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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #428715 it is the complementary color #BD78EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #428715. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #428715 shade: #478710, #589923, #69AB36, #7ABD49 and #8BCF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #428715. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #428715 shade: #428715, #317502, #206300, #0F5100 and #003F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #428715 shade: #438915, #628915, #818915, #897115 and #895215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #428715 shade: #438915, #248915, #158926, #158945 and #158964

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #428715 shade matches the following richer shades: #438915 and #409609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #428715 shade: #438915, #467C22, #486F2F, #4B623C and #4E5649

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #428715 shade: #818915, #628915, #448915, #258915 and #158925

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #428715 shade: #20410A, #316510, #438915, #54AC1B and #66D020

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #428715 shade: #428715, #158972 and #891572

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #428715 shade: #428715, #154489 and #891544

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #428715 shade: #428715, #158972, #5B1589 and #89152C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #428715 shade: #428715, #157D89, #5B1589 and #892115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 84 / 47

HEX #428715

RGB 66 135 21

HSL 96.32, 0.73%, 0.31%

LAB 50.15, -41.11, 49.23

 

Complementary color

CMYK 19 / 49 / 0 / 8

HEX #BD78EA

RGB 189 120 234

HSL 276.32, 0.73%, 0.69%

LAB 61.82, 47.08, -47.37

 

CMYK 47 / 0 / 88 / 47

HEX #478710

RGB 71 135 16

HSL 92.27, 0.79%, 0.3%

LAB 50.34, -39.69, 50.78

 

CMYK 42 / 0 / 77 / 40

HEX #589923

RGB 88 153 35

HSL 93.05, 0.63%, 0.37%

LAB 57.05, -40.44, 51.65

 

CMYK 39 / 0 / 68 / 33

HEX #69AB36

RGB 105 171 54

HSL 93.85, 0.52%, 0.44%

LAB 63.67, -40.87, 51.44

 

CMYK 35 / 0 / 61 / 26

HEX #7ABD49

RGB 122 189 73

HSL 94.66, 0.47%, 0.51%

LAB 70.19, -41.09, 50.69

 

CMYK 33 / 0 / 56 / 19

HEX #8BCF5C

RGB 139 207 92

HSL 95.48, 0.55%, 0.59%

LAB 76.61, -41.17, 49.69

 

CMYK 51 / 0 / 84 / 47

HEX #428715

RGB 66 135 21

HSL 96.32, 0.73%, 0.31%

LAB 50.15, -41.11, 49.23

 

CMYK 58 / 0 / 98 / 54

HEX #317502

RGB 49 117 2

HSL 95.48, 0.97%, 0.23%

LAB 43.33, -39.96, 47.51

 

CMYK 68 / 0 / 100 / 61

HEX #206300

RGB 32 99 0

HSL 100.61, 1%, 0.19%

LAB 36.42, -37.91, 42.28

 

CMYK 81 / 0 / 100 / 68

HEX #0F5100

RGB 15 81 0

HSL 108.89, 1%, 0.16%

LAB 29.38, -35.17, 36.49

 

CMYK 100 / 0 / 100 / 75

HEX #003F00

RGB 0 63 0

HSL 120, 1%, 0.12%

LAB 22.14, -31.69, 29.7

 

CMYK 51 / 0 / 85 / 46

HEX #438915

RGB 67 137 21

HSL 96.21, 0.73%, 0.31%

LAB 50.85, -41.59, 49.88

 

CMYK 28 / 0 / 85 / 46

HEX #628915

RGB 98 137 21

HSL 80.17, 0.73%, 0.31%

LAB 52.44, -30.22, 51.91

 

CMYK 6 / 0 / 85 / 46

HEX #818915

RGB 129 137 21

HSL 64.14, 0.73%, 0.31%

LAB 54.67, -16.77, 54.71

 

CMYK 0 / 18 / 85 / 46

HEX #897115

RGB 137 113 21

HSL 47.59, 0.73%, 0.31%

LAB 48.49, 0.14, 49.7

 

CMYK 0 / 40 / 85 / 46

HEX #895215

RGB 137 82 21

HSL 31.55, 0.73%, 0.31%

LAB 40.26, 18.19, 42.51

 

CMYK 51 / 0 / 85 / 46

HEX #438915

RGB 67 137 21

HSL 96.21, 0.73%, 0.31%

LAB 50.85, -41.59, 49.88

 

CMYK 74 / 0 / 85 / 46

HEX #248915

RGB 36 137 21

HSL 112.24, 0.73%, 0.31%

LAB 49.88, -49.45, 48.64

 

CMYK 85 / 0 / 72 / 46

HEX #158926

RGB 21 137 38

HSL 128.79, 0.73%, 0.31%

LAB 49.73, -50.41, 42.48

 

CMYK 85 / 0 / 50 / 46

HEX #158945

RGB 21 137 69

HSL 144.83, 0.73%, 0.31%

LAB 50.07, -46.2, 27.93

 

CMYK 85 / 0 / 27 / 46

HEX #158964

RGB 21 137 100

HSL 160.86, 0.73%, 0.31%

LAB 50.65, -39.6, 11.38

 

CMYK 51 / 0 / 85 / 46

HEX #438915

RGB 67 137 21

HSL 96.21, 0.73%, 0.31%

LAB 50.85, -41.59, 49.88

 

CMYK 57 / 0 / 94 / 41

HEX #409609

RGB 64 150 9

HSL 96.6, 0.89%, 0.31%

LAB 54.99, -47.92, 55.95

 

