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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4239DF it is the complementary color #BDC620. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4239DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4239DF shade: #4739DA, #584BED, #695DFF, #7A6FFF and #8B81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4239DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4239DF shade: #4239DF, #3127CC, #2015B9, #0F03A6 and #000093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4239DF shade: #433ADF, #6F3ADF, #9C3ADF, #C83ADF and #DF3AC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4239DF shade: #433ADF and #3A3ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4239DF shade matches the following richer shades: #433ADF and #3227F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4239DF shade: #433ADF, #534CCC, #645FBA, #7471A7 and #858495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4239DF shade: #3A89DF, #3A5DDF, #423ADF, #6E3ADF and #9A3ADF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4239DF shade: #231CAA, #2B21CE, #433ADF, #645DE5 and #8681EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4239DF shade: #4239DF, #DF3AB6 and #73DF3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4239DF shade: #4239DF, #DF423A and #3ADF42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4239DF shade: #4239DF, #DF3AB6, #D7DF3A and #3ADF63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4239DF shade: #4239DF, #DF3A84, #D7DF3A and #3ADF95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 74 / 0 / 13

HEX #4239DF

RGB 66 57 223

HSL 243.25, 0.72%, 0.55%

LAB 36.77, 54.43, -82.24

 

Complementary color

CMYK 5 / 0 / 84 / 22

HEX #BDC620

RGB 189 198 32

HSL 63.25, 0.72%, 0.45%

LAB 76.87, -21.15, 72.72

 

CMYK 67 / 74 / 0 / 15

HEX #4739DA

RGB 71 57 218

HSL 245.22, 0.69%, 0.54%

LAB 36.61, 53.38, -79.62

 

CMYK 63 / 68 / 0 / 7

HEX #584BED

RGB 88 75 237

HSL 244.81, 0.82%, 0.61%

LAB 43.09, 51.47, -79.72

 

CMYK 59 / 64 / 0 / 0

HEX #695DFF

RGB 105 93 255

HSL 244.44, 1%, 0.68%

LAB 49.56, 49.28, -79.16

 

CMYK 52 / 56 / 0 / 0

HEX #7A6FFF

RGB 122 111 255

HSL 244.58, 1%, 0.72%

LAB 54.79, 41.84, -70.6

 

CMYK 45 / 49 / 0 / 0

HEX #8B81FF

RGB 139 129 255

HSL 244.76, 1%, 0.75%

LAB 60.26, 34.9, -61.73

 

CMYK 70 / 74 / 0 / 13

HEX #4239DF

RGB 66 57 223

HSL 243.25, 0.72%, 0.55%

LAB 36.77, 54.43, -82.24

 

CMYK 76 / 81 / 0 / 20

HEX #3127CC

RGB 49 39 204

HSL 243.64, 0.68%, 0.48%

LAB 30.55, 56.23, -81.58

 

CMYK 83 / 89 / 0 / 27

HEX #2015B9

RGB 32 21 185

HSL 244.02, 0.8%, 0.4%

LAB 24.78, 57.23, -80

 

CMYK 91 / 98 / 0 / 35

HEX #0F03A6

RGB 15 3 166

HSL 244.42, 0.96%, 0.33%

LAB 19.72, 56.73, -77.05

 

CMYK 100 / 100 / 0 / 42

HEX #000093

RGB 0 0 147

HSL 240, 1%, 0.29%

LAB 16.04, 52.53, -71.54

 

CMYK 70 / 74 / 0 / 13

HEX #433ADF

RGB 67 58 223

HSL 243.27, 0.72%, 0.55%

LAB 37.02, 54, -81.82

 

CMYK 50 / 74 / 0 / 13

HEX #6F3ADF

RGB 111 58 223

HSL 259.27, 0.72%, 0.55%

LAB 40.79, 59.34, -75.48

 

CMYK 30 / 74 / 0 / 13

HEX #9C3ADF

RGB 156 58 223

HSL 275.64, 0.72%, 0.55%

LAB 46.21, 66.7, -66.41

 

CMYK 10 / 74 / 0 / 13

HEX #C83ADF

RGB 200 58 223

HSL 291.64, 0.72%, 0.55%

LAB 52.55, 74.98, -55.86

 

CMYK 0 / 74 / 10 / 13

HEX #DF3AC9

RGB 223 58 201

HSL 308, 0.72%, 0.55%

LAB 55, 76.26, -39.19

 

CMYK 70 / 74 / 0 / 13

HEX #433ADF

RGB 67 58 223

HSL 243.27, 0.72%, 0.55%

LAB 37.02, 54, -81.82

 

CMYK 74 / 74 / 0 / 13

HEX #3A3ADF

RGB 58 58 223

HSL 240, 0.72%, 0.55%

LAB 36.47, 53.2, -82.75

 

CMYK 70 / 74 / 0 / 13

HEX #433ADF

RGB 67 58 223

HSL 243.27, 0.72%, 0.55%

LAB 37.02, 54, -81.82

 

CMYK 79 / 84 / 0 / 5

HEX #3227F1

RGB 50 39 241

HSL 243.27, 0.88%, 0.55%

LAB 34.96, 67.03, -95.5

 

CMYK 70 / 74 / 0 / 13

HEX #433ADF

RGB 67 58 223

HSL 243.27, 0.72%, 0.55%

LAB 37.02, 54, -81.82

 

CMYK 59 / 63 / 0 / 20

HEX #534CCC

RGB 83 76 204

HSL 243.28, 0.56%, 0.55%

LAB 40.19, 39.78, -65.63

 

