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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #423BA94C it is the complementary color #BDC4564C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #423BA94C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #423BA94C shade: #473BA44C, #584DB74C, #695FCA4C, #7A71DD4C and #8B83F04C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #423BA94C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #423BA94C shade: #423BA94C, #3129964C, #2017834C, #0F05704C and #00005D4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #423BA94C shade: #433CAA, #603CAA, #7E3CAA, #9C3CAA and #AA3C9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #423BA94C shade: #433CAA and #3C3CAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #423BA94C shade matches the following richer shades: #433CAA, #3229BC, #2217CF and #1204E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #423BA94C shade: #433CAA, #534E97, #636185, #737372 and #838660

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #423BA94C shade: #3C71AA, #3C54AA, #413CAA, #5F3CAA and #7C3CAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #423BA94C shade: #2B266D, #37318B, #433CAA, #554EC1 and #736CCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #423BA94C shade: #423BA9, #AA3C8E and #62AA3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #423BA94C shade: #423BA9, #AA413C and #3CAA41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #423BA94C shade: #423BA9, #AA3C8E, #A4AA3C and #3CAA57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #423BA94C shade: #423BA9, #AA3C6D, #A4AA3C and #3CAA78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 20 / 0 / 10

HEX #423BA94C

RGBA 66 59 169 0.3

HSLA 243.82, 0.48%, 0.45%, 0.3

LABA 32.15, 35.92, -58.21, 0.3

 

Complementary color

CMYK 1 / 0 / 17 / 7

HEX #BDC4564C

RGBA 189 196 86 0.3

HSLA 63.82, 0.48%, 0.55%, 0.3

LABA 76.66, -17.34, 53.33, 0.3

 

CMYK 17 / 19 / 0 / 11

HEX #473BA44C

RGBA 71 59 164 0.3

HSLA 246.86, 0.47%, 0.44%, 0.3

LABA 32.14, 35.14, -55.2, 0.3

 

CMYK 16 / 17 / 0 / 8

HEX #584DB74C

RGBA 88 77 183 0.3

HSLA 246.23, 0.42%, 0.51%, 0.3

LABA 39.24, 33.43, -54.91, 0.3

 

CMYK 14 / 16 / 0 / 6

HEX #695FCA4C

RGBA 105 95 202 0.3

HSLA 245.61, 0.5%, 0.58%, 0.3

LABA 46.25, 31.93, -54.59, 0.3

 

CMYK 13 / 15 / 0 / 4

HEX #7A71DD4C

RGBA 122 113 221 0.3

HSLA 245, 0.61%, 0.65%, 0.3

LABA 53.13, 30.62, -54.29, 0.3

 

CMYK 13 / 14 / 0 / 2

HEX #8B83F04C

RGBA 139 131 240 0.3

HSLA 244.4, 0.78%, 0.73%, 0.3

LABA 59.9, 29.48, -54.03, 0.3

 

CMYK 18 / 20 / 0 / 10

HEX #423BA94C

RGBA 66 59 169 0.3

HSLA 243.82, 0.48%, 0.45%, 0.3

LABA 32.15, 35.92, -58.21, 0.3

 

CMYK 20 / 22 / 0 / 12

HEX #3129964C

RGBA 49 41 150 0.3

HSLA 244.4, 0.57%, 0.37%, 0.3

LABA 25.08, 38.01, -58.32, 0.3

 

CMYK 23 / 25 / 0 / 15

HEX #2017834C

RGBA 32 23 131 0.3

HSLA 245, 0.7%, 0.3%, 0.3

LABA 18.18, 40, -57.9, 0.3

 

CMYK 26 / 29 / 0 / 17

HEX #0F05704C

RGBA 15 5 112 0.3

HSLA 245.61, 0.91%, 0.23%, 0.3

LABA 11.82, 41.12, -56.3, 0.3

 

CMYK 30 / 30 / 0 / 19

HEX #00005D4C

RGBA 0 0 93 0.3

HSLA 240, 1%, 0.18%, 0.3

LABA 7.14, 37.74, -51.54, 0.3

 

