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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #428ABC3F it is the complementary color #BD75433F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #428ABC3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #428ABC3F shade: #478AB73F, #589CCA3F, #69AEDD3F, #7AC0F03F and #8BD2FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #428ABC3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #428ABC3F shade: #428ABC3F, #3178A93F, #2066963F, #0F54833F and #0042703F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #428ABC3F shade: #428BBD, #426ABD, #4249BD, #5D42BD and #7E42BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #428ABC3F shade: #428BBD, #426ABD, #4249BD and #4242BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #428ABC3F shade matches the following richer shades: #428BBD, #2E8ED1, #1992E6 and #0496FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #428ABC3F shade: #428BBD, #5787A8, #6C8393, #807F7F and #957C6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #428ABC3F shade: #42BDAC, #42ACBD, #428CBD, #426BBD and #424ABD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #428ABC3F shade: #2D5E80, #38749E, #428BBD, #619DC7 and #7FB0D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #428ABC3F shade: #428ABC, #8C42BD and #BDBD42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #428ABC3F shade: #428ABC, #BD428C and #8CBD42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #428ABC3F shade: #428ABC, #8C42BD, #BD7342 and #73BD42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #428ABC3F shade: #428ABC, #B042BD, #BD7342 and #4FBD42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 7 / 0 / 7

HEX #428ABC3F

RGBA 66 138 188 0.25

HSLA 204.59, 0.48%, 0.5%, 0.25

LABA 55.04, -6.77, -32.78, 0.25

 

Complementary color

CMYK 0 / 10 / 16 / 6

HEX #BD75433F

RGBA 189 117 67 0.25

HSLA 24.59, 0.48%, 0.5%, 0.25

LABA 56.03, 23.62, 38.93, 0.25

 

CMYK 15 / 6 / 0 / 7

HEX #478AB73F

RGBA 71 138 183 0.25

HSLA 204.11, 0.44%, 0.5%, 0.25

LABA 55.01, -7.51, -29.96, 0.25

 

CMYK 14 / 6 / 0 / 5

HEX #589CCA3F

RGBA 88 156 202 0.25

HSLA 204.21, 0.52%, 0.57%, 0.25

LABA 61.75, -8.2, -30.17, 0.25

 

CMYK 13 / 5 / 0 / 3

HEX #69AEDD3F

RGBA 105 174 221 0.25

HSLA 204.31, 0.63%, 0.64%, 0.25

LABA 68.38, -8.75, -30.39, 0.25

 

CMYK 12 / 5 / 0 / 1

HEX #7AC0F03F

RGBA 122 192 240 0.25

HSLA 204.41, 0.8%, 0.71%, 0.25

LABA 74.91, -9.18, -30.6, 0.25

 

CMYK 11 / 4 / 0 / 0

HEX #8BD2FF3F

RGBA 139 210 255 0.25

HSLA 203.28, 1%, 0.77%, 0.25

LABA 81.18, -10.62, -28.92, 0.25

 

CMYK 16 / 7 / 0 / 7

HEX #428ABC3F

RGBA 66 138 188 0.25

HSLA 204.59, 0.48%, 0.5%, 0.25

LABA 55.04, -6.77, -32.78, 0.25

 

CMYK 18 / 7 / 0 / 8

HEX #3178A93F

RGBA 49 120 169 0.25

HSLA 204.5, 0.55%, 0.43%, 0.25

LABA 48.2, -5.65, -32.57, 0.25

 

CMYK 20 / 8 / 0 / 10

HEX #2066963F

RGBA 32 102 150 0.25

HSLA 204.41, 0.65%, 0.36%, 0.25

LABA 41.23, -4.14, -32.32, 0.25

 

CMYK 22 / 9 / 0 / 12

HEX #0F54833F

RGBA 15 84 131 0.25

HSLA 204.31, 0.79%, 0.29%, 0.25

LABA 34.15, -2.05, -32.02, 0.25

 

CMYK 25 / 10 / 0 / 14

HEX #0042703F

RGBA 0 66 112 0.25

HSLA 204.64, 1%, 0.22%, 0.25

LABA 26.92, 0.73, -31.65, 0.25

 

