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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41C0FC it is the complementary color #BE3F03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41C0FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41C0FC shade: #46C0F7, #57D2FF, #68E4FF, #79F6FF and #8AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41C0FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41C0FC shade: #41C0FC, #30AEE9, #1F9CD6, #0E8AC3 and #0078B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41C0FC shade: #40BFFC, #408DFC, #405AFC, #5840FC and #8B40FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41C0FC shade: #40BFFC, #408DFC, #405AFC and #4040FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41C0FC shade matches the following richer shades: #40BFFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41C0FC shade: #40BFFC, #4FBAEC, #5FB4DC, #6FAECD and #7EA9BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41C0FC shade: #40FCD3, #40F2FC, #40C0FC, #408EFC and #405CFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41C0FC shade: #039DE6, #17B2FB, #40BFFC, #68CDFC and #91DAFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41C0FC shade: #41C0FC, #A140FC and #FCEC40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41C0FC shade: #41C0FC, #FC40C0 and #C0FC40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41C0FC shade: #41C0FC, #A140FC, #FC7B40 and #9AFC40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41C0FC shade: #41C0FC, #D940FC, #FC7B40 and #62FC40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 24 / 0 / 1

HEX #41C0FC

RGB 65 192 252

HSL 199.25, 0.97%, 0.62%

LAB 73.45, -15.28, -39.48

 

Complementary color

CMYK 0 / 67 / 98 / 25

HEX #BE3F03

RGB 190 63 3

HSL 19.25, 0.97%, 0.38%

LAB 44.95, 48.98, 55.37

 

CMYK 72 / 22 / 0 / 3

HEX #46C0F7

RGB 70 192 247

HSL 198.64, 0.92%, 0.62%

LAB 73.36, -16.31, -36.91

 

CMYK 66 / 18 / 0 / 0

HEX #57D2FF

RGB 87 210 255

HSL 196.07, 1%, 0.67%

LAB 79.24, -20.73, -32.08

 

CMYK 59 / 11 / 0 / 0

HEX #68E4FF

RGB 104 228 255

HSL 190.73, 1%, 0.7%

LAB 84.82, -26.93, -23.5

 

CMYK 53 / 4 / 0 / 0

HEX #79F6FF

RGB 121 246 255

HSL 184.03, 1%, 0.74%

LAB 90.41, -32.41, -15

 

CMYK 46 / 0 / 0 / 0

HEX #8AFFFF

RGB 138 255 255

HSL 180, 1%, 0.77%

LAB 93.51, -33.13, -10.31

 

CMYK 74 / 24 / 0 / 1

HEX #41C0FC

RGB 65 192 252

HSL 199.25, 0.97%, 0.62%

LAB 73.45, -15.28, -39.48

 

CMYK 79 / 25 / 0 / 9

HEX #30AEE9

RGB 48 174 233

HSL 199.14, 0.81%, 0.55%

LAB 67.11, -13.85, -39.07

 

CMYK 86 / 27 / 0 / 16

HEX #1F9CD6

RGB 31 156 214

HSL 199.02, 0.75%, 0.48%

LAB 60.71, -12.06, -38.61

 

CMYK 93 / 29 / 0 / 24

HEX #0E8AC3

RGB 14 138 195

HSL 198.9, 0.87%, 0.41%

LAB 54.25, -9.83, -38.07

 

CMYK 100 / 32 / 0 / 31

HEX #0078B0

RGB 0 120 176

HSL 199.09, 1%, 0.35%

LAB 47.71, -7.12, -37.46

 

CMYK 75 / 24 / 0 / 1

HEX #40BFFC

RGB 64 191 252

HSL 199.47, 0.97%, 0.62%

LAB 73.14, -14.87, -39.96

 

CMYK 75 / 44 / 0 / 1

HEX #408DFC

RGB 64 141 252

HSL 215.43, 0.97%, 0.62%

LAB 59.13, 13.58, -62.11

 

CMYK 75 / 64 / 0 / 1

HEX #405AFC

RGB 64 90 252

HSL 231.7, 0.97%, 0.62%

LAB 46.22, 44.93, -83.06

 

CMYK 65 / 75 / 0 / 1

HEX #5840FC

RGB 88 64 252

HSL 247.66, 0.97%, 0.62%

LAB 42.41, 61.72, -89.27

 

CMYK 45 / 75 / 0 / 1

HEX #8B40FC

RGB 139 64 252

HSL 263.94, 0.97%, 0.62%

LAB 47.22, 68.15, -81.2

 

CMYK 75 / 24 / 0 / 1

HEX #40BFFC

RGB 64 191 252

HSL 199.47, 0.97%, 0.62%

LAB 73.14, -14.87, -39.96

 

CMYK 75 / 44 / 0 / 1

HEX #408DFC

RGB 64 141 252

HSL 215.43, 0.97%, 0.62%

LAB 59.13, 13.58, -62.11

 

CMYK 75 / 64 / 0 / 1

HEX #405AFC

RGB 64 90 252

HSL 231.7, 0.97%, 0.62%

LAB 46.22, 44.93, -83.06

 

CMYK 75 / 75 / 0 / 1

HEX #4040FC

RGB 64 64 252

HSL 240, 0.97%, 0.62%

LAB 40.87, 59.6, -91.86

 

CMYK 75 / 24 / 0 / 1

HEX #40BFFC

RGB 64 191 252

HSL 199.47, 0.97%, 0.62%

LAB 73.14, -14.87, -39.96

 

CMYK 75 / 24 / 0 / 1

HEX #40BFFC

RGB 64 191 252

HSL 199.47, 0.97%, 0.62%

LAB 73.14, -14.87, -39.96

 

