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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41BA2C it is the complementary color #BE45D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41BA2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41BA2C shade: #46BA27, #57CC3A, #68DE4D, #79F060 and #8AFF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41BA2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41BA2C shade: #41BA2C, #30A819, #1F9606, #0E8400 and #007200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41BA2C shade: #41BA2C, #67BA2C, #8DBA2C, #B4BA2C and #BA9A2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41BA2C shade: #41BA2C, #2CBA3D, #2CBA63, #2CBA8A and #2CBAB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41BA2C shade matches the following richer shades: #41BA2C, #34CC19 and #26DF06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41BA2C shade: #41BA2C, #4EA73E, #5B9551, #688263 and #757076

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41BA2C shade: #8DBA2C, #67BA2C, #41BA2C, #2CBA3C and #2CBA62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41BA2C shade: #29771C, #359824, #41BA2C, #53D23D and #71D95F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41BA2C shade: #41BA2C, #2CB3BA and #BA2C7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41BA2C shade: #41BA2C, #2C41BA and #BA2C41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41BA2C shade: #41BA2C, #2CB3BA, #A52CBA and #BA332C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41BA2C shade: #41BA2C, #2C88BA, #A52CBA and #BA5D2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 76 / 27

HEX #41BA2C

RGB 65 186 44

HSL 111.13, 0.62%, 0.45%

LAB 66.84, -58.73, 57.86

 

Complementary color

CMYK 10 / 67 / 0 / 17

HEX #BE45D3

RGB 190 69 211

HSL 291.13, 0.62%, 0.55%

LAB 51.73, 66.85, -50.42

 

CMYK 62 / 0 / 79 / 27

HEX #46BA27

RGB 70 186 39

HSL 107.35, 0.65%, 0.44%

LAB 66.95, -57.93, 59.6

 

CMYK 57 / 0 / 72 / 20

HEX #57CC3A

RGB 87 204 58

HSL 108.08, 0.59%, 0.51%

LAB 73.23, -58.85, 59.57

 

CMYK 53 / 0 / 65 / 13

HEX #68DE4D

RGB 104 222 77

HSL 108.83, 0.69%, 0.59%

LAB 79.46, -59.42, 58.98

 

CMYK 50 / 0 / 60 / 6

HEX #79F060

RGB 121 240 96

HSL 109.58, 0.83%, 0.66%

LAB 85.62, -59.74, 58.07

 

CMYK 46 / 0 / 55 / 0

HEX #8AFF73

RGB 138 255 115

HSL 110.14, 1%, 0.73%

LAB 90.85, -58.74, 55.99

 

CMYK 65 / 0 / 76 / 27

HEX #41BA2C

RGB 65 186 44

HSL 111.13, 0.62%, 0.45%

LAB 66.84, -58.73, 57.86

 

CMYK 71 / 0 / 85 / 34

HEX #30A819

RGB 48 168 25

HSL 110.35, 0.74%, 0.38%

LAB 60.52, -57.26, 57.34

 

CMYK 79 / 0 / 96 / 41

HEX #1F9606

RGB 31 150 6

HSL 109.58, 0.92%, 0.31%

LAB 54.15, -55.05, 55.39

 

CMYK 89 / 0 / 100 / 48

HEX #0E8400

RGB 14 132 0

HSL 113.64, 1%, 0.26%

LAB 47.75, -51.77, 51.17

 

CMYK 100 / 0 / 100 / 55

HEX #007200

RGB 0 114 0

HSL 120, 1%, 0.22%

LAB 41.27, -47.58, 45.92

 

CMYK 65 / 0 / 76 / 27

HEX #41BA2C

RGB 65 186 44

HSL 111.13, 0.62%, 0.45%

LAB 66.84, -58.73, 57.86

 

CMYK 45 / 0 / 76 / 27

HEX #67BA2C

RGB 103 186 44

HSL 95.07, 0.62%, 0.45%

LAB 68.16, -48.44, 59.59

 

