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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41DECE it is the complementary color #BE2131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41DECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41DECE shade: #46DEC9, #57F0DC, #68FFEF, #79FFFF and #8AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41DECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41DECE shade: #41DECE, #30CCBB, #1FBAA8, #0EA895 and #009682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41DECE shade: #40DDCD, #40DDA3, #40DD79, #40DD4E and #5DDD40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41DECE shade: #40DDCD, #40C3DD, #4099DD, #406EDD and #4044DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41DECE shade matches the following richer shades: #40DDCD and #2EEFDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41DECE shade: #40DDCD, #52CBBF, #65B9B0, #77A7A2 and #899594

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41DECE shade: #40DD77, #40DDA1, #40DDCB, #40C6DD and #409CDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41DECE shade: #1EAD9E, #25D0BE, #40DDCD, #63E4D6 and #86EAE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41DECE shade: #41DECE, #4D40DD and #DD8C40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41DECE shade: #41DECE, #CB40DD and #DDCB40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41DECE shade: #41DECE, #4D40DD, #DD4053 and #D0DD40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41DECE shade: #41DECE, #7C40DD, #DD4053 and #A1DD40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 7 / 13

HEX #41DECE

RGB 65 222 206

HSL 173.89, 0.7%, 0.56%

LAB 80.64, -43.61, -3.89

 

Complementary color

CMYK 0 / 83 / 74 / 25

HEX #BE2131

RGB 190 33 49

HSL 353.89, 0.7%, 0.44%

LAB 41.62, 60.17, 32.34

 

CMYK 68 / 0 / 9 / 13

HEX #46DEC9

RGB 70 222 201

HSL 171.71, 0.7%, 0.57%

LAB 80.61, -44.26, -1.27

 

CMYK 64 / 0 / 8 / 6

HEX #57F0DC

RGB 87 240 220

HSL 172.16, 0.84%, 0.64%

LAB 86.76, -44.72, -2.24

 

CMYK 59 / 0 / 6 / 0

HEX #68FFEF

RGB 104 255 239

HSL 173.64, 1%, 0.7%

LAB 92, -43.73, -4.39

 

CMYK 53 / 0 / 0 / 0

HEX #79FFFF

RGB 121 255 255

HSL 180, 1%, 0.74%

LAB 92.93, -36.6, -11.24

 

CMYK 46 / 0 / 0 / 0

HEX #8AFFFF

RGB 138 255 255

HSL 180, 1%, 0.77%

LAB 93.51, -33.13, -10.31

 

CMYK 71 / 0 / 7 / 13

HEX #41DECE

RGB 65 222 206

HSL 173.89, 0.7%, 0.56%

LAB 80.64, -43.61, -3.89

 

CMYK 76 / 0 / 8 / 20

HEX #30CCBB

RGB 48 204 187

HSL 173.46, 0.62%, 0.49%

LAB 74.45, -42.81, -2.84

 

CMYK 83 / 0 / 10 / 27

HEX #1FBAA8

RGB 31 186 168

HSL 173.03, 0.71%, 0.43%

LAB 68.19, -41.73, -1.68

 

CMYK 92 / 0 / 11 / 34

HEX #0EA895

RGB 14 168 149

HSL 172.6, 0.85%, 0.36%

LAB 61.89, -40.27, -0.39

 

CMYK 100 / 0 / 13 / 41

HEX #009682

RGB 0 150 130

HSL 172, 1%, 0.29%

LAB 55.51, -38.4, 1.06

 

CMYK 71 / 0 / 7 / 13

HEX #40DDCD

RGB 64 221 205

HSL 173.89, 0.7%, 0.56%

LAB 80.3, -43.56, -3.87

 

CMYK 71 / 0 / 26 / 13

HEX #40DDA3

RGB 64 221 163

HSL 157.83, 0.7%, 0.56%

LAB 79.3, -53.82, 16.97

 

