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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #424082 it is the complementary color #BDBF7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #424082. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #424082 shade: #47407D, #585290, #6964A3, #7A76B6 and #8B88C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #424082. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #424082 shade: #424082, #312E6F, #201C5C, #0F0A49 and #000036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #424082 shade: #424082, #544082, #654082, #774082 and #82407B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #424082 shade: #424082 and #404082

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #424082 shade matches the following richer shades: #424082, #333092, #2421A1, #1611B1 and #0701C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #424082 shade: #424082, #515072, #5F5F62, #6E6F53 and #7D7F43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #424082 shade: #406282, #405082, #414082, #534082 and #644082

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #424082 shade: #26254B, #343266, #424082, #504E9D and #6562B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #424082 shade: #424082, #824074 and #598240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #424082 shade: #424082, #824140 and #408241

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #424082 shade: #424082, #824074, #818240 and #40824E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #424082 shade: #424082, #824060, #818240 and #408262

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 51 / 0 / 49

HEX #424082

RGB 66 64 130

HSL 241.82, 0.34%, 0.38%

LAB 30.49, 19.74, -37.09

 

Complementary color

CMYK 1 / 0 / 35 / 25

HEX #BDBF7D

RGB 189 191 125

HSL 61.82, 0.34%, 0.62%

LAB 75.8, -10.9, 33.11

 

CMYK 43 / 49 / 0 / 51

HEX #47407D

RGB 71 64 125

HSL 246.89, 0.32%, 0.37%

LAB 30.61, 19.43, -33.75

 

CMYK 39 / 43 / 0 / 44

HEX #585290

RGB 88 82 144

HSL 245.81, 0.27%, 0.44%

LAB 38.06, 18.33, -33.52

 

CMYK 36 / 39 / 0 / 36

HEX #6964A3

RGB 105 100 163

HSL 244.76, 0.26%, 0.52%

LAB 45.31, 17.43, -33.36

 

CMYK 33 / 35 / 0 / 29

HEX #7A76B6

RGB 122 118 182

HSL 243.75, 0.3%, 0.59%

LAB 52.37, 16.66, -33.27

 

CMYK 31 / 32 / 0 / 21

HEX #8B88C9

RGB 139 136 201

HSL 242.77, 0.38%, 0.66%

LAB 59.26, 16, -33.24

 

CMYK 49 / 51 / 0 / 49

HEX #424082

RGB 66 64 130

HSL 241.82, 0.34%, 0.38%

LAB 30.49, 19.74, -37.09

 

CMYK 56 / 59 / 0 / 56

HEX #312E6F

RGB 49 46 111

HSL 242.77, 0.41%, 0.31%

LAB 22.84, 21.32, -37.44

 

CMYK 65 / 70 / 0 / 64

HEX #201C5C

RGB 32 28 92

HSL 243.75, 0.53%, 0.24%

LAB 15.01, 23.34, -37.78

 

CMYK 79 / 86 / 0 / 71

HEX #0F0A49

RGB 15 10 73

HSL 244.76, 0.76%, 0.16%

LAB 7.22, 25.54, -37.63

 

CMYK 100 / 100 / 0 / 79

HEX #000036

RGB 0 0 54

HSL 240, 1%, 0.11%

LAB 2.41, 16.91, -31.9

 

CMYK 49 / 51 / 0 / 49

HEX #424082

RGB 66 64 130

HSL 241.82, 0.34%, 0.38%

LAB 30.49, 19.74, -37.09

 

CMYK 35 / 51 / 0 / 49

HEX #544082

RGB 84 64 130

HSL 258.18, 0.34%, 0.38%

LAB 32.18, 24.54, -34.3

 

CMYK 22 / 51 / 0 / 49

HEX #654082

RGB 101 64 130

HSL 273.64, 0.34%, 0.38%

LAB 34.08, 29.5, -31.16

 

CMYK 8 / 51 / 0 / 49

HEX #774082

RGB 119 64 130

HSL 290, 0.34%, 0.38%

LAB 36.37, 34.96, -27.4

 

CMYK 0 / 51 / 5 / 49

HEX #82407B

RGB 130 64 123

HSL 306.36, 0.34%, 0.38%

LAB 37.56, 37.01, -21.1

 

CMYK 49 / 51 / 0 / 49

HEX #424082

RGB 66 64 130

HSL 241.82, 0.34%, 0.38%

LAB 30.49, 19.74, -37.09

 

CMYK 51 / 51 / 0 / 49

HEX #404082

RGB 64 64 130

HSL 240, 0.34%, 0.38%

LAB 30.32, 19.24, -37.36

 

CMYK 49 / 51 / 0 / 49

HEX #424082

RGB 66 64 130

HSL 241.82, 0.34%, 0.38%

LAB 30.49, 19.74, -37.09

 

CMYK 65 / 67 / 0 / 43

HEX #333092

RGB 51 48 146

HSL 241.84, 0.51%, 0.38%

LAB 26.43, 32.63, -53.63

 

CMYK 78 / 80 / 0 / 37

HEX #2421A1

RGB 36 33 161

HSL 241.41, 0.66%, 0.38%

LAB 23.79, 44.88, -67.2

 

CMYK 88 / 90 / 0 / 31

HEX #1611B1

RGB 22 17 177

HSL 241.88, 0.82%, 0.38%

LAB 22.81, 56.01, -78.52

 

CMYK 96 / 99 / 0 / 24

HEX #0701C1

RGB 7 1 193

HSL 241.88, 0.99%, 0.38%

LAB 23.4, 64.04, -87.09

 

