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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41CF49 it is the complementary color #BE30B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41CF49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41CF49 shade: #46CF44, #57E157, #68F36A, #79FF7D and #8AFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41CF49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41CF49 shade: #41CF49, #30BD36, #1FAB23, #0E9910 and #008700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41CF49 shade: #3FCF47, #5ECF3F, #85CF3F, #ABCF3F and #CFCC3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41CF49 shade: #3FCF47, #3FCF6E, #3FCF95, #3FCFBC and #3FBCCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41CF49 shade matches the following richer shades: #3FCF47, #2CE236 and #18F625

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41CF49 shade: #3FCF47, #53BC59, #66A86A, #79957B and #8D818C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41CF49 shade: #85CF3F, #5ECF3F, #3FCF46, #3FCF6D and #3FCF93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41CF49 shade: #26962C, #2EB736, #3FCF47, #60D767 and #81E087

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41CF49 shade: #41CF49, #3FABCF and #CF3F72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41CF49 shade: #41CF49, #463FCF and #CF463F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41CF49 shade: #41CF49, #3FABCF, #CF3FC8 and #CF633F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41CF49 shade: #41CF49, #3F80CF, #CF3FC8 and #CF8E3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 65 / 19

HEX #41CF49

RGB 65 207 73

HSL 123.38, 0.6%, 0.53%

LAB 73.69, -63.31, 54.01

 

Complementary color

CMYK 0 / 75 / 4 / 25

HEX #BE30B6

RGB 190 48 182

HSL 303.38, 0.6%, 0.47%

LAB 47.54, 69.29, -40.3

 

CMYK 66 / 0 / 67 / 19

HEX #46CF44

RGB 70 207 68

HSL 119.14, 0.59%, 0.54%

LAB 73.77, -62.85, 56.17

 

CMYK 61 / 0 / 61 / 12

HEX #57E157

RGB 87 225 87

HSL 120, 0.7%, 0.61%

LAB 79.93, -63.6, 55.2

 

CMYK 57 / 0 / 56 / 5

HEX #68F36A

RGB 104 243 106

HSL 120.86, 0.85%, 0.68%

LAB 86.05, -64.05, 54.05

 

CMYK 53 / 0 / 51 / 0

HEX #79FF7D

RGB 121 255 125

HSL 121.79, 1%, 0.74%

LAB 90.35, -62.06, 50.7

 

CMYK 46 / 0 / 44 / 0

HEX #8AFF90

RGB 138 255 144

HSL 123.08, 1%, 0.77%

LAB 91.21, -55.06, 42.9

 

CMYK 69 / 0 / 65 / 19

HEX #41CF49

RGB 65 207 73

HSL 123.38, 0.6%, 0.53%

LAB 73.69, -63.31, 54.01

 

CMYK 75 / 0 / 71 / 26

HEX #30BD36

RGB 48 189 54

HSL 122.55, 0.59%, 0.46%

LAB 67.49, -62.08, 54.85

 

CMYK 82 / 0 / 80 / 33

HEX #1FAB23

RGB 31 171 35

HSL 121.71, 0.69%, 0.4%

LAB 61.25, -60.22, 55.12

 

CMYK 91 / 0 / 90 / 40

HEX #0E9910

RGB 14 153 16

HSL 120.86, 0.83%, 0.33%

LAB 54.98, -57.48, 54.29

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 70 / 0 / 66 / 19

HEX #3FCF47

RGB 63 207 71

HSL 123.33, 0.6%, 0.53%

LAB 73.63, -63.87, 54.76

 

CMYK 55 / 0 / 70 / 19

HEX #5ECF3F

RGB 94 207 63

HSL 107.08, 0.6%, 0.53%

LAB 74.42, -57.75, 59.01

 

CMYK 36 / 0 / 70 / 19

HEX #85CF3F

RGB 133 207 63

HSL 90.83, 0.6%, 0.53%

LAB 76.05, -45.77, 61.21

 

