -59.18

 

CMYK 89 / 39 / 0 / 1

HEX #1B9BFD

RGB 27 155 253

HSL 206.02, 0.98%, 0.55%

LAB 62.31, 2.52, -57.62

 

CMYK 73 / 32 / 0 / 1

HEX #44ADFD

RGB 68 173 253

HSL 205.95, 0.98%, 0.63%

LAB 68.17, -4.24, -48.27

 

CMYK 57 / 25 / 0 / 0

HEX #6DBFFE

RGB 109 191 254

HSL 206.07, 0.99%, 0.71%

LAB 74.62, -7.26, -38.63

 

CMYK 41 / 18 / 0 / 0

HEX #96D1FE

RGB 150 209 254

HSL 205.96, 0.98%, 0.79%

LAB 81.42, -7.69, -27.97

 

CMYK 74 / 32 / 0 / 1

HEX #42ACFD

RGB 66 172 253

HSL 205.99, 0.98%, 0.63%

LAB 67.84, -3.92, -48.8

 

CMYK 28 / 73 / 0 / 1

HEX #B644FD

RGB 182 68 253

HSL 276.97, 0.98%, 0.63%

LAB 53.14, 73.82, -71.88

 

CMYK 1 / 0 / 73 / 1

HEX #FAFD44

RGB 250 253 68

HSL 60.97, 0.98%, 0.63%

LAB 96.41, -21.26, 81.95

 

CMYK 74 / 32 / 0 / 1

HEX #42ACFD

RGB 66 172 253

HSL 205.99, 0.98%, 0.63%

LAB 67.84, -3.92, -48.8

 

CMYK 0 / 73 / 30 / 1

HEX #FD44B0

RGB 253 68 176

HSL 324.97, 0.98%, 0.63%

LAB 60.03, 77.04, -16.62

 

CMYK 30 / 0 / 73 / 1

HEX #B0FD44

RGB 176 253 68

HSL 84.97, 0.98%, 0.63%

LAB 91.64, -49.66, 75.74

 

CMYK 74 / 32 / 0 / 1

HEX #42ACFD

RGB 66 172 253

HSL 205.99, 0.98%, 0.63%

LAB 67.84, -3.92, -48.8

 

CMYK 28 / 73 / 0 / 1

HEX #B644FD

RGB 182 68 253

HSL 276.97, 0.98%, 0.63%

LAB 53.14, 73.82, -71.88

 

CMYK 0 / 43 / 73 / 1

HEX #FD9144

RGB 253 145 68

HSL 24.97, 0.98%, 0.63%

LAB 70.56, 34.99, 56.76

 

CMYK 45 / 0 / 73 / 1

HEX #8BFD44

RGB 139 253 68

HSL 96.97, 0.98%, 0.63%

LAB 89.93, -61.73, 73.49

 

CMYK 74 / 32 / 0 / 1

HEX #42ACFD

RGB 66 172 253

HSL 205.99, 0.98%, 0.63%

LAB 67.84, -3.92, -48.8

 

CMYK 6 / 73 / 0 / 1

HEX #EE44FD

RGB 238 68 253

HSL 295.14, 0.98%, 0.63%

LAB 61.14, 84.32, -58.59

 

CMYK 0 / 43 / 73 / 1

HEX #FD9144

RGB 253 145 68

HSL 24.97, 0.98%, 0.63%

LAB 70.56, 34.99, 56.76

 

CMYK 67 / 0 / 73 / 1

HEX #54FD44

RGB 84 253 68

HSL 114.81, 0.98%, 0.63%

LAB 88.23, -75.14, 71.24

 

Description

Color code: HEX #42ACFD | qconv.com Color code: HEX #42ACFD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 172 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 172 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 32 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 32% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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