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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41E3AA it is the complementary color #BE1C55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41E3AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41E3AA shade: #46E3A5, #57F5B8, #68FFCB, #79FFDE and #8AFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41E3AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41E3AA shade: #41E3AA, #30D197, #1FBF84, #0EAD71 and #009B5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41E3AA shade: #40E2A9, #40E27E, #40E252, #5AE240 and #86E240

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41E3AA shade: #40E2A9, #40E2D5, #40C4E2, #4098E2 and #406DE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41E3AA shade matches the following richer shades: #40E2A9 and #2EF4AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41E3AA shade: #40E2A9, #52D1A4, #64BF9F, #75AD9A and #879C94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41E3AA shade: #40E250, #40E27C, #40E2A7, #40E2D2 and #40C7E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41E3AA shade: #1BB57F, #20D998, #40E2A9, #64E8BA and #88EDCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41E3AA shade: #41E3AA, #405BE2 and #E26640

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41E3AA shade: #41E3AA, #A740E2 and #E2A740

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41E3AA shade: #41E3AA, #405BE2, #E2407C and #E2C740

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41E3AA shade: #41E3AA, #5640E2, #E2407C and #CDE240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 25 / 11

HEX #41E3AA

RGB 65 227 170

HSL 158.89, 0.74%, 0.57%

LAB 81.27, -54.51, 16.06

 

Complementary color

CMYK 0 / 85 / 55 / 25

HEX #BE1C55

RGB 190 28 85

HSL 338.89, 0.74%, 0.43%

LAB 41.9, 63.33, 10.29

 

CMYK 69 / 0 / 27 / 11

HEX #46E3A5

RGB 70 227 165

HSL 156.31, 0.74%, 0.58%

LAB 81.27, -54.88, 18.69

 

CMYK 64 / 0 / 25 / 4

HEX #57F5B8

RGB 87 245 184

HSL 156.84, 0.89%, 0.65%

LAB 87.38, -55.25, 17.41

 

CMYK 59 / 0 / 20 / 0

HEX #68FFCB

RGB 104 255 203

HSL 159.34, 1%, 0.7%

LAB 91.13, -52.19, 12.96

 

CMYK 53 / 0 / 13 / 0

HEX #79FFDE

RGB 121 255 222

HSL 165.22, 1%, 0.74%

LAB 92.07, -44.59, 4.57

 

CMYK 46 / 0 / 5 / 0

HEX #8AFFF1

RGB 138 255 241

HSL 172.82, 1%, 0.77%

LAB 93.13, -36.5, -3.63

 

CMYK 71 / 0 / 25 / 11

HEX #41E3AA

RGB 65 227 170

HSL 158.89, 0.74%, 0.57%

LAB 81.27, -54.51, 16.06

 

CMYK 77 / 0 / 28 / 18

HEX #30D197

RGB 48 209 151

HSL 158.39, 0.64%, 0.5%

LAB 75.12, -53.81, 17.44

 

CMYK 84 / 0 / 31 / 25

HEX #1FBF84

RGB 31 191 132

HSL 157.88, 0.72%, 0.44%

LAB 68.91, -52.79, 18.96

 

CMYK 92 / 0 / 35 / 32

HEX #0EAD71

RGB 14 173 113

HSL 157.36, 0.85%, 0.37%

LAB 62.65, -51.33, 20.64

 

CMYK 100 / 0 / 39 / 39

HEX #009B5E

RGB 0 155 94

HSL 156.39, 1%, 0.3%

LAB 56.34, -49.38, 22.48

 

CMYK 72 / 0 / 25 / 11

HEX #40E2A9

RGB 64 226 169

HSL 158.89, 0.74%, 0.57%

LAB 80.93, -54.47, 16.11

 

CMYK 72 / 0 / 44 / 11

HEX #40E27E

RGB 64 226 126

HSL 142.96, 0.74%, 0.57%

LAB 80.17, -62.85, 37.14

 