CMYK 65 / 26 / 0 / 26

HEX #428BBD

RGB 66 139 189

HSL 204.39, 0.48%, 0.5%

LAB 55.38, -7.01, -32.82

 

CMYK 65 / 44 / 0 / 26

HEX #426ABD

RGB 66 106 189

HSL 220.49, 0.48%, 0.5%

LAB 45.83, 12.92, -47.9

 

CMYK 65 / 61 / 0 / 26

HEX #4249BD

RGB 66 73 189

HSL 236.59, 0.48%, 0.5%

LAB 37.11, 33.96, -61.98

 

CMYK 51 / 65 / 0 / 26

HEX #5D42BD

RGB 93 66 189

HSL 253.17, 0.48%, 0.5%

LAB 37.66, 42.75, -60.99

 

CMYK 33 / 65 / 0 / 26

HEX #7E42BD

RGB 126 66 189

HSL 269.27, 0.48%, 0.5%

LAB 41.23, 49.43, -55.04

 

CMYK 65 / 26 / 0 / 26

HEX #428BBD

RGB 66 139 189

HSL 204.39, 0.48%, 0.5%

LAB 55.38, -7.01, -32.82

 

CMYK 65 / 44 / 0 / 26

HEX #426ABD

RGB 66 106 189

HSL 220.49, 0.48%, 0.5%

LAB 45.83, 12.92, -47.9

 

CMYK 65 / 61 / 0 / 26

HEX #4249BD

RGB 66 73 189

HSL 236.59, 0.48%, 0.5%

LAB 37.11, 33.96, -61.98

 

CMYK 65 / 65 / 0 / 26

HEX #4242BD

RGB 66 66 189

HSL 240, 0.48%, 0.5%

LAB 35.46, 38.31, -64.67

 

CMYK 65 / 26 / 0 / 26

HEX #428BBD

RGB 66 139 189

HSL 204.39, 0.48%, 0.5%

LAB 55.38, -7.01, -32.82

 

CMYK 78 / 32 / 0 / 18

HEX #2E8ED1

RGB 46 142 209

HSL 204.66, 0.64%, 0.5%

LAB 56.61, -4.57, -42.23

 

CMYK 89 / 37 / 0 / 10

HEX #1992E6

RGB 25 146 230

HSL 204.59, 0.8%, 0.5%

LAB 58.49, -0.87, -51.03

 

CMYK 98 / 40 / 0 / 2

HEX #0496FB

RGB 4 150 251

HSL 204.53, 0.97%, 0.5%

LAB 60.61, 3.94, -59.25

 

CMYK 65 / 26 / 0 / 26

HEX #428BBD

RGB 66 139 189

HSL 204.39, 0.48%, 0.5%

LAB 55.38, -7.01, -32.82

 

CMYK 48 / 20 / 0 / 34

HEX #5787A8

RGB 87 135 168

HSL 204.44, 0.32%, 0.5%

LAB 54.22, -6.96, -22.52

 

CMYK 27 / 11 / 0 / 42

HEX #6C8393

RGB 108 131 147

HSL 204.62, 0.15%, 0.5%

LAB 53.52, -4.43, -11.32

 

CMYK 0 / 1 / 1 / 50

HEX #807F7F

RGB 128 127 127

HSL 0, 0%, 0.5%

LAB 53.28, 0.38, 0.13

 

CMYK 0 / 17 / 29 / 42

HEX #957C6A

RGB 149 124 106

HSL 25.12, 0.17%, 0.5%

LAB 53.86, 6.81, 13.43

 

CMYK 65 / 0 / 9 / 26

HEX #42BDAC

RGB 66 189 172

HSL 171.71, 0.48%, 0.5%

LAB 69.85, -37.77, -1.39

 

CMYK 65 / 9 / 0 / 26

HEX #42ACBD

RGB 66 172 189

HSL 188.29, 0.48%, 0.5%

LAB 65.23, -24.79, -17.66

 

CMYK 65 / 26 / 0 / 26

HEX #428CBD

RGB 66 140 189

HSL 203.9, 0.48%, 0.5%

LAB 55.67, -7.58, -32.35

 

