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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41D3C0 it is the complementary color #BE2C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41D3C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41D3C0 shade: #46D3BB, #57E5CE, #68F7E1, #79FFF4 and #8AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41D3C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41D3C0 shade: #41D3C0, #30C1AD, #1FAF9A, #0E9D87 and #008B74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41D3C0 shade: #40D2BF, #40D298, #40D271, #40D249 and #5FD240

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41D3C0 shade: #40D2BF, #40BED2, #4096D2, #406FD2 and #4048D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41D3C0 shade matches the following richer shades: #40D2BF, #2DE5CD and #1BF8DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41D3C0 shade: #40D2BF, #53BFB1, #66ACA3, #799995 and #8C8687

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41D3C0 shade: #40D271, #40D298, #40D2BF, #40BFD2 and #4098D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41D3C0 shade: #249C8C, #2CBDAA, #40D2BF, #62DACA and #83E2D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41D3C0 shade: #41D3C0, #4A40D2 and #D28440

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41D3C0 shade: #41D3C0, #BF40D2 and #D2BF40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41D3C0 shade: #41D3C0, #4A40D2, #D24054 and #C8D240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41D3C0 shade: #41D3C0, #7640D2, #D24054 and #9DD240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 9 / 17

HEX #41D3C0

RGB 65 211 192

HSL 172.19, 0.62%, 0.54%

LAB 76.99, -42.48, -1.77

 

Complementary color

CMYK 0 / 77 / 67 / 25

HEX #BE2C3F

RGB 190 44 63

HSL 352.19, 0.62%, 0.46%

LAB 42.92, 57.74, 25.41

 

CMYK 67 / 0 / 11 / 17

HEX #46D3BB

RGB 70 211 187

HSL 169.79, 0.62%, 0.55%

LAB 76.97, -43.06, 0.9

 

CMYK 62 / 0 / 10 / 10

HEX #57E5CE

RGB 87 229 206

HSL 170.28, 0.73%, 0.62%

LAB 83.19, -43.44, -0.1

 

CMYK 58 / 0 / 9 / 3

HEX #68F7E1

RGB 104 247 225

HSL 170.77, 0.9%, 0.69%

LAB 89.35, -43.68, -1.01

 

CMYK 53 / 0 / 4 / 0

HEX #79FFF4

RGB 121 255 244

HSL 175.07, 1%, 0.74%

LAB 92.63, -39.36, -6

 

CMYK 46 / 0 / 0 / 0

HEX #8AFFFF

RGB 138 255 255

HSL 180, 1%, 0.77%

LAB 93.51, -33.13, -10.31

 

CMYK 69 / 0 / 9 / 17

HEX #41D3C0

RGB 65 211 192

HSL 172.19, 0.62%, 0.54%

LAB 76.99, -42.48, -1.77

 

CMYK 75 / 0 / 10 / 24

HEX #30C1AD

RGB 48 193 173

HSL 171.72, 0.6%, 0.47%

LAB 70.72, -41.78, -0.69

 

CMYK 82 / 0 / 12 / 31

HEX #1FAF9A

RGB 31 175 154

HSL 171.25, 0.7%, 0.4%

LAB 64.39, -40.79, 0.5

 

CMYK 91 / 0 / 14 / 38

HEX #0E9D87

RGB 14 157 135

HSL 170.77, 0.84%, 0.34%

LAB 58, -39.4, 1.84

 

CMYK 100 / 0 / 17 / 45

HEX #008B74

RGB 0 139 116

HSL 170.07, 1%, 0.27%

LAB 51.53, -37.57, 3.35

 

CMYK 70 / 0 / 9 / 18

HEX #40D2BF

RGB 64 210 191

HSL 172.19, 0.62%, 0.54%

LAB 76.65, -42.44, -1.74

 

CMYK 70 / 0 / 28 / 18

HEX #40D298

RGB 64 210 152

HSL 156.16, 0.62%, 0.54%

LAB 75.73, -51.85, 17.81

 

