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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4246044C it is the complementary color #BDB9FB4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4246044C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4246044C shade: #4746004C, #5858124C, #696A254C, #7A7C384C and #8B8E4B4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4246044C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4246044C shade: #4246044C, #3134004C, #2022004C, #0F10004C and #0000004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4246044C shade: #444804, #483A04, #482804, #481504 and #480404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4246044C shade: #444804, #324804, #1F4804, #0D4804 and #04480E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4246044C shade matches the following richer shades: #444804

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4246044C shade: #444804, #3F420A, #393C11, #343617 and #2E301D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4246044C shade: #482704, #483A04, #454804, #334804 and #214804

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4246044C shade: #000000, #1F2102, #444804, #696F06 and #8E9609

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4246044C shade: #424604, #044815 and #300448

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4246044C shade: #424604, #044548 and #480445

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4246044C shade: #424604, #044815, #080448 and #480437

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4246044C shade: #424604, #04482A, #080448 and #480423

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 28 / 22

HEX #4246044C

RGBA 66 70 4 0.3

HSLA 63.64, 0.89%, 0.15%, 0.3

LABA 28.24, -10.36, 35.09, 0.3

 

Complementary color

CMYK 7 / 8 / 0 / 0

HEX #BDB9FB4C

RGBA 189 185 251 0.3

HSLA 243.64, 0.89%, 0.85%, 0.3

LABA 77.57, 15.23, -32.08, 0.3

 

CMYK 0 / 0 / 30 / 22

HEX #4746004C

RGBA 71 70 0 0.3

HSLA 59.15, 1%, 0.14%, 0.3

LABA 28.69, -7.98, 37.29, 0.3

 

CMYK 0 / 0 / 24 / 20

HEX #5858124C

RGBA 88 88 18 0.3

HSLA 60, 0.66%, 0.21%, 0.3

LABA 36.17, -9.25, 37.84, 0.3

 

CMYK 0 / 0 / 20 / 18

HEX #696A254C

RGBA 105 106 37 0.3

HSLA 60.87, 0.48%, 0.28%, 0.3

LABA 43.43, -10.19, 37.39, 0.3

 

CMYK 0 / 0 / 16 / 15

HEX #7A7C384C

RGBA 122 124 56 0.3

HSLA 61.76, 0.38%, 0.35%, 0.3

LABA 50.5, -10.85, 36.34, 0.3

 

CMYK 1 / 0 / 14 / 13

HEX #8B8E4B4C

RGBA 139 142 75 0.3

HSLA 62.69, 0.31%, 0.43%, 0.3

LABA 57.41, -11.34, 35.11, 0.3

 

CMYK 2 / 0 / 28 / 22

HEX #4246044C

RGBA 66 70 4 0.3

HSLA 63.64, 0.89%, 0.15%, 0.3

LABA 28.24, -10.36, 35.09, 0.3

 

CMYK 2 / 0 / 30 / 24

HEX #3134004C

RGBA 49 52 0 0.3

HSLA 63.46, 1%, 0.1%, 0.3

LABA 20.48, -8.63, 28.6, 0.3

 

CMYK 2 / 0 / 30 / 26

HEX #2022004C

RGBA 32 34 0 0.3

HSLA 63.53, 1%, 0.07%, 0.3

LABA 12.29, -6.58, 18.07, 0.3

 

CMYK 2 / 0 / 30 / 28

HEX #0F10004C

RGBA 15 16 0 0.3

HSLA 63.75, 1%, 0.03%, 0.3

LABA 4.26, -2.72, 6.34, 0.3

 

CMYK 0 / 0 / 0 / 100

HEX #0000004C

RGBA 0 0 0 0.3

HSLA 0, 0%, 0%, 0.3

LABA 0, 0, 0, 0.3

 

CMYK 6 / 0 / 94 / 72

HEX #444804

RGB 68 72 4

HSL 63.53, 0.89%, 0.15%

LAB 29.09, -10.52, 35.86

 

CMYK 0 / 19 / 94 / 72

HEX #483A04

RGB 72 58 4

HSL 47.65, 0.89%, 0.15%

LAB 24.99, 0.19, 32.43

 

CMYK 0 / 44 / 94 / 72

HEX #482804

RGB 72 40 4

HSL 31.76, 0.89%, 0.15%

LAB 19.66, 11.91, 26.83

 

CMYK 0 / 71 / 94 / 72

HEX #481504

RGB 72 21 4

HSL 15, 0.89%, 0.15%

LAB 15.08, 23.4, 21.28

 

CMYK 0 / 94 / 94 / 72

HEX #480404

RGB 72 4 4

HSL 0, 0.89%, 0.15%

LAB 12.44, 30.7, 17.8

 

CMYK 6 / 0 / 94 / 72

HEX #444804

RGB 68 72 4

HSL 63.53, 0.89%, 0.15%

LAB 29.09, -10.52, 35.86

 

CMYK 31 / 0 / 94 / 72

HEX #324804

RGB 50 72 4

HSL 79.41, 0.89%, 0.15%

LAB 27.63, -19.31, 34.06

 

CMYK 57 / 0 / 94 / 72

HEX #1F4804

RGB 31 72 4

HSL 96.18, 0.89%, 0.15%

LAB 26.55, -27.08, 32.7

 

CMYK 82 / 0 / 94 / 72

HEX #0D4804

RGB 13 72 4

HSL 112.06, 0.89%, 0.15%

LAB 25.95, -32.01, 31.93

 

CMYK 94 / 0 / 81 / 72

HEX #04480E

RGB 4 72 14

HSL 128.82, 0.89%, 0.15%

LAB 25.84, -32.71, 27.73

 