CMYK 51 / 0 / 85 / 46

HEX #438915

RGB 67 137 21

HSL 96.21, 0.73%, 0.31%

LAB 50.85, -41.59, 49.88

 

CMYK 44 / 0 / 73 / 51

HEX #467C22

RGB 70 124 34

HSL 96, 0.57%, 0.31%

LAB 46.75, -34.28, 41.48

 

CMYK 35 / 0 / 58 / 56

HEX #486F2F

RGB 72 111 47

HSL 96.56, 0.41%, 0.31%

LAB 42.69, -26.18, 30.92

 

CMYK 23 / 0 / 39 / 62

HEX #4B623C

RGB 75 98 60

HSL 96.32, 0.24%, 0.31%

LAB 38.82, -16.42, 18.9

 

CMYK 9 / 0 / 15 / 66

HEX #4E5649

RGB 78 86 73

HSL 96.92, 0.08%, 0.31%

LAB 35.51, -5.94, 6.5

 

CMYK 6 / 0 / 85 / 46

HEX #818915

RGB 129 137 21

HSL 64.14, 0.73%, 0.31%

LAB 54.67, -16.77, 54.71

 

CMYK 28 / 0 / 85 / 46

HEX #628915

RGB 98 137 21

HSL 80.17, 0.73%, 0.31%

LAB 52.44, -30.22, 51.91

 

CMYK 50 / 0 / 85 / 46

HEX #448915

RGB 68 137 21

HSL 95.69, 0.73%, 0.31%

LAB 50.89, -41.27, 49.93

 

CMYK 73 / 0 / 85 / 46

HEX #258915

RGB 37 137 21

HSL 111.72, 0.73%, 0.31%

LAB 49.9, -49.26, 48.67

 

CMYK 85 / 0 / 73 / 46

HEX #158925

RGB 21 137 37

HSL 128.28, 0.73%, 0.31%

LAB 49.72, -50.51, 42.88

 

CMYK 51 / 0 / 85 / 75

HEX #20410A

RGB 32 65 10

HSL 96, 0.73%, 0.15%

LAB 24.03, -23.04, 27.89

 

CMYK 51 / 0 / 84 / 60

HEX #316510

RGB 49 101 16

HSL 96.71, 0.73%, 0.23%

LAB 37.84, -32.82, 39.16

 

CMYK 51 / 0 / 85 / 46

HEX #438915

RGB 67 137 21

HSL 96.21, 0.73%, 0.31%

LAB 50.85, -41.59, 49.88

 

CMYK 51 / 0 / 84 / 33

HEX #54AC1B

RGB 84 172 27

HSL 96.41, 0.73%, 0.39%

LAB 62.9, -49.77, 59.38

 

CMYK 51 / 0 / 85 / 18

HEX #66D020

RGB 102 208 32

HSL 96.14, 0.73%, 0.47%

LAB 74.85, -57.74, 69.04

 

CMYK 51 / 0 / 84 / 47

HEX #428715

RGB 66 135 21

HSL 96.32, 0.73%, 0.31%

LAB 50.15, -41.11, 49.23

 

CMYK 85 / 0 / 17 / 46

HEX #158972

RGB 21 137 114

HSL 168.1, 0.73%, 0.31%

LAB 51, -35.93, 3.77

 

CMYK 0 / 85 / 17 / 46

HEX #891572

RGB 137 21 114

HSL 311.9, 0.73%, 0.31%

LAB 31.96, 54.91, -24.07

 

CMYK 51 / 0 / 84 / 47

HEX #428715

RGB 66 135 21

HSL 96.32, 0.73%, 0.31%

LAB 50.15, -41.11, 49.23

 

CMYK 85 / 50 / 0 / 46

HEX #154489

RGB 21 68 137

HSL 215.69, 0.73%, 0.31%

LAB 29.66, 11.67, -42.89

 

CMYK 0 / 85 / 50 / 46

HEX #891544

RGB 137 21 68

HSL 335.69, 0.73%, 0.31%

LAB 30.09, 49.56, 3.08

 

CMYK 51 / 0 / 84 / 47

HEX #428715

RGB 66 135 21

HSL 96.32, 0.73%, 0.31%

LAB 50.15, -41.11, 49.23

 

CMYK 85 / 0 / 17 / 46

HEX #158972

RGB 21 137 114

HSL 168.1, 0.73%, 0.31%

LAB 51, -35.93, 3.77

 

CMYK 34 / 85 / 0 / 46

HEX #5B1589

RGB 91 21 137

HSL 276.21, 0.73%, 0.31%

LAB 25.46, 50, -49.44

 

CMYK 0 / 85 / 68 / 46

HEX #89152C

RGB 137 21 44

HSL 348.1, 0.73%, 0.31%

LAB 29.5, 47.81, 18.28

 

CMYK 51 / 0 / 84 / 47

HEX #428715

RGB 66 135 21

HSL 96.32, 0.73%, 0.31%

LAB 50.15, -41.11, 49.23

 

CMYK 85 / 9 / 0 / 46

HEX #157D89

RGB 21 125 137

HSL 186.21, 0.73%, 0.31%

LAB 47.79, -23.04, -14.47

 

CMYK 34 / 85 / 0 / 46

HEX #5B1589

RGB 91 21 137

HSL 276.21, 0.73%, 0.31%

LAB 25.46, 50, -49.44

 

CMYK 0 / 76 / 85 / 46

HEX #892115

RGB 137 33 21

HSL 6.21, 0.73%, 0.31%

LAB 30.55, 43.01, 33.65

 

Description

Color code: HEX #428715 | qconv.com Color code: HEX #428715 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 135 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 135 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 84 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 84% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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