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Color name
HEX #42641C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42641C it is the complementary color #BD9BE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42641C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42641C shade: #476417, #58762A, #69883D, #7A9A50 and #8BAC63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42641C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42641C shade: #42641C, #315209, #204000, #0F2E00 and #001C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42641C shade: #42631C, #55631C, #635F1C, #634B1C and #63381C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42641C shade: #42631C, #2E631C, #1C631D, #1C6330 and #1C6343

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42641C shade matches the following richer shades: #42631C, #426E12 and #437807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42641C shade: #42631C, #415926, #414F31, #40453B and #3F3A45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42641C shade: #635F1C, #55631C, #42631C, #2F631C and #1C631C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42641C shade: #17230A, #2C4313, #42631C, #578425 and #6CA42E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42641C shade: #42641C, #1C634C and #631C5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42641C shade: #42641C, #1C4263 and #631C42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42641C shade: #42641C, #1C634C, #3D1C63 and #631C34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42641C shade: #42641C, #1C6361, #3D1C63 and #631C1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 72 / 61

HEX #42641C

RGB 66 100 28

HSL 88.33, 0.56%, 0.25%

LAB 38.47, -25.09, 35.4

 

Complementary color

CMYK 17 / 32 / 0 / 11

HEX #BD9BE3

RGB 189 155 227

HSL 268.33, 0.56%, 0.75%

LAB 69.33, 26.37, -31.75

 

CMYK 29 / 0 / 77 / 61

HEX #476417

RGB 71 100 23

HSL 82.6, 0.63%, 0.24%

LAB 38.75, -23.37, 37.9

 

CMYK 25 / 0 / 64 / 54

HEX #58762A

RGB 88 118 42

HSL 83.68, 0.48%, 0.31%

LAB 45.91, -23.76, 37.34

 

CMYK 23 / 0 / 55 / 47

HEX #69883D

RGB 105 136 61

HSL 84.8, 0.38%, 0.39%

LAB 52.89, -23.95, 36.28

 

CMYK 21 / 0 / 48 / 40

HEX #7A9A50

RGB 122 154 80

HSL 85.95, 0.32%, 0.46%

LAB 59.73, -24.02, 35.08

 

CMYK 19 / 0 / 42 / 33

HEX #8BAC63

RGB 139 172 99

HSL 87.12, 0.31%, 0.53%

LAB 66.44, -24.03, 33.86

 

CMYK 34 / 0 / 72 / 61

HEX #42641C

RGB 66 100 28

HSL 88.33, 0.56%, 0.25%

LAB 38.47, -25.09, 35.4

 

CMYK 40 / 0 / 89 / 68

HEX #315209

RGB 49 82 9

HSL 87.12, 0.8%, 0.18%

LAB 31.13, -24.53, 35.26

 

CMYK 50 / 0 / 100 / 75

HEX #204000

RGB 32 64 0

HSL 90, 1%, 0.13%

LAB 23.58, -23.35, 31.52

 

CMYK 67 / 0 / 100 / 82

HEX #0F2E00

RGB 15 46 0

HSL 100.43, 1%, 0.09%

LAB 15.78, -21.39, 22.41

 

CMYK 100 / 0 / 100 / 89

HEX #001C00

RGB 0 28 0

HSL 120, 1%, 0.05%

LAB 7.5, -15.33, 10.95

 

CMYK 33 / 0 / 72 / 61

HEX #42631C

RGB 66 99 28

HSL 87.89, 0.56%, 0.25%

LAB 38.14, -24.59, 35.05

 

CMYK 14 / 0 / 72 / 61

HEX #55631C

RGB 85 99 28

HSL 71.83, 0.56%, 0.25%

LAB 39.48, -16.25, 36.85

 

CMYK 0 / 4 / 72 / 61

HEX #635F1C

RGB 99 95 28

HSL 56.62, 0.56%, 0.25%

LAB 39.45, -7.38, 37.21

 

