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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #425075 it is the complementary color #BDAF8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #425075. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #425075 shade: #475070, #586283, #697496, #7A86A9 and #8B98BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #425075. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #425075 shade: #425075, #313E62, #202C4F, #0F1A3C and #000829

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #425075 shade: #425076, #424276, #504276, #5E4276 and #6B4276

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #425075 shade: #425076 and #424276

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #425075 shade matches the following richer shades: #425076, #334A84, #244393, #163CA2 and #0735B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #425075 shade: #425076, #515767, #605E58, #6F6449 and #7E6B3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #425075 shade: #426C76, #425E76, #425176, #424376 and #4F4276

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #425075 shade: #242C41, #333E5B, #425076, #516290 and #6376A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #425075 shade: #425075, #714276 and #657642

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #425075 shade: #425075, #764251 and #517642

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #425075 shade: #425075, #714276, #766742 and #467642

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #425075 shade: #425075, #76426A, #766742 and #42764D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 32 / 0 / 54

HEX #425075

RGB 66 80 117

HSL 223.53, 0.28%, 0.36%

LAB 34.35, 5.02, -22.89

 

Complementary color

CMYK 0 / 7 / 27 / 26

HEX #BDAF8A

RGB 189 175 138

HSL 43.53, 0.28%, 0.64%

LAB 71.77, -0.81, 20.82

 

CMYK 37 / 29 / 0 / 56

HEX #475070

RGB 71 80 112

HSL 226.83, 0.22%, 0.36%

LAB 34.49, 5.01, -19.53

 

CMYK 33 / 25 / 0 / 49

HEX #586283

RGB 88 98 131

HSL 226.05, 0.2%, 0.43%

LAB 41.92, 4.54, -19.62

 

CMYK 30 / 23 / 0 / 41

HEX #697496

RGB 105 116 150

HSL 225.33, 0.18%, 0.5%

LAB 49.13, 4.15, -19.77

 

CMYK 28 / 21 / 0 / 34

HEX #7A86A9

RGB 122 134 169

HSL 224.68, 0.21%, 0.57%

LAB 56.14, 3.81, -19.96

 

CMYK 26 / 19 / 0 / 26

HEX #8B98BC

RGB 139 152 188

HSL 224.08, 0.27%, 0.64%

LAB 62.99, 3.52, -20.18

 

CMYK 44 / 32 / 0 / 54

HEX #425075

RGB 66 80 117

HSL 223.53, 0.28%, 0.36%

LAB 34.35, 5.02, -22.89

 

CMYK 50 / 37 / 0 / 62

HEX #313E62

RGB 49 62 98

HSL 224.08, 0.33%, 0.29%

LAB 26.68, 5.78, -22.95

 

CMYK 59 / 44 / 0 / 69

HEX #202C4F

RGB 32 44 79

HSL 224.68, 0.42%, 0.22%

LAB 18.68, 6.88, -23.12

 

CMYK 75 / 57 / 0 / 76

HEX #0F1A3C

RGB 15 26 60

HSL 225.33, 0.6%, 0.15%

LAB 10.31, 8.64, -23.41

 

CMYK 100 / 80 / 0 / 84

HEX #000829

RGB 0 8 41

HSL 228.29, 1%, 0.08%

LAB 3.01, 6.96, -21.16

 

CMYK 44 / 32 / 0 / 54

HEX #425076

RGB 66 80 118

HSL 223.85, 0.28%, 0.36%

LAB 34.4, 5.33, -23.43

 

CMYK 44 / 44 / 0 / 54

HEX #424276

RGB 66 66 118

HSL 240, 0.28%, 0.36%

LAB 30.31, 14.51, -29.87

 

CMYK 32 / 44 / 0 / 54

HEX #504276

RGB 80 66 118

HSL 256.15, 0.28%, 0.36%

LAB 31.6, 18.65, -27.74

 

CMYK 20 / 44 / 0 / 54

HEX #5E4276

RGB 94 66 118

HSL 272.31, 0.28%, 0.36%

LAB 33.1, 23.09, -25.28

 

CMYK 9 / 44 / 0 / 54

HEX #6B4276

RGB 107 66 118

HSL 287.31, 0.28%, 0.36%

LAB 34.66, 27.36, -22.73

 

CMYK 44 / 32 / 0 / 54

HEX #425076

RGB 66 80 118

HSL 223.85, 0.28%, 0.36%

LAB 34.4, 5.33, -23.43

 

CMYK 44 / 44 / 0 / 54

HEX #424276

RGB 66 66 118

HSL 240, 0.28%, 0.36%

LAB 30.31, 14.51, -29.87

 

CMYK 44 / 32 / 0 / 54

HEX #425076

RGB 66 80 118

HSL 223.85, 0.28%, 0.36%

LAB 34.4, 5.33, -23.43

 

CMYK 61 / 44 / 0 / 48

HEX #334A84

RGB 51 74 132

HSL 222.96, 0.44%, 0.36%

LAB 32.41, 10.28, -35.32

 

CMYK 76 / 54 / 0 / 42

HEX #244393

RGB 36 67 147

HSL 223.24, 0.61%, 0.36%

LAB 30.63, 18.14, -47.44

 

CMYK 86 / 63 / 0 / 36

HEX #163CA2

RGB 22 60 162

HSL 223.71, 0.76%, 0.36%

LAB 29.44, 27.46, -58.52

 

CMYK 96 / 70 / 0 / 31

HEX #0735B1

RGB 7 53 177

HSL 223.76, 0.92%, 0.36%

LAB 28.81, 37.21, -68.57

 

CMYK 44 / 32 / 0 / 54

HEX #425076

RGB 66 80 118

HSL 223.85, 0.28%, 0.36%

LAB 34.4, 5.33, -23.43

 

