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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41E24F it is the complementary color #BE1DB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41E24F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41E24F shade: #46E24A, #57F45D, #68FF70, #79FF83 and #8AFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41E24F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41E24F shade: #41E24F, #30D03C, #1FBE29, #0EAC16 and #009A03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41E24F shade: #40E24E, #5EE240, #8AE240, #B5E240 and #E1E240

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41E24F shade: #40E24E, #40E27A, #40E2A6, #40E2D2 and #40C8E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41E24F shade matches the following richer shades: #40E24E and #2EF440

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41E24F shade: #40E24E, #52D15D, #64BF6C, #75AD7A and #879C89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41E24F shade: #89E240, #5EE240, #40E24E, #40E279 and #40E2A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41E24F shade: #1BB528, #20D930, #40E24E, #64E870 and #88ED91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41E24F shade: #41E24F, #40B5E2 and #E24074

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41E24F shade: #41E24F, #4E40E2 and #E24E40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41E24F shade: #41E24F, #40B5E2, #E240D5 and #E26E40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41E24F shade: #41E24F, #4084E2, #E240D5 and #E29F40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 65 / 11

HEX #41E24F

RGB 65 226 79

HSL 125.22, 0.74%, 0.57%

LAB 79.66, -68.94, 58.09

 

Complementary color

CMYK 0 / 85 / 7 / 25

HEX #BE1DB0

RGB 190 29 176

HSL 305.22, 0.74%, 0.43%

LAB 45.58, 73.14, -39.88

 

CMYK 69 / 0 / 67 / 11

HEX #46E24A

RGB 70 226 74

HSL 121.54, 0.73%, 0.58%

LAB 79.72, -68.57, 60.18

 

CMYK 64 / 0 / 62 / 4

HEX #57F45D

RGB 87 244 93

HSL 122.29, 0.88%, 0.65%

LAB 85.76, -69.47, 59.23

 

CMYK 59 / 0 / 56 / 0

HEX #68FF70

RGB 104 255 112

HSL 123.18, 1%, 0.7%

LAB 89.69, -67.62, 55.67

 

CMYK 53 / 0 / 49 / 0

HEX #79FF83

RGB 121 255 131

HSL 124.48, 1%, 0.74%

LAB 90.42, -61.27, 47.99

 

CMYK 46 / 0 / 41 / 0

HEX #8AFF96

RGB 138 255 150

HSL 126.15, 1%, 0.77%

LAB 91.29, -54.19, 40.09

 

CMYK 71 / 0 / 65 / 11

HEX #41E24F

RGB 65 226 79

HSL 125.22, 0.74%, 0.57%

LAB 79.66, -68.94, 58.09

 

CMYK 77 / 0 / 71 / 18

HEX #30D03C

RGB 48 208 60

HSL 124.5, 0.63%, 0.5%

LAB 73.59, -67.56, 58.92

 

CMYK 84 / 0 / 78 / 25

HEX #1FBE29

RGB 31 190 41

HSL 123.77, 0.72%, 0.43%

LAB 67.49, -65.57, 59.23

 

CMYK 92 / 0 / 87 / 33

HEX #0EAC16

RGB 14 172 22

HSL 123.04, 0.85%, 0.36%

LAB 61.36, -62.76, 58.61

 

CMYK 100 / 0 / 98 / 40

HEX #009A03

RGB 0 154 3

HSL 121.17, 1%, 0.3%

LAB 55.19, -59.05, 56.6

 

CMYK 72 / 0 / 65 / 11

HEX #40E24E

RGB 64 226 78

HSL 125.19, 0.74%, 0.57%

LAB 79.63, -69.2, 58.46

 

CMYK 58 / 0 / 72 / 11

HEX #5EE240

RGB 94 226 64

HSL 108.89, 0.74%, 0.57%

LAB 80.26, -64.42, 64.65

 

