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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #421118CE it is the complementary color #BDEEE7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #421118CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #421118CE shade: #471113CE, #582326CE, #693539CE, #7A474CCE and #8B595FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #421118CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #421118CE shade: #421118CE, #310005CE, #200000CE, #0F0000CE and #000000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #421118CE shade: #411118 and #411111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #421118CE shade: #411118, #411125, #411132, #41113F and #361141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #421118CE shade matches the following richer shades: #411118, #470A13 and #4E040E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #421118CE shade: #411118, #3A171C, #341E21, #2D2526 and #262B2A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #421118CE shade: #411132, #411125, #411118, #411611 and #412311

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #421118CE shade: #000000, #20080C, #411118, #621924 and #82222F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #421118CE shade: #421118, #3E4111 and #112B41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #421118CE shade: #421118, #184111 and #111841

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #421118CE shade: #421118, #3E4111, #11413A and #131141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #421118CE shade: #421118, #304111, #11413A and #221141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 52 / 60

HEX #421118CE

RGBA 66 17 24 0.81

HSLA 351.43, 0.59%, 0.16%, 0.81

LABA 13.38, 24.24, 8.22, 0.81

 

Complementary color

CMYK 17 / 0 / 2 / 5

HEX #BDEEE7CE

RGBA 189 238 231 0.81

HSLA 171.43, 0.59%, 0.84%, 0.81

LABA 90.66, -17.01, -1.78, 0.81

 

CMYK 0 / 62 / 59 / 58

HEX #471113CE

RGBA 71 17 19 0.81

HSLA 357.78, 0.61%, 0.17%, 0.81

LABA 14.33, 25.8, 13.16, 0.81

 

CMYK 0 / 49 / 46 / 53

HEX #582326CE

RGBA 88 35 38 0.81

HSLA 356.6, 0.43%, 0.24%, 0.81

LABA 21.64, 24.79, 10.17, 0.81

 

CMYK 0 / 40 / 37 / 48

HEX #693539CE

RGBA 105 53 57 0.81

HSLA 355.38, 0.33%, 0.31%, 0.81

LABA 29.02, 23.59, 8.03, 0.81

 

CMYK 0 / 34 / 31 / 42

HEX #7A474CCE

RGBA 122 71 76 0.81

HSLA 354.12, 0.26%, 0.38%, 0.81

LABA 36.3, 22.46, 6.42, 0.81

 

CMYK 0 / 29 / 26 / 37

HEX #8B595FCE

RGBA 139 89 95 0.81

HSLA 352.8, 0.22%, 0.45%, 0.81

LABA 43.45, 21.47, 5.12, 0.81

 

CMYK 0 / 60 / 52 / 60

HEX #421118CE

RGBA 66 17 24 0.81

HSLA 351.43, 0.59%, 0.16%, 0.81

LABA 13.38, 24.24, 8.22, 0.81

 

CMYK 0 / 81 / 73 / 65

HEX #310005CE

RGBA 49 0 5 0.81

HSLA 353.88, 1%, 0.1%, 0.81

LABA 6, 24.58, 7.43, 0.81

 

CMYK 0 / 81 / 81 / 71

HEX #200000CE

RGBA 32 0 0 0.81

HSLA 0, 1%, 0.06%, 0.81

LABA 2.77, 12.44, 4.38, 0.81

 

CMYK 0 / 81 / 81 / 76

HEX #0F0000CE

RGBA 15 0 0 0.81

HSLA 0, 1%, 0.03%, 0.81

LABA 0.92, 4.12, 1.45, 0.81

 

CMYK 0 / 0 / 0 / 100

HEX #000000CE

RGBA 0 0 0 0.81

HSLA 0, 0%, 0%, 0.81

LABA 0, 0, 0, 0.81

 

CMYK 0 / 74 / 63 / 75

HEX #411118

RGB 65 17 24

HSL 351.25, 0.59%, 0.16%

LAB 13.17, 23.84, 7.9

 

CMYK 0 / 74 / 74 / 75

HEX #411111

RGB 65 17 17

HSL 0, 0.59%, 0.16%

LAB 13.02, 23.26, 12.41

 

CMYK 0 / 74 / 63 / 75

HEX #411118

RGB 65 17 24

HSL 351.25, 0.59%, 0.16%

LAB 13.17, 23.84, 7.9

 

CMYK 0 / 74 / 43 / 75

HEX #411125

RGB 65 17 37

HSL 335, 0.59%, 0.16%

LAB 13.58, 25.33, -1.12

 

CMYK 0 / 74 / 23 / 75

HEX #411132

RGB 65 17 50

HSL 318.75, 0.59%, 0.16%

LAB 14.15, 27.31, -9.75

 

CMYK 0 / 74 / 3 / 75

HEX #41113F

RGB 65 17 63

HSL 302.5, 0.59%, 0.16%

LAB 14.86, 29.71, -17.89

 

CMYK 17 / 74 / 0 / 75

HEX #361141

RGB 54 17 65

HSL 286.25, 0.59%, 0.16%

LAB 13.03, 26.99, -22.34

 

CMYK 0 / 74 / 63 / 75

HEX #411118

RGB 65 17 24

HSL 351.25, 0.59%, 0.16%

LAB 13.17, 23.84, 7.9

 

CMYK 0 / 86 / 73 / 72

HEX #470A13

RGB 71 10 19

HSL 351.15, 0.75%, 0.16%

LAB 13.25, 28.78, 11.74

 

CMYK 0 / 95 / 82 / 69

HEX #4E040E

RGB 78 4 14

HSL 351.89, 0.9%, 0.16%

LAB 14.05, 33.01, 15.94

 