CMYK 65 / 43 / 0 / 26

HEX #426BBD

RGB 66 107 189

HSL 220, 0.48%, 0.5%

LAB 46.11, 12.29, -47.45

 

CMYK 65 / 61 / 0 / 26

HEX #424ABD

RGB 66 74 189

HSL 236.1, 0.48%, 0.5%

LAB 37.35, 33.34, -61.58

 

CMYK 65 / 27 / 0 / 50

HEX #2D5E80

RGB 45 94 128

HSL 204.58, 0.48%, 0.34%

LAB 38.06, -5.28, -23.98

 

CMYK 65 / 27 / 0 / 38

HEX #38749E

RGB 56 116 158

HSL 204.71, 0.48%, 0.42%

LAB 46.71, -5.95, -28.43

 

CMYK 65 / 26 / 0 / 26

HEX #428BBD

RGB 66 139 189

HSL 204.39, 0.48%, 0.5%

LAB 55.38, -7.01, -32.82

 

CMYK 51 / 21 / 0 / 22

HEX #619DC7

RGB 97 157 199

HSL 204.71, 0.48%, 0.58%

LAB 62.32, -7.71, -27.59

 

CMYK 40 / 16 / 0 / 18

HEX #7FB0D2

RGB 127 176 210

HSL 204.58, 0.48%, 0.66%

LAB 69.62, -7.6, -22.35

 

CMYK 65 / 27 / 0 / 26

HEX #428ABC

RGB 66 138 188

HSL 204.59, 0.48%, 0.5%

LAB 55.04, -6.77, -32.78

 

CMYK 26 / 65 / 0 / 26

HEX #8C42BD

RGB 140 66 189

HSL 276.1, 0.48%, 0.5%

LAB 42.98, 52.52, -52.12

 

CMYK 0 / 0 / 65 / 26

HEX #BDBD42

RGB 189 189 66

HSL 60, 0.48%, 0.5%

LAB 74.58, -15.2, 59.68

 

CMYK 65 / 27 / 0 / 26

HEX #428ABC

RGB 66 138 188

HSL 204.59, 0.48%, 0.5%

LAB 55.04, -6.77, -32.78

 

CMYK 0 / 65 / 26 / 26

HEX #BD428C

RGB 189 66 140

HSL 323.9, 0.48%, 0.5%

LAB 47.76, 56.53, -15.03

 

CMYK 26 / 0 / 65 / 26

HEX #8CBD42

RGB 140 189 66

HSL 83.9, 0.48%, 0.5%

LAB 71.12, -35.1, 54.99

 

CMYK 65 / 27 / 0 / 26

HEX #428ABC

RGB 66 138 188

HSL 204.59, 0.48%, 0.5%

LAB 55.04, -6.77, -32.78

 

CMYK 26 / 65 / 0 / 26

HEX #8C42BD

RGB 140 66 189

HSL 276.1, 0.48%, 0.5%

LAB 42.98, 52.52, -52.12

 

CMYK 0 / 39 / 65 / 26

HEX #BD7342

RGB 189 115 66

HSL 23.9, 0.48%, 0.5%

LAB 55.56, 24.65, 38.9

 

CMYK 39 / 0 / 65 / 26

HEX #73BD42

RGB 115 189 66

HSL 96.1, 0.48%, 0.5%

LAB 69.78, -44.11, 53.15

 

CMYK 65 / 27 / 0 / 26

HEX #428ABC

RGB 66 138 188

HSL 204.59, 0.48%, 0.5%

LAB 55.04, -6.77, -32.78

 

CMYK 7 / 65 / 0 / 26

HEX #B042BD

RGB 176 66 189

HSL 293.66, 0.48%, 0.5%

LAB 48.01, 60.86, -43.79

 

CMYK 0 / 39 / 65 / 26

HEX #BD7342

RGB 189 115 66

HSL 23.9, 0.48%, 0.5%

LAB 55.56, 24.65, 38.9

 

CMYK 58 / 0 / 65 / 26

HEX #4FBD42

RGB 79 189 66

HSL 113.66, 0.48%, 0.5%

LAB 68.35, -54.71, 51.18

 

Description

Color code: HEX #428ABC3F | qconv.com Color code: HEX #428ABC3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 138 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 138 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 7 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 7% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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