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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41E73B it is the complementary color #BE18C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41E73B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41E73B shade: #46E736, #57F949, #68FF5C, #79FF6F and #8AFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41E73B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41E73B shade: #41E73B, #30D528, #1FC315, #0EB102 and #009F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41E73B shade: #42E73C, #70E73C, #9EE73C, #CCE73C and #E7D33C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41E73B shade: #42E73C, #3CE764, #3CE792, #3CE7C0 and #3CDFE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41E73B shade matches the following richer shades: #42E73C and #31F92A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41E73B shade: #42E73C, #52D54E, #63C35F, #73B271 and #84A083

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41E73B shade: #A0E73C, #72E73C, #44E73C, #3CE761 and #3CE78E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41E73B shade: #1DB917, #22DE1B, #42E73C, #65EB61 and #89F085

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41E73B shade: #41E73B, #3CCDE7 and #E73C89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41E73B shade: #41E73B, #3C44E7 and #E73C44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41E73B shade: #41E73B, #3CCDE7, #DE3CE7 and #E7553C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41E73B shade: #41E73B, #3C9AE7, #DE3CE7 and #E7893C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 74 / 9

HEX #41E73B

RGB 65 231 59

HSL 117.91, 0.78%, 0.57%

LAB 81.07, -72.21, 66.93

 

Complementary color

CMYK 3 / 88 / 0 / 23

HEX #BE18C4

RGB 190 24 196

HSL 297.91, 0.78%, 0.43%

LAB 46.43, 77.03, -50.26

 

CMYK 70 / 0 / 77 / 9

HEX #46E736

RGB 70 231 54

HSL 114.58, 0.79%, 0.56%

LAB 81.14, -71.71, 68.62

 

CMYK 65 / 0 / 71 / 2

HEX #57F949

RGB 87 249 73

HSL 115.23, 0.94%, 0.63%

LAB 87.12, -72.92, 68.42

 

CMYK 59 / 0 / 64 / 0

HEX #68FF5C

RGB 104 255 92

HSL 115.58, 1%, 0.68%

LAB 89.5, -69.73, 63.91

 

CMYK 53 / 0 / 56 / 0

HEX #79FF6F

RGB 121 255 111

HSL 115.83, 1%, 0.72%

LAB 90.2, -63.73, 56.84

 

CMYK 46 / 0 / 49 / 0

HEX #8AFF82

RGB 138 255 130

HSL 116.16, 1%, 0.75%

LAB 91.02, -56.95, 49.33

 

CMYK 72 / 0 / 74 / 9

HEX #41E73B

RGB 65 231 59

HSL 117.91, 0.78%, 0.57%

LAB 81.07, -72.21, 66.93

 

CMYK 77 / 0 / 81 / 16

HEX #30D528

RGB 48 213 40

HSL 117.23, 0.68%, 0.5%

LAB 75.06, -70.45, 66.74

 

CMYK 84 / 0 / 89 / 24

HEX #1FC315

RGB 31 195 21

HSL 116.55, 0.81%, 0.42%

LAB 69.02, -68.02, 65.55

 

CMYK 92 / 0 / 99 / 31

HEX #0EB102

RGB 14 177 2

HSL 115.89, 0.98%, 0.35%

LAB 62.96, -64.77, 63.09

 

CMYK 100 / 0 / 100 / 38

HEX #009F00

RGB 0 159 0

HSL 120, 1%, 0.31%

LAB 56.88, -60.55, 58.44

 

CMYK 71 / 0 / 74 / 9

HEX #42E73C

RGB 66 231 60

HSL 117.89, 0.78%, 0.57%

LAB 81.09, -71.98, 66.63

 

CMYK 52 / 0 / 74 / 9

HEX #70E73C

RGB 112 231 60

HSL 101.75, 0.78%, 0.57%

LAB 82.34, -61.86, 68.28

 

