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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4297CF it is the complementary color #BD6830. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4297CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4297CF shade: #4797CA, #58A9DD, #69BBF0, #7ACDFF and #8BDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4297CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4297CF shade: #4297CF, #3185BC, #2073A9, #0F6196 and #004F83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4297CF shade: #4498CF, #4473CF, #444DCF, #6144CF and #8644CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4297CF shade: #4498CF, #4473CF, #444DCF and #4444CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4297CF shade matches the following richer shades: #4498CF, #329CE2 and #1FA0F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4297CF shade: #4498CF, #5794BC, #6A90A9, #7D8C96 and #908883

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4297CF shade: #44CFBA, #44BFCF, #449ACF, #4475CF and #4450CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4297CF shade: #286C99, #3083BA, #4498CF, #65AAD7 and #86BCE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4297CF shade: #4297CF, #9544CF and #CFCD44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4297CF shade: #4297CF, #CF449A and #9ACF44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4297CF shade: #4297CF, #9544CF, #CF7A44 and #7ECF44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4297CF shade: #4297CF, #BF44CF, #CF7A44 and #55CF44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 27 / 0 / 19

HEX #4297CF

RGB 66 151 207

HSL 203.83, 0.59%, 0.54%

LAB 59.7, -7.77, -36.22

 

Complementary color

CMYK 0 / 45 / 75 / 26

HEX #BD6830

RGB 189 104 48

HSL 23.83, 0.59%, 0.46%

LAB 52.88, 29.64, 45.08

 

CMYK 65 / 25 / 0 / 21

HEX #4797CA

RGB 71 151 202

HSL 203.36, 0.55%, 0.54%

LAB 59.65, -8.63, -33.49

 

CMYK 60 / 24 / 0 / 13

HEX #58A9DD

RGB 88 169 221

HSL 203.46, 0.66%, 0.61%

LAB 66.27, -9.46, -33.72

 

CMYK 56 / 22 / 0 / 6

HEX #69BBF0

RGB 105 187 240

HSL 203.56, 0.82%, 0.68%

LAB 72.78, -10.11, -33.94

 

CMYK 52 / 20 / 0 / 0

HEX #7ACDFF

RGB 122 205 255

HSL 202.56, 1%, 0.74%

LAB 79.05, -11.79, -32.26

 

CMYK 45 / 13 / 0 / 0

HEX #8BDFFF

RGB 139 223 255

HSL 196.55, 1%, 0.77%

LAB 84.73, -17.32, -23.5

 

CMYK 68 / 27 / 0 / 19

HEX #4297CF

RGB 66 151 207

HSL 203.83, 0.59%, 0.54%

LAB 59.7, -7.77, -36.22

 

CMYK 74 / 29 / 0 / 26

HEX #3185BC

RGB 49 133 188

HSL 203.74, 0.59%, 0.46%

LAB 53.01, -6.5, -35.98

 

CMYK 81 / 32 / 0 / 34

HEX #2073A9

RGB 32 115 169

HSL 203.65, 0.68%, 0.39%

LAB 46.22, -4.85, -35.7

 

CMYK 90 / 35 / 0 / 41

HEX #0F6196

RGB 15 97 150

HSL 203.56, 0.82%, 0.32%

LAB 39.33, -2.64, -35.35

 

CMYK 100 / 40 / 0 / 49

HEX #004F83

RGB 0 79 131

HSL 203.82, 1%, 0.26%

LAB 32.33, 0.2, -34.93

 

CMYK 67 / 27 / 0 / 19

HEX #4498CF

RGB 68 152 207

HSL 203.74, 0.59%, 0.54%

LAB 60.06, -8.02, -35.66

 

CMYK 67 / 44 / 0 / 19

HEX #4473CF

RGB 68 115 207

HSL 219.71, 0.59%, 0.54%

LAB 49.49, 14, -52.38

 

