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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #421794 it is the complementary color #BDE86B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #421794. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #421794 shade: #47178F, #5829A2, #693BB5, #7A4DC8 and #8B5FDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #421794. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #421794 shade: #421794, #310581, #20006E, #0F005B and #000048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #421794 shade: #431796, #651796, #871796, #961783 and #961760

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #421794 shade: #431796, #211796 and #171796

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #421794 shade matches the following richer shades: #431796 and #3F09A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #421794 shade: #431796, #472588, #4C337A, #50416C and #54505E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #421794 shade: #173196, #201796, #421796, #631796 and #851796

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #421794 shade: #230C4F, #331272, #431796, #531DBA and #6323DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #421794 shade: #421794, #961752 and #209617

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #421794 shade: #421794, #964217 and #179642

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #421794 shade: #421794, #961752, #6C9617 and #17965B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #421794 shade: #421794, #96172D, #6C9617 and #179681

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 84 / 0 / 42

HEX #421794

RGB 66 23 148

HSL 260.64, 0.73%, 0.34%

LAB 23.37, 48.5, -59.84

 

Complementary color

CMYK 19 / 0 / 54 / 9

HEX #BDE86B

RGB 189 232 107

HSL 80.64, 0.73%, 0.66%

LAB 86.8, -32.85, 55.46

 

CMYK 50 / 84 / 0 / 44

HEX #47178F

RGB 71 23 143

HSL 264, 0.72%, 0.33%

LAB 23.46, 47.79, -56.58

 

CMYK 46 / 75 / 0 / 36

HEX #5829A2

RGB 88 41 162

HSL 263.31, 0.6%, 0.4%

LAB 30.08, 47.51, -57.28

 

CMYK 42 / 67 / 0 / 29

HEX #693BB5

RGB 105 59 181

HSL 262.62, 0.51%, 0.47%

LAB 36.87, 46.63, -57.51

 

CMYK 39 / 62 / 0 / 22

HEX #7A4DC8

RGB 122 77 200

HSL 261.95, 0.53%, 0.54%

LAB 43.68, 45.55, -57.5

 

CMYK 37 / 57 / 0 / 14

HEX #8B5FDB

RGB 139 95 219

HSL 261.29, 0.63%, 0.62%

LAB 50.44, 44.43, -57.4

 

CMYK 55 / 84 / 0 / 42

HEX #421794

RGB 66 23 148

HSL 260.64, 0.73%, 0.34%

LAB 23.37, 48.5, -59.84

 

CMYK 62 / 96 / 0 / 49

HEX #310581

RGB 49 5 129

HSL 261.29, 0.93%, 0.26%

LAB 17.21, 47.68, -58.19

 

CMYK 71 / 100 / 0 / 57

HEX #20006E

RGB 32 0 110

HSL 257.45, 1%, 0.22%

LAB 12.17, 43.47, -54.37

 

CMYK 84 / 100 / 0 / 64

HEX #0F005B

RGB 15 0 91

HSL 249.89, 1%, 0.18%

LAB 7.74, 37.65, -49.16

 

CMYK 100 / 100 / 0 / 72

HEX #000048

RGB 0 0 72

HSL 240, 1%, 0.14%

LAB 4.23, 28.26, -41.9

 

CMYK 55 / 85 / 0 / 41

HEX #431796

RGB 67 23 150

HSL 260.79, 0.73%, 0.34%

LAB 23.7, 49.16, -60.53

 

CMYK 33 / 85 / 0 / 41

HEX #651796

RGB 101 23 150

HSL 276.85, 0.73%, 0.34%

LAB 28.33, 53.89, -52.75

 

CMYK 10 / 85 / 0 / 41

HEX #871796

RGB 135 23 150

HSL 292.91, 0.73%, 0.34%

LAB 33.91, 59.8, -43.45

 

CMYK 0 / 85 / 13 / 41

HEX #961783

RGB 150 23 131

HSL 308.98, 0.73%, 0.34%

LAB 35.47, 59.75, -29.09

 

CMYK 0 / 85 / 36 / 41

HEX #961760

RGB 150 23 96

HSL 325.51, 0.73%, 0.34%

LAB 33.86, 55.26, -9.41

 

CMYK 55 / 85 / 0 / 41

HEX #431796

RGB 67 23 150

HSL 260.79, 0.73%, 0.34%

LAB 23.7, 49.16, -60.53

 

CMYK 78 / 85 / 0 / 41

HEX #211796

RGB 33 23 150

HSL 244.72, 0.73%, 0.34%

LAB 20.59, 46.11, -65.77

 

CMYK 85 / 85 / 0 / 41

HEX #171796

RGB 23 23 150

HSL 240, 0.73%, 0.34%

LAB 20.03, 45.58, -66.71

 

CMYK 55 / 85 / 0 / 41

HEX #431796

RGB 67 23 150

HSL 260.79, 0.73%, 0.34%

LAB 23.7, 49.16, -60.53

 

CMYK 62 / 95 / 0 / 36

HEX #3F09A4

RGB 63 9 164

HSL 260.9, 0.9%, 0.34%

LAB 23.45, 56.58, -69.53

 

CMYK 55 / 85 / 0 / 41

HEX #431796

RGB 67 23 150

HSL 260.79, 0.73%, 0.34%

LAB 23.7, 49.16, -60.53

 

