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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41CBD1 it is the complementary color #BE342E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41CBD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41CBD1 shade: #46CBCC, #57DDDF, #68EFF2, #79FFFF and #8AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41CBD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41CBD1 shade: #41CBD1, #30B9BE, #1FA7AB, #0E9598 and #008385

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41CBD1 shade: #42CBD1, #42A5D1, #427ED1, #4258D1 and #5342D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41CBD1 shade: #42CBD1, #42A5D1, #427ED1, #4258D1 and #4242D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41CBD1 shade matches the following richer shades: #42CBD1, #2FDDE4 and #1CEEF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41CBD1 shade: #42CBD1, #55BABE, #68A8AB, #7B9798 and #8E8685

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41CBD1 shade: #42D18A, #42D1B0, #42CCD1, #42A6D1 and #4280D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41CBD1 shade: #26969B, #2EB7BC, #42CBD1, #63D4D9 and #85DDE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41CBD1 shade: #41CBD1, #6442D1 and #D19D42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41CBD1 shade: #41CBD1, #D142CC and #CCD142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41CBD1 shade: #41CBD1, #6442D1, #D14742 and #B0D142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41CBD1 shade: #41CBD1, #8E42D1, #D14742 and #85D142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 3 / 0 / 18

HEX #41CBD1

RGB 65 203 209

HSL 182.5, 0.61%, 0.54%

LAB 75.1, -34.14, -13.74

 

Complementary color

CMYK 0 / 73 / 76 / 25

HEX #BE342E

RGB 190 52 46

HSL 2.5, 0.61%, 0.46%

LAB 43.65, 54.25, 36.37

 

CMYK 66 / 0 / 0 / 20

HEX #46CBCC

RGB 70 203 204

HSL 180.45, 0.57%, 0.54%

LAB 75.06, -34.87, -11.08

 

CMYK 61 / 1 / 0 / 13

HEX #57DDDF

RGB 87 221 223

HSL 180.88, 0.68%, 0.61%

LAB 81.33, -35.37, -11.86

 

CMYK 57 / 1 / 0 / 5

HEX #68EFF2

RGB 104 239 242

HSL 181.3, 0.84%, 0.68%

LAB 87.53, -35.73, -12.58

 

CMYK 53 / 0 / 0 / 0

HEX #79FFFF

RGB 121 255 255

HSL 180, 1%, 0.74%

LAB 92.93, -36.6, -11.24

 

CMYK 46 / 0 / 0 / 0

HEX #8AFFFF

RGB 138 255 255

HSL 180, 1%, 0.77%

LAB 93.51, -33.13, -10.31

 

CMYK 69 / 3 / 0 / 18

HEX #41CBD1

RGB 65 203 209

HSL 182.5, 0.61%, 0.54%

LAB 75.1, -34.14, -13.74

 

CMYK 75 / 3 / 0 / 25

HEX #30B9BE

RGB 48 185 190

HSL 182.11, 0.6%, 0.47%

LAB 68.78, -33.3, -12.89

 

CMYK 82 / 2 / 0 / 33

HEX #1FA7AB

RGB 31 167 171

HSL 181.71, 0.69%, 0.4%

LAB 62.4, -32.16, -11.95

 

CMYK 91 / 2 / 0 / 40

HEX #0E9598

RGB 14 149 152

HSL 181.3, 0.83%, 0.33%

LAB 55.94, -30.63, -10.89

 

CMYK 100 / 2 / 0 / 48

HEX #008385

RGB 0 131 133

HSL 180.9, 1%, 0.26%

LAB 49.41, -28.68, -9.7

 

CMYK 68 / 3 / 0 / 18

HEX #42CBD1

RGB 66 203 209

HSL 182.52, 0.61%, 0.54%

LAB 75.12, -34.01, -13.7

 

CMYK 68 / 21 / 0 / 18

HEX #42A5D1

RGB 66 165 209

HSL 198.46, 0.61%, 0.54%

LAB 63.89, -14.84, -30.82

 