CMYK 61 / 65 / 0 / 33

HEX #433CAA

RGB 67 60 170

HSL 243.82, 0.48%, 0.45%

LAB 32.54, 35.8, -58.17

 

CMYK 44 / 65 / 0 / 33

HEX #603CAA

RGB 96 60 170

HSL 259.64, 0.48%, 0.45%

LAB 35.24, 41.25, -53.65

 

CMYK 26 / 65 / 0 / 33

HEX #7E3CAA

RGB 126 60 170

HSL 276, 0.48%, 0.45%

LAB 38.85, 47.91, -47.65

 

CMYK 8 / 65 / 0 / 33

HEX #9C3CAA

RGB 156 60 170

HSL 292.36, 0.48%, 0.45%

LAB 43.07, 55.08, -40.67

 

CMYK 0 / 65 / 9 / 33

HEX #AA3C9A

RGB 170 60 154

HSL 308.73, 0.48%, 0.45%

LAB 44.39, 55.84, -28.89

 

CMYK 61 / 65 / 0 / 33

HEX #433CAA

RGB 67 60 170

HSL 243.82, 0.48%, 0.45%

LAB 32.54, 35.8, -58.17

 

CMYK 65 / 65 / 0 / 33

HEX #3C3CAA

RGB 60 60 170

HSL 240, 0.48%, 0.45%

LAB 32.02, 34.7, -59.04

 

CMYK 61 / 65 / 0 / 33

HEX #433CAA

RGB 67 60 170

HSL 243.82, 0.48%, 0.45%

LAB 32.54, 35.8, -58.17

 

CMYK 73 / 78 / 0 / 26

HEX #3229BC

RGB 50 41 188

HSL 243.67, 0.64%, 0.45%

LAB 29.15, 50.43, -74.51

 

CMYK 84 / 89 / 0 / 19

HEX #2217CF

RGB 34 23 207

HSL 243.59, 0.8%, 0.45%

LAB 28, 62.75, -87.59

 

CMYK 92 / 98 / 0 / 11

HEX #1204E2

RGB 18 4 226

HSL 243.78, 0.97%, 0.45%

LAB 28.66, 71.69, -97.5

 

CMYK 61 / 65 / 0 / 33

HEX #433CAA

RGB 67 60 170

HSL 243.82, 0.48%, 0.45%

LAB 32.54, 35.8, -58.17

 

CMYK 45 / 48 / 0 / 41

HEX #534E97

RGB 83 78 151

HSL 244.11, 0.32%, 0.45%

LAB 36.97, 21.65, -39.52

 

CMYK 26 / 27 / 0 / 48

HEX #636185

RGB 99 97 133

HSL 243.33, 0.16%, 0.45%

LAB 42.61, 9.26, -19.7

 

CMYK 0 / 0 / 1 / 55

HEX #737372

RGB 115 115 114

HSL 60, 0%, 0.45%

LAB 48.41, -0.2, 0.55

 

CMYK 2 / 0 / 28 / 47

HEX #838660

RGB 131 134 96

HSL 64.74, 0.17%, 0.45%

LAB 54.78, -7.72, 20.15

 

CMYK 65 / 34 / 0 / 33

HEX #3C71AA

RGB 60 113 170

HSL 211.09, 0.48%, 0.45%

LAB 46.54, 0.77, -35.72

 

CMYK 65 / 51 / 0 / 33

HEX #3C54AA

RGB 60 84 170

HSL 226.91, 0.48%, 0.45%

LAB 38.21, 19.19, -49

 

CMYK 62 / 65 / 0 / 33

HEX #413CAA

RGB 65 60 170

HSL 242.73, 0.48%, 0.45%

LAB 32.39, 35.48, -58.43

 

CMYK 44 / 65 / 0 / 33

HEX #5F3CAA

RGB 95 60 170

HSL 259.09, 0.48%, 0.45%

LAB 35.14, 41.04, -53.83

 