CMYK 17 / 0 / 70 / 19

HEX #ABCF3F

RGB 171 207 63

HSL 75, 0.6%, 0.53%

LAB 78.25, -31.55, 64.15

 

CMYK 0 / 1 / 70 / 19

HEX #CFCC3F

RGB 207 204 63

HSL 58.75, 0.6%, 0.53%

LAB 80.07, -15.32, 66.84

 

CMYK 70 / 0 / 66 / 19

HEX #3FCF47

RGB 63 207 71

HSL 123.33, 0.6%, 0.53%

LAB 73.63, -63.87, 54.76

 

CMYK 70 / 0 / 47 / 19

HEX #3FCF6E

RGB 63 207 110

HSL 139.58, 0.6%, 0.53%

LAB 74.07, -58.82, 37.3

 

CMYK 70 / 0 / 28 / 19

HEX #3FCF95

RGB 63 207 149

HSL 155.83, 0.6%, 0.53%

LAB 74.73, -51.46, 18.01

 

CMYK 70 / 0 / 9 / 19

HEX #3FCFBC

RGB 63 207 188

HSL 172.08, 0.6%, 0.53%

LAB 75.65, -42.05, -1.59

 

CMYK 70 / 9 / 0 / 19

HEX #3FBCCF

RGB 63 188 207

HSL 187.92, 0.6%, 0.53%

LAB 70.54, -27.77, -19.53

 

CMYK 70 / 0 / 66 / 19

HEX #3FCF47

RGB 63 207 71

HSL 123.33, 0.6%, 0.53%

LAB 73.63, -63.87, 54.76

 

CMYK 81 / 0 / 76 / 11

HEX #2CE236

RGB 44 226 54

HSL 123.3, 0.76%, 0.53%

LAB 79.15, -73.92, 66.54

 

CMYK 90 / 0 / 85 / 4

HEX #18F625

RGB 24 246 37

HSL 123.51, 0.93%, 0.53%

LAB 85.12, -82.08, 76.47

 

CMYK 70 / 0 / 66 / 19

HEX #3FCF47

RGB 63 207 71

HSL 123.33, 0.6%, 0.53%

LAB 73.63, -63.87, 54.76

 

CMYK 56 / 0 / 53 / 26

HEX #53BC59

RGB 83 188 89

HSL 123.43, 0.44%, 0.53%

LAB 68.41, -50.66, 40.75

 

CMYK 39 / 0 / 37 / 34

HEX #66A86A

RGB 102 168 106

HSL 123.64, 0.28%, 0.53%

LAB 63.24, -34.15, 25.59

 

CMYK 19 / 0 / 17 / 42

HEX #79957B

RGB 121 149 123

HSL 124.29, 0.12%, 0.53%

LAB 58.96, -15.17, 10.52

 

CMYK 0 / 9 / 1 / 45

HEX #8D818C

RGB 141 129 140

HSL 305, 0.05%, 0.53%

LAB 55.34, 6.64, -4.28

 

CMYK 36 / 0 / 70 / 19

HEX #85CF3F

RGB 133 207 63

HSL 90.83, 0.6%, 0.53%

LAB 76.05, -45.77, 61.21

 

CMYK 55 / 0 / 70 / 19

HEX #5ECF3F

RGB 94 207 63

HSL 107.08, 0.6%, 0.53%

LAB 74.42, -57.75, 59.01

 

CMYK 70 / 0 / 66 / 19

HEX #3FCF46

RGB 63 207 70

HSL 122.92, 0.6%, 0.53%

LAB 73.63, -63.97, 55.16

 

CMYK 70 / 0 / 47 / 19

HEX #3FCF6D

RGB 63 207 109

HSL 139.17, 0.6%, 0.53%

LAB 74.05, -58.98, 37.78

 

CMYK 70 / 0 / 29 / 19

HEX #3FCF93

RGB 63 207 147

HSL 155, 0.6%, 0.53%

LAB 74.69, -51.89, 19.01

 