CMYK 67 / 21 / 0 / 7

HEX #4FBAEC

RGB 79 186 236

HSL 199.11, 0.81%, 0.62%

LAB 71.44, -15.4, -33.92

 

CMYK 57 / 18 / 0 / 14

HEX #5FB4DC

RGB 95 180 220

HSL 199.2, 0.64%, 0.62%

LAB 69.64, -14.35, -27.93

 

CMYK 46 / 15 / 0 / 20

HEX #6FAECD

RGB 111 174 205

HSL 199.79, 0.48%, 0.62%

LAB 68.06, -11.95, -22.05

 

CMYK 33 / 11 / 0 / 26

HEX #7EA9BD

RGB 126 169 189

HSL 199.05, 0.32%, 0.62%

LAB 66.89, -9.53, -14.91

 

CMYK 75 / 0 / 16 / 1

HEX #40FCD3

RGB 64 252 211

HSL 166.91, 0.97%, 0.62%

LAB 89.59, -55.06, 6.51

 

CMYK 75 / 4 / 0 / 1

HEX #40F2FC

RGB 64 242 252

HSL 183.19, 0.97%, 0.62%

LAB 87.79, -39.9, -17.52

 

CMYK 75 / 24 / 0 / 1

HEX #40C0FC

RGB 64 192 252

HSL 199.15, 0.97%, 0.62%

LAB 73.43, -15.4, -39.51

 

CMYK 75 / 44 / 0 / 1

HEX #408EFC

RGB 64 142 252

HSL 215.11, 0.97%, 0.62%

LAB 59.4, 12.98, -61.68

 

CMYK 75 / 63 / 0 / 1

HEX #405CFC

RGB 64 92 252

HSL 231.06, 0.97%, 0.62%

LAB 46.67, 43.72, -82.31

 

CMYK 99 / 32 / 0 / 10

HEX #039DE6

RGB 3 157 230

HSL 199.3, 0.97%, 0.46%

LAB 61.52, -8.01, -46.23

 

CMYK 91 / 29 / 0 / 2

HEX #17B2FB

RGB 23 178 251

HSL 199.21, 0.97%, 0.54%

LAB 68.74, -11.43, -46.35

 

CMYK 75 / 24 / 0 / 1

HEX #40BFFC

RGB 64 191 252

HSL 199.47, 0.97%, 0.62%

LAB 73.14, -14.87, -39.96

 

CMYK 59 / 19 / 0 / 1

HEX #68CDFC

RGB 104 205 252

HSL 199.05, 0.96%, 0.7%

LAB 78.25, -16.22, -31.96

 

CMYK 43 / 14 / 0 / 1

HEX #91DAFD

RGB 145 218 253

HSL 199.44, 0.96%, 0.78%

LAB 83.58, -13.87, -24.18

 

CMYK 74 / 24 / 0 / 1

HEX #41C0FC

RGB 65 192 252

HSL 199.25, 0.97%, 0.62%

LAB 73.45, -15.28, -39.48

 

CMYK 36 / 75 / 0 / 1

HEX #A140FC

RGB 161 64 252

HSL 270.96, 0.97%, 0.62%

LAB 49.82, 71.56, -76.83

 

CMYK 0 / 6 / 75 / 1

HEX #FCEC40

RGB 252 236 64

HSL 54.89, 0.97%, 0.62%

LAB 92.16, -12.38, 79.31

 

CMYK 74 / 24 / 0 / 1

HEX #41C0FC

RGB 65 192 252

HSL 199.25, 0.97%, 0.62%

LAB 73.45, -15.28, -39.48

 

CMYK 0 / 75 / 24 / 1

HEX #FC40C0

RGB 252 64 192

HSL 319.15, 0.97%, 0.62%

LAB 60.04, 79.85, -25.82

 

CMYK 24 / 0 / 75 / 1

HEX #C0FC40

RGB 192 252 64

HSL 79.15, 0.97%, 0.62%

LAB 92.22, -43.65, 77.86

 

CMYK 74 / 24 / 0 / 1

HEX #41C0FC

RGB 65 192 252

HSL 199.25, 0.97%, 0.62%

LAB 73.45, -15.28, -39.48

 

CMYK 36 / 75 / 0 / 1

HEX #A140FC

RGB 161 64 252

HSL 270.96, 0.97%, 0.62%

LAB 49.82, 71.56, -76.83

 

CMYK 0 / 51 / 75 / 1

HEX #FC7B40

RGB 252 123 64

HSL 18.83, 0.97%, 0.62%

LAB 65.93, 45.46, 53.77

 

CMYK 39 / 0 / 75 / 1

HEX #9AFC40

RGB 154 252 64

HSL 91.28, 0.97%, 0.62%

LAB 90.26, -56.92, 75.3

 

CMYK 74 / 24 / 0 / 1

HEX #41C0FC

RGB 65 192 252

HSL 199.25, 0.97%, 0.62%

LAB 73.45, -15.28, -39.48

 

CMYK 14 / 75 / 0 / 1

HEX #D940FC

RGB 217 64 252

HSL 288.83, 0.97%, 0.62%

LAB 57.51, 81.38, -64.02

 

CMYK 0 / 51 / 75 / 1

HEX #FC7B40

RGB 252 123 64

HSL 18.83, 0.97%, 0.62%

LAB 65.93, 45.46, 53.77

 

CMYK 61 / 0 / 75 / 1

HEX #62FC40

RGB 98 252 64

HSL 109.15, 0.97%, 0.62%

LAB 88.25, -72.26, 72.66

 

Description

Color code: HEX #41C0FC | qconv.com Color code: HEX #41C0FC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 192 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 192 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 24 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 24% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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