CMYK 71 / 0 / 45 / 13

HEX #40DD79

RGB 64 221 121

HSL 141.78, 0.7%, 0.56%

LAB 78.57, -61.89, 37.57

 

CMYK 71 / 0 / 65 / 13

HEX #40DD4E

RGB 64 221 78

HSL 125.35, 0.7%, 0.56%

LAB 78.08, -67.59, 56.76

 

CMYK 58 / 0 / 71 / 13

HEX #5DDD40

RGB 93 221 64

HSL 108.92, 0.7%, 0.56%

LAB 78.7, -62.93, 63.05

 

CMYK 71 / 0 / 7 / 13

HEX #40DDCD

RGB 64 221 205

HSL 173.89, 0.7%, 0.56%

LAB 80.3, -43.56, -3.87

 

CMYK 71 / 12 / 0 / 13

HEX #40C3DD

RGB 64 195 221

HSL 189.94, 0.7%, 0.56%

LAB 73.12, -26.83, -23.24

 

CMYK 71 / 31 / 0 / 13

HEX #4099DD

RGB 64 153 221

HSL 205.99, 0.7%, 0.56%

LAB 60.86, -4.43, -42.22

 

CMYK 71 / 50 / 0 / 13

HEX #406EDD

RGB 64 110 221

HSL 222.42, 0.7%, 0.56%

LAB 48.84, 21.55, -61.39

 

CMYK 71 / 69 / 0 / 13

HEX #4044DD

RGB 64 68 221

HSL 238.47, 0.7%, 0.56%

LAB 38.63, 47.52, -78.03

 

CMYK 71 / 0 / 7 / 13

HEX #40DDCD

RGB 64 221 205

HSL 173.89, 0.7%, 0.56%

LAB 80.3, -43.56, -3.87

 

CMYK 81 / 0 / 8 / 6

HEX #2EEFDC

RGB 46 239 220

HSL 174.09, 0.86%, 0.56%

LAB 85.75, -49.12, -3.81

 

CMYK 71 / 0 / 7 / 13

HEX #40DDCD

RGB 64 221 205

HSL 173.89, 0.7%, 0.56%

LAB 80.3, -43.56, -3.87

 

CMYK 60 / 0 / 6 / 20

HEX #52CBBF

RGB 82 203 191

HSL 174.05, 0.54%, 0.56%

LAB 74.99, -36.44, -4.12

 

CMYK 45 / 0 / 5 / 27

HEX #65B9B0

RGB 101 185 176

HSL 173.57, 0.38%, 0.56%

LAB 69.89, -27.72, -3.38

 

CMYK 29 / 0 / 3 / 35

HEX #77A7A2

RGB 119 167 162

HSL 173.75, 0.21%, 0.56%

LAB 65.1, -17.06, -2.58

 

CMYK 8 / 0 / 1 / 42

HEX #899594

RGB 137 149 148

HSL 175, 0.05%, 0.56%

LAB 60.74, -4.5, -0.96

 

CMYK 71 / 0 / 46 / 13

HEX #40DD77

RGB 64 221 119

HSL 141.02, 0.7%, 0.56%

LAB 78.54, -62.22, 38.52

 

CMYK 71 / 0 / 27 / 13

HEX #40DDA1

RGB 64 221 161

HSL 157.07, 0.7%, 0.56%

LAB 79.26, -54.26, 17.97

 

CMYK 71 / 0 / 8 / 13

HEX #40DDCB

RGB 64 221 203

HSL 173.12, 0.7%, 0.56%

LAB 80.24, -44.09, -2.88

 

CMYK 71 / 10 / 0 / 13

HEX #40C6DD

RGB 64 198 221

HSL 188.79, 0.7%, 0.56%

LAB 74, -28.31, -21.9

 

CMYK 71 / 29 / 0 / 13

HEX #409CDD

RGB 64 156 221

HSL 204.84, 0.7%, 0.56%

LAB 61.73, -6.14, -40.86

 

