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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41BF38 it is the complementary color #BE40C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41BF38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41BF38 shade: #46BF33, #57D146, #68E359, #79F56C and #8AFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41BF38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41BF38 shade: #41BF38, #30AD25, #1F9B12, #0E8900 and #007700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41BF38 shade: #40BE37, #64BE37, #89BE37, #ADBE37 and #BEAA37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41BF38 shade: #40BE37, #37BE52, #37BE77, #37BE9B and #37BCBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41BF38 shade matches the following richer shades: #40BE37, #2FD223 and #1EE50F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41BF38 shade: #40BE37, #51AA4B, #62965F, #748272 and #856F86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41BF38 shade: #88BE37, #64BE37, #40BE37, #37BE52 and #37BE76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41BF38 shade: #2A7E25, #359E2E, #40BE37, #5ACD51 and #78D671

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41BF38 shade: #41BF38, #37ACBE and #BE3776

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41BF38 shade: #41BF38, #3740BE and #BE3740

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41BF38 shade: #41BF38, #37ACBE, #B537BE and #BE4937

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41BF38 shade: #41BF38, #3783BE, #B537BE and #BE7137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 71 / 25

HEX #41BF38

RGB 65 191 56

HSL 116, 0.55%, 0.48%

LAB 68.51, -59.51, 55.26

 

Complementary color

CMYK 5 / 68 / 0 / 22

HEX #BE40C7

RGB 190 64 199

HSL 296, 0.55%, 0.52%

LAB 50.38, 66.64, -45.69

 

CMYK 63 / 0 / 73 / 25

HEX #46BF33

RGB 70 191 51

HSL 111.86, 0.58%, 0.47%

LAB 68.61, -58.84, 57.25

 

CMYK 58 / 0 / 67 / 18

HEX #57D146

RGB 87 209 70

HSL 112.66, 0.6%, 0.55%

LAB 74.87, -59.63, 56.68

 

CMYK 54 / 0 / 61 / 11

HEX #68E359

RGB 104 227 89

HSL 113.48, 0.71%, 0.62%

LAB 81.07, -60.1, 55.76

 

CMYK 51 / 0 / 56 / 4

HEX #79F56C

RGB 121 245 108

HSL 114.31, 0.87%, 0.69%

LAB 87.22, -60.34, 54.67

 

CMYK 46 / 0 / 50 / 0

HEX #8AFF7F

RGB 138 255 127

HSL 114.84, 1%, 0.75%

LAB 90.99, -57.33, 50.69

 

CMYK 66 / 0 / 71 / 25

HEX #41BF38

RGB 65 191 56

HSL 116, 0.55%, 0.48%

LAB 68.51, -59.51, 55.26

 

CMYK 72 / 0 / 79 / 32

HEX #30AD25

RGB 48 173 37

HSL 115.15, 0.65%, 0.41%

LAB 62.21, -58.21, 55.51

 

CMYK 80 / 0 / 88 / 39

HEX #1F9B12

RGB 31 155 18

HSL 114.31, 0.79%, 0.34%

LAB 55.86, -56.2, 54.71

 

CMYK 90 / 0 / 100 / 46

HEX #0E8900

RGB 14 137 0

HSL 113.87, 1%, 0.27%

LAB 49.48, -53.27, 52.55

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 66 / 0 / 71 / 25

HEX #40BE37

RGB 64 190 55

HSL 116, 0.55%, 0.48%

LAB 68.16, -59.46, 55.27

 

CMYK 47 / 0 / 71 / 25

HEX #64BE37

RGB 100 190 55

HSL 100, 0.55%, 0.48%

LAB 69.34, -50.23, 56.85

 

CMYK 28 / 0 / 71 / 25

HEX #89BE37

RGB 137 190 55

HSL 83.56, 0.55%, 0.48%

LAB 71.16, -37.47, 59.29

 

CMYK 9 / 0 / 71 / 25

HEX #ADBE37

RGB 173 190 55

HSL 67.56, 0.55%, 0.48%

LAB 73.54, -23.05, 62.44

 

CMYK 0 / 11 / 71 / 25

HEX #BEAA37

RGB 190 170 55

HSL 51.11, 0.55%, 0.48%

LAB 69.45, -5.55, 58.88

 

CMYK 66 / 0 / 71 / 25

HEX #40BE37

RGB 64 190 55

HSL 116, 0.55%, 0.48%

LAB 68.16, -59.46, 55.27

 

CMYK 71 / 0 / 57 / 25

HEX #37BE52

RGB 55 190 82

HSL 132, 0.55%, 0.48%

LAB 68.2, -58.24, 43.68

 

CMYK 71 / 0 / 37 / 25

HEX #37BE77

RGB 55 190 119

HSL 148.44, 0.55%, 0.48%

LAB 68.73, -52.21, 25.7

 

CMYK 71 / 0 / 18 / 25

HEX #37BE9B

RGB 55 190 155

HSL 164.44, 0.55%, 0.48%

LAB 69.47, -44.24, 7.34

 

CMYK 71 / 1 / 0 / 25

HEX #37BCBE

RGB 55 188 190

HSL 180.89, 0.55%, 0.48%

LAB 69.82, -33.88, -11.32

 

CMYK 66 / 0 / 71 / 25

HEX #40BE37

RGB 64 190 55

HSL 116, 0.55%, 0.48%

LAB 68.16, -59.46, 55.27

 

CMYK 78 / 0 / 83 / 18

HEX #2FD223

RGB 47 210 35

HSL 115.89, 0.71%, 0.48%

LAB 74.07, -69.94, 67.11

 

CMYK 87 / 0 / 93 / 10

HEX #1EE50F

RGB 30 229 15

HSL 115.79, 0.88%, 0.48%

LAB 79.81, -77.77, 75.51

 

