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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41DF13 it is the complementary color #BE20EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41DF13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41DF13 shade: #46DF0E, #57F121, #68FF34, #79FF47 and #8AFF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41DF13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41DF13 shade: #41DF13, #30CD00, #1FBB00, #0EA900 and #009700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41DF13 shade: #41DD13, #77DD13, #ADDD13, #DDD613 and #DD9F13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41DF13 shade: #41DD13, #13DD1C, #13DD52, #13DD89 and #13DDBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41DF13 shade matches the following richer shades: #41DD13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41DF13 shade: #41DD13, #4BC927, #56B63A, #61A24D and #6B8F61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41DF13 shade: #AEDD13, #78DD13, #42DD13, #13DD1A and #13DD50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41DF13 shade: #2A910D, #35B710, #41DD13, #58ED2C and #76F052

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41DF13 shade: #41DF13, #13DDD6 and #DD1393

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41DF13 shade: #41DF13, #1342DD and #DD1342

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41DF13 shade: #41DF13, #13DDD6, #AE13DD and #DD131A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41DF13 shade: #41DF13, #13A7DD, #AE13DD and #DD4913

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 91 / 13

HEX #41DF13

RGB 65 223 19

HSL 106.47, 0.84%, 0.47%

LAB 78.43, -71.64, 74.05

 

Complementary color

CMYK 19 / 86 / 0 / 7

HEX #BE20EC

RGB 190 32 236

HSL 286.47, 0.84%, 0.53%

LAB 49.54, 82.23, -68.14

 

CMYK 69 / 0 / 94 / 13

HEX #46DF0E

RGB 70 223 14

HSL 103.92, 0.88%, 0.46%

LAB 78.53, -70.86, 74.8

 

CMYK 64 / 0 / 86 / 5

HEX #57F121

RGB 87 241 33

HSL 104.42, 0.88%, 0.54%

LAB 84.51, -72.6, 77.1

 

CMYK 59 / 0 / 80 / 0

HEX #68FF34

RGB 104 255 52

HSL 104.63, 1%, 0.6%

LAB 89.26, -72.59, 77.16

 

CMYK 53 / 0 / 72 / 0

HEX #79FF47

RGB 121 255 71

HSL 103.7, 1%, 0.64%

LAB 89.88, -67.3, 72.22

 

CMYK 46 / 0 / 65 / 0

HEX #8AFF5A

RGB 138 255 90

HSL 102.55, 1%, 0.68%

LAB 90.63, -61.18, 66.25

 

CMYK 71 / 0 / 91 / 13

HEX #41DF13

RGB 65 223 19

HSL 106.47, 0.84%, 0.47%

LAB 78.43, -71.64, 74.05

 

CMYK 77 / 0 / 100 / 20

HEX #30CD00

RGB 48 205 0

HSL 105.95, 1%, 0.4%

LAB 72.42, -69.33, 71.08

 

CMYK 83 / 0 / 100 / 27

HEX #1FBB00

RGB 31 187 0

HSL 110.05, 1%, 0.37%

LAB 66.39, -66.23, 66.16

 

CMYK 92 / 0 / 100 / 34

HEX #0EA900

RGB 14 169 0

HSL 115.03, 1%, 0.33%

LAB 60.31, -62.57, 61.22

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 71 / 0 / 91 / 13

HEX #41DD13

RGB 65 221 19

HSL 106.34, 0.84%, 0.47%

LAB 77.81, -71.04, 73.53

 

CMYK 46 / 0 / 91 / 13

HEX #77DD13

RGB 119 221 19

HSL 90.3, 0.84%, 0.47%

LAB 79.43, -57.87, 75.54

 

CMYK 22 / 0 / 91 / 13

HEX #ADDD13

RGB 173 221 19

HSL 74.26, 0.84%, 0.47%

LAB 82.19, -38.77, 78.92

 

CMYK 0 / 3 / 91 / 13

HEX #DDD613

RGB 221 214 19

HSL 57.92, 0.84%, 0.47%

LAB 83.71, -15.72, 81.59

 

CMYK 0 / 28 / 91 / 13

HEX #DD9F13

RGB 221 159 19

HSL 41.58, 0.84%, 0.47%

LAB 69.62, 12.78, 70.9

 

CMYK 71 / 0 / 91 / 13

HEX #41DD13

RGB 65 221 19

HSL 106.34, 0.84%, 0.47%

LAB 77.81, -71.04, 73.53

 

CMYK 91 / 0 / 87 / 13

HEX #13DD1C

RGB 19 221 28

HSL 122.67, 0.84%, 0.47%

LAB 77.24, -75.94, 71.33

 

CMYK 91 / 0 / 63 / 13

HEX #13DD52

RGB 19 221 82

HSL 138.71, 0.84%, 0.47%

LAB 77.56, -71.96, 54.35

 

CMYK 91 / 0 / 38 / 13

HEX #13DD89

RGB 19 221 137

HSL 155.05, 0.84%, 0.47%

LAB 78.26, -63.46, 28.98

 

CMYK 91 / 0 / 14 / 13

HEX #13DDBF

RGB 19 221 191

HSL 171.09, 0.84%, 0.47%

LAB 79.39, -51, 2.2

 

CMYK 71 / 0 / 91 / 13

HEX #41DD13

RGB 65 221 19

HSL 106.34, 0.84%, 0.47%

LAB 77.81, -71.04, 73.53

 

CMYK 71 / 0 / 91 / 13

HEX #41DD13

RGB 65 221 19

HSL 106.34, 0.84%, 0.47%

LAB 77.81, -71.04, 73.53

 