CMYK 83 / 0 / 9 / 32

HEX #1EAD9E

RGB 30 173 158

HSL 173.71, 0.7%, 0.4%

LAB 63.86, -38.87, -2.51

 

CMYK 82 / 0 / 9 / 18

HEX #25D0BE

RGB 37 208 190

HSL 173.68, 0.7%, 0.48%

LAB 75.59, -44.74, -2.8

 

CMYK 71 / 0 / 7 / 13

HEX #40DDCD

RGB 64 221 205

HSL 173.89, 0.7%, 0.56%

LAB 80.3, -43.56, -3.87

 

CMYK 57 / 0 / 6 / 11

HEX #63E4D6

RGB 99 228 214

HSL 173.49, 0.7%, 0.64%

LAB 83.44, -38.84, -3.92

 

CMYK 43 / 0 / 4 / 8

HEX #86EAE0

RGB 134 234 224

HSL 174, 0.7%, 0.72%

LAB 86.65, -31.67, -4.32

 

CMYK 71 / 0 / 7 / 13

HEX #41DECE

RGB 65 222 206

HSL 173.89, 0.7%, 0.56%

LAB 80.64, -43.61, -3.89

 

CMYK 65 / 71 / 0 / 13

HEX #4D40DD

RGB 77 64 221

HSL 244.97, 0.7%, 0.56%

LAB 38.66, 51.22, -77.94

 

CMYK 0 / 37 / 71 / 13

HEX #DD8C40

RGB 221 140 64

HSL 29.04, 0.7%, 0.56%

LAB 65.36, 24.4, 51.89

 

CMYK 71 / 0 / 7 / 13

HEX #41DECE

RGB 65 222 206

HSL 173.89, 0.7%, 0.56%

LAB 80.64, -43.61, -3.89

 

CMYK 8 / 71 / 0 / 13

HEX #CB40DD

RGB 203 64 221

HSL 293.12, 0.7%, 0.56%

LAB 53.58, 73.24, -53.05

 

CMYK 0 / 8 / 71 / 13

HEX #DDCB40

RGB 221 203 64

HSL 53.12, 0.7%, 0.56%

LAB 80.99, -8.86, 67.77

 

CMYK 71 / 0 / 7 / 13

HEX #41DECE

RGB 65 222 206

HSL 173.89, 0.7%, 0.56%

LAB 80.64, -43.61, -3.89

 

CMYK 65 / 71 / 0 / 13

HEX #4D40DD

RGB 77 64 221

HSL 244.97, 0.7%, 0.56%

LAB 38.66, 51.22, -77.94

 

CMYK 0 / 71 / 62 / 13

HEX #DD4053

RGB 221 64 83

HSL 352.74, 0.7%, 0.56%

LAB 51.45, 61.43, 25.38

 

CMYK 6 / 0 / 71 / 13

HEX #D0DD40

RGB 208 221 64

HSL 64.97, 0.7%, 0.56%

LAB 84.74, -23.2, 71.06

 

CMYK 71 / 0 / 7 / 13

HEX #41DECE

RGB 65 222 206

HSL 173.89, 0.7%, 0.56%

LAB 80.64, -43.61, -3.89

 

CMYK 44 / 71 / 0 / 13

HEX #7C40DD

RGB 124 64 221

HSL 262.93, 0.7%, 0.56%

LAB 43.02, 58.06, -70.63

 

CMYK 0 / 71 / 62 / 13

HEX #DD4053

RGB 221 64 83

HSL 352.74, 0.7%, 0.56%

LAB 51.45, 61.43, 25.38

 

CMYK 27 / 0 / 71 / 13

HEX #A1DD40

RGB 161 221 64

HSL 82.93, 0.7%, 0.56%

LAB 81.65, -41.66, 66.99

 

Description

Color code: HEX #41DECE | qconv.com Color code: HEX #41DECE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 222 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 222 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 7 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 7% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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