CMYK 0 / 24 / 72 / 61

HEX #634B1C

RGB 99 75 28

HSL 39.72, 0.56%, 0.25%

LAB 33.5, 4.59, 31

 

CMYK 0 / 43 / 72 / 61

HEX #63381C

RGB 99 56 28

HSL 23.66, 0.56%, 0.25%

LAB 28.29, 16.36, 25.26

 

CMYK 33 / 0 / 72 / 61

HEX #42631C

RGB 66 99 28

HSL 87.89, 0.56%, 0.25%

LAB 38.14, -24.59, 35.05

 

CMYK 54 / 0 / 72 / 61

HEX #2E631C

RGB 46 99 28

HSL 104.79, 0.56%, 0.25%

LAB 37.09, -32.02, 33.63

 

CMYK 72 / 0 / 71 / 61

HEX #1C631D

RGB 28 99 29

HSL 120.85, 0.56%, 0.25%

LAB 36.48, -36.85, 32.32

 

CMYK 72 / 0 / 52 / 61

HEX #1C6330

RGB 28 99 48

HSL 136.9, 0.56%, 0.25%

LAB 36.71, -34.12, 22.68

 

CMYK 72 / 0 / 32 / 61

HEX #1C6343

RGB 28 99 67

HSL 152.96, 0.56%, 0.25%

LAB 37.07, -30.18, 11.98

 

CMYK 33 / 0 / 72 / 61

HEX #42631C

RGB 66 99 28

HSL 87.89, 0.56%, 0.25%

LAB 38.14, -24.59, 35.05

 

CMYK 40 / 0 / 84 / 57

HEX #426E12

RGB 66 110 18

HSL 88.7, 0.72%, 0.25%

LAB 41.77, -30.52, 42.47

 

CMYK 44 / 0 / 94 / 53

HEX #437807

RGB 67 120 7

HSL 88.14, 0.89%, 0.25%

LAB 45.14, -35.05, 48.2

 

CMYK 33 / 0 / 72 / 61

HEX #42631C

RGB 66 99 28

HSL 87.89, 0.56%, 0.25%

LAB 38.14, -24.59, 35.05

 

CMYK 27 / 0 / 57 / 65

HEX #415926

RGB 65 89 38

HSL 88.24, 0.4%, 0.25%

LAB 34.82, -18.84, 26.32

 

CMYK 18 / 0 / 38 / 69

HEX #414F31

RGB 65 79 49

HSL 88, 0.23%, 0.25%

LAB 31.66, -11.7, 15.95

 

CMYK 7 / 0 / 14 / 73

HEX #40453B

RGB 64 69 59

HSL 90, 0.08%, 0.25%

LAB 28.54, -4.25, 5.34

 

CMYK 9 / 16 / 0 / 73

HEX #3F3A45

RGB 63 58 69

HSL 267.27, 0.09%, 0.25%

LAB 25.3, 4.69, -5.97

 

CMYK 0 / 4 / 72 / 61

HEX #635F1C

RGB 99 95 28

HSL 56.62, 0.56%, 0.25%

LAB 39.45, -7.38, 37.21

 

CMYK 14 / 0 / 72 / 61

HEX #55631C

RGB 85 99 28

HSL 71.83, 0.56%, 0.25%

LAB 39.48, -16.25, 36.85

 

CMYK 33 / 0 / 72 / 61

HEX #42631C

RGB 66 99 28

HSL 87.89, 0.56%, 0.25%

LAB 38.14, -24.59, 35.05

 

CMYK 53 / 0 / 72 / 61

HEX #2F631C

RGB 47 99 28

HSL 103.94, 0.56%, 0.25%

LAB 37.14, -31.69, 33.69

 

CMYK 72 / 0 / 72 / 61

HEX #1C631C

RGB 28 99 28

HSL 120, 0.56%, 0.25%

LAB 36.47, -36.96, 32.77

 