CMYK 72 / 0 / 64 / 11

HEX #40E252

RGB 64 226 82

HSL 126.67, 0.74%, 0.57%

LAB 79.67, -68.8, 56.86

 

CMYK 60 / 0 / 72 / 11

HEX #5AE240

RGB 90 226 64

HSL 110.37, 0.74%, 0.57%

LAB 80.14, -65.36, 64.49

 

CMYK 41 / 0 / 72 / 11

HEX #86E240

RGB 134 226 64

HSL 94.07, 0.74%, 0.57%

LAB 81.75, -53.13, 66.63

 

CMYK 72 / 0 / 25 / 11

HEX #40E2A9

RGB 64 226 169

HSL 158.89, 0.74%, 0.57%

LAB 80.93, -54.47, 16.11

 

CMYK 72 / 0 / 6 / 11

HEX #40E2D5

RGB 64 226 213

HSL 175.19, 0.74%, 0.57%

LAB 81.99, -43.61, -5.62

 

CMYK 72 / 13 / 0 / 11

HEX #40C4E2

RGB 64 196 226

HSL 191.11, 0.74%, 0.57%

LAB 73.58, -25.79, -25.23

 

CMYK 72 / 33 / 0 / 11

HEX #4098E2

RGB 64 152 226

HSL 207.41, 0.74%, 0.57%

LAB 60.81, -2.13, -45.07

 

CMYK 72 / 52 / 0 / 11

HEX #406DE2

RGB 64 109 226

HSL 223.33, 0.74%, 0.57%

LAB 48.91, 23.98, -64.1

 

CMYK 72 / 0 / 25 / 11

HEX #40E2A9

RGB 64 226 169

HSL 158.89, 0.74%, 0.57%

LAB 80.93, -54.47, 16.11

 

CMYK 81 / 0 / 28 / 4

HEX #2EF4AF

RGB 46 244 175

HSL 159.09, 0.9%, 0.57%

LAB 86.19, -62.04, 20.29

 

CMYK 72 / 0 / 25 / 11

HEX #40E2A9

RGB 64 226 169

HSL 158.89, 0.74%, 0.57%

LAB 80.93, -54.47, 16.11

 

CMYK 61 / 0 / 22 / 18

HEX #52D1A4

RGB 82 209 164

HSL 158.74, 0.58%, 0.57%

LAB 76.12, -45.69, 12.03

 

CMYK 48 / 0 / 17 / 25

HEX #64BF9F

RGB 100 191 159

HSL 158.9, 0.42%, 0.57%

LAB 71.2, -34.87, 7.81

 

CMYK 32 / 0 / 11 / 32

HEX #75AD9A

RGB 117 173 154

HSL 159.64, 0.25%, 0.57%

LAB 66.52, -22.56, 3.93

 

CMYK 13 / 0 / 5 / 39

HEX #879C94

RGB 135 156 148

HSL 157.14, 0.1%, 0.57%

LAB 62.56, -9.04, 1.69

 

CMYK 72 / 0 / 65 / 11

HEX #40E250

RGB 64 226 80

HSL 125.93, 0.74%, 0.57%

LAB 79.65, -69, 57.66

 

CMYK 72 / 0 / 45 / 11

HEX #40E27C

RGB 64 226 124

HSL 142.22, 0.74%, 0.57%

LAB 80.14, -63.18, 38.1

 

CMYK 72 / 0 / 26 / 11

HEX #40E2A7

RGB 64 226 167

HSL 158.15, 0.74%, 0.57%

LAB 80.89, -54.91, 17.1

 

CMYK 72 / 0 / 7 / 11

HEX #40E2D2

RGB 64 226 210

HSL 174.07, 0.74%, 0.57%

LAB 81.91, -44.42, -4.15

 

CMYK 72 / 12 / 0 / 11

HEX #40C7E2

RGB 64 199 226

HSL 190, 0.74%, 0.57%

LAB 74.46, -27.28, -23.89

 