CMYK 24 / 0 / 76 / 27

HEX #8DBA2C

RGB 141 186 44

HSL 79.01, 0.62%, 0.45%

LAB 70.15, -34.73, 62.19

 

CMYK 3 / 0 / 76 / 27

HEX #B4BA2C

RGB 180 186 44

HSL 62.54, 0.62%, 0.45%

LAB 72.89, -18.62, 65.73

 

CMYK 0 / 17 / 76 / 27

HEX #BA9A2C

RGB 186 154 44

HSL 46.48, 0.62%, 0.45%

LAB 64.75, 0.72, 58.37

 

CMYK 65 / 0 / 76 / 27

HEX #41BA2C

RGB 65 186 44

HSL 111.13, 0.62%, 0.45%

LAB 66.84, -58.73, 57.86

 

CMYK 76 / 0 / 67 / 27

HEX #2CBA3D

RGB 44 186 61

HSL 127.18, 0.62%, 0.45%

LAB 66.51, -61.06, 51.02

 

CMYK 76 / 0 / 47 / 27

HEX #2CBA63

RGB 44 186 99

HSL 143.24, 0.62%, 0.45%

LAB 66.94, -55.96, 33.72

 

CMYK 76 / 0 / 26 / 27

HEX #2CBA8A

RGB 44 186 138

HSL 159.72, 0.62%, 0.45%

LAB 67.64, -48.11, 13.98

 

CMYK 76 / 0 / 5 / 27

HEX #2CBAB0

RGB 44 186 176

HSL 175.77, 0.62%, 0.45%

LAB 68.6, -38.27, -5.47

 

CMYK 65 / 0 / 76 / 27

HEX #41BA2C

RGB 65 186 44

HSL 111.13, 0.62%, 0.45%

LAB 66.84, -58.73, 57.86

 

CMYK 75 / 0 / 88 / 20

HEX #34CC19

RGB 52 204 25

HSL 110.95, 0.78%, 0.45%

LAB 72.22, -67.85, 67.68

 

CMYK 83 / 0 / 97 / 13

HEX #26DF06

RGB 38 223 6

HSL 111.15, 0.95%, 0.45%

LAB 77.99, -75.57, 74.92

 

CMYK 65 / 0 / 76 / 27

HEX #41BA2C

RGB 65 186 44

HSL 111.13, 0.62%, 0.45%

LAB 66.84, -58.73, 57.86

 

CMYK 53 / 0 / 63 / 35

HEX #4EA73E

RGB 78 167 62

HSL 110.86, 0.46%, 0.45%

LAB 61.31, -47.02, 45.12

 

CMYK 39 / 0 / 46 / 42

HEX #5B9551

RGB 91 149 81

HSL 111.18, 0.3%, 0.45%

LAB 56.4, -32.88, 30

 

CMYK 20 / 0 / 24 / 49

HEX #688263

RGB 104 130 99

HSL 110.32, 0.14%, 0.45%

LAB 51.62, -15.72, 13.78

 

CMYK 1 / 5 / 0 / 54

HEX #757076

RGB 117 112 118

HSL 290, 0.03%, 0.45%

LAB 47.85, 3.14, -2.63

 

CMYK 24 / 0 / 76 / 27

HEX #8DBA2C

RGB 141 186 44

HSL 79.01, 0.62%, 0.45%

LAB 70.15, -34.73, 62.19

 

CMYK 45 / 0 / 76 / 27

HEX #67BA2C

RGB 103 186 44

HSL 95.07, 0.62%, 0.45%

LAB 68.16, -48.44, 59.59

 

CMYK 65 / 0 / 76 / 27

HEX #41BA2C

RGB 65 186 44

HSL 111.13, 0.62%, 0.45%

LAB 66.84, -58.73, 57.86

 

CMYK 76 / 0 / 68 / 27

HEX #2CBA3C

RGB 44 186 60

HSL 126.76, 0.62%, 0.45%

LAB 66.5, -61.16, 51.43

 