CMYK 39 / 0 / 72 / 11

HEX #8AE240

RGB 138 226 64

HSL 92.59, 0.74%, 0.57%

LAB 81.93, -51.82, 66.88

 

CMYK 20 / 0 / 72 / 11

HEX #B5E240

RGB 181 226 64

HSL 76.67, 0.74%, 0.57%

LAB 84.27, -36.31, 69.98

 

CMYK 0 / 0 / 72 / 11

HEX #E1E240

RGB 225 226 64

HSL 60.37, 0.74%, 0.57%

LAB 87.37, -18.64, 74.04

 

CMYK 72 / 0 / 65 / 11

HEX #40E24E

RGB 64 226 78

HSL 125.19, 0.74%, 0.57%

LAB 79.63, -69.2, 58.46

 

CMYK 72 / 0 / 46 / 11

HEX #40E27A

RGB 64 226 122

HSL 141.48, 0.74%, 0.57%

LAB 80.12, -63.5, 39.05

 

CMYK 72 / 0 / 27 / 11

HEX #40E2A6

RGB 64 226 166

HSL 157.78, 0.74%, 0.57%

LAB 80.87, -55.13, 17.59

 

CMYK 72 / 0 / 7 / 11

HEX #40E2D2

RGB 64 226 210

HSL 174.07, 0.74%, 0.57%

LAB 81.91, -44.42, -4.15

 

CMYK 72 / 12 / 0 / 11

HEX #40C8E2

RGB 64 200 226

HSL 189.63, 0.74%, 0.57%

LAB 74.76, -27.77, -23.45

 

CMYK 72 / 0 / 65 / 11

HEX #40E24E

RGB 64 226 78

HSL 125.19, 0.74%, 0.57%

LAB 79.63, -69.2, 58.46

 

CMYK 81 / 0 / 74 / 4

HEX #2EF440

RGB 46 244 64

HSL 125.45, 0.9%, 0.57%

LAB 84.82, -78.23, 68.93

 

CMYK 72 / 0 / 65 / 11

HEX #40E24E

RGB 64 226 78

HSL 125.19, 0.74%, 0.57%

LAB 79.63, -69.2, 58.46

 

CMYK 61 / 0 / 56 / 18

HEX #52D15D

RGB 82 209 93

HSL 125.2, 0.58%, 0.57%

LAB 74.94, -58.29, 46.69

 

CMYK 48 / 0 / 43 / 25

HEX #64BF6C

RGB 100 191 108

HSL 125.27, 0.42%, 0.57%

LAB 70.21, -44.59, 33.63

 

CMYK 32 / 0 / 29 / 32

HEX #75AD7A

RGB 117 173 122

HSL 125.36, 0.25%, 0.57%

LAB 65.81, -28.9, 20.53

 

CMYK 13 / 0 / 12 / 39

HEX #879C89

RGB 135 156 137

HSL 125.71, 0.1%, 0.57%

LAB 62.28, -11.21, 7.47

 

CMYK 39 / 0 / 72 / 11

HEX #89E240

RGB 137 226 64

HSL 92.96, 0.74%, 0.57%

LAB 81.88, -52.15, 66.81

 

CMYK 58 / 0 / 72 / 11

HEX #5EE240

RGB 94 226 64

HSL 108.89, 0.74%, 0.57%

LAB 80.26, -64.42, 64.65

 

CMYK 72 / 0 / 65 / 11

HEX #40E24E

RGB 64 226 78

HSL 125.19, 0.74%, 0.57%

LAB 79.63, -69.2, 58.46

 

CMYK 72 / 0 / 46 / 11

HEX #40E279

RGB 64 226 121

HSL 141.11, 0.74%, 0.57%

LAB 80.1, -63.66, 39.52

 

CMYK 72 / 0 / 27 / 11

HEX #40E2A4

RGB 64 226 164

HSL 157.04, 0.74%, 0.57%

LAB 80.83, -55.57, 18.58

 

