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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #424153 it is the complementary color #BDBEAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #424153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #424153 shade: #47414E, #585361, #696574, #7A7787 and #8B899A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #424153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #424153 shade: #424153, #312F40, #201D2D, #0F0B1A and #000007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #424153 shade: #424153, #474153, #4C4153, #504153 and #534150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #424153 shade: #424153 and #414153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #424153 shade matches the following richer shades: #424153, #37355F, #2D296B, #221D77 and #181183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #424153 shade: #424153, #4D4D47, #57593B, #62652F and #6D7123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #424153 shade: #414A53, #414553, #424153, #474153 and #4B4153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #424153 shade: #1D1D25, #302F3C, #424153, #54536A and #676581

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #424153 shade: #424153, #53414E and #475341

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #424153 shade: #424153, #534241 and #415342

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #424153 shade: #424153, #53414E, #525341 and #415346

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #424153 shade: #424153, #534149, #525341 and #41534B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 22 / 0 / 67

HEX #424153

RGB 66 65 83

HSL 243.33, 0.12%, 0.29%

LAB 28.28, 4.82, -10.63

 

Complementary color

CMYK 1 / 0 / 9 / 25

HEX #BDBEAC

RGB 189 190 172

HSL 63.33, 0.12%, 0.71%

LAB 76.45, -3.54, 8.97

 

CMYK 9 / 17 / 0 / 69

HEX #47414E

RGB 71 65 78

HSL 267.69, 0.09%, 0.28%

LAB 28.56, 5.48, -6.91

 

CMYK 9 / 14 / 0 / 62

HEX #585361

RGB 88 83 97

HSL 261.43, 0.08%, 0.35%

LAB 36.22, 5.1, -7.38

 

CMYK 9 / 13 / 0 / 55

HEX #696574

RGB 105 101 116

HSL 256, 0.07%, 0.43%

LAB 43.61, 4.77, -7.84

 

CMYK 10 / 12 / 0 / 47

HEX #7A7787

RGB 122 119 135

HSL 251.25, 0.06%, 0.5%

LAB 50.78, 4.48, -8.31

 

CMYK 10 / 11 / 0 / 40

HEX #8B899A

RGB 139 137 154

HSL 247.06, 0.08%, 0.57%

LAB 57.76, 4.22, -8.77

 

CMYK 20 / 22 / 0 / 67

HEX #424153

RGB 66 65 83

HSL 243.33, 0.12%, 0.29%

LAB 28.28, 4.82, -10.63

 

CMYK 23 / 27 / 0 / 75

HEX #312F40

RGB 49 47 64

HSL 247.06, 0.15%, 0.22%

LAB 20.27, 5.27, -10.36

 

CMYK 29 / 36 / 0 / 82

HEX #201D2D

RGB 32 29 45

HSL 251.25, 0.22%, 0.15%

LAB 11.79, 5.86, -10.18

 

CMYK 42 / 58 / 0 / 90

HEX #0F0B1A

RGB 15 11 26

HSL 256, 0.41%, 0.07%

LAB 3.75, 4.43, -8.25

 

CMYK 100 / 100 / 0 / 97

HEX #000007

RGB 0 0 7

HSL 240, 1%, 0.01%

LAB 0.14, 0.97, -2.65

 

CMYK 20 / 22 / 0 / 67

HEX #424153

RGB 66 65 83

HSL 243.33, 0.12%, 0.29%

LAB 28.28, 4.82, -10.63

 

CMYK 14 / 22 / 0 / 67

HEX #474153

RGB 71 65 83

HSL 260, 0.12%, 0.29%

LAB 28.76, 6.71, -9.87

 

CMYK 8 / 22 / 0 / 67

HEX #4C4153

RGB 76 65 83

HSL 276.67, 0.12%, 0.29%

LAB 29.26, 8.65, -9.05

 

CMYK 4 / 22 / 0 / 67

HEX #504153

RGB 80 65 83

HSL 290, 0.12%, 0.29%

LAB 29.69, 10.22, -8.37

 

CMYK 0 / 22 / 4 / 67

HEX #534150

RGB 83 65 80

HSL 310, 0.12%, 0.29%

LAB 29.91, 10.75, -6.06

 

CMYK 20 / 22 / 0 / 67

HEX #424153

RGB 66 65 83

HSL 243.33, 0.12%, 0.29%

LAB 28.28, 4.82, -10.63

 

CMYK 22 / 22 / 0 / 67

HEX #414153

RGB 65 65 83

HSL 240, 0.12%, 0.29%

LAB 28.19, 4.44, -10.78

 

CMYK 20 / 22 / 0 / 67

HEX #424153

RGB 66 65 83

HSL 243.33, 0.12%, 0.29%

LAB 28.28, 4.82, -10.63

 

CMYK 42 / 44 / 0 / 63

HEX #37355F

RGB 55 53 95

HSL 242.86, 0.28%, 0.29%

LAB 24.27, 12.68, -24.76

 

CMYK 58 / 62 / 0 / 58

HEX #2D296B

RGB 45 41 107

HSL 243.64, 0.45%, 0.29%

LAB 20.85, 22.44, -38.11

 

CMYK 71 / 76 / 0 / 53

HEX #221D77

RGB 34 29 119

HSL 243.33, 0.61%, 0.29%

LAB 18.15, 32.74, -50.3

 

CMYK 82 / 87 / 0 / 49

HEX #181183

RGB 24 17 131

HSL 243.68, 0.77%, 0.29%

LAB 16.67, 42.37, -60.42

 