CMYK 68 / 40 / 0 / 18

HEX #427ED1

RGB 66 126 209

HSL 214.83, 0.61%, 0.54%

LAB 52.6, 7.61, -48.55

 

CMYK 68 / 58 / 0 / 18

HEX #4258D1

RGB 66 88 209

HSL 230.77, 0.61%, 0.54%

LAB 42.37, 31.46, -65.02

 

CMYK 60 / 68 / 0 / 18

HEX #5342D1

RGB 83 66 209

HSL 247.13, 0.61%, 0.54%

LAB 38.44, 47.17, -71.38

 

CMYK 68 / 3 / 0 / 18

HEX #42CBD1

RGB 66 203 209

HSL 182.52, 0.61%, 0.54%

LAB 75.12, -34.01, -13.7

 

CMYK 68 / 21 / 0 / 18

HEX #42A5D1

RGB 66 165 209

HSL 198.46, 0.61%, 0.54%

LAB 63.89, -14.84, -30.82

 

CMYK 68 / 40 / 0 / 18

HEX #427ED1

RGB 66 126 209

HSL 214.83, 0.61%, 0.54%

LAB 52.6, 7.61, -48.55

 

CMYK 68 / 58 / 0 / 18

HEX #4258D1

RGB 66 88 209

HSL 230.77, 0.61%, 0.54%

LAB 42.37, 31.46, -65.02

 

CMYK 68 / 68 / 0 / 18

HEX #4242D1

RGB 66 66 209

HSL 240, 0.61%, 0.54%

LAB 37.22, 44.96, -73.43

 

CMYK 68 / 3 / 0 / 18

HEX #42CBD1

RGB 66 203 209

HSL 182.52, 0.61%, 0.54%

LAB 75.12, -34.01, -13.7

 

CMYK 79 / 3 / 0 / 11

HEX #2FDDE4

RGB 47 221 228

HSL 182.32, 0.77%, 0.54%

LAB 80.69, -38.89, -15.56

 

CMYK 89 / 4 / 0 / 3

HEX #1CEEF7

RGB 28 238 247

HSL 182.47, 0.93%, 0.54%

LAB 86.06, -42.19, -17.54

 

CMYK 68 / 3 / 0 / 18

HEX #42CBD1

RGB 66 203 209

HSL 182.52, 0.61%, 0.54%

LAB 75.12, -34.01, -13.7

 

CMYK 55 / 2 / 0 / 25

HEX #55BABE

RGB 85 186 190

HSL 182.29, 0.45%, 0.54%

LAB 70.01, -28.06, -10.96

 

CMYK 39 / 2 / 0 / 33

HEX #68A8AB

RGB 104 168 171

HSL 182.69, 0.29%, 0.54%

LAB 64.87, -19.66, -8.02

 

CMYK 19 / 1 / 0 / 40

HEX #7B9798

RGB 123 151 152

HSL 182.07, 0.12%, 0.54%

LAB 60.44, -9.53, -3.79

 

CMYK 0 / 6 / 6 / 44

HEX #8E8685

RGB 142 134 133

HSL 6.67, 0.04%, 0.54%

LAB 56.58, 2.81, 1.6

 

CMYK 68 / 0 / 34 / 18

HEX #42D18A

RGB 66 209 138

HSL 150.21, 0.61%, 0.54%

LAB 75.2, -54.05, 24.46

 

CMYK 68 / 0 / 16 / 18

HEX #42D1B0

RGB 66 209 176

HSL 166.15, 0.61%, 0.54%

LAB 76, -45.56, 5.39

 

CMYK 68 / 2 / 0 / 18

HEX #42CCD1

RGB 66 204 209

HSL 182.1, 0.61%, 0.54%

LAB 75.42, -34.48, -13.26

 

CMYK 68 / 21 / 0 / 18

HEX #42A6D1

RGB 66 166 209

HSL 198.04, 0.61%, 0.54%

LAB 64.19, -15.37, -30.37

 