CMYK 48 / 73 / 0 / 47

HEX #472588

RGB 71 37 136

HSL 260.61, 0.57%, 0.34%

LAB 25.08, 39.33, -49.56

 

CMYK 38 / 58 / 0 / 52

HEX #4C337A

RGB 76 51 122

HSL 261.13, 0.41%, 0.34%

LAB 27.6, 28.21, -36.66

 

CMYK 26 / 40 / 0 / 58

HEX #50416C

RGB 80 65 108

HSL 260.93, 0.25%, 0.34%

LAB 30.8, 16.51, -22.69

 

CMYK 11 / 15 / 0 / 63

HEX #54505E

RGB 84 80 94

HSL 257.14, 0.08%, 0.34%

LAB 34.86, 4.75, -7.57

 

CMYK 85 / 67 / 0 / 41

HEX #173196

RGB 23 49 150

HSL 227.72, 0.73%, 0.34%

LAB 25.51, 30.25, -57.67

 

CMYK 79 / 85 / 0 / 41

HEX #201796

RGB 32 23 150

HSL 244.25, 0.73%, 0.34%

LAB 20.53, 46.05, -65.88

 

CMYK 56 / 85 / 0 / 41

HEX #421796

RGB 66 23 150

HSL 260.31, 0.73%, 0.34%

LAB 23.58, 49.04, -60.72

 

CMYK 34 / 85 / 0 / 41

HEX #631796

RGB 99 23 150

HSL 275.91, 0.73%, 0.34%

LAB 28.03, 53.57, -53.26

 

CMYK 11 / 85 / 0 / 41

HEX #851796

RGB 133 23 150

HSL 291.97, 0.73%, 0.34%

LAB 33.57, 59.43, -44.02

 

CMYK 56 / 85 / 0 / 69

HEX #230C4F

RGB 35 12 79

HSL 260.6, 0.74%, 0.18%

LAB 10.44, 29.28, -36.42

 

CMYK 55 / 84 / 0 / 55

HEX #331272

RGB 51 18 114

HSL 260.63, 0.73%, 0.26%

LAB 17.23, 39.22, -48.53

 

CMYK 55 / 85 / 0 / 41

HEX #431796

RGB 67 23 150

HSL 260.79, 0.73%, 0.34%

LAB 23.7, 49.16, -60.53

 

CMYK 55 / 84 / 0 / 27

HEX #531DBA

RGB 83 29 186

HSL 260.64, 0.73%, 0.42%

LAB 30.07, 58.19, -71.71

 

CMYK 55 / 84 / 0 / 13

HEX #6323DD

RGB 99 35 221

HSL 260.65, 0.73%, 0.5%

LAB 36.13, 66.62, -82.05

 

CMYK 55 / 84 / 0 / 42

HEX #421794

RGB 66 23 148

HSL 260.64, 0.73%, 0.34%

LAB 23.37, 48.5, -59.84

 

CMYK 0 / 85 / 45 / 41

HEX #961752

RGB 150 23 82

HSL 332.13, 0.73%, 0.34%

LAB 33.36, 53.82, -1.07

 

CMYK 79 / 0 / 85 / 41

HEX #209617

RGB 32 150 23

HSL 115.75, 0.73%, 0.34%

LAB 54.22, -54.25, 52.03

 

CMYK 55 / 84 / 0 / 42

HEX #421794

RGB 66 23 148

HSL 260.64, 0.73%, 0.34%

LAB 23.37, 48.5, -59.84

 

CMYK 0 / 56 / 85 / 41

HEX #964217

RGB 150 66 23

HSL 20.31, 0.73%, 0.34%

LAB 38.62, 32.82, 40.95

 

CMYK 85 / 0 / 56 / 41

HEX #179642

RGB 23 150 66

HSL 140.31, 0.73%, 0.34%

LAB 54.44, -51.09, 34.87

 

CMYK 55 / 84 / 0 / 42

HEX #421794

RGB 66 23 148

HSL 260.64, 0.73%, 0.34%

LAB 23.37, 48.5, -59.84

 

CMYK 0 / 85 / 45 / 41

HEX #961752

RGB 150 23 82

HSL 332.13, 0.73%, 0.34%

LAB 33.36, 53.82, -1.07

 

CMYK 28 / 0 / 85 / 41

HEX #6C9617

RGB 108 150 23

HSL 79.84, 0.73%, 0.34%

LAB 57.14, -32.18, 55.74

 

CMYK 85 / 0 / 39 / 41

HEX #17965B

RGB 23 150 91

HSL 152.13, 0.73%, 0.34%

LAB 54.81, -46.64, 22.13

 

CMYK 55 / 84 / 0 / 42

HEX #421794

RGB 66 23 148

HSL 260.64, 0.73%, 0.34%

LAB 23.37, 48.5, -59.84

 

CMYK 0 / 85 / 70 / 41

HEX #96172D

RGB 150 23 45

HSL 349.61, 0.73%, 0.34%

LAB 32.45, 51.12, 21.91

 

CMYK 28 / 0 / 85 / 41

HEX #6C9617

RGB 108 150 23

HSL 79.84, 0.73%, 0.34%

LAB 57.14, -32.18, 55.74

 

CMYK 85 / 0 / 14 / 41

HEX #179681

RGB 23 150 129

HSL 170.08, 0.73%, 0.34%

LAB 55.66, -37.37, 1.88

 

Description

Color code: HEX #421794 | qconv.com Color code: HEX #421794 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 23 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 23 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 84 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 84% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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