CMYK 32 / 0 / 74 / 9

HEX #9EE73C

RGB 158 231 60

HSL 85.61, 0.78%, 0.57%

LAB 84.35, -47.26, 70.94

 

CMYK 12 / 0 / 74 / 9

HEX #CCE73C

RGB 204 231 60

HSL 69.47, 0.78%, 0.57%

LAB 87.15, -29.75, 74.59

 

CMYK 0 / 9 / 74 / 9

HEX #E7D33C

RGB 231 211 60

HSL 52.98, 0.78%, 0.57%

LAB 83.92, -8.86, 72.29

 

CMYK 71 / 0 / 74 / 9

HEX #42E73C

RGB 66 231 60

HSL 117.89, 0.78%, 0.57%

LAB 81.09, -71.98, 66.63

 

CMYK 74 / 0 / 57 / 9

HEX #3CE764

RGB 60 231 100

HSL 134.04, 0.78%, 0.57%

LAB 81.31, -68.94, 50.91

 

CMYK 74 / 0 / 37 / 9

HEX #3CE792

RGB 60 231 146

HSL 150.18, 0.78%, 0.57%

LAB 81.94, -61.64, 29.38

 

CMYK 74 / 0 / 17 / 9

HEX #3CE7C0

RGB 60 231 192

HSL 166.32, 0.78%, 0.57%

LAB 82.87, -51.61, 6.76

 

CMYK 74 / 3 / 0 / 9

HEX #3CDFE7

RGB 60 223 231

HSL 182.81, 0.78%, 0.57%

LAB 81.57, -37.69, -15.82

 

CMYK 71 / 0 / 74 / 9

HEX #42E73C

RGB 66 231 60

HSL 117.89, 0.78%, 0.57%

LAB 81.09, -71.98, 66.63

 

CMYK 80 / 0 / 83 / 2

HEX #31F92A

RGB 49 249 42

HSL 117.97, 0.95%, 0.57%

LAB 86.29, -80.63, 76.51

 

CMYK 71 / 0 / 74 / 9

HEX #42E73C

RGB 66 231 60

HSL 117.89, 0.78%, 0.57%

LAB 81.09, -71.98, 66.63

 

CMYK 62 / 0 / 63 / 16

HEX #52D54E

RGB 82 213 78

HSL 118.22, 0.62%, 0.57%

LAB 76.03, -61.43, 54.61

 

CMYK 49 / 0 / 51 / 24

HEX #63C35F

RGB 99 195 95

HSL 117.6, 0.45%, 0.57%

LAB 71.22, -48.38, 41.39

 

CMYK 35 / 0 / 37 / 30

HEX #73B271

RGB 115 178 113

HSL 118.15, 0.3%, 0.57%

LAB 67.03, -33.45, 27

 

CMYK 18 / 0 / 18 / 37

HEX #84A083

RGB 132 160 131

HSL 117.93, 0.13%, 0.57%

LAB 63.08, -15.54, 11.94

 

CMYK 31 / 0 / 74 / 9

HEX #A0E73C

RGB 160 231 60

HSL 84.91, 0.78%, 0.57%

LAB 84.46, -46.55, 71.07

 

CMYK 51 / 0 / 74 / 9

HEX #72E73C

RGB 114 231 60

HSL 101.05, 0.78%, 0.57%

LAB 82.41, -61.31, 68.38

 

CMYK 71 / 0 / 74 / 9

HEX #44E73C

RGB 68 231 60

HSL 117.19, 0.78%, 0.57%

LAB 81.13, -71.65, 66.68

 

CMYK 74 / 0 / 58 / 9

HEX #3CE761

RGB 60 231 97

HSL 132.98, 0.78%, 0.57%

LAB 81.28, -69.32, 52.21

 

CMYK 74 / 0 / 39 / 9

HEX #3CE78E

RGB 60 231 142

HSL 148.77, 0.78%, 0.57%

LAB 81.87, -62.39, 31.32

 

