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Color name
HEX #426E22

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #426E22 it is the complementary color #BD91DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #426E22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #426E22 shade: #476E1D, #588030, #699243, #7AA456 and #8BB669

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #426E22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #426E22 shade: #426E22, #315C0F, #204A00, #0F3800 and #002600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #426E22 shade: #416D22, #566D22, #6A6D22, #6D5C22 and #6D4722

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #426E22 shade: #416D22, #2D6D22, #226D2B, #226D3F and #226D53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #426E22 shade matches the following richer shades: #416D22, #407916 and #3E840A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #426E22 shade: #416D22, #43622D, #455639, #474B44 and #493F50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #426E22 shade: #6B6D22, #576D22, #426D22, #2E6D22 and #226D29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #426E22 shade: #1C2E0E, #2F4E18, #416D22, #548D2B and #67AC35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #426E22 shade: #426E22, #226D5C and #6D2261

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #426E22 shade: #426E22, #22426D and #6D2242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #426E22 shade: #426E22, #226D5C, #4C226D and #6D2233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #426E22 shade: #426E22, #22686D, #4C226D and #6D2722

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 69 / 57

HEX #426E22

RGB 66 110 34

HSL 94.74, 0.53%, 0.28%

LAB 41.88, -29.37, 36.31

 

Complementary color

CMYK 14 / 34 / 0 / 13

HEX #BD91DD

RGB 189 145 221

HSL 274.74, 0.53%, 0.72%

LAB 66.74, 30.62, -32.46

 

CMYK 35 / 0 / 74 / 57

HEX #476E1D

RGB 71 110 29

HSL 88.89, 0.58%, 0.27%

LAB 42.12, -27.85, 38.83

 

CMYK 31 / 0 / 63 / 50

HEX #588030

RGB 88 128 48

HSL 90, 0.45%, 0.35%

LAB 49.16, -28.12, 38.1

 

CMYK 28 / 0 / 54 / 43

HEX #699243

RGB 105 146 67

HSL 91.14, 0.37%, 0.42%

LAB 56.05, -28.22, 37

 

CMYK 26 / 0 / 48 / 36

HEX #7AA456

RGB 122 164 86

HSL 92.31, 0.31%, 0.49%

LAB 62.81, -28.21, 35.79

 

CMYK 24 / 0 / 42 / 29

HEX #8BB669

RGB 139 182 105

HSL 93.51, 0.35%, 0.56%

LAB 69.44, -28.15, 34.58

 

CMYK 40 / 0 / 69 / 57

HEX #426E22

RGB 66 110 34

HSL 94.74, 0.53%, 0.28%

LAB 41.88, -29.37, 36.31

 

CMYK 47 / 0 / 84 / 64

HEX #315C0F

RGB 49 92 15

HSL 93.51, 0.72%, 0.21%

LAB 34.68, -28.9, 36.54

 

CMYK 57 / 0 / 100 / 71

HEX #204A00

RGB 32 74 0

HSL 94.05, 1%, 0.15%

LAB 27.31, -27.89, 35.01

 

CMYK 73 / 0 / 100 / 78

HEX #0F3800

RGB 15 56 0

HSL 103.93, 1%, 0.11%

LAB 19.76, -25.7, 27.2

 

CMYK 100 / 0 / 100 / 85

HEX #002600

RGB 0 38 0

HSL 120, 1%, 0.07%

LAB 11.87, -22.75, 17.15

 

CMYK 40 / 0 / 69 / 57

HEX #416D22

RGB 65 109 34

HSL 95.2, 0.52%, 0.28%

LAB 41.5, -29.28, 35.87

 

CMYK 21 / 0 / 69 / 57

HEX #566D22

RGB 86 109 34

HSL 78.4, 0.52%, 0.28%

LAB 42.81, -20.68, 37.67

 

CMYK 3 / 0 / 69 / 57

HEX #6A6D22

RGB 106 109 34

HSL 62.4, 0.52%, 0.28%

LAB 44.4, -11.61, 39.82

 

