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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41C05D it is the complementary color #BE3FA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41C05D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41C05D shade: #46C058, #57D26B, #68E47E, #79F691 and #8AFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41C05D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41C05D shade: #41C05D, #30AE4A, #1F9C37, #0E8A24 and #007811

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41C05D shade: #40BF5C, #46BF40, #68BF40, #8BBF40 and #ADBF40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41C05D shade: #40BF5C, #40BF7E, #40BFA1, #40BBBF and #4099BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41C05D shade matches the following richer shades: #40BF5C, #2BD450, #16E945 and #02FD39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41C05D shade: #40BF5C, #54AB67, #699673, #7E817E and #926D8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41C05D shade: #68BF40, #46BF40, #40BF5B, #40BF7D and #40BF9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41C05D shade: #2B813E, #35A04D, #40BF5C, #5FCA76 and #7ED491

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41C05D shade: #41C05D, #408ABF and #BF4057

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41C05D shade: #41C05D, #5B40BF and #BF5B40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41C05D shade: #41C05D, #408ABF, #BF40A4 and #BF7540

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41C05D shade: #41C05D, #4064BF, #BF40A4 and #BF9B40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 52 / 25

HEX #41C05D

RGB 65 192 93

HSL 133.23, 0.5%, 0.5%

LAB 69.19, -55.61, 39.64

 

Complementary color

CMYK 0 / 67 / 15 / 25

HEX #BE3FA2

RGB 190 63 162

HSL 313.23, 0.5%, 0.5%

LAB 48.4, 61.08, -27.17

 

CMYK 64 / 0 / 54 / 25

HEX #46C058

RGB 70 192 88

HSL 128.85, 0.49%, 0.51%

LAB 69.26, -55.3, 42.17

 

CMYK 59 / 0 / 49 / 18

HEX #57D26B

RGB 87 210 107

HSL 129.76, 0.58%, 0.58%

LAB 75.56, -55.64, 40.79

 

CMYK 54 / 0 / 45 / 11

HEX #68E47E

RGB 104 228 126

HSL 130.65, 0.7%, 0.65%

LAB 81.8, -55.77, 39.44

 

CMYK 51 / 0 / 41 / 4

HEX #79F691

RGB 121 246 145

HSL 131.52, 0.87%, 0.72%

LAB 87.98, -55.76, 38.13

 

CMYK 46 / 0 / 36 / 0

HEX #8AFFA4

RGB 138 255 164

HSL 133.33, 1%, 0.77%

LAB 91.51, -52, 33.46

 

CMYK 66 / 0 / 52 / 25

HEX #41C05D

RGB 65 192 93

HSL 133.23, 0.5%, 0.5%

LAB 69.19, -55.61, 39.64

 

CMYK 72 / 0 / 57 / 32

HEX #30AE4A

RGB 48 174 74

HSL 132.38, 0.57%, 0.44%

LAB 62.84, -54.89, 41.09

 

CMYK 80 / 0 / 65 / 39

HEX #1F9C37

RGB 31 156 55

HSL 131.52, 0.67%, 0.37%

LAB 56.43, -53.64, 42.46

 

CMYK 90 / 0 / 74 / 46

HEX #0E8A24

RGB 14 138 36

HSL 130.65, 0.82%, 0.3%

LAB 49.97, -51.62, 43.52

 

CMYK 100 / 0 / 86 / 53

HEX #007811

RGB 0 120 17

HSL 128.5, 1%, 0.24%

LAB 43.47, -48.58, 43.7

 

CMYK 66 / 0 / 52 / 25

HEX #40BF5C

RGB 64 191 92

HSL 133.23, 0.5%, 0.5%

LAB 68.84, -55.58, 39.69

 

CMYK 63 / 0 / 66 / 25

HEX #46BF40

RGB 70 191 64

HSL 117.17, 0.5%, 0.5%

LAB 68.7, -57.72, 52.33

 

CMYK 46 / 0 / 66 / 25

HEX #68BF40

RGB 104 191 64

HSL 101.1, 0.5%, 0.5%

LAB 69.88, -48.67, 53.94

 