CMYK 75 / 0 / 71 / 41

HEX #26962C

RGB 38 150 44

HSL 123.21, 0.6%, 0.37%

LAB 54.46, -51.74, 45.09

 

CMYK 75 / 0 / 70 / 28

HEX #2EB736

RGB 46 183 54

HSL 123.5, 0.6%, 0.45%

LAB 65.53, -60.46, 52.79

 

CMYK 70 / 0 / 66 / 19

HEX #3FCF47

RGB 63 207 71

HSL 123.33, 0.6%, 0.53%

LAB 73.63, -63.87, 54.76

 

CMYK 55 / 0 / 52 / 16

HEX #60D767

RGB 96 215 103

HSL 123.53, 0.6%, 0.61%

LAB 77.32, -55.97, 44.95

 

CMYK 42 / 0 / 40 / 12

HEX #81E087

RGB 129 224 135

HSL 123.79, 0.61%, 0.69%

LAB 81.69, -46.13, 34.99

 

CMYK 69 / 0 / 65 / 19

HEX #41CF49

RGB 65 207 73

HSL 123.38, 0.6%, 0.53%

LAB 73.69, -63.31, 54.01

 

CMYK 70 / 17 / 0 / 19

HEX #3FABCF

RGB 63 171 207

HSL 195, 0.6%, 0.53%

LAB 65.5, -19.12, -27.23

 

CMYK 0 / 70 / 45 / 19

HEX #CF3F72

RGB 207 63 114

HSL 338.75, 0.6%, 0.53%

LAB 49.54, 59.99, 3.66

 

CMYK 69 / 0 / 65 / 19

HEX #41CF49

RGB 65 207 73

HSL 123.38, 0.6%, 0.53%

LAB 73.69, -63.31, 54.01

 

CMYK 66 / 70 / 0 / 19

HEX #463FCF

RGB 70 63 207

HSL 242.92, 0.6%, 0.53%

LAB 36.67, 46.52, -73.17

 

CMYK 0 / 66 / 70 / 19

HEX #CF463F

RGB 207 70 63

HSL 2.92, 0.6%, 0.53%

LAB 49.5, 53.57, 34.14

 

CMYK 69 / 0 / 65 / 19

HEX #41CF49

RGB 65 207 73

HSL 123.38, 0.6%, 0.53%

LAB 73.69, -63.31, 54.01

 

CMYK 70 / 17 / 0 / 19

HEX #3FABCF

RGB 63 171 207

HSL 195, 0.6%, 0.53%

LAB 65.5, -19.12, -27.23

 

CMYK 0 / 70 / 3 / 19

HEX #CF3FC8

RGB 207 63 200

HSL 302.92, 0.6%, 0.53%

LAB 52.94, 70.98, -42.04

 

CMYK 0 / 52 / 70 / 19

HEX #CF633F

RGB 207 99 63

HSL 15, 0.6%, 0.53%

LAB 54.6, 40.18, 40.05

 

CMYK 69 / 0 / 65 / 19

HEX #41CF49

RGB 65 207 73

HSL 123.38, 0.6%, 0.53%

LAB 73.69, -63.31, 54.01

 

CMYK 70 / 38 / 0 / 19

HEX #3F80CF

RGB 63 128 207

HSL 212.92, 0.6%, 0.53%

LAB 52.95, 5.23, -46.87

 

CMYK 0 / 70 / 3 / 19

HEX #CF3FC8

RGB 207 63 200

HSL 302.92, 0.6%, 0.53%

LAB 52.94, 70.98, -42.04

 

CMYK 0 / 31 / 70 / 19

HEX #CF8E3F

RGB 207 142 63

HSL 32.92, 0.6%, 0.53%

LAB 64.14, 17.36, 50.55

 

Description

Color code: HEX #41CF49 | qconv.com Color code: HEX #41CF49 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 207 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 207 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 65 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 65% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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