CMYK 67 / 63 / 0 / 19

HEX #444DCF

RGB 68 77 207

HSL 236.12, 0.59%, 0.54%

LAB 39.65, 37.92, -68.3

 

CMYK 53 / 67 / 0 / 19

HEX #6144CF

RGB 97 68 207

HSL 252.52, 0.59%, 0.54%

LAB 39.88, 47.63, -67.83

 

CMYK 35 / 67 / 0 / 19

HEX #8644CF

RGB 134 68 207

HSL 268.49, 0.59%, 0.54%

LAB 43.81, 54.5, -61.26

 

CMYK 67 / 27 / 0 / 19

HEX #4498CF

RGB 68 152 207

HSL 203.74, 0.59%, 0.54%

LAB 60.06, -8.02, -35.66

 

CMYK 67 / 44 / 0 / 19

HEX #4473CF

RGB 68 115 207

HSL 219.71, 0.59%, 0.54%

LAB 49.49, 14, -52.38

 

CMYK 67 / 63 / 0 / 19

HEX #444DCF

RGB 68 77 207

HSL 236.12, 0.59%, 0.54%

LAB 39.65, 37.92, -68.3

 

CMYK 67 / 67 / 0 / 19

HEX #4444CF

RGB 68 68 207

HSL 240, 0.59%, 0.54%

LAB 37.6, 43.36, -71.64

 

CMYK 67 / 27 / 0 / 19

HEX #4498CF

RGB 68 152 207

HSL 203.74, 0.59%, 0.54%

LAB 60.06, -8.02, -35.66

 

CMYK 78 / 31 / 0 / 11

HEX #329CE2

RGB 50 156 226

HSL 203.86, 0.75%, 0.54%

LAB 61.61, -6.11, -43.85

 

CMYK 87 / 35 / 0 / 4

HEX #1FA0F5

RGB 31 160 245

HSL 203.83, 0.91%, 0.54%

LAB 63.36, -3.11, -51.56

 

CMYK 67 / 27 / 0 / 19

HEX #4498CF

RGB 68 152 207

HSL 203.74, 0.59%, 0.54%

LAB 60.06, -8.02, -35.66

 

CMYK 54 / 21 / 0 / 26

HEX #5794BC

RGB 87 148 188

HSL 203.76, 0.43%, 0.54%

LAB 58.82, -8.26, -26.84

 

CMYK 37 / 15 / 0 / 34

HEX #6A90A9

RGB 106 144 169

HSL 203.81, 0.27%, 0.54%

LAB 57.92, -6.68, -17.35

 

CMYK 17 / 7 / 0 / 41

HEX #7D8C96

RGB 125 140 150

HSL 204, 0.11%, 0.54%

LAB 57.38, -3.2, -7.15

 

CMYK 0 / 6 / 9 / 44

HEX #908883

RGB 144 136 131

HSL 23.08, 0.06%, 0.54%

LAB 57.25, 2.07, 3.74

 

CMYK 67 / 0 / 10 / 19

HEX #44CFBA

RGB 68 207 186

HSL 170.94, 0.59%, 0.54%

LAB 75.7, -41.86, -0.42

 

CMYK 67 / 8 / 0 / 19

HEX #44BFCF

RGB 68 191 207

HSL 186.91, 0.59%, 0.54%

LAB 71.55, -28.54, -17.99

 

CMYK 67 / 26 / 0 / 19

HEX #449ACF

RGB 68 154 207

HSL 202.88, 0.59%, 0.54%

LAB 60.64, -9.15, -34.75

 

CMYK 67 / 43 / 0 / 19

HEX #4475CF

RGB 68 117 207

HSL 218.85, 0.59%, 0.54%

LAB 50.05, 12.76, -51.49

 

CMYK 67 / 61 / 0 / 19

HEX #4450CF

RGB 68 80 207

HSL 234.82, 0.59%, 0.54%

LAB 40.36, 36.06, -67.13

 