CMYK 85 / 0 / 30 / 29

HEX #1BB57F

RGB 27 181 127

HSL 158.96, 0.74%, 0.41%

LAB 65.6, -50.4, 17.09

 

CMYK 85 / 0 / 30 / 15

HEX #20D998

RGB 32 217 152

HSL 158.92, 0.74%, 0.49%

LAB 77.4, -58.13, 20.05

 

CMYK 72 / 0 / 25 / 11

HEX #40E2A9

RGB 64 226 169

HSL 158.89, 0.74%, 0.57%

LAB 80.93, -54.47, 16.11

 

CMYK 57 / 0 / 20 / 9

HEX #64E8BA

RGB 100 232 186

HSL 159.09, 0.74%, 0.65%

LAB 83.95, -47.05, 11.58

 

CMYK 43 / 0 / 15 / 7

HEX #88EDCA

RGB 136 237 202

HSL 159.21, 0.74%, 0.73%

LAB 87.03, -37.53, 7.77

 

CMYK 71 / 0 / 25 / 11

HEX #41E3AA

RGB 65 227 170

HSL 158.89, 0.74%, 0.57%

LAB 81.27, -54.51, 16.06

 

CMYK 72 / 60 / 0 / 11

HEX #405BE2

RGB 64 91 226

HSL 230, 0.74%, 0.57%

LAB 44.32, 35.3, -71.54

 

CMYK 0 / 55 / 72 / 11

HEX #E26640

RGB 226 102 64

HSL 14.07, 0.74%, 0.57%

LAB 58.08, 45.92, 44.21

 

CMYK 71 / 0 / 25 / 11

HEX #41E3AA

RGB 65 227 170

HSL 158.89, 0.74%, 0.57%

LAB 81.27, -54.51, 16.06

 

CMYK 26 / 72 / 0 / 11

HEX #A740E2

RGB 167 64 226

HSL 278.15, 0.74%, 0.57%

LAB 48.73, 67.01, -63.96

 

CMYK 0 / 26 / 72 / 11

HEX #E2A740

RGB 226 167 64

HSL 38.15, 0.74%, 0.57%

LAB 72.35, 12.07, 59.32

 

CMYK 71 / 0 / 25 / 11

HEX #41E3AA

RGB 65 227 170

HSL 158.89, 0.74%, 0.57%

LAB 81.27, -54.51, 16.06

 

CMYK 72 / 60 / 0 / 11

HEX #405BE2

RGB 64 91 226

HSL 230, 0.74%, 0.57%

LAB 44.32, 35.3, -71.54

 

CMYK 0 / 72 / 45 / 11

HEX #E2407C

RGB 226 64 124

HSL 337.78, 0.74%, 0.57%

LAB 53.27, 65.98, 3.44

 

CMYK 0 / 12 / 72 / 11

HEX #E2C740

RGB 226 199 64

HSL 50, 0.74%, 0.57%

LAB 80.4, -4.7, 67.34

 

CMYK 71 / 0 / 25 / 11

HEX #41E3AA

RGB 65 227 170

HSL 158.89, 0.74%, 0.57%

LAB 81.27, -54.51, 16.06

 

CMYK 62 / 72 / 0 / 11

HEX #5640E2

RGB 86 64 226

HSL 248.15, 0.74%, 0.57%

LAB 39.81, 53.83, -78.89

 

CMYK 0 / 72 / 45 / 11

HEX #E2407C

RGB 226 64 124

HSL 337.78, 0.74%, 0.57%

LAB 53.27, 65.98, 3.44

 

CMYK 9 / 0 / 72 / 11

HEX #CDE240

RGB 205 226 64

HSL 67.78, 0.74%, 0.57%

LAB 85.88, -26.81, 72.09

 

Description

Color code: HEX #41E3AA | qconv.com Color code: HEX #41E3AA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 227 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 227 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 25 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 25% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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