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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4239B0 it is the complementary color #BDC64F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4239B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4239B0 shade: #4739AB, #584BBE, #695DD1, #7A6FE4 and #8B81F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4239B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4239B0 shade: #4239B0, #31279D, #20158A, #0F0377 and #000064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4239B0 shade: #4239B1, #6239B1, #8339B1, #A339B1 and #B1399E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4239B0 shade: #4239B1 and #3939B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4239B0 shade matches the following richer shades: #4239B1, #3226C4, #2213D7 and #1200EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4239B0 shade: #4239B1, #524C9E, #625F8B, #727278 and #828565

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4239B0 shade: #3971B1, #3951B1, #4139B1, #6139B1 and #8139B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4239B0 shade: #2B2572, #362F91, #4239B1, #574EC5 and #746DCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4239B0 shade: #4239B0, #B13991 and #61B139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4239B0 shade: #4239B0, #B14139 and #39B141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4239B0 shade: #4239B0, #B13991, #A9B139 and #39B159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4239B0 shade: #4239B0, #B1396D, #A9B139 and #39B17D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 68 / 0 / 31

HEX #4239B0

RGB 66 57 176

HSL 244.54, 0.51%, 0.46%

LAB 32.3, 39.44, -62.15

 

Complementary color

CMYK 5 / 0 / 60 / 22

HEX #BDC64F

RGB 189 198 79

HSL 64.54, 0.51%, 0.54%

LAB 77.14, -18.86, 56.97

 

CMYK 58 / 67 / 0 / 33

HEX #4739AB

RGB 71 57 171

HSL 247.37, 0.5%, 0.45%

LAB 32.27, 38.6, -59.19

 

CMYK 54 / 61 / 0 / 25

HEX #584BBE

RGB 88 75 190

HSL 246.78, 0.47%, 0.52%

LAB 39.28, 36.83, -58.95

 

CMYK 50 / 56 / 0 / 18

HEX #695DD1

RGB 105 93 209

HSL 246.21, 0.56%, 0.59%

LAB 46.22, 35.25, -58.65

 

CMYK 46 / 51 / 0 / 11

HEX #7A6FE4

RGB 122 111 228

HSL 245.64, 0.68%, 0.66%

LAB 53.07, 33.85, -58.34

 

CMYK 44 / 48 / 0 / 3

HEX #8B81F7

RGB 139 129 247

HSL 245.08, 0.88%, 0.74%

LAB 59.8, 32.62, -58.05

 

CMYK 63 / 68 / 0 / 31

HEX #4239B0

RGB 66 57 176

HSL 244.54, 0.51%, 0.46%

LAB 32.3, 39.44, -62.15

 

CMYK 69 / 75 / 0 / 38

HEX #31279D

RGB 49 39 157

HSL 245.08, 0.6%, 0.38%

LAB 25.38, 41.48, -62.11

 

CMYK 77 / 85 / 0 / 46

HEX #20158A

RGB 32 21 138

HSL 245.64, 0.74%, 0.31%

LAB 18.71, 43.22, -61.43

 

CMYK 87 / 97 / 0 / 53

HEX #0F0377

RGB 15 3 119

HSL 246.21, 0.95%, 0.24%

LAB 12.6, 44.01, -59.54

 

CMYK 100 / 100 / 0 / 61

HEX #000064

RGB 0 0 100

HSL 240, 1%, 0.2%

LAB 8.31, 39.85, -54.28

 

CMYK 63 / 68 / 0 / 31

HEX #4239B1

RGB 66 57 177

HSL 244.5, 0.51%, 0.46%

LAB 32.39, 39.77, -62.6

 

CMYK 45 / 68 / 0 / 31

HEX #6239B1

RGB 98 57 177

HSL 260.5, 0.51%, 0.46%

LAB 35.39, 45.24, -57.57

 

CMYK 26 / 68 / 0 / 31

HEX #8339B1

RGB 131 57 177

HSL 277, 0.51%, 0.46%

LAB 39.46, 52.08, -50.8

 

CMYK 8 / 68 / 0 / 31

HEX #A339B1

RGB 163 57 177

HSL 293, 0.51%, 0.46%

LAB 44.07, 59.3, -43.15

 

CMYK 0 / 68 / 11 / 31

HEX #B1399E

RGB 177 57 158

HSL 309.5, 0.51%, 0.46%

LAB 45.28, 59.47, -29.81

 

CMYK 63 / 68 / 0 / 31

HEX #4239B1

RGB 66 57 177

HSL 244.5, 0.51%, 0.46%

LAB 32.39, 39.77, -62.6

 

CMYK 68 / 68 / 0 / 31

HEX #3939B1

RGB 57 57 177

HSL 240, 0.51%, 0.46%

LAB 31.74, 38.52, -63.69

 

CMYK 63 / 68 / 0 / 31

HEX #4239B1

RGB 66 57 177

HSL 244.5, 0.51%, 0.46%

LAB 32.39, 39.77, -62.6

 

CMYK 74 / 81 / 0 / 23

HEX #3226C4

RGB 50 38 196

HSL 244.56, 0.68%, 0.46%

LAB 29.54, 54.36, -78.58

 

CMYK 84 / 91 / 0 / 16

HEX #2213D7

RGB 34 19 215

HSL 244.59, 0.84%, 0.46%

LAB 28.67, 66.1, -91.12

 

CMYK 92 / 100 / 0 / 8

HEX #1200EA

RGB 18 0 234

HSL 244.62, 1%, 0.46%

LAB 29.59, 74.31, -100.52

 