CMYK 70 / 0 / 46 / 18

HEX #40D271

RGB 64 210 113

HSL 140.14, 0.62%, 0.54%

LAB 75.06, -59.25, 37.07

 

CMYK 70 / 0 / 65 / 18

HEX #40D249

RGB 64 210 73

HSL 123.7, 0.62%, 0.54%

LAB 74.61, -64.49, 55.01

 

CMYK 55 / 0 / 70 / 18

HEX #5FD240

RGB 95 210 64

HSL 107.26, 0.62%, 0.54%

LAB 75.39, -58.5, 59.65

 

CMYK 70 / 0 / 9 / 18

HEX #40D2BF

RGB 64 210 191

HSL 172.19, 0.62%, 0.54%

LAB 76.65, -42.44, -1.74

 

CMYK 70 / 10 / 0 / 18

HEX #40BED2

RGB 64 190 210

HSL 188.22, 0.62%, 0.54%

LAB 71.26, -27.71, -20.08

 

CMYK 70 / 29 / 0 / 18

HEX #4096D2

RGB 64 150 210

HSL 204.66, 0.62%, 0.54%

LAB 59.49, -6.5, -38.25

 

CMYK 70 / 47 / 0 / 18

HEX #406FD2

RGB 64 111 210

HSL 220.68, 0.62%, 0.54%

LAB 48.4, 16.96, -55.84

 

CMYK 70 / 66 / 0 / 18

HEX #4048D2

RGB 64 72 210

HSL 236.71, 0.62%, 0.54%

LAB 38.51, 41.48, -71.9

 

CMYK 70 / 0 / 9 / 18

HEX #40D2BF

RGB 64 210 191

HSL 172.19, 0.62%, 0.54%

LAB 76.65, -42.44, -1.74

 

CMYK 80 / 0 / 10 / 10

HEX #2DE5CD

RGB 45 229 205

HSL 172.17, 0.78%, 0.54%

LAB 82.38, -48.98, -0.84

 

CMYK 89 / 0 / 12 / 3

HEX #1BF8DB

RGB 27 248 219

HSL 172.13, 0.94%, 0.54%

LAB 88.2, -54.3, 0.29

 

CMYK 70 / 0 / 9 / 18

HEX #40D2BF

RGB 64 210 191

HSL 172.19, 0.62%, 0.54%

LAB 76.65, -42.44, -1.74

 

CMYK 57 / 0 / 7 / 25

HEX #53BFB1

RGB 83 191 177

HSL 172.22, 0.46%, 0.54%

LAB 71.06, -34.32, -2.29

 

CMYK 41 / 0 / 5 / 33

HEX #66ACA3

RGB 102 172 163

HSL 172.29, 0.3%, 0.54%

LAB 65.73, -24.23, -2.31

 

CMYK 21 / 0 / 3 / 40

HEX #799995

RGB 121 153 149

HSL 172.5, 0.14%, 0.54%

LAB 60.8, -11.94, -1.57

 

CMYK 0 / 4 / 4 / 45

HEX #8C8687

RGB 140 134 135

HSL 350, 0.03%, 0.54%

LAB 56.46, 2.43, 0.26

 

CMYK 70 / 0 / 46 / 18

HEX #40D271

RGB 64 210 113

HSL 140.14, 0.62%, 0.54%

LAB 75.06, -59.25, 37.07

 

CMYK 70 / 0 / 28 / 18

HEX #40D298

RGB 64 210 152

HSL 156.16, 0.62%, 0.54%

LAB 75.73, -51.85, 17.81

 

CMYK 70 / 0 / 9 / 18

HEX #40D2BF

RGB 64 210 191

HSL 172.19, 0.62%, 0.54%

LAB 76.65, -42.44, -1.74

 

CMYK 70 / 9 / 0 / 18

HEX #40BFD2

RGB 64 191 210

HSL 187.81, 0.62%, 0.54%

LAB 71.56, -28.21, -19.63

 