CMYK 6 / 0 / 94 / 72

HEX #444804

RGB 68 72 4

HSL 63.53, 0.89%, 0.15%

LAB 29.09, -10.52, 35.86

 

CMYK 6 / 0 / 94 / 72

HEX #444804

RGB 68 72 4

HSL 63.53, 0.89%, 0.15%

LAB 29.09, -10.52, 35.86

 

CMYK 5 / 0 / 85 / 74

HEX #3F420A

RGB 63 66 10

HSL 63.21, 0.74%, 0.15%

LAB 26.66, -9.21, 31.21

 

CMYK 5 / 0 / 72 / 76

HEX #393C11

RGB 57 60 17

HSL 64.19, 0.56%, 0.15%

LAB 24.14, -8.18, 25.31

 

CMYK 4 / 0 / 57 / 79

HEX #343617

RGB 52 54 23

HSL 63.87, 0.4%, 0.15%

LAB 21.69, -6.4, 19.03

 

CMYK 4 / 0 / 40 / 81

HEX #2E301D

RGB 46 48 29

HSL 66.32, 0.25%, 0.15%

LAB 19.15, -4.73, 11.9

 

CMYK 0 / 46 / 94 / 72

HEX #482704

RGB 72 39 4

HSL 30.88, 0.89%, 0.15%

LAB 19.38, 12.56, 26.52

 

CMYK 0 / 19 / 94 / 72

HEX #483A04

RGB 72 58 4

HSL 47.65, 0.89%, 0.15%

LAB 24.99, 0.19, 32.43

 

CMYK 4 / 0 / 94 / 72

HEX #454804

RGB 69 72 4

HSL 62.65, 0.89%, 0.15%

LAB 29.18, -10.01, 35.98

 

CMYK 29 / 0 / 94 / 72

HEX #334804

RGB 51 72 4

HSL 78.53, 0.89%, 0.15%

LAB 27.7, -18.85, 34.15

 

CMYK 54 / 0 / 94 / 72

HEX #214804

RGB 33 72 4

HSL 94.41, 0.89%, 0.15%

LAB 26.64, -26.37, 32.81

 

CMYK 6 / 0 / 94 / 87

HEX #1F2102

RGB 31 33 2

HSL 63.87, 0.89%, 0.07%

LAB 11.85, -6.25, 16.63

 

CMYK 6 / 0 / 94 / 72

HEX #444804

RGB 68 72 4

HSL 63.53, 0.89%, 0.15%

LAB 29.09, -10.52, 35.86

 

CMYK 5 / 0 / 95 / 56

HEX #696F06

RGB 105 111 6

HSL 63.43, 0.9%, 0.23%

LAB 44.78, -14.38, 49.18

 

CMYK 5 / 0 / 94 / 41

HEX #8E9609

RGB 142 150 9

HSL 63.4, 0.89%, 0.31%

LAB 59.51, -17.96, 61.47

 

CMYK 6 / 0 / 94 / 73

HEX #424604

RGB 66 70 4

HSL 63.64, 0.89%, 0.15%

LAB 28.24, -10.36, 35.09

 

CMYK 94 / 0 / 71 / 72

HEX #044815

RGB 4 72 21

HSL 135, 0.89%, 0.15%

LAB 25.91, -31.88, 24.44

 

CMYK 33 / 94 / 0 / 72

HEX #300448

RGB 48 4 72

HSL 278.82, 0.89%, 0.15%

LAB 10.43, 33.41, -31.5

 

CMYK 6 / 0 / 94 / 73

HEX #424604

RGB 66 70 4

HSL 63.64, 0.89%, 0.15%

LAB 28.24, -10.36, 35.09

 

CMYK 94 / 4 / 0 / 72

HEX #044548

RGB 4 69 72

HSL 182.65, 0.89%, 0.15%

LAB 26.01, -17.18, -7.19

 

CMYK 0 / 94 / 4 / 72

HEX #480445

RGB 72 4 69

HSL 302.65, 0.89%, 0.15%

LAB 14.92, 37.54, -21.92

 

CMYK 6 / 0 / 94 / 73

HEX #424604

RGB 66 70 4

HSL 63.64, 0.89%, 0.15%

LAB 28.24, -10.36, 35.09

 

CMYK 94 / 0 / 71 / 72

HEX #044815

RGB 4 72 21

HSL 135, 0.89%, 0.15%

LAB 25.91, -31.88, 24.44

 

CMYK 89 / 94 / 0 / 72

HEX #080448

RGB 8 4 72

HSL 243.53, 0.89%, 0.15%

LAB 5.48, 27.41, -39.83

 

CMYK 0 / 94 / 24 / 72

HEX #480437

RGB 72 4 55

HSL 315, 0.89%, 0.15%

LAB 14.06, 35.26, -13.36

 

CMYK 6 / 0 / 94 / 73

HEX #424604

RGB 66 70 4

HSL 63.64, 0.89%, 0.15%

LAB 28.24, -10.36, 35.09

 

CMYK 94 / 0 / 42 / 72

HEX #04482A

RGB 4 72 42

HSL 153.53, 0.89%, 0.15%

LAB 26.24, -27.91, 12.58

 

CMYK 89 / 94 / 0 / 72

HEX #080448

RGB 8 4 72

HSL 243.53, 0.89%, 0.15%

LAB 5.48, 27.41, -39.83

 

CMYK 0 / 94 / 51 / 72

HEX #480423

RGB 72 4 35

HSL 332.65, 0.89%, 0.15%

LAB 13.14, 32.73, -0.1

 

Description

Color code: HEX #4246044C | qconv.com Color code: HEX #4246044C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 70 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 70 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 28 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 28% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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