CMYK 21 / 16 / 0 / 60

HEX #515767

RGB 81 87 103

HSL 223.64, 0.12%, 0.36%

LAB 37.01, 1.48, -9.99

 

CMYK 0 / 2 / 8 / 62

HEX #605E58

RGB 96 94 88

HSL 45, 0.04%, 0.36%

LAB 39.91, -0.41, 3.71

 

CMYK 0 / 10 / 34 / 56

HEX #6F6449

RGB 111 100 73

HSL 42.63, 0.21%, 0.36%

LAB 42.73, -0.12, 16.93

 

CMYK 0 / 15 / 54 / 51

HEX #7E6B3A

RGB 126 107 58

HSL 43.24, 0.37%, 0.36%

LAB 45.98, 0.76, 30.02

 

CMYK 44 / 8 / 0 / 54

HEX #426C76

RGB 66 108 118

HSL 191.54, 0.28%, 0.36%

LAB 43.05, -11.76, -10.17

 

CMYK 44 / 20 / 0 / 54

HEX #425E76

RGB 66 94 118

HSL 207.69, 0.28%, 0.36%

LAB 38.68, -3.47, -16.82

 

CMYK 44 / 31 / 0 / 54

HEX #425176

RGB 66 81 118

HSL 222.69, 0.28%, 0.36%

LAB 34.7, 4.69, -22.96

 

CMYK 44 / 43 / 0 / 54

HEX #424376

RGB 66 67 118

HSL 238.85, 0.28%, 0.36%

LAB 30.59, 13.85, -29.42

 

CMYK 33 / 44 / 0 / 54

HEX #4F4276

RGB 79 66 118

HSL 255, 0.28%, 0.36%

LAB 31.5, 18.34, -27.91

 

CMYK 45 / 32 / 0 / 75

HEX #242C41

RGB 36 44 65

HSL 223.45, 0.29%, 0.2%

LAB 18.18, 2.99, -14.36

 

CMYK 44 / 32 / 0 / 64

HEX #333E5B

RGB 51 62 91

HSL 223.5, 0.28%, 0.28%

LAB 26.46, 4.03, -18.74

 

CMYK 44 / 32 / 0 / 54

HEX #425076

RGB 66 80 118

HSL 223.85, 0.28%, 0.36%

LAB 34.4, 5.33, -23.43

 

CMYK 44 / 32 / 0 / 44

HEX #516290

RGB 81 98 144

HSL 223.81, 0.28%, 0.44%

LAB 42, 6.27, -27.37

 

CMYK 41 / 29 / 0 / 35

HEX #6376A7

RGB 99 118 167

HSL 223.24, 0.28%, 0.52%

LAB 49.98, 5.9, -28.44

 

CMYK 44 / 32 / 0 / 54

HEX #425075

RGB 66 80 117

HSL 223.53, 0.28%, 0.36%

LAB 34.35, 5.02, -22.89

 

CMYK 4 / 44 / 0 / 54

HEX #714276

RGB 113 66 118

HSL 294.23, 0.28%, 0.36%

LAB 35.43, 29.35, -21.47

 

CMYK 14 / 0 / 44 / 54

HEX #657642

RGB 101 118 66

HSL 79.62, 0.28%, 0.36%

LAB 47.13, -15.62, 26.53

 

CMYK 44 / 32 / 0 / 54

HEX #425075

RGB 66 80 117

HSL 223.53, 0.28%, 0.36%

LAB 34.35, 5.02, -22.89

 

CMYK 0 / 44 / 31 / 54

HEX #764251

RGB 118 66 81

HSL 342.69, 0.28%, 0.36%

LAB 34.69, 24.48, 0.85

 

CMYK 31 / 0 / 44 / 54

HEX #517642

RGB 81 118 66

HSL 102.69, 0.28%, 0.36%

LAB 45.77, -23.66, 24.53

 

CMYK 44 / 32 / 0 / 54

HEX #425075

RGB 66 80 117

HSL 223.53, 0.28%, 0.36%

LAB 34.35, 5.02, -22.89

 

CMYK 4 / 44 / 0 / 54

HEX #714276

RGB 113 66 118

HSL 294.23, 0.28%, 0.36%

LAB 35.43, 29.35, -21.47

 

CMYK 0 / 13 / 44 / 54

HEX #766742

RGB 118 103 66

HSL 42.69, 0.28%, 0.36%

LAB 44.15, 0.33, 23.05

 

CMYK 41 / 0 / 44 / 54

HEX #467642

RGB 70 118 66

HSL 115.38, 0.28%, 0.36%

LAB 45.15, -27.65, 23.61

 

CMYK 44 / 32 / 0 / 54

HEX #425075

RGB 66 80 117

HSL 223.53, 0.28%, 0.36%

LAB 34.35, 5.02, -22.89

 

CMYK 0 / 44 / 10 / 54

HEX #76426A

RGB 118 66 106

HSL 313.85, 0.28%, 0.36%

LAB 35.57, 28.68, -13.68

 

CMYK 0 / 13 / 44 / 54

HEX #766742

RGB 118 103 66

HSL 42.69, 0.28%, 0.36%

LAB 44.15, 0.33, 23.05

 

CMYK 44 / 0 / 35 / 54

HEX #42764D

RGB 66 118 77

HSL 132.69, 0.28%, 0.36%

LAB 45.15, -27.04, 17.3

 

Description

Color code: HEX #425075 | qconv.com Color code: HEX #425075 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 80 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 80 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 32 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 32% 0% 54% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

53% - 島精機製作所 | コンピュータ横編機、デ...
Link: http://www.shimaseiki.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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