CMYK 84 / 0 / 88 / 27

HEX #1DB917

RGB 29 185 23

HSL 117.78, 0.78%, 0.41%

LAB 65.77, -65.25, 62.33

 

CMYK 85 / 0 / 88 / 13

HEX #22DE1B

RGB 34 222 27

HSL 117.85, 0.78%, 0.49%

LAB 77.67, -75.17, 71.94

 

CMYK 71 / 0 / 74 / 9

HEX #42E73C

RGB 66 231 60

HSL 117.89, 0.78%, 0.57%

LAB 81.09, -71.98, 66.63

 

CMYK 57 / 0 / 59 / 8

HEX #65EB61

RGB 101 235 97

HSL 118.26, 0.78%, 0.65%

LAB 83.47, -62.89, 55

 

CMYK 43 / 0 / 45 / 6

HEX #89F085

RGB 137 240 133

HSL 117.76, 0.78%, 0.73%

LAB 86.67, -50.8, 42.45

 

CMYK 72 / 0 / 74 / 9

HEX #41E73B

RGB 65 231 59

HSL 117.91, 0.78%, 0.57%

LAB 81.07, -72.21, 66.93

 

CMYK 74 / 11 / 0 / 9

HEX #3CCDE7

RGB 60 205 231

HSL 189.12, 0.78%, 0.57%

LAB 76.31, -29.16, -23.78

 

CMYK 0 / 74 / 41 / 9

HEX #E73C89

RGB 231 60 137

HSL 332.98, 0.78%, 0.57%

LAB 54.06, 69.86, -3.07

 

CMYK 72 / 0 / 74 / 9

HEX #41E73B

RGB 65 231 59

HSL 117.91, 0.78%, 0.57%

LAB 81.07, -72.21, 66.93

 

CMYK 74 / 71 / 0 / 9

HEX #3C44E7

RGB 60 68 231

HSL 237.19, 0.78%, 0.57%

LAB 39.35, 50.42, -82.55

 

CMYK 0 / 74 / 71 / 9

HEX #E73C44

RGB 231 60 68

HSL 357.19, 0.78%, 0.57%

LAB 52.55, 64.99, 35.93

 

CMYK 72 / 0 / 74 / 9

HEX #41E73B

RGB 65 231 59

HSL 117.91, 0.78%, 0.57%

LAB 81.07, -72.21, 66.93

 

CMYK 74 / 11 / 0 / 9

HEX #3CCDE7

RGB 60 205 231

HSL 189.12, 0.78%, 0.57%

LAB 76.31, -29.16, -23.78

 

CMYK 4 / 74 / 0 / 9

HEX #DE3CE7

RGB 222 60 231

HSL 296.84, 0.78%, 0.57%

LAB 56.62, 80.03, -53.68

 

CMYK 0 / 63 / 74 / 9

HEX #E7553C

RGB 231 85 60

HSL 8.77, 0.78%, 0.57%

LAB 55.9, 55.23, 44.15

 

CMYK 72 / 0 / 74 / 9

HEX #41E73B

RGB 65 231 59

HSL 117.91, 0.78%, 0.57%

LAB 81.07, -72.21, 66.93

 

CMYK 74 / 33 / 0 / 9

HEX #3C9AE7

RGB 60 154 231

HSL 207.02, 0.78%, 0.57%

LAB 61.52, -2.06, -46.74

 

CMYK 4 / 74 / 0 / 9

HEX #DE3CE7

RGB 222 60 231

HSL 296.84, 0.78%, 0.57%

LAB 56.62, 80.03, -53.68

 

CMYK 0 / 41 / 74 / 9

HEX #E7893C

RGB 231 137 60

HSL 27.02, 0.78%, 0.57%

LAB 65.91, 29.93, 54.69

 

Description

Color code: HEX #41E73B | qconv.com Color code: HEX #41E73B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 231 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 231 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 74 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 74% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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