CMYK 20 / 22 / 0 / 67

HEX #424153

RGB 66 65 83

HSL 243.33, 0.12%, 0.29%

LAB 28.28, 4.82, -10.63

 

CMYK 0 / 0 / 8 / 70

HEX #4D4D47

RGB 77 77 71

HSL 60, 0.04%, 0.29%

LAB 32.57, -1.26, 3.56

 

CMYK 2 / 0 / 34 / 65

HEX #57593B

RGB 87 89 59

HSL 64, 0.2%, 0.29%

LAB 36.91, -6.28, 17.14

 

CMYK 3 / 0 / 53 / 60

HEX #62652F

RGB 98 101 47

HSL 63.33, 0.36%, 0.29%

LAB 41.39, -9.73, 29.86

 

CMYK 4 / 0 / 69 / 56

HEX #6D7123

RGB 109 113 35

HSL 63.08, 0.53%, 0.29%

LAB 45.88, -12.37, 40.99

 

CMYK 22 / 11 / 0 / 67

HEX #414A53

RGB 65 74 83

HSL 210, 0.12%, 0.29%

LAB 30.99, -1.36, -6.56

 

CMYK 22 / 17 / 0 / 67

HEX #414553

RGB 65 69 83

HSL 226.67, 0.12%, 0.29%

LAB 29.42, 1.84, -8.91

 

CMYK 20 / 22 / 0 / 67

HEX #424153

RGB 66 65 83

HSL 243.33, 0.12%, 0.29%

LAB 28.28, 4.82, -10.63

 

CMYK 14 / 22 / 0 / 67

HEX #474153

RGB 71 65 83

HSL 260, 0.12%, 0.29%

LAB 28.76, 6.71, -9.87

 

CMYK 10 / 22 / 0 / 67

HEX #4B4153

RGB 75 65 83

HSL 273.33, 0.12%, 0.29%

LAB 29.16, 8.26, -9.22

 

CMYK 22 / 22 / 0 / 85

HEX #1D1D25

RGB 29 29 37

HSL 240, 0.12%, 0.13%

LAB 11.09, 2.19, -5.43

 

CMYK 20 / 22 / 0 / 76

HEX #302F3C

RGB 48 47 60

HSL 244.62, 0.12%, 0.21%

LAB 19.99, 3.76, -8.05

 

CMYK 20 / 22 / 0 / 67

HEX #424153

RGB 66 65 83

HSL 243.33, 0.12%, 0.29%

LAB 28.28, 4.82, -10.63

 

CMYK 21 / 22 / 0 / 58

HEX #54536A

RGB 84 83 106

HSL 242.61, 0.12%, 0.37%

LAB 36.2, 5.83, -13.07

 

CMYK 20 / 22 / 0 / 49

HEX #676581

RGB 103 101 129

HSL 244.29, 0.12%, 0.45%

LAB 43.91, 7.14, -15.26

 

CMYK 20 / 22 / 0 / 67

HEX #424153

RGB 66 65 83

HSL 243.33, 0.12%, 0.29%

LAB 28.28, 4.82, -10.63

 

CMYK 0 / 22 / 6 / 67

HEX #53414E

RGB 83 65 78

HSL 316.67, 0.12%, 0.29%

LAB 29.84, 10.33, -4.87

 

CMYK 14 / 0 / 22 / 67

HEX #475341

RGB 71 83 65

HSL 100, 0.12%, 0.29%

LAB 33.79, -8.62, 9

 

CMYK 20 / 22 / 0 / 67

HEX #424153

RGB 66 65 83

HSL 243.33, 0.12%, 0.29%

LAB 28.28, 4.82, -10.63

 

CMYK 0 / 20 / 22 / 67

HEX #534241

RGB 83 66 65

HSL 3.33, 0.12%, 0.29%

LAB 29.71, 7.14, 3.38

 

CMYK 22 / 0 / 20 / 67

HEX #415342

RGB 65 83 66

HSL 123.33, 0.12%, 0.29%

LAB 33.36, -10.87, 7.7

 

CMYK 20 / 22 / 0 / 67

HEX #424153

RGB 66 65 83

HSL 243.33, 0.12%, 0.29%

LAB 28.28, 4.82, -10.63

 

CMYK 0 / 22 / 6 / 67

HEX #53414E

RGB 83 65 78

HSL 316.67, 0.12%, 0.29%

LAB 29.84, 10.33, -4.87

 

CMYK 1 / 0 / 22 / 67

HEX #525341

RGB 82 83 65

HSL 63.33, 0.12%, 0.29%

LAB 34.73, -3.93, 10.44

 

CMYK 22 / 0 / 16 / 67

HEX #415346

RGB 65 83 70

HSL 136.67, 0.12%, 0.29%

LAB 33.46, -10.01, 5.33

 

CMYK 20 / 22 / 0 / 67

HEX #424153

RGB 66 65 83

HSL 243.33, 0.12%, 0.29%

LAB 28.28, 4.82, -10.63

 

CMYK 0 / 22 / 12 / 67

HEX #534149

RGB 83 65 73

HSL 333.33, 0.12%, 0.29%

LAB 29.66, 9.3, -1.88

 

CMYK 1 / 0 / 22 / 67

HEX #525341

RGB 82 83 65

HSL 63.33, 0.12%, 0.29%

LAB 34.73, -3.93, 10.44

 

CMYK 22 / 0 / 10 / 67

HEX #41534B

RGB 65 83 75

HSL 153.33, 0.12%, 0.29%

LAB 33.6, -8.88, 2.38

 

Description

Color code: HEX #424153 | qconv.com Color code: HEX #424153 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 65 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 65 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 22 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 22% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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