CMYK 76 / 0 / 47 / 27

HEX #2CBA62

RGB 44 186 98

HSL 142.82, 0.62%, 0.45%

LAB 66.93, -56.12, 34.21

 

CMYK 66 / 0 / 76 / 53

HEX #29771C

RGB 41 119 28

HSL 111.43, 0.62%, 0.29%

LAB 43.87, -41.52, 40.58

 

CMYK 65 / 0 / 76 / 40

HEX #359824

RGB 53 152 36

HSL 111.21, 0.62%, 0.37%

LAB 55.42, -50.14, 49.26

 

CMYK 65 / 0 / 76 / 27

HEX #41BA2C

RGB 65 186 44

HSL 111.13, 0.62%, 0.45%

LAB 66.84, -58.73, 57.86

 

CMYK 60 / 0 / 71 / 18

HEX #53D23D

RGB 83 210 61

HSL 111.14, 0.62%, 0.53%

LAB 74.99, -61.69, 60.25

 

CMYK 48 / 0 / 56 / 15

HEX #71D95F

RGB 113 217 95

HSL 111.15, 0.62%, 0.61%

LAB 78.44, -53.22, 50.16

 

CMYK 65 / 0 / 76 / 27

HEX #41BA2C

RGB 65 186 44

HSL 111.13, 0.62%, 0.45%

LAB 66.84, -58.73, 57.86

 

CMYK 76 / 4 / 0 / 27

HEX #2CB3BA

RGB 44 179 186

HSL 182.96, 0.62%, 0.45%

LAB 66.76, -32.08, -13.73

 

CMYK 0 / 76 / 34 / 27

HEX #BA2C7A

RGB 186 44 122

HSL 327.04, 0.62%, 0.45%

LAB 43.72, 61.5, -10.24

 

CMYK 65 / 0 / 76 / 27

HEX #41BA2C

RGB 65 186 44

HSL 111.13, 0.62%, 0.45%

LAB 66.84, -58.73, 57.86

 

CMYK 76 / 65 / 0 / 27

HEX #2C41BA

RGB 44 65 186

HSL 231.13, 0.62%, 0.45%

LAB 33.69, 35.18, -65.85

 

CMYK 0 / 76 / 65 / 27

HEX #BA2C41

RGB 186 44 65

HSL 351.13, 0.62%, 0.45%

LAB 42.19, 56.67, 23.08

 

CMYK 65 / 0 / 76 / 27

HEX #41BA2C

RGB 65 186 44

HSL 111.13, 0.62%, 0.45%

LAB 66.84, -58.73, 57.86

 

CMYK 76 / 4 / 0 / 27

HEX #2CB3BA

RGB 44 179 186

HSL 182.96, 0.62%, 0.45%

LAB 66.76, -32.08, -13.73

 

CMYK 11 / 76 / 0 / 27

HEX #A52CBA

RGB 165 44 186

HSL 291.13, 0.62%, 0.45%

LAB 43.28, 66.04, -49.69

 

CMYK 0 / 73 / 76 / 27

HEX #BA332C

RGB 186 51 44

HSL 2.96, 0.62%, 0.45%

LAB 42.75, 53.26, 36.29

 

CMYK 65 / 0 / 76 / 27

HEX #41BA2C

RGB 65 186 44

HSL 111.13, 0.62%, 0.45%

LAB 66.84, -58.73, 57.86

 

CMYK 76 / 27 / 0 / 27

HEX #2C88BA

RGB 44 136 186

HSL 201.13, 0.62%, 0.45%

LAB 53.7, -9.57, -33.78

 

CMYK 11 / 76 / 0 / 27

HEX #A52CBA

RGB 165 44 186

HSL 291.13, 0.62%, 0.45%

LAB 43.28, 66.04, -49.69

 

CMYK 0 / 50 / 76 / 27

HEX #BA5D2C

RGB 186 93 44

HSL 20.7, 0.62%, 0.45%

LAB 50.04, 34.08, 43.97

 

Description

Color code: HEX #41BA2C | qconv.com Color code: HEX #41BA2C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 186 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 186 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 76 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 76% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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