CMYK 27 / 0 / 66 / 25

HEX #8BBF40

RGB 139 191 64

HSL 84.57, 0.5%, 0.5%

LAB 71.64, -36.54, 56.34

 

CMYK 9 / 0 / 66 / 25

HEX #ADBF40

RGB 173 191 64

HSL 68.5, 0.5%, 0.5%

LAB 73.88, -23.02, 59.37

 

CMYK 66 / 0 / 52 / 25

HEX #40BF5C

RGB 64 191 92

HSL 133.23, 0.5%, 0.5%

LAB 68.84, -55.58, 39.69

 

CMYK 66 / 0 / 34 / 25

HEX #40BF7E

RGB 64 191 126

HSL 149.29, 0.5%, 0.5%

LAB 69.37, -49.71, 22.88

 

CMYK 66 / 0 / 16 / 25

HEX #40BFA1

RGB 64 191 161

HSL 165.83, 0.5%, 0.5%

LAB 70.12, -41.82, 5.03

 

CMYK 66 / 2 / 0 / 25

HEX #40BBBF

RGB 64 187 191

HSL 181.89, 0.5%, 0.5%

LAB 69.75, -31.88, -11.96

 

CMYK 66 / 20 / 0 / 25

HEX #4099BF

RGB 64 153 191

HSL 197.95, 0.5%, 0.5%

LAB 59.56, -14.51, -27.47

 

CMYK 66 / 0 / 52 / 25

HEX #40BF5C

RGB 64 191 92

HSL 133.23, 0.5%, 0.5%

LAB 68.84, -55.58, 39.69

 

CMYK 80 / 0 / 62 / 17

HEX #2BD450

RGB 43 212 80

HSL 133.14, 0.66%, 0.5%

LAB 74.94, -67.45, 52.32

 

CMYK 91 / 0 / 70 / 9

HEX #16E945

RGB 22 233 69

HSL 133.36, 0.83%, 0.5%

LAB 81.22, -76.59, 63.46

 

CMYK 99 / 0 / 77 / 1

HEX #02FD39

RGB 2 253 57

HSL 133.15, 0.98%, 0.5%

LAB 87.27, -83.74, 73.4

 

CMYK 66 / 0 / 52 / 25

HEX #40BF5C

RGB 64 191 92

HSL 133.23, 0.5%, 0.5%

LAB 68.84, -55.58, 39.69

 

CMYK 51 / 0 / 40 / 33

HEX #54AB67

RGB 84 171 103

HSL 133.1, 0.34%, 0.5%

LAB 63.33, -41.29, 27.19

 

CMYK 30 / 0 / 23 / 41

HEX #699673

RGB 105 150 115

HSL 133.33, 0.18%, 0.5%

LAB 58.09, -22.81, 13.66

 

CMYK 2 / 0 / 2 / 49

HEX #7E817E

RGB 126 129 126

HSL 120, 0.01%, 0.5%

LAB 53.65, -1.71, 1.23

 

CMYK 0 / 25 / 5 / 43

HEX #926D8A

RGB 146 109 138

HSL 312.97, 0.15%, 0.5%

LAB 50.55, 19.72, -10.18

 

CMYK 46 / 0 / 66 / 25

HEX #68BF40

RGB 104 191 64

HSL 101.1, 0.5%, 0.5%

LAB 69.88, -48.67, 53.94

 

CMYK 63 / 0 / 66 / 25

HEX #46BF40

RGB 70 191 64

HSL 117.17, 0.5%, 0.5%

LAB 68.7, -57.72, 52.33

 

CMYK 66 / 0 / 52 / 25

HEX #40BF5B

RGB 64 191 91

HSL 132.76, 0.5%, 0.5%

LAB 68.83, -55.73, 40.16

 

CMYK 66 / 0 / 35 / 25

HEX #40BF7D

RGB 64 191 125

HSL 148.82, 0.5%, 0.5%

LAB 69.35, -49.91, 23.39

 