CMYK 34 / 0 / 71 / 86

HEX #17230A

RGB 23 35 10

HSL 88.8, 0.56%, 0.09%

LAB 12, -10.79, 13.46

 

CMYK 34 / 0 / 72 / 74

HEX #2C4313

RGB 44 67 19

HSL 88.75, 0.56%, 0.17%

LAB 25.55, -18.28, 25.51

 

CMYK 33 / 0 / 72 / 61

HEX #42631C

RGB 66 99 28

HSL 87.89, 0.56%, 0.25%

LAB 38.14, -24.59, 35.05

 

CMYK 34 / 0 / 72 / 48

HEX #578425

RGB 87 132 37

HSL 88.42, 0.56%, 0.33%

LAB 50.29, -31.36, 44.17

 

CMYK 34 / 0 / 72 / 36

HEX #6CA42E

RGB 108 164 46

HSL 88.47, 0.56%, 0.41%

LAB 61.6, -37.32, 52.5

 

CMYK 34 / 0 / 72 / 61

HEX #42641C

RGB 66 100 28

HSL 88.33, 0.56%, 0.25%

LAB 38.47, -25.09, 35.4

 

CMYK 72 / 0 / 23 / 61

HEX #1C634C

RGB 28 99 76

HSL 160.56, 0.56%, 0.25%

LAB 37.28, -27.91, 6.8

 

CMYK 0 / 72 / 4 / 61

HEX #631C5F

RGB 99 28 95

HSL 303.38, 0.56%, 0.25%

LAB 24.67, 40.36, -23.75

 

CMYK 34 / 0 / 72 / 61

HEX #42641C

RGB 66 100 28

HSL 88.33, 0.56%, 0.25%

LAB 38.47, -25.09, 35.4

 

CMYK 72 / 33 / 0 / 61

HEX #1C4263

RGB 28 66 99

HSL 207.89, 0.56%, 0.25%

LAB 26.86, -1.49, -23.39

 

CMYK 0 / 72 / 33 / 61

HEX #631C42

RGB 99 28 66

HSL 327.89, 0.56%, 0.25%

LAB 23.26, 35.71, -6.5

 

CMYK 34 / 0 / 72 / 61

HEX #42641C

RGB 66 100 28

HSL 88.33, 0.56%, 0.25%

LAB 38.47, -25.09, 35.4

 

CMYK 72 / 0 / 23 / 61

HEX #1C634C

RGB 28 99 76

HSL 160.56, 0.56%, 0.25%

LAB 37.28, -27.91, 6.8

 

CMYK 38 / 72 / 0 / 61

HEX #3D1C63

RGB 61 28 99

HSL 267.89, 0.56%, 0.25%

LAB 18.9, 31.67, -35.95

 

CMYK 0 / 72 / 47 / 61

HEX #631C34

RGB 99 28 52

HSL 339.72, 0.56%, 0.25%

LAB 22.76, 33.99, 2.38

 

CMYK 34 / 0 / 72 / 61

HEX #42641C

RGB 66 100 28

HSL 88.33, 0.56%, 0.25%

LAB 38.47, -25.09, 35.4

 

CMYK 72 / 0 / 2 / 61

HEX #1C6361

RGB 28 99 97

HSL 178.31, 0.56%, 0.25%

LAB 37.9, -21.78, -5.22

 

CMYK 38 / 72 / 0 / 61

HEX #3D1C63

RGB 61 28 99

HSL 267.89, 0.56%, 0.25%

LAB 18.9, 31.67, -35.95

 

CMYK 0 / 72 / 70 / 61

HEX #631C1E

RGB 99 28 30

HSL 358.31, 0.56%, 0.25%

LAB 22.22, 32.05, 16.77

 

Description

Color code: HEX #42641C | qconv.com Color code: HEX #42641C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 100 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 100 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 72 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 72% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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