CMYK 66 / 0 / 71 / 25

HEX #40BE37

RGB 64 190 55

HSL 116, 0.55%, 0.48%

LAB 68.16, -59.46, 55.27

 

CMYK 52 / 0 / 56 / 33

HEX #51AA4B

RGB 81 170 75

HSL 116.21, 0.39%, 0.48%

LAB 62.51, -45.87, 40.45

 

CMYK 35 / 0 / 37 / 41

HEX #62965F

RGB 98 150 95

HSL 116.73, 0.22%, 0.48%

LAB 57.3, -28.79, 23.67

 

CMYK 11 / 0 / 12 / 49

HEX #748272

RGB 116 130 114

HSL 112.5, 0.07%, 0.48%

LAB 52.83, -8.38, 6.93

 

CMYK 1 / 17 / 0 / 47

HEX #856F86

RGB 133 111 134

HSL 297.39, 0.09%, 0.48%

LAB 49.59, 12.99, -9.4

 

CMYK 28 / 0 / 71 / 25

HEX #88BE37

RGB 136 190 55

HSL 84, 0.55%, 0.48%

LAB 71.1, -37.85, 59.21

 

CMYK 47 / 0 / 71 / 25

HEX #64BE37

RGB 100 190 55

HSL 100, 0.55%, 0.48%

LAB 69.34, -50.23, 56.85

 

CMYK 66 / 0 / 71 / 25

HEX #40BE37

RGB 64 190 55

HSL 116, 0.55%, 0.48%

LAB 68.16, -59.46, 55.27

 

CMYK 71 / 0 / 57 / 25

HEX #37BE52

RGB 55 190 82

HSL 132, 0.55%, 0.48%

LAB 68.2, -58.24, 43.68

 

CMYK 71 / 0 / 38 / 25

HEX #37BE76

RGB 55 190 118

HSL 148, 0.55%, 0.48%

LAB 68.71, -52.4, 26.21

 

CMYK 67 / 0 / 71 / 51

HEX #2A7E25

RGB 42 126 37

HSL 116.63, 0.55%, 0.32%

LAB 46.38, -43.09, 39.49

 

CMYK 66 / 0 / 71 / 38

HEX #359E2E

RGB 53 158 46

HSL 116.25, 0.55%, 0.4%

LAB 57.47, -51.45, 47.55

 

CMYK 66 / 0 / 71 / 25

HEX #40BE37

RGB 64 190 55

HSL 116, 0.55%, 0.48%

LAB 68.16, -59.46, 55.27

 

CMYK 56 / 0 / 60 / 20

HEX #5ACD51

RGB 90 205 81

HSL 115.65, 0.55%, 0.56%

LAB 73.82, -56.34, 50.9

 

CMYK 44 / 0 / 47 / 16

HEX #78D671

RGB 120 214 113

HSL 115.84, 0.55%, 0.64%

LAB 78.04, -47.74, 41.2

 

CMYK 66 / 0 / 71 / 25

HEX #41BF38

RGB 65 191 56

HSL 116, 0.55%, 0.48%

LAB 68.51, -59.51, 55.26

 

CMYK 71 / 9 / 0 / 25

HEX #37ACBE

RGB 55 172 190

HSL 188, 0.55%, 0.48%

LAB 64.99, -26.1, -18.61

 

CMYK 0 / 71 / 38 / 25

HEX #BE3776

RGB 190 55 118

HSL 332, 0.55%, 0.48%

LAB 45.62, 58.45, -4.87

 

CMYK 66 / 0 / 71 / 25

HEX #41BF38

RGB 65 191 56

HSL 116, 0.55%, 0.48%

LAB 68.51, -59.51, 55.26

 

CMYK 71 / 66 / 0 / 25

HEX #3740BE

RGB 55 64 190

HSL 236, 0.55%, 0.48%

LAB 34.39, 38.44, -67.04

 

CMYK 0 / 71 / 66 / 25

HEX #BE3740

RGB 190 55 64

HSL 356, 0.55%, 0.48%

LAB 44.3, 54.01, 26.53

 

CMYK 66 / 0 / 71 / 25

HEX #41BF38

RGB 65 191 56

HSL 116, 0.55%, 0.48%

LAB 68.51, -59.51, 55.26

 

CMYK 71 / 9 / 0 / 25

HEX #37ACBE

RGB 55 172 190

HSL 188, 0.55%, 0.48%

LAB 64.99, -26.1, -18.61

 

CMYK 5 / 71 / 0 / 25

HEX #B537BE

RGB 181 55 190

HSL 296, 0.55%, 0.48%

LAB 47.33, 66.38, -45.41

 

CMYK 0 / 62 / 71 / 25

HEX #BE4937

RGB 190 73 55

HSL 8, 0.55%, 0.48%

LAB 46.96, 46, 34.98

 

CMYK 66 / 0 / 71 / 25

HEX #41BF38

RGB 65 191 56

HSL 116, 0.55%, 0.48%

LAB 68.51, -59.51, 55.26

 

CMYK 71 / 31 / 0 / 25

HEX #3783BE

RGB 55 131 190

HSL 206.22, 0.55%, 0.48%

LAB 52.69, -3.79, -37.62

 

CMYK 5 / 71 / 0 / 25

HEX #B537BE

RGB 181 55 190

HSL 296, 0.55%, 0.48%

LAB 47.33, 66.38, -45.41

 

CMYK 0 / 41 / 71 / 25

HEX #BE7137

RGB 190 113 55

HSL 25.78, 0.55%, 0.48%

LAB 55.11, 25.52, 44.06

 

Description

Color code: HEX #41BF38 | qconv.com Color code: HEX #41BF38 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 191 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 191 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 71 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 71% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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