CMYK 70 / 28 / 0 / 18

HEX #4098D2

RGB 64 152 210

HSL 203.84, 0.62%, 0.54%

LAB 60.07, -7.63, -37.34

 

CMYK 77 / 0 / 10 / 39

HEX #249C8C

RGB 36 156 140

HSL 172, 0.63%, 0.38%

LAB 58.08, -35.68, -0.84

 

CMYK 77 / 0 / 10 / 26

HEX #2CBDAA

RGB 44 189 170

HSL 172.14, 0.62%, 0.46%

LAB 69.35, -41.28, -1.07

 

CMYK 70 / 0 / 9 / 18

HEX #40D2BF

RGB 64 210 191

HSL 172.19, 0.62%, 0.54%

LAB 76.65, -42.44, -1.74

 

CMYK 55 / 0 / 7 / 15

HEX #62DACA

RGB 98 218 202

HSL 172, 0.62%, 0.62%

LAB 80.18, -37.5, -2.34

 

CMYK 42 / 0 / 6 / 11

HEX #83E2D5

RGB 131 226 213

HSL 171.79, 0.62%, 0.7%

LAB 83.98, -31.2, -2.47

 

CMYK 69 / 0 / 9 / 17

HEX #41D3C0

RGB 65 211 192

HSL 172.19, 0.62%, 0.54%

LAB 76.99, -42.48, -1.77

 

CMYK 65 / 70 / 0 / 18

HEX #4A40D2

RGB 74 64 210

HSL 244.11, 0.62%, 0.54%

LAB 37.44, 47.41, -73.64

 

CMYK 0 / 37 / 70 / 18

HEX #D28440

RGB 210 132 64

HSL 27.95, 0.62%, 0.54%

LAB 62.15, 24.1, 48.04

 

CMYK 69 / 0 / 9 / 17

HEX #41D3C0

RGB 65 211 192

HSL 172.19, 0.62%, 0.54%

LAB 76.99, -42.48, -1.77

 

CMYK 9 / 70 / 0 / 18

HEX #BF40D2

RGB 191 64 210

HSL 292.19, 0.62%, 0.54%

LAB 51.15, 68.79, -50.77

 

CMYK 0 / 9 / 70 / 18

HEX #D2BF40

RGB 210 191 64

HSL 52.19, 0.62%, 0.54%

LAB 76.88, -7.4, 63.39

 

CMYK 69 / 0 / 9 / 17

HEX #41D3C0

RGB 65 211 192

HSL 172.19, 0.62%, 0.54%

LAB 76.99, -42.48, -1.77

 

CMYK 65 / 70 / 0 / 18

HEX #4A40D2

RGB 74 64 210

HSL 244.11, 0.62%, 0.54%

LAB 37.44, 47.41, -73.64

 

CMYK 0 / 70 / 60 / 18

HEX #D24054

RGB 210 64 84

HSL 351.78, 0.62%, 0.54%

LAB 49.51, 58.12, 21.87

 

CMYK 5 / 0 / 70 / 18

HEX #C8D240

RGB 200 210 64

HSL 64.11, 0.62%, 0.54%

LAB 81.15, -21.16, 67.35

 

CMYK 69 / 0 / 9 / 17

HEX #41D3C0

RGB 65 211 192

HSL 172.19, 0.62%, 0.54%

LAB 76.99, -42.48, -1.77

 

CMYK 44 / 70 / 0 / 18

HEX #7640D2

RGB 118 64 210

HSL 262.19, 0.62%, 0.54%

LAB 41.49, 54.18, -66.85

 

CMYK 0 / 70 / 60 / 18

HEX #D24054

RGB 210 64 84

HSL 351.78, 0.62%, 0.54%

LAB 49.51, 58.12, 21.87

 

CMYK 25 / 0 / 70 / 18

HEX #9DD240

RGB 157 210 64

HSL 81.78, 0.62%, 0.54%

LAB 78.25, -38.29, 63.49

 

Description

Color code: HEX #41D3C0 | qconv.com Color code: HEX #41D3C0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 211 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 211 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 9 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 9% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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