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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41C924 it is the complementary color #BE36DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41C924. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41C924 shade: #46C91F, #57DB32, #68ED45, #79FF58 and #8AFF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41C924. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41C924 shade: #41C924, #30B711, #1FA500, #0E9300 and #008100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41C924 shade: #40C723, #6CC723, #99C723, #C5C723 and #C79E23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41C924 shade: #40C723, #23C733, #23C75F, #23C78B and #23C7B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41C924 shade matches the following richer shades: #40C723 and #34DA10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41C924 shade: #40C723, #4CB436, #59A149, #658E5C and #717B6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41C924 shade: #99C723, #6DC723, #41C723, #23C731 and #23C75D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41C924 shade: #2A8117, #35A41D, #40C723, #55DC38 and #73E25B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41C924 shade: #41C924, #23C5C7 and #C72383

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41C924 shade: #41C924, #2341C7 and #C72341

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41C924 shade: #41C924, #23C5C7, #A923C7 and #C72623

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41C924 shade: #41C924, #2393C7, #A923C7 and #C75723

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 82 / 21

HEX #41C924

RGB 65 201 36

HSL 109.45, 0.7%, 0.46%

LAB 71.57, -64.16, 64.71

 

Complementary color

CMYK 13 / 75 / 0 / 14

HEX #BE36DB

RGB 190 54 219

HSL 289.45, 0.7%, 0.54%

LAB 50.33, 73.62, -57.22

 

CMYK 65 / 0 / 85 / 21

HEX #46C91F

RGB 70 201 31

HSL 106.24, 0.73%, 0.45%

LAB 71.67, -63.37, 66.08

 

CMYK 60 / 0 / 77 / 14

HEX #57DB32

RGB 87 219 50

HSL 106.86, 0.7%, 0.53%

LAB 77.83, -64.61, 66.8

 

CMYK 56 / 0 / 71 / 7

HEX #68ED45

RGB 104 237 69

HSL 107.5, 0.82%, 0.6%

LAB 83.94, -65.45, 66.72

 

CMYK 53 / 0 / 65 / 0

HEX #79FF58

RGB 121 255 88

HSL 108.14, 1%, 0.67%

LAB 89.99, -66, 66.17

 

CMYK 46 / 0 / 58 / 0

HEX #8AFF6B

RGB 138 255 107

HSL 107.43, 1%, 0.71%

LAB 90.77, -59.6, 59.4

 

CMYK 68 / 0 / 82 / 21

HEX #41C924

RGB 65 201 36

HSL 109.45, 0.7%, 0.46%

LAB 71.57, -64.16, 64.71

 

CMYK 74 / 0 / 91 / 28

HEX #30B711

RGB 48 183 17

HSL 108.8, 0.83%, 0.39%

LAB 65.39, -62.33, 63.23

 

CMYK 81 / 0 / 100 / 35

HEX #1FA500

RGB 31 165 0

HSL 108.73, 1%, 0.32%

LAB 59.16, -59.78, 60.38

 

CMYK 90 / 0 / 100 / 42

HEX #0E9300

RGB 14 147 0

HSL 114.29, 1%, 0.29%

LAB 52.91, -56.23, 55.3

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 68 / 0 / 82 / 22

HEX #40C723

RGB 64 199 35

HSL 109.39, 0.7%, 0.46%

LAB 70.91, -63.76, 64.36

 

CMYK 46 / 0 / 82 / 22

HEX #6CC723

RGB 108 199 35

HSL 93.29, 0.7%, 0.46%

LAB 72.33, -52.42, 66.17

 

CMYK 23 / 0 / 82 / 22

HEX #99C723

RGB 153 199 35

HSL 76.83, 0.7%, 0.46%

LAB 74.66, -36.32, 69.13

 

CMYK 1 / 0 / 82 / 22

HEX #C5C723

RGB 197 199 35

HSL 60.73, 0.7%, 0.46%

LAB 77.78, -18.16, 73.04

 

CMYK 0 / 21 / 82 / 22

HEX #C79E23

RGB 199 158 35

HSL 45, 0.7%, 0.46%

LAB 67.06, 4.01, 63.96

 

CMYK 68 / 0 / 82 / 22

HEX #40C723

RGB 64 199 35

HSL 109.39, 0.7%, 0.46%

LAB 70.91, -63.76, 64.36

 

CMYK 82 / 0 / 74 / 22

HEX #23C733

RGB 35 199 51

HSL 125.85, 0.7%, 0.46%

LAB 70.49, -67.12, 58.92

 

CMYK 82 / 0 / 52 / 22

HEX #23C75F

RGB 35 199 95

HSL 141.95, 0.7%, 0.46%

LAB 70.89, -62.14, 40.63

 

CMYK 82 / 0 / 30 / 22

HEX #23C78B

RGB 35 199 139

HSL 158.05, 0.7%, 0.46%

LAB 71.6, -53.95, 18.93

 

CMYK 82 / 0 / 8 / 22

HEX #23C7B7

RGB 35 199 183

HSL 174.15, 0.7%, 0.46%

LAB 72.64, -42.93, -3.35

 

CMYK 68 / 0 / 82 / 22

HEX #40C723

RGB 64 199 35

HSL 109.39, 0.7%, 0.46%

LAB 70.91, -63.76, 64.36

 

CMYK 76 / 0 / 93 / 15

HEX #34DA10

RGB 52 218 16

HSL 109.31, 0.86%, 0.46%

LAB 76.62, -72.27, 72.85

 

CMYK 68 / 0 / 82 / 22

HEX #40C723

RGB 64 199 35

HSL 109.39, 0.7%, 0.46%

LAB 70.91, -63.76, 64.36

 

