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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #429722 it is the complementary color #BD68DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #429722. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #429722 shade: #47971D, #58A930, #69BB43, #7ACD56 and #8BDF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #429722. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #429722 shade: #429722, #31850F, #207300, #0F6100 and #004F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #429722 shade: #429622, #619622, #809622, #968C22 and #966D22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #429722 shade: #429622, #229622, #229641, #229660 and #22967F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #429722 shade matches the following richer shades: #429622, #3BA413 and #34B304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #429722 shade: #429622, #488731, #4F7840, #56694F and #5D5A5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #429722 shade: #809622, #629622, #439622, #249622 and #22963F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #429722 shade: #245213, #33741A, #429622, #50B72A and #62D238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #429722 shade: #429722, #22968C and #962271

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #429722 shade: #429722, #224396 and #962243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #429722 shade: #429722, #22968C, #752296 and #96222C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #429722 shade: #429722, #227D96, #752296 and #963B22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 77 / 41

HEX #429722

RGB 66 151 34

HSL 103.59, 0.63%, 0.36%

LAB 55.49, -46.61, 50.17

 

Complementary color

CMYK 14 / 53 / 0 / 13

HEX #BD68DD

RGB 189 104 221

HSL 283.59, 0.63%, 0.64%

LAB 57.98, 52.63, -46.17

 

CMYK 53 / 0 / 81 / 41

HEX #47971D

RGB 71 151 29

HSL 99.34, 0.68%, 0.35%

LAB 55.65, -45.47, 52.01

 

CMYK 48 / 0 / 72 / 34

HEX #58A930

RGB 88 169 48

HSL 100.17, 0.56%, 0.43%

LAB 62.22, -46.12, 52.06

 

CMYK 44 / 0 / 64 / 27

HEX #69BB43

RGB 105 187 67

HSL 101, 0.47%, 0.5%

LAB 68.71, -46.47, 51.44

 

CMYK 40 / 0 / 58 / 20

HEX #7ACD56

RGB 122 205 86

HSL 101.85, 0.54%, 0.57%

LAB 75.12, -46.62, 50.48

 

CMYK 38 / 0 / 53 / 13

HEX #8BDF69

RGB 139 223 105

HSL 102.71, 0.65%, 0.64%

LAB 81.45, -46.64, 49.39

 

CMYK 56 / 0 / 77 / 41

HEX #429722

RGB 66 151 34

HSL 103.59, 0.63%, 0.36%

LAB 55.49, -46.61, 50.17

 

CMYK 63 / 0 / 89 / 48

HEX #31850F

RGB 49 133 15

HSL 102.71, 0.8%, 0.29%

LAB 48.84, -45.49, 49.37

 

CMYK 72 / 0 / 100 / 55

HEX #207300

RGB 32 115 0

HSL 103.3, 1%, 0.23%

LAB 42.11, -43.64, 46.79

 

CMYK 85 / 0 / 100 / 62

HEX #0F6100

RGB 15 97 0

HSL 110.72, 1%, 0.19%

LAB 35.3, -40.63, 41.22

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 56 / 0 / 77 / 41

HEX #429622

RGB 66 150 34

HSL 103.45, 0.63%, 0.36%

LAB 55.16, -46.23, 49.85

 

CMYK 35 / 0 / 77 / 41

HEX #619622

RGB 97 150 34

HSL 87.41, 0.63%, 0.36%

LAB 56.55, -35.94, 51.67

 

CMYK 15 / 0 / 77 / 41

HEX #809622

RGB 128 150 34

HSL 71.38, 0.63%, 0.36%

LAB 58.52, -23.35, 54.24

 

CMYK 0 / 7 / 77 / 41

HEX #968C22

RGB 150 140 34

HSL 54.83, 0.63%, 0.36%

LAB 57.42, -8.34, 53.86

 

CMYK 0 / 27 / 77 / 41

HEX #966D22

RGB 150 109 34

HSL 38.79, 0.63%, 0.36%

LAB 48.93, 9.03, 45.84

 

CMYK 56 / 0 / 77 / 41

HEX #429622

RGB 66 150 34

HSL 103.45, 0.63%, 0.36%

LAB 55.16, -46.23, 49.85

 

CMYK 77 / 0 / 77 / 41

HEX #229622

RGB 34 150 34

HSL 120, 0.63%, 0.36%

LAB 54.31, -53.25, 48.72

 

CMYK 77 / 0 / 57 / 41

HEX #229641

RGB 34 150 65

HSL 136.03, 0.63%, 0.36%

LAB 54.59, -49.86, 35.59

 

CMYK 77 / 0 / 36 / 41

HEX #229660

RGB 34 150 96

HSL 152.07, 0.63%, 0.36%

LAB 55.07, -44.32, 19.74

 

CMYK 77 / 0 / 15 / 41

HEX #22967F

RGB 34 150 127

HSL 168.1, 0.63%, 0.36%

LAB 55.77, -36.79, 3.2

 

CMYK 56 / 0 / 77 / 41

HEX #429622

RGB 66 150 34

HSL 103.45, 0.63%, 0.36%

LAB 55.16, -46.23, 49.85

 

CMYK 64 / 0 / 88 / 36

HEX #3BA413

RGB 59 164 19

HSL 103.45, 0.79%, 0.36%

LAB 59.46, -53.88, 57.87

 

CMYK 71 / 0 / 98 / 30

HEX #34B304

RGB 52 179 4

HSL 103.54, 0.96%, 0.36%

LAB 64.14, -60.68, 64

 