CMYK 0 / 16 / 69 / 57

HEX #6D5C22

RGB 109 92 34

HSL 46.4, 0.52%, 0.28%

LAB 39.62, -0.4, 34.88

 

CMYK 0 / 35 / 69 / 57

HEX #6D4722

RGB 109 71 34

HSL 29.6, 0.52%, 0.28%

LAB 33.72, 12.31, 28.37

 

CMYK 40 / 0 / 69 / 57

HEX #416D22

RGB 65 109 34

HSL 95.2, 0.52%, 0.28%

LAB 41.5, -29.28, 35.87

 

CMYK 59 / 0 / 69 / 57

HEX #2D6D22

RGB 45 109 34

HSL 111.2, 0.52%, 0.28%

LAB 40.59, -35.95, 34.63

 

CMYK 69 / 0 / 61 / 57

HEX #226D2B

RGB 34 109 43

HSL 127.2, 0.52%, 0.28%

LAB 40.33, -37.66, 29.82

 

CMYK 69 / 0 / 42 / 57

HEX #226D3F

RGB 34 109 63

HSL 143.2, 0.52%, 0.28%

LAB 40.63, -34.27, 19.16

 

CMYK 69 / 0 / 24 / 57

HEX #226D53

RGB 34 109 83

HSL 159.2, 0.52%, 0.28%

LAB 41.06, -29.7, 7.92

 

CMYK 40 / 0 / 69 / 57

HEX #416D22

RGB 65 109 34

HSL 95.2, 0.52%, 0.28%

LAB 41.5, -29.28, 35.87

 

CMYK 47 / 0 / 82 / 53

HEX #407916

RGB 64 121 22

HSL 94.55, 0.69%, 0.28%

LAB 45.39, -35.9, 44.51

 

CMYK 53 / 0 / 92 / 48

HEX #3E840A

RGB 62 132 10

HSL 94.43, 0.86%, 0.28%

LAB 48.94, -41.61, 50.69

 

CMYK 40 / 0 / 69 / 57

HEX #416D22

RGB 65 109 34

HSL 95.2, 0.52%, 0.28%

LAB 41.5, -29.28, 35.87

 

CMYK 32 / 0 / 54 / 62

HEX #43622D

RGB 67 98 45

HSL 95.09, 0.37%, 0.28%

LAB 38.05, -21.86, 26.39

 

CMYK 20 / 0 / 34 / 66

HEX #455639

RGB 69 86 57

HSL 95.17, 0.2%, 0.28%

LAB 34.43, -12.68, 14.79

 

CMYK 5 / 0 / 9 / 71

HEX #474B44

RGB 71 75 68

HSL 94.29, 0.05%, 0.28%

LAB 31.32, -3.16, 3.61

 

CMYK 9 / 21 / 0 / 69

HEX #493F50

RGB 73 63 80

HSL 275.29, 0.12%, 0.28%

LAB 28.25, 8.06, -8.67

 

CMYK 2 / 0 / 69 / 57

HEX #6B6D22

RGB 107 109 34

HSL 61.6, 0.52%, 0.28%

LAB 44.49, -11.15, 39.94

 

CMYK 20 / 0 / 69 / 57

HEX #576D22

RGB 87 109 34

HSL 77.6, 0.52%, 0.28%

LAB 42.88, -20.24, 37.76

 

CMYK 39 / 0 / 69 / 57

HEX #426D22

RGB 66 109 34

HSL 94.4, 0.52%, 0.28%

LAB 41.55, -28.9, 35.95

 

CMYK 58 / 0 / 69 / 57

HEX #2E6D22

RGB 46 109 34

HSL 110.4, 0.52%, 0.28%

LAB 40.63, -35.67, 34.68

 

CMYK 69 / 0 / 62 / 57

HEX #226D29

RGB 34 109 41

HSL 125.6, 0.52%, 0.28%

LAB 40.31, -37.94, 30.81

 