CMYK 74 / 29 / 0 / 40

HEX #286C99

RGB 40 108 153

HSL 203.89, 0.59%, 0.38%

LAB 43.47, -5.6, -30.58

 

CMYK 74 / 30 / 0 / 27

HEX #3083BA

RGB 48 131 186

HSL 203.91, 0.59%, 0.46%

LAB 52.29, -6.19, -35.97

 

CMYK 67 / 27 / 0 / 19

HEX #4498CF

RGB 68 152 207

HSL 203.74, 0.59%, 0.54%

LAB 60.06, -8.02, -35.66

 

CMYK 53 / 21 / 0 / 16

HEX #65AAD7

RGB 101 170 215

HSL 203.68, 0.59%, 0.62%

LAB 66.84, -9.21, -29.48

 

CMYK 40 / 16 / 0 / 12

HEX #86BCE0

RGB 134 188 224

HSL 204, 0.59%, 0.7%

LAB 73.82, -8.52, -23.57

 

CMYK 68 / 27 / 0 / 19

HEX #4297CF

RGB 66 151 207

HSL 203.83, 0.59%, 0.54%

LAB 59.7, -7.77, -36.22

 

CMYK 28 / 67 / 0 / 19

HEX #9544CF

RGB 149 68 207

HSL 274.96, 0.59%, 0.54%

LAB 45.67, 57.59, -58.16

 

CMYK 0 / 1 / 67 / 19

HEX #CFCD44

RGB 207 205 68

HSL 59.14, 0.59%, 0.54%

LAB 80.37, -15.56, 65.27

 

CMYK 68 / 27 / 0 / 19

HEX #4297CF

RGB 66 151 207

HSL 203.83, 0.59%, 0.54%

LAB 59.7, -7.77, -36.22

 

CMYK 0 / 67 / 26 / 19

HEX #CF449A

RGB 207 68 154

HSL 322.88, 0.59%, 0.54%

LAB 51.53, 62.56, -17.37

 

CMYK 26 / 0 / 67 / 19

HEX #9ACF44

RGB 154 207 68

HSL 82.88, 0.59%, 0.54%

LAB 77.23, -37.81, 60.87

 

CMYK 68 / 27 / 0 / 19

HEX #4297CF

RGB 66 151 207

HSL 203.83, 0.59%, 0.54%

LAB 59.7, -7.77, -36.22

 

CMYK 28 / 67 / 0 / 19

HEX #9544CF

RGB 149 68 207

HSL 274.96, 0.59%, 0.54%

LAB 45.67, 57.59, -58.16

 

CMYK 0 / 41 / 67 / 19

HEX #CF7A44

RGB 207 122 68

HSL 23.31, 0.59%, 0.54%

LAB 59.53, 28.46, 43.04

 

CMYK 39 / 0 / 67 / 19

HEX #7ECF44

RGB 126 207 68

HSL 94.96, 0.59%, 0.54%

LAB 75.75, -47.77, 58.87

 

CMYK 68 / 27 / 0 / 19

HEX #4297CF

RGB 66 151 207

HSL 203.83, 0.59%, 0.54%

LAB 59.7, -7.77, -36.22

 

CMYK 8 / 67 / 0 / 19

HEX #BF44CF

RGB 191 68 207

HSL 293.09, 0.59%, 0.54%

LAB 51.51, 66.74, -48.47

 

CMYK 0 / 41 / 67 / 19

HEX #CF7A44

RGB 207 122 68

HSL 23.31, 0.59%, 0.54%

LAB 59.53, 28.46, 43.04

 

CMYK 59 / 0 / 67 / 19

HEX #55CF44

RGB 85 207 68

HSL 112.66, 0.59%, 0.54%

LAB 74.17, -59.58, 56.72

 

Description

Color code: HEX #4297CF | qconv.com Color code: HEX #4297CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 151 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 151 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 27 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 27% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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