CMYK 63 / 0 / 81 / 21

HEX #4BC927

RGB 75 201 39

HSL 106.67, 0.68%, 0.47%

LAB 71.84, -61.9, 64.24

 

CMYK 53 / 0 / 68 / 29

HEX #56B63A

RGB 86 182 58

HSL 106.45, 0.52%, 0.47%

LAB 66.32, -50.99, 52.37

 

CMYK 40 / 0 / 52 / 36

HEX #61A24D

RGB 97 162 77

HSL 105.88, 0.36%, 0.47%

LAB 60.71, -37.32, 37.47

 

CMYK 25 / 0 / 32 / 44

HEX #6B8F61

RGB 107 143 97

HSL 106.96, 0.19%, 0.47%

LAB 55.72, -21.77, 20.54

 

CMYK 21 / 0 / 91 / 13

HEX #AEDD13

RGB 174 221 19

HSL 73.96, 0.84%, 0.47%

LAB 82.25, -38.38, 78.99

 

CMYK 46 / 0 / 91 / 13

HEX #78DD13

RGB 120 221 19

HSL 90, 0.84%, 0.47%

LAB 79.47, -57.56, 75.59

 

CMYK 70 / 0 / 91 / 13

HEX #42DD13

RGB 66 221 19

HSL 106.04, 0.84%, 0.47%

LAB 77.83, -70.86, 73.56

 

CMYK 91 / 0 / 88 / 13

HEX #13DD1A

RGB 19 221 26

HSL 122.08, 0.84%, 0.47%

LAB 77.24, -76.02, 71.7

 

CMYK 91 / 0 / 64 / 13

HEX #13DD50

RGB 19 221 80

HSL 138.12, 0.84%, 0.47%

LAB 77.54, -72.19, 55.17

 

CMYK 71 / 0 / 91 / 43

HEX #2A910D

RGB 42 145 13

HSL 106.82, 0.84%, 0.31%

LAB 52.7, -51.33, 53.07

 

CMYK 71 / 0 / 91 / 28

HEX #35B710

RGB 53 183 16

HSL 106.71, 0.84%, 0.39%

LAB 65.48, -61.48, 63.52

 

CMYK 71 / 0 / 91 / 13

HEX #41DD13

RGB 65 221 19

HSL 106.34, 0.84%, 0.47%

LAB 77.81, -71.04, 73.53

 

CMYK 63 / 0 / 81 / 7

HEX #58ED2C

RGB 88 237 44

HSL 106.32, 0.84%, 0.55%

LAB 83.35, -70.66, 73.63

 

CMYK 51 / 0 / 66 / 6

HEX #76F052

RGB 118 240 82

HSL 106.33, 0.84%, 0.63%

LAB 85.39, -61.86, 63.53

 

CMYK 71 / 0 / 91 / 13

HEX #41DF13

RGB 65 223 19

HSL 106.47, 0.84%, 0.47%

LAB 78.43, -71.64, 74.05

 

CMYK 91 / 0 / 3 / 13

HEX #13DDD6

RGB 19 221 214

HSL 177.92, 0.84%, 0.47%

LAB 80.01, -44.67, -9.14

 

CMYK 0 / 91 / 33 / 13

HEX #DD1393

RGB 221 19 147

HSL 321.98, 0.84%, 0.47%

LAB 49.43, 77.44, -16.18

 

CMYK 71 / 0 / 91 / 13

HEX #41DF13

RGB 65 223 19

HSL 106.47, 0.84%, 0.47%

LAB 78.43, -71.64, 74.05

 

CMYK 91 / 70 / 0 / 13

HEX #1342DD

RGB 19 66 221

HSL 226.04, 0.84%, 0.47%

LAB 36.47, 45.63, -81.64

 

CMYK 0 / 91 / 70 / 13

HEX #DD1342

RGB 221 19 66

HSL 346.04, 0.84%, 0.47%

LAB 47.28, 71.56, 30.33

 

CMYK 71 / 0 / 91 / 13

HEX #41DF13

RGB 65 223 19

HSL 106.47, 0.84%, 0.47%

LAB 78.43, -71.64, 74.05

 

CMYK 91 / 0 / 3 / 13

HEX #13DDD6

RGB 19 221 214

HSL 177.92, 0.84%, 0.47%

LAB 80.01, -44.67, -9.14

 

CMYK 21 / 91 / 0 / 13

HEX #AE13DD

RGB 174 19 221

HSL 286.04, 0.84%, 0.47%

LAB 45.2, 79.42, -66.79

 

CMYK 0 / 91 / 88 / 13

HEX #DD131A

RGB 221 19 26

HSL 357.92, 0.84%, 0.47%

LAB 46.86, 70.38, 51.88

 

CMYK 71 / 0 / 91 / 13

HEX #41DF13

RGB 65 223 19

HSL 106.47, 0.84%, 0.47%

LAB 78.43, -71.64, 74.05

 

CMYK 91 / 24 / 0 / 13

HEX #13A7DD

RGB 19 167 221

HSL 196.04, 0.84%, 0.47%

LAB 64.16, -16.26, -37.12

 

CMYK 21 / 91 / 0 / 13

HEX #AE13DD

RGB 174 19 221

HSL 286.04, 0.84%, 0.47%

LAB 45.2, 79.42, -66.79

 

CMYK 0 / 67 / 91 / 13

HEX #DD4913

RGB 221 73 19

HSL 16.04, 0.84%, 0.47%

LAB 52.04, 55.69, 58.22

 

Description

Color code: HEX #41DF13 | qconv.com Color code: HEX #41DF13 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 223 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 223 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 91 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 91% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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