CMYK 0 / 74 / 63 / 75

HEX #411118

RGB 65 17 24

HSL 351.25, 0.59%, 0.16%

LAB 13.17, 23.84, 7.9

 

CMYK 0 / 60 / 52 / 77

HEX #3A171C

RGB 58 23 28

HSL 351.43, 0.43%, 0.16%

LAB 13.21, 17.91, 4.79

 

CMYK 0 / 42 / 37 / 80

HEX #341E21

RGB 52 30 33

HSL 351.82, 0.27%, 0.16%

LAB 14.22, 11.25, 2.45

 

CMYK 0 / 18 / 16 / 82

HEX #2D2526

RGB 45 37 38

HSL 352.5, 0.1%, 0.16%

LAB 15.6, 3.97, 0.73

 

CMYK 12 / 0 / 2 / 83

HEX #262B2A

RGB 38 43 42

HSL 168, 0.06%, 0.16%

LAB 17.02, -2.46, -0.11

 

CMYK 0 / 74 / 23 / 75

HEX #411132

RGB 65 17 50

HSL 318.75, 0.59%, 0.16%

LAB 14.15, 27.31, -9.75

 

CMYK 0 / 74 / 43 / 75

HEX #411125

RGB 65 17 37

HSL 335, 0.59%, 0.16%

LAB 13.58, 25.33, -1.12

 

CMYK 0 / 74 / 63 / 75

HEX #411118

RGB 65 17 24

HSL 351.25, 0.59%, 0.16%

LAB 13.17, 23.84, 7.9

 

CMYK 0 / 66 / 74 / 75

HEX #411611

RGB 65 22 17

HSL 6.25, 0.59%, 0.16%

LAB 14.05, 20.52, 13.77

 

CMYK 0 / 46 / 74 / 75

HEX #412311

RGB 65 35 17

HSL 22.5, 0.59%, 0.16%

LAB 17.3, 12.37, 17.89

 

CMYK 0 / 75 / 63 / 87

HEX #20080C

RGB 32 8 12

HSL 350, 0.6%, 0.08%

LAB 4.58, 10.92, 2.09

 

CMYK 0 / 74 / 63 / 75

HEX #411118

RGB 65 17 24

HSL 351.25, 0.59%, 0.16%

LAB 13.17, 23.84, 7.9

 

CMYK 0 / 74 / 63 / 62

HEX #621924

RGB 98 25 36

HSL 350.96, 0.59%, 0.24%

LAB 21.65, 33.46, 11.9

 

CMYK 0 / 74 / 64 / 49

HEX #82222F

RGB 130 34 47

HSL 351.88, 0.59%, 0.32%

LAB 29.65, 41.54, 16.21

 

CMYK 0 / 74 / 64 / 74

HEX #421118

RGB 66 17 24

HSL 351.43, 0.59%, 0.16%

LAB 13.38, 24.24, 8.22

 

CMYK 5 / 0 / 74 / 75

HEX #3E4111

RGB 62 65 17

HSL 63.75, 0.59%, 0.16%

LAB 26.29, -8.68, 27.72

 

CMYK 74 / 34 / 0 / 75

HEX #112B41

RGB 17 43 65

HSL 207.5, 0.59%, 0.16%

LAB 16.64, -1.55, -16.85

 

CMYK 0 / 74 / 64 / 74

HEX #421118

RGB 66 17 24

HSL 351.43, 0.59%, 0.16%

LAB 13.38, 24.24, 8.22

 

CMYK 63 / 0 / 74 / 75

HEX #184111

RGB 24 65 17

HSL 111.25, 0.59%, 0.16%

LAB 23.72, -25.18, 24.22

 

CMYK 74 / 63 / 0 / 75

HEX #111841

RGB 17 24 65

HSL 231.25, 0.59%, 0.16%

LAB 10.21, 12.76, -27.1

 

CMYK 0 / 74 / 64 / 74

HEX #421118

RGB 66 17 24

HSL 351.43, 0.59%, 0.16%

LAB 13.38, 24.24, 8.22

 

CMYK 5 / 0 / 74 / 75

HEX #3E4111

RGB 62 65 17

HSL 63.75, 0.59%, 0.16%

LAB 26.29, -8.68, 27.72

 

CMYK 74 / 0 / 11 / 75

HEX #11413A

RGB 17 65 58

HSL 171.25, 0.59%, 0.16%

LAB 24.34, -17.9, -0.42

 

CMYK 71 / 74 / 0 / 75

HEX #131141

RGB 19 17 65

HSL 242.5, 0.59%, 0.16%

LAB 8.32, 18.43, -30.19

 

CMYK 0 / 74 / 64 / 74

HEX #421118

RGB 66 17 24

HSL 351.43, 0.59%, 0.16%

LAB 13.38, 24.24, 8.22

 

CMYK 26 / 0 / 74 / 75

HEX #304111

RGB 48 65 17

HSL 81.25, 0.59%, 0.16%

LAB 25.1, -15.55, 26.12

 

CMYK 74 / 0 / 11 / 75

HEX #11413A

RGB 17 65 58

HSL 171.25, 0.59%, 0.16%

LAB 24.34, -17.9, -0.42

 

CMYK 48 / 74 / 0 / 75

HEX #221141

RGB 34 17 65

HSL 261.25, 0.59%, 0.16%

LAB 9.97, 21.67, -27.42

 

Description

Color code: HEX #421118CE | qconv.com Color code: HEX #421118CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 17 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 17 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 52 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 52% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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