CMYK 49 / 51 / 0 / 49

HEX #424082

RGB 66 64 130

HSL 241.82, 0.34%, 0.38%

LAB 30.49, 19.74, -37.09

 

CMYK 29 / 30 / 0 / 55

HEX #515072

RGB 81 80 114

HSL 241.76, 0.18%, 0.38%

LAB 35.4, 8.83, -19.3

 

CMYK 3 / 3 / 0 / 62

HEX #5F5F62

RGB 95 95 98

HSL 240, 0.02%, 0.38%

LAB 40.41, 0.64, -1.71

 

CMYK 1 / 0 / 25 / 56

HEX #6E6F53

RGB 110 111 83

HSL 62.14, 0.14%, 0.38%

LAB 46.05, -5.47, 15.51

 

CMYK 2 / 0 / 47 / 50

HEX #7D7F43

RGB 125 127 67

HSL 62, 0.31%, 0.38%

LAB 51.77, -10.08, 32.18

 

CMYK 51 / 25 / 0 / 49

HEX #406282

RGB 64 98 130

HSL 209.09, 0.34%, 0.38%

LAB 40.31, -2.7, -21.64

 

CMYK 51 / 38 / 0 / 49

HEX #405082

RGB 64 80 130

HSL 225.45, 0.34%, 0.38%

LAB 34.88, 8.69, -30.12

 

CMYK 50 / 51 / 0 / 49

HEX #414082

RGB 65 64 130

HSL 240.91, 0.34%, 0.38%

LAB 30.41, 19.49, -37.23

 

CMYK 36 / 51 / 0 / 49

HEX #534082

RGB 83 64 130

HSL 257.27, 0.34%, 0.38%

LAB 32.07, 24.26, -34.47

 

CMYK 23 / 51 / 0 / 49

HEX #644082

RGB 100 64 130

HSL 272.73, 0.34%, 0.38%

LAB 33.96, 29.2, -31.36

 

CMYK 49 / 51 / 0 / 71

HEX #26254B

RGB 38 37 75

HSL 241.58, 0.34%, 0.22%

LAB 16.72, 12.13, -23.51

 

CMYK 49 / 51 / 0 / 60

HEX #343266

RGB 52 50 102

HSL 242.31, 0.34%, 0.3%

LAB 23.57, 16.21, -30.44

 

CMYK 49 / 51 / 0 / 49

HEX #424082

RGB 66 64 130

HSL 241.82, 0.34%, 0.38%

LAB 30.49, 19.74, -37.09

 

CMYK 49 / 50 / 0 / 38

HEX #504E9D

RGB 80 78 157

HSL 241.52, 0.34%, 0.46%

LAB 37.09, 22.8, -42.95

 

CMYK 43 / 45 / 0 / 30

HEX #6562B2

RGB 101 98 178

HSL 242.25, 0.34%, 0.54%

LAB 45.24, 21.93, -42.3

 

CMYK 49 / 51 / 0 / 49

HEX #424082

RGB 66 64 130

HSL 241.82, 0.34%, 0.38%

LAB 30.49, 19.74, -37.09

 

CMYK 0 / 51 / 11 / 49

HEX #824074

RGB 130 64 116

HSL 312.73, 0.34%, 0.38%

LAB 37.25, 35.73, -17.22

 

CMYK 32 / 0 / 51 / 49

HEX #598240

RGB 89 130 64

HSL 97.27, 0.34%, 0.38%

LAB 50.05, -26.89, 31.07

 

CMYK 49 / 51 / 0 / 49

HEX #424082

RGB 66 64 130

HSL 241.82, 0.34%, 0.38%

LAB 30.49, 19.74, -37.09

 

CMYK 0 / 50 / 51 / 49

HEX #824140

RGB 130 65 64

HSL 0.91, 0.34%, 0.38%

LAB 35.78, 27.77, 13.46

 

CMYK 51 / 0 / 50 / 49

HEX #408241

RGB 64 130 65

HSL 120.91, 0.34%, 0.38%

LAB 48.81, -35.3, 28.73

 

CMYK 49 / 51 / 0 / 49

HEX #424082

RGB 66 64 130

HSL 241.82, 0.34%, 0.38%

LAB 30.49, 19.74, -37.09

 

CMYK 0 / 51 / 11 / 49

HEX #824074

RGB 130 64 116

HSL 312.73, 0.34%, 0.38%

LAB 37.25, 35.73, -17.22

 

CMYK 1 / 0 / 51 / 49

HEX #818240

RGB 129 130 64

HSL 60.91, 0.34%, 0.38%

LAB 52.95, -10.28, 35.26

 

CMYK 51 / 0 / 40 / 49

HEX #40824E

RGB 64 130 78

HSL 132.73, 0.34%, 0.38%

LAB 49.01, -33.13, 21.85

 

CMYK 49 / 51 / 0 / 49

HEX #424082

RGB 66 64 130

HSL 241.82, 0.34%, 0.38%

LAB 30.49, 19.74, -37.09

 

CMYK 0 / 51 / 26 / 49

HEX #824060

RGB 130 64 96

HSL 330.91, 0.34%, 0.38%

LAB 36.47, 32.42, -5.84

 

CMYK 1 / 0 / 51 / 49

HEX #818240

RGB 129 130 64

HSL 60.91, 0.34%, 0.38%

LAB 52.95, -10.28, 35.26

 

CMYK 51 / 0 / 25 / 49

HEX #408262

RGB 64 130 98

HSL 150.91, 0.34%, 0.38%

LAB 49.42, -29.06, 10.97

 

Description

Color code: HEX #424082 | qconv.com Color code: HEX #424082 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 64 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 64 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 51 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 51% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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