CMYK 56 / 0 / 77 / 41

HEX #429622

RGB 66 150 34

HSL 103.45, 0.63%, 0.36%

LAB 55.16, -46.23, 49.85

 

CMYK 47 / 0 / 64 / 47

HEX #488731

RGB 72 135 49

HSL 103.95, 0.47%, 0.36%

LAB 50.6, -37.01, 39.01

 

CMYK 34 / 0 / 47 / 53

HEX #4F7840

RGB 79 120 64

HSL 103.93, 0.3%, 0.36%

LAB 46.27, -25.71, 26.24

 

CMYK 18 / 0 / 25 / 59

HEX #56694F

RGB 86 105 79

HSL 103.85, 0.14%, 0.36%

LAB 42.23, -12.59, 12.32

 

CMYK 0 / 3 / 0 / 64

HEX #5D5A5D

RGB 93 90 93

HSL 300, 0.02%, 0.36%

LAB 38.6, 1.83, -1.3

 

CMYK 15 / 0 / 77 / 41

HEX #809622

RGB 128 150 34

HSL 71.38, 0.63%, 0.36%

LAB 58.52, -23.35, 54.24

 

CMYK 35 / 0 / 77 / 41

HEX #629622

RGB 98 150 34

HSL 86.9, 0.63%, 0.36%

LAB 56.61, -35.57, 51.75

 

CMYK 55 / 0 / 77 / 41

HEX #439622

RGB 67 150 34

HSL 102.93, 0.63%, 0.36%

LAB 55.2, -45.94, 49.89

 

CMYK 76 / 0 / 77 / 41

HEX #249622

RGB 36 150 34

HSL 118.97, 0.63%, 0.36%

LAB 54.35, -52.93, 48.77

 

CMYK 77 / 0 / 58 / 41

HEX #22963F

RGB 34 150 63

HSL 135, 0.63%, 0.36%

LAB 54.57, -50.14, 36.56

 

CMYK 56 / 0 / 77 / 68

HEX #245213

RGB 36 82 19

HSL 103.81, 0.62%, 0.2%

LAB 30.54, -28.69, 30.66

 

CMYK 56 / 0 / 78 / 55

HEX #33741A

RGB 51 116 26

HSL 103.33, 0.63%, 0.28%

LAB 43.17, -37.77, 40.76

 

CMYK 56 / 0 / 77 / 41

HEX #429622

RGB 66 150 34

HSL 103.45, 0.63%, 0.36%

LAB 55.16, -46.23, 49.85

 

CMYK 56 / 0 / 77 / 28

HEX #50B72A

RGB 80 183 42

HSL 103.83, 0.63%, 0.44%

LAB 66.32, -54.2, 58.16

 

CMYK 53 / 0 / 73 / 18

HEX #62D238

RGB 98 210 56

HSL 103.64, 0.63%, 0.52%

LAB 75.44, -58.3, 62.63

 

CMYK 56 / 0 / 77 / 41

HEX #429722

RGB 66 151 34

HSL 103.59, 0.63%, 0.36%

LAB 55.49, -46.61, 50.17

 

CMYK 77 / 0 / 7 / 41

HEX #22968C

RGB 34 150 140

HSL 174.83, 0.63%, 0.36%

LAB 56.13, -33.13, -3.71

 

CMYK 0 / 77 / 25 / 41

HEX #962271

RGB 150 34 113

HSL 319.14, 0.63%, 0.36%

LAB 35.64, 54.26, -17.55

 

CMYK 56 / 0 / 77 / 41

HEX #429722

RGB 66 151 34

HSL 103.59, 0.63%, 0.36%

LAB 55.49, -46.61, 50.17

 

CMYK 77 / 55 / 0 / 41

HEX #224396

RGB 34 67 150

HSL 222.93, 0.63%, 0.36%

LAB 30.77, 19.06, -49.04

 

CMYK 0 / 77 / 55 / 41

HEX #962243

RGB 150 34 67

HSL 342.93, 0.63%, 0.36%

LAB 34.05, 49.34, 9.71

 

CMYK 56 / 0 / 77 / 41

HEX #429722

RGB 66 151 34

HSL 103.59, 0.63%, 0.36%

LAB 55.49, -46.61, 50.17

 

CMYK 77 / 0 / 7 / 41

HEX #22968C

RGB 34 150 140

HSL 174.83, 0.63%, 0.36%

LAB 56.13, -33.13, -3.71

 

CMYK 22 / 77 / 0 / 41

HEX #752296

RGB 117 34 150

HSL 282.93, 0.63%, 0.36%

LAB 32.1, 53, -46.52

 

CMYK 0 / 77 / 71 / 41

HEX #96222C

RGB 150 34 44

HSL 354.83, 0.63%, 0.36%

LAB 33.58, 47.82, 23.94

 

CMYK 56 / 0 / 77 / 41

HEX #429722

RGB 66 151 34

HSL 103.59, 0.63%, 0.36%

LAB 55.49, -46.61, 50.17

 

CMYK 77 / 17 / 0 / 41

HEX #227D96

RGB 34 125 150

HSL 192.93, 0.63%, 0.36%

LAB 48.52, -17.25, -20.98

 

CMYK 22 / 77 / 0 / 41

HEX #752296

RGB 117 34 150

HSL 282.93, 0.63%, 0.36%

LAB 32.1, 53, -46.52

 

CMYK 0 / 61 / 77 / 41

HEX #963B22

RGB 150 59 34

HSL 12.93, 0.63%, 0.36%

LAB 37.35, 36.79, 34.16

 

Description

Color code: HEX #429722 | qconv.com Color code: HEX #429722 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 151 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 151 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 77 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 77% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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