CMYK 66 / 0 / 17 / 25

HEX #40BF9F

RGB 64 191 159

HSL 164.88, 0.5%, 0.5%

LAB 70.07, -42.31, 6.05

 

CMYK 67 / 0 / 52 / 49

HEX #2B813E

RGB 43 129 62

HSL 133.26, 0.5%, 0.34%

LAB 47.7, -40.8, 28.8

 

CMYK 67 / 0 / 52 / 37

HEX #35A04D

RGB 53 160 77

HSL 133.46, 0.5%, 0.42%

LAB 58.45, -48.44, 34.33

 

CMYK 66 / 0 / 52 / 25

HEX #40BF5C

RGB 64 191 92

HSL 133.23, 0.5%, 0.5%

LAB 68.84, -55.58, 39.69

 

CMYK 53 / 0 / 42 / 21

HEX #5FCA76

RGB 95 202 118

HSL 132.9, 0.5%, 0.58%

LAB 73.53, -48.89, 32.75

 

CMYK 41 / 0 / 32 / 17

HEX #7ED491

RGB 126 212 145

HSL 133.26, 0.5%, 0.66%

LAB 78.21, -40.14, 25.21

 

CMYK 66 / 0 / 52 / 25

HEX #41C05D

RGB 65 192 93

HSL 133.23, 0.5%, 0.5%

LAB 69.19, -55.61, 39.64

 

CMYK 66 / 28 / 0 / 25

HEX #408ABF

RGB 64 138 191

HSL 205.04, 0.5%, 0.5%

LAB 55.1, -6.1, -34.39

 

CMYK 0 / 66 / 54 / 25

HEX #BF4057

RGB 191 64 87

HSL 349.13, 0.5%, 0.5%

LAB 46.22, 52.34, 15.05

 

CMYK 66 / 0 / 52 / 25

HEX #41C05D

RGB 65 192 93

HSL 133.23, 0.5%, 0.5%

LAB 69.19, -55.61, 39.64

 

CMYK 52 / 66 / 0 / 25

HEX #5B40BF

RGB 91 64 191

HSL 252.76, 0.5%, 0.5%

LAB 37.21, 44.11, -62.9

 

CMYK 0 / 52 / 66 / 25

HEX #BF5B40

RGB 191 91 64

HSL 12.76, 0.5%, 0.5%

LAB 50.6, 38.12, 34.24

 

CMYK 66 / 0 / 52 / 25

HEX #41C05D

RGB 65 192 93

HSL 133.23, 0.5%, 0.5%

LAB 69.19, -55.61, 39.64

 

CMYK 66 / 28 / 0 / 25

HEX #408ABF

RGB 64 138 191

HSL 205.04, 0.5%, 0.5%

LAB 55.1, -6.1, -34.39

 

CMYK 0 / 66 / 14 / 25

HEX #BF40A4

RGB 191 64 164

HSL 312.76, 0.5%, 0.5%

LAB 48.79, 61.24, -27.74

 

CMYK 0 / 39 / 66 / 25

HEX #BF7540

RGB 191 117 64

HSL 25.04, 0.5%, 0.5%

LAB 56.26, 24.27, 40.82

 

CMYK 66 / 0 / 52 / 25

HEX #41C05D

RGB 65 192 93

HSL 133.23, 0.5%, 0.5%

LAB 69.19, -55.61, 39.64

 

CMYK 66 / 48 / 0 / 25

HEX #4064BF

RGB 64 100 191

HSL 222.99, 0.5%, 0.5%

LAB 44.18, 17.1, -51.7

 

CMYK 0 / 66 / 14 / 25

HEX #BF40A4

RGB 191 64 164

HSL 312.76, 0.5%, 0.5%

LAB 48.79, 61.24, -27.74

 

CMYK 0 / 19 / 66 / 25

HEX #BF9B40

RGB 191 155 64

HSL 42.99, 0.5%, 0.5%

LAB 65.66, 3.4, 51.21

 

Description

Color code: HEX #41C05D | qconv.com Color code: HEX #41C05D | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 192 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 192 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 52 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 52% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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