CMYK 39 / 0 / 70 / 82

HEX #1C2E0E

RGB 28 46 14

HSL 93.75, 0.53%, 0.12%

LAB 16.66, -14.4, 17.78

 

CMYK 40 / 0 / 69 / 69

HEX #2F4E18

RGB 47 78 24

HSL 94.44, 0.53%, 0.2%

LAB 29.71, -22.22, 27.57

 

CMYK 40 / 0 / 69 / 57

HEX #416D22

RGB 65 109 34

HSL 95.2, 0.52%, 0.28%

LAB 41.5, -29.28, 35.87

 

CMYK 40 / 0 / 70 / 45

HEX #548D2B

RGB 84 141 43

HSL 94.9, 0.53%, 0.36%

LAB 53.07, -36.08, 44.52

 

CMYK 40 / 0 / 69 / 33

HEX #67AC35

RGB 103 172 53

HSL 94.79, 0.53%, 0.44%

LAB 63.87, -42.06, 52.02

 

CMYK 40 / 0 / 69 / 57

HEX #426E22

RGB 66 110 34

HSL 94.74, 0.53%, 0.28%

LAB 41.88, -29.37, 36.31

 

CMYK 69 / 0 / 16 / 57

HEX #226D5C

RGB 34 109 92

HSL 166.4, 0.52%, 0.28%

LAB 41.3, -27.29, 2.83

 

CMYK 0 / 69 / 11 / 57

HEX #6D2261

RGB 109 34 97

HSL 309.6, 0.52%, 0.28%

LAB 27.46, 40.88, -20.55

 

CMYK 40 / 0 / 69 / 57

HEX #426E22

RGB 66 110 34

HSL 94.74, 0.53%, 0.28%

LAB 41.88, -29.37, 36.31

 

CMYK 69 / 39 / 0 / 57

HEX #22426D

RGB 34 66 109

HSL 214.4, 0.52%, 0.28%

LAB 27.68, 3.54, -28.47

 

CMYK 0 / 69 / 39 / 57

HEX #6D2242

RGB 109 34 66

HSL 334.4, 0.52%, 0.28%

LAB 26.12, 36.29, -2.03

 

CMYK 40 / 0 / 69 / 57

HEX #426E22

RGB 66 110 34

HSL 94.74, 0.53%, 0.28%

LAB 41.88, -29.37, 36.31

 

CMYK 69 / 0 / 16 / 57

HEX #226D5C

RGB 34 109 92

HSL 166.4, 0.52%, 0.28%

LAB 41.3, -27.29, 2.83

 

CMYK 30 / 69 / 0 / 57

HEX #4C226D

RGB 76 34 109

HSL 273.6, 0.52%, 0.28%

LAB 22.95, 34.62, -35.84

 

CMYK 0 / 69 / 53 / 57

HEX #6D2233

RGB 109 34 51

HSL 346.4, 0.52%, 0.28%

LAB 25.67, 34.64, 7.45

 

CMYK 40 / 0 / 69 / 57

HEX #426E22

RGB 66 110 34

HSL 94.74, 0.53%, 0.28%

LAB 41.88, -29.37, 36.31

 

CMYK 69 / 5 / 0 / 57

HEX #22686D

RGB 34 104 109

HSL 184, 0.52%, 0.28%

LAB 40.16, -19.6, -9.19

 

CMYK 30 / 69 / 0 / 57

HEX #4C226D

RGB 76 34 109

HSL 273.6, 0.52%, 0.28%

LAB 22.95, 34.62, -35.84

 

CMYK 0 / 64 / 69 / 57

HEX #6D2722

RGB 109 39 34

HSL 4, 0.52%, 0.28%

LAB 26.21, 30.8, 19.5

 

Description

Color code: HEX #426E22 | qconv.com Color code: HEX #426E22 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 110 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 110 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 69 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 69% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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