CMYK 85 / 0 / 78 / 29

HEX #1BB528

RGB 27 181 40

HSL 125.06, 0.74%, 0.41%

LAB 64.51, -63.35, 56.66

 

CMYK 85 / 0 / 78 / 15

HEX #20D930

RGB 32 217 48

HSL 125.19, 0.74%, 0.49%

LAB 76.16, -72.9, 65.44

 

CMYK 72 / 0 / 65 / 11

HEX #40E24E

RGB 64 226 78

HSL 125.19, 0.74%, 0.57%

LAB 79.63, -69.2, 58.46

 

CMYK 57 / 0 / 52 / 9

HEX #64E870

RGB 100 232 112

HSL 125.45, 0.74%, 0.65%

LAB 82.7, -60.21, 47.27

 

CMYK 43 / 0 / 39 / 7

HEX #88ED91

RGB 136 237 145

HSL 125.35, 0.74%, 0.73%

LAB 85.93, -48.08, 35.57

 

CMYK 71 / 0 / 65 / 11

HEX #41E24F

RGB 65 226 79

HSL 125.22, 0.74%, 0.57%

LAB 79.66, -68.94, 58.09

 

CMYK 72 / 20 / 0 / 11

HEX #40B5E2

RGB 64 181 226

HSL 196.67, 0.74%, 0.57%

LAB 69.2, -18.1, -31.97

 

CMYK 0 / 72 / 49 / 11

HEX #E24074

RGB 226 64 116

HSL 340.74, 0.74%, 0.57%

LAB 53.05, 65.28, 7.93

 

CMYK 71 / 0 / 65 / 11

HEX #41E24F

RGB 65 226 79

HSL 125.22, 0.74%, 0.57%

LAB 79.66, -68.94, 58.09

 

CMYK 65 / 72 / 0 / 11

HEX #4E40E2

RGB 78 64 226

HSL 245.19, 0.74%, 0.57%

LAB 39.2, 52.88, -79.9

 

CMYK 0 / 65 / 72 / 11

HEX #E24E40

RGB 226 78 64

HSL 5.19, 0.74%, 0.57%

LAB 54.01, 56.65, 39.65

 

CMYK 71 / 0 / 65 / 11

HEX #41E24F

RGB 65 226 79

HSL 125.22, 0.74%, 0.57%

LAB 79.66, -68.94, 58.09

 

CMYK 72 / 20 / 0 / 11

HEX #40B5E2

RGB 64 181 226

HSL 196.67, 0.74%, 0.57%

LAB 69.2, -18.1, -31.97

 

CMYK 0 / 72 / 6 / 11

HEX #E240D5

RGB 226 64 213

HSL 304.81, 0.74%, 0.57%

LAB 56.72, 76.84, -43.3

 

CMYK 0 / 51 / 72 / 11

HEX #E26E40

RGB 226 110 64

HSL 17.04, 0.74%, 0.57%

LAB 59.61, 42.01, 45.9

 

CMYK 71 / 0 / 65 / 11

HEX #41E24F

RGB 65 226 79

HSL 125.22, 0.74%, 0.57%

LAB 79.66, -68.94, 58.09

 

CMYK 72 / 42 / 0 / 11

HEX #4084E2

RGB 64 132 226

HSL 214.81, 0.74%, 0.57%

LAB 55.16, 9.72, -54.05

 

CMYK 0 / 72 / 6 / 11

HEX #E240D5

RGB 226 64 213

HSL 304.81, 0.74%, 0.57%

LAB 56.72, 76.84, -43.3

 

CMYK 0 / 30 / 72 / 11

HEX #E29F40

RGB 226 159 64

HSL 35.19, 0.74%, 0.57%

LAB 70.41, 16.34, 57.34

 

Description

Color code: HEX #41E24F | qconv.com Color code: HEX #41E24F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 226 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 226 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 65 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 65% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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