CMYK 68 / 39 / 0 / 18

HEX #4280D1

RGB 66 128 209

HSL 213.99, 0.61%, 0.54%

LAB 53.17, 6.39, -47.65

 

CMYK 75 / 3 / 0 / 39

HEX #26969B

RGB 38 150 155

HSL 182.56, 0.61%, 0.38%

LAB 56.68, -28.15, -11.48

 

CMYK 76 / 3 / 0 / 26

HEX #2EB7BC

RGB 46 183 188

HSL 182.11, 0.61%, 0.46%

LAB 68.08, -33.17, -12.85

 

CMYK 68 / 3 / 0 / 18

HEX #42CBD1

RGB 66 203 209

HSL 182.52, 0.61%, 0.54%

LAB 75.12, -34.01, -13.7

 

CMYK 54 / 2 / 0 / 15

HEX #63D4D9

RGB 99 212 217

HSL 182.54, 0.61%, 0.62%

LAB 78.9, -30.59, -12.26

 

CMYK 41 / 2 / 0 / 12

HEX #85DDE1

RGB 133 221 225

HSL 182.61, 0.61%, 0.7%

LAB 82.99, -25.42, -10.28

 

CMYK 69 / 3 / 0 / 18

HEX #41CBD1

RGB 65 203 209

HSL 182.5, 0.61%, 0.54%

LAB 75.1, -34.14, -13.74

 

CMYK 52 / 68 / 0 / 18

HEX #6442D1

RGB 100 66 209

HSL 254.27, 0.61%, 0.54%

LAB 39.93, 49.79, -68.89

 

CMYK 0 / 25 / 68 / 18

HEX #D19D42

RGB 209 157 66

HSL 38.18, 0.61%, 0.54%

LAB 68.07, 10.25, 53.44

 

CMYK 69 / 3 / 0 / 18

HEX #41CBD1

RGB 65 203 209

HSL 182.5, 0.61%, 0.54%

LAB 75.1, -34.14, -13.74

 

CMYK 0 / 68 / 2 / 18

HEX #D142CC

RGB 209 66 204

HSL 302.1, 0.61%, 0.54%

LAB 53.83, 71.02, -42.91

 

CMYK 2 / 0 / 68 / 18

HEX #CCD142

RGB 204 209 66

HSL 62.1, 0.61%, 0.54%

LAB 81.2, -18.9, 66.77

 

CMYK 69 / 3 / 0 / 18

HEX #41CBD1

RGB 65 203 209

HSL 182.5, 0.61%, 0.54%

LAB 75.1, -34.14, -13.74

 

CMYK 52 / 68 / 0 / 18

HEX #6442D1

RGB 100 66 209

HSL 254.27, 0.61%, 0.54%

LAB 39.93, 49.79, -68.89

 

CMYK 0 / 66 / 68 / 18

HEX #D14742

RGB 209 71 66

HSL 2.1, 0.61%, 0.54%

LAB 50.04, 53.98, 33.14

 

CMYK 16 / 0 / 68 / 18

HEX #B0D142

RGB 176 209 66

HSL 73.85, 0.61%, 0.54%

LAB 79.17, -30.32, 64.07

 

CMYK 69 / 3 / 0 / 18

HEX #41CBD1

RGB 65 203 209

HSL 182.5, 0.61%, 0.54%

LAB 75.1, -34.14, -13.74

 

CMYK 32 / 68 / 0 / 18

HEX #8E42D1

RGB 142 66 209

HSL 271.89, 0.61%, 0.54%

LAB 44.59, 57.53, -61.1

 

CMYK 0 / 66 / 68 / 18

HEX #D14742

RGB 209 71 66

HSL 2.1, 0.61%, 0.54%

LAB 50.04, 53.98, 33.14

 

CMYK 36 / 0 / 68 / 18

HEX #85D142

RGB 133 209 66

HSL 91.89, 0.61%, 0.54%

LAB 76.67, -46.39, 60.71

 

Description

Color code: HEX #41CBD1 | qconv.com Color code: HEX #41CBD1 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 203 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 203 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 3 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 3% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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