CMYK 58 / 0 / 70 / 29

HEX #4CB436

RGB 76 180 54

HSL 109.52, 0.54%, 0.46%

LAB 65.31, -53.26, 52.8

 

CMYK 45 / 0 / 55 / 37

HEX #59A149

RGB 89 161 73

HSL 109.09, 0.38%, 0.46%

LAB 59.97, -39.99, 38.48

 

CMYK 29 / 0 / 35 / 44

HEX #658E5C

RGB 101 142 92

HSL 109.2, 0.21%, 0.46%

LAB 54.95, -24.28, 22.24

 

CMYK 8 / 0 / 10 / 52

HEX #717B6F

RGB 113 123 111

HSL 110, 0.05%, 0.46%

LAB 50.48, -6.16, 5.29

 

CMYK 23 / 0 / 82 / 22

HEX #99C723

RGB 153 199 35

HSL 76.83, 0.7%, 0.46%

LAB 74.66, -36.32, 69.13

 

CMYK 45 / 0 / 82 / 22

HEX #6DC723

RGB 109 199 35

HSL 92.93, 0.7%, 0.46%

LAB 72.37, -52.11, 66.23

 

CMYK 67 / 0 / 82 / 22

HEX #41C723

RGB 65 199 35

HSL 109.02, 0.7%, 0.46%

LAB 70.93, -63.56, 64.38

 

CMYK 82 / 0 / 75 / 22

HEX #23C731

RGB 35 199 49

HSL 125.12, 0.7%, 0.46%

LAB 70.47, -67.27, 59.59

 

CMYK 82 / 0 / 53 / 22

HEX #23C75D

RGB 35 199 93

HSL 141.22, 0.7%, 0.46%

LAB 70.87, -62.43, 41.56

 

CMYK 67 / 0 / 82 / 49

HEX #2A8117

RGB 42 129 23

HSL 109.25, 0.7%, 0.3%

LAB 47.31, -45.32, 45.7

 

CMYK 68 / 0 / 82 / 36

HEX #35A41D

RGB 53 164 29

HSL 109.33, 0.7%, 0.38%

LAB 59.34, -54.75, 55.25

 

CMYK 68 / 0 / 82 / 22

HEX #40C723

RGB 64 199 35

HSL 109.39, 0.7%, 0.46%

LAB 70.91, -63.76, 64.36

 

CMYK 61 / 0 / 75 / 14

HEX #55DC38

RGB 85 220 56

HSL 109.39, 0.7%, 0.54%

LAB 78.11, -65.02, 65.15

 

CMYK 49 / 0 / 60 / 11

HEX #73E25B

RGB 115 226 91

HSL 109.33, 0.7%, 0.62%

LAB 81.18, -56.59, 55.12

 

CMYK 68 / 0 / 82 / 21

HEX #41C924

RGB 65 201 36

HSL 109.45, 0.7%, 0.46%

LAB 71.57, -64.16, 64.71

 

CMYK 82 / 1 / 0 / 22

HEX #23C5C7

RGB 35 197 199

HSL 180.73, 0.7%, 0.46%

LAB 72.5, -37.43, -12.26

 

CMYK 0 / 82 / 34 / 22

HEX #C72383

RGB 199 35 131

HSL 324.88, 0.7%, 0.46%

LAB 45.61, 68.12, -12.67

 

CMYK 68 / 0 / 82 / 21

HEX #41C924

RGB 65 201 36

HSL 109.45, 0.7%, 0.46%

LAB 71.57, -64.16, 64.71

 

CMYK 82 / 67 / 0 / 22

HEX #2341C7

RGB 35 65 199

HSL 229.02, 0.7%, 0.46%

LAB 34.52, 39.14, -72.12

 

CMYK 0 / 82 / 67 / 22

HEX #C72341

RGB 199 35 65

HSL 349.02, 0.7%, 0.46%

LAB 43.84, 62.9, 25.7

 

CMYK 68 / 0 / 82 / 21

HEX #41C924

RGB 65 201 36

HSL 109.45, 0.7%, 0.46%

LAB 71.57, -64.16, 64.71

 

CMYK 82 / 1 / 0 / 22

HEX #23C5C7

RGB 35 197 199

HSL 180.73, 0.7%, 0.46%

LAB 72.5, -37.43, -12.26

 

CMYK 15 / 82 / 0 / 22

HEX #A923C7

RGB 169 35 199

HSL 289.02, 0.7%, 0.46%

LAB 43.89, 71.65, -56.27

 

CMYK 0 / 81 / 82 / 22

HEX #C72623

RGB 199 38 35

HSL 1.1, 0.7%, 0.46%

LAB 43.73, 60.98, 43.04

 

CMYK 68 / 0 / 82 / 21

HEX #41C924

RGB 65 201 36

HSL 109.45, 0.7%, 0.46%

LAB 71.57, -64.16, 64.71

 

CMYK 82 / 26 / 0 / 22

HEX #2393C7

RGB 35 147 199

HSL 199.02, 0.7%, 0.46%

LAB 57.41, -12.09, -35.36

 

CMYK 15 / 82 / 0 / 22

HEX #A923C7

RGB 169 35 199

HSL 289.02, 0.7%, 0.46%

LAB 43.89, 71.65, -56.27

 

CMYK 0 / 56 / 82 / 22

HEX #C75723

RGB 199 87 35

HSL 19.02, 0.7%, 0.46%

LAB 50.78, 41.91, 49.57

 

Description

Color code: HEX #41C924 | qconv.com Color code: HEX #41C924 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 201 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 201 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 82 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 82% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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