CMYK 46 / 49 / 0 / 27

HEX #645FBA

RGB 100 95 186

HSL 243.3, 0.4%, 0.55%

LAB 44.86, 25.94, -47.59

 

CMYK 31 / 32 / 0 / 35

HEX #7471A7

RGB 116 113 167

HSL 243.33, 0.23%, 0.55%

LAB 49.87, 13.86, -28.5

 

CMYK 11 / 11 / 0 / 42

HEX #858495

RGB 133 132 149

HSL 243.53, 0.07%, 0.55%

LAB 55.74, 3.9, -8.95

 

CMYK 74 / 39 / 0 / 13

HEX #3A89DF

RGB 58 137 223

HSL 211.27, 0.72%, 0.55%

LAB 56.21, 4.84, -50.71

 

CMYK 74 / 58 / 0 / 13

HEX #3A5DDF

RGB 58 93 223

HSL 227.27, 0.72%, 0.55%

LAB 44.31, 32.27, -69.87

 

CMYK 70 / 74 / 0 / 13

HEX #423ADF

RGB 66 58 223

HSL 242.91, 0.72%, 0.55%

LAB 36.95, 53.91, -81.93

 

CMYK 51 / 74 / 0 / 13

HEX #6E3ADF

RGB 110 58 223

HSL 258.91, 0.72%, 0.55%

LAB 40.68, 59.2, -75.65

 

CMYK 31 / 74 / 0 / 13

HEX #9A3ADF

RGB 154 58 223

HSL 274.91, 0.72%, 0.55%

LAB 45.94, 66.34, -66.86

 

CMYK 79 / 84 / 0 / 33

HEX #231CAA

RGB 35 28 170

HSL 242.96, 0.72%, 0.39%

LAB 23.97, 50.13, -72.37

 

CMYK 79 / 84 / 0 / 19

HEX #2B21CE

RGB 43 33 206

HSL 243.47, 0.72%, 0.47%

LAB 29.56, 59.12, -84.41

 

CMYK 70 / 74 / 0 / 13

HEX #433ADF

RGB 67 58 223

HSL 243.27, 0.72%, 0.55%

LAB 37.02, 54, -81.82

 

CMYK 56 / 59 / 0 / 10

HEX #645DE5

RGB 100 93 229

HSL 243.09, 0.72%, 0.63%

LAB 47.23, 40.44, -68.42

 

CMYK 43 / 45 / 0 / 8

HEX #8681EA

RGB 134 129 234

HSL 242.86, 0.71%, 0.71%

LAB 58.7, 27.75, -52.63

 

CMYK 70 / 74 / 0 / 13

HEX #4239DF

RGB 66 57 223

HSL 243.25, 0.72%, 0.55%

LAB 36.77, 54.43, -82.24

 

CMYK 0 / 74 / 18 / 13

HEX #DF3AB6

RGB 223 58 182

HSL 314.91, 0.72%, 0.55%

LAB 54.12, 73.64, -29.59

 

CMYK 48 / 0 / 74 / 13

HEX #73DF3A

RGB 115 223 58

HSL 99.27, 0.72%, 0.55%

LAB 80.03, -58.2, 66.7

 

CMYK 70 / 74 / 0 / 13

HEX #4239DF

RGB 66 57 223

HSL 243.25, 0.72%, 0.55%

LAB 36.77, 54.43, -82.24

 

CMYK 0 / 70 / 74 / 13

HEX #DF423A

RGB 223 66 58

HSL 2.91, 0.72%, 0.55%

LAB 51.71, 60.07, 40.24

 

CMYK 74 / 0 / 70 / 13

HEX #3ADF42

RGB 58 223 66

HSL 122.91, 0.72%, 0.55%

LAB 78.5, -70.28, 61.85

 

CMYK 70 / 74 / 0 / 13

HEX #4239DF

RGB 66 57 223

HSL 243.25, 0.72%, 0.55%

LAB 36.77, 54.43, -82.24

 

CMYK 0 / 74 / 18 / 13

HEX #DF3AB6

RGB 223 58 182

HSL 314.91, 0.72%, 0.55%

LAB 54.12, 73.64, -29.59

 

CMYK 4 / 0 / 74 / 13

HEX #D7DF3A

RGB 215 223 58

HSL 62.91, 0.72%, 0.55%

LAB 85.77, -21.56, 74.21

 

CMYK 74 / 0 / 56 / 13

HEX #3ADF63

RGB 58 223 99

HSL 134.91, 0.72%, 0.55%

LAB 78.8, -66.72, 48.37

 

CMYK 70 / 74 / 0 / 13

HEX #4239DF

RGB 66 57 223

HSL 243.25, 0.72%, 0.55%

LAB 36.77, 54.43, -82.24

 

CMYK 0 / 74 / 41 / 13

HEX #DF3A84

RGB 223 58 132

HSL 333.09, 0.72%, 0.55%

LAB 52.26, 67.89, -2.88

 

CMYK 4 / 0 / 74 / 13

HEX #D7DF3A

RGB 215 223 58

HSL 62.91, 0.72%, 0.55%

LAB 85.77, -21.56, 74.21

 

CMYK 74 / 0 / 33 / 13

HEX #3ADF95

RGB 58 223 149

HSL 153.09, 0.72%, 0.55%

LAB 79.53, -58.36, 24.58

 

Description

Color code: HEX #4239DF | qconv.com Color code: HEX #4239DF | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 57 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 57 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 74 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 74% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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