CMYK 27 / 65 / 0 / 33

HEX #7C3CAA

RGB 124 60 170

HSL 274.91, 0.48%, 0.45%

LAB 38.58, 47.45, -48.09

 

CMYK 61 / 65 / 0 / 57

HEX #2B266D

RGB 43 38 109

HSL 244.23, 0.48%, 0.29%

LAB 20.06, 24.78, -40.69

 

CMYK 60 / 65 / 0 / 45

HEX #37318B

RGB 55 49 139

HSL 244, 0.48%, 0.37%

LAB 26.37, 30.24, -49.38

 

CMYK 61 / 65 / 0 / 33

HEX #433CAA

RGB 67 60 170

HSL 243.82, 0.48%, 0.45%

LAB 32.54, 35.8, -58.17

 

CMYK 56 / 60 / 0 / 24

HEX #554EC1

RGB 85 78 193

HSL 243.65, 0.48%, 0.53%

LAB 39.97, 35.4, -59.61

 

CMYK 44 / 47 / 0 / 20

HEX #736CCC

RGB 115 108 204

HSL 244.38, 0.48%, 0.61%

LAB 50.37, 26.99, -49.09

 

CMYK 61 / 65 / 0 / 34

HEX #423BA9

RGB 66 59 169

HSL 243.82, 0.48%, 0.45%

LAB 32.15, 35.92, -58.21

 

CMYK 0 / 65 / 16 / 33

HEX #AA3C8E

RGB 170 60 142

HSL 315.27, 0.48%, 0.45%

LAB 43.84, 53.97, -22.51

 

CMYK 42 / 0 / 65 / 33

HEX #62AA3C

RGB 98 170 60

HSL 99.27, 0.48%, 0.45%

LAB 63.07, -42.31, 48.18

 

CMYK 61 / 65 / 0 / 34

HEX #423BA9

RGB 66 59 169

HSL 243.82, 0.48%, 0.45%

LAB 32.15, 35.92, -58.21

 

CMYK 0 / 62 / 65 / 33

HEX #AA413C

RGB 170 65 60

HSL 2.73, 0.48%, 0.45%

LAB 42.24, 42.79, 25.59

 

CMYK 65 / 0 / 62 / 33

HEX #3CAA41

RGB 60 170 65

HSL 122.73, 0.48%, 0.45%

LAB 61.73, -52.29, 44.08

 

CMYK 61 / 65 / 0 / 34

HEX #423BA9

RGB 66 59 169

HSL 243.82, 0.48%, 0.45%

LAB 32.15, 35.92, -58.21

 

CMYK 0 / 65 / 16 / 33

HEX #AA3C8E

RGB 170 60 142

HSL 315.27, 0.48%, 0.45%

LAB 43.84, 53.97, -22.51

 

CMYK 4 / 0 / 65 / 33

HEX #A4AA3C

RGB 164 170 60

HSL 63.27, 0.48%, 0.45%

LAB 67.25, -16.54, 53.9

 

CMYK 65 / 0 / 49 / 33

HEX #3CAA57

RGB 60 170 87

HSL 134.73, 0.48%, 0.45%

LAB 62, -49.28, 33.68

 

CMYK 61 / 65 / 0 / 34

HEX #423BA9

RGB 66 59 169

HSL 243.82, 0.48%, 0.45%

LAB 32.15, 35.92, -58.21

 

CMYK 0 / 65 / 36 / 33

HEX #AA3C6D

RGB 170 60 109

HSL 333.27, 0.48%, 0.45%

LAB 42.58, 49.53, -4.2

 

CMYK 4 / 0 / 65 / 33

HEX #A4AA3C

RGB 164 170 60

HSL 63.27, 0.48%, 0.45%

LAB 67.25, -16.54, 53.9

 

CMYK 65 / 0 / 29 / 33

HEX #3CAA78

RGB 60 170 120

HSL 152.73, 0.48%, 0.45%

LAB 62.56, -43.09, 16.81

 

Description

Color code: HEX #423BA94C | qconv.com Color code: HEX #423BA94C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 59 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 59 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 20 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 20% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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