CMYK 63 / 68 / 0 / 31

HEX #4239B1

RGB 66 57 177

HSL 244.5, 0.51%, 0.46%

LAB 32.39, 39.77, -62.6

 

CMYK 48 / 52 / 0 / 38

HEX #524C9E

RGB 82 76 158

HSL 244.39, 0.35%, 0.46%

LAB 36.8, 24.87, -44.01

 

CMYK 29 / 32 / 0 / 45

HEX #625F8B

RGB 98 95 139

HSL 244.09, 0.19%, 0.46%

LAB 42.22, 11.76, -23.92

 

CMYK 5 / 5 / 0 / 53

HEX #727278

RGB 114 114 120

HSL 240, 0.03%, 0.46%

LAB 48.22, 1.25, -3.31

 

CMYK 2 / 0 / 24 / 48

HEX #828565

RGB 130 133 101

HSL 65.63, 0.14%, 0.46%

LAB 54.51, -6.82, 16.93

 

CMYK 68 / 36 / 0 / 31

HEX #3971B1

RGB 57 113 177

HSL 212, 0.51%, 0.46%

LAB 46.78, 2.72, -39.43

 

CMYK 68 / 54 / 0 / 31

HEX #3951B1

RGB 57 81 177

HSL 228, 0.51%, 0.46%

LAB 37.71, 23.18, -53.95

 

CMYK 63 / 68 / 0 / 31

HEX #4139B1

RGB 65 57 177

HSL 244, 0.51%, 0.46%

LAB 32.31, 39.62, -62.73

 

CMYK 45 / 68 / 0 / 31

HEX #6139B1

RGB 97 57 177

HSL 260, 0.51%, 0.46%

LAB 35.29, 45.05, -57.75

 

CMYK 27 / 68 / 0 / 31

HEX #8139B1

RGB 129 57 177

HSL 276, 0.51%, 0.46%

LAB 39.19, 51.64, -51.24

 

CMYK 62 / 68 / 0 / 55

HEX #2B2572

RGB 43 37 114

HSL 244.68, 0.51%, 0.3%

LAB 20.25, 27.21, -43.61

 

CMYK 63 / 68 / 0 / 43

HEX #362F91

RGB 54 47 145

HSL 244.29, 0.51%, 0.38%

LAB 26.34, 33.38, -53.16

 

CMYK 63 / 68 / 0 / 31

HEX #4239B1

RGB 66 57 177

HSL 244.5, 0.51%, 0.46%

LAB 32.39, 39.77, -62.6

 

CMYK 56 / 60 / 0 / 23

HEX #574EC5

RGB 87 78 197

HSL 244.54, 0.51%, 0.54%

LAB 40.42, 37.04, -61.19

 

CMYK 44 / 47 / 0 / 19

HEX #746DCF

RGB 116 109 207

HSL 244.29, 0.51%, 0.62%

LAB 50.87, 27.51, -50

 

CMYK 63 / 68 / 0 / 31

HEX #4239B0

RGB 66 57 176

HSL 244.54, 0.51%, 0.46%

LAB 32.3, 39.44, -62.15

 

CMYK 0 / 68 / 18 / 31

HEX #B13991

RGB 177 57 145

HSL 316, 0.51%, 0.46%

LAB 44.69, 57.52, -22.93

 

CMYK 45 / 0 / 68 / 31

HEX #61B139

RGB 97 177 57

HSL 100, 0.51%, 0.46%

LAB 65.19, -45.8, 51.71

 

CMYK 63 / 68 / 0 / 31

HEX #4239B0

RGB 66 57 176

HSL 244.54, 0.51%, 0.46%

LAB 32.3, 39.44, -62.15

 

CMYK 0 / 63 / 68 / 31

HEX #B14139

RGB 177 65 57

HSL 4, 0.51%, 0.46%

LAB 43.39, 45.11, 29.07

 

CMYK 68 / 0 / 63 / 31

HEX #39B141

RGB 57 177 65

HSL 124, 0.51%, 0.46%

LAB 63.91, -55.4, 46.52

 

CMYK 63 / 68 / 0 / 31

HEX #4239B0

RGB 66 57 176

HSL 244.54, 0.51%, 0.46%

LAB 32.3, 39.44, -62.15

 

CMYK 0 / 68 / 18 / 31

HEX #B13991

RGB 177 57 145

HSL 316, 0.51%, 0.46%

LAB 44.69, 57.52, -22.93

 

CMYK 5 / 0 / 68 / 31

HEX #A9B139

RGB 169 177 57

HSL 64, 0.51%, 0.46%

LAB 69.59, -18.15, 57.66

 

CMYK 68 / 0 / 50 / 31

HEX #39B159

RGB 57 177 89

HSL 136, 0.51%, 0.46%

LAB 64.19, -52.2, 35.39

 

CMYK 63 / 68 / 0 / 31

HEX #4239B0

RGB 66 57 176

HSL 244.54, 0.51%, 0.46%

LAB 32.3, 39.44, -62.15

 

CMYK 0 / 68 / 38 / 31

HEX #B1396D

RGB 177 57 109

HSL 334, 0.51%, 0.46%

LAB 43.33, 52.92, -2.97

 

CMYK 5 / 0 / 68 / 31

HEX #A9B139

RGB 169 177 57

HSL 64, 0.51%, 0.46%

LAB 69.59, -18.15, 57.66

 

CMYK 68 / 0 / 29 / 31

HEX #39B17D

RGB 57 177 125

HSL 154, 0.51%, 0.46%

LAB 64.8, -45.47, 17.15

 

Description

Color code: HEX #4239B0 | qconv.com Color code: HEX #4239B0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 57 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 57 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 68 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 68% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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