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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41B730 it is the complementary color #BE48CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41B730. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41B730 shade: #46B72B, #57C93E, #68DB51, #79ED64 and #8AFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41B730. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41B730 shade: #41B730, #30A51D, #1F930A, #0E8100 and #006F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41B730 shade: #41B530, #65B530, #89B530, #ADB530 and #B59A30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41B730 shade: #41B530, #30B543, #30B567, #30B58B and #30B5AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41B730 shade matches the following richer shades: #41B530, #33C81E and #25DA0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41B730 shade: #41B530, #4FA343, #5D9055, #6B7E68 and #796B7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41B730 shade: #89B530, #65B530, #42B530, #30B542 and #30B565

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41B730 shade: #2A741F, #359528, #41B530, #53CD42 and #71D563

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41B730 shade: #41B730, #30ACB5 and #B53077

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41B730 shade: #41B730, #3042B5 and #B53042

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41B730 shade: #41B730, #30ACB5, #A430B5 and #B53930

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41B730 shade: #41B730, #3084B5, #A430B5 and #B56130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 74 / 28

HEX #41B730

RGB 65 183 48

HSL 112.44, 0.58%, 0.45%

LAB 65.91, -57.41, 55.56

 

Complementary color

CMYK 8 / 65 / 0 / 19

HEX #BE48CF

RGB 190 72 207

HSL 292.44, 0.58%, 0.55%

LAB 51.94, 64.93, -47.81

 

CMYK 62 / 0 / 77 / 28

HEX #46B72B

RGB 70 183 43

HSL 108.43, 0.62%, 0.44%

LAB 66.02, -56.64, 57.43

 

CMYK 57 / 0 / 69 / 21

HEX #57C93E

RGB 87 201 62

HSL 109.21, 0.56%, 0.52%

LAB 72.33, -57.45, 57.14

 

CMYK 53 / 0 / 63 / 14

HEX #68DB51

RGB 104 219 81

HSL 110, 0.66%, 0.59%

LAB 78.58, -57.94, 56.37

 

CMYK 49 / 0 / 58 / 7

HEX #79ED64

RGB 121 237 100

HSL 110.8, 0.79%, 0.66%

LAB 84.77, -58.19, 55.36

 

CMYK 46 / 0 / 53 / 0

HEX #8AFF77

RGB 138 255 119

HSL 111.62, 1%, 0.73%

LAB 90.9, -58.29, 54.24

 

CMYK 64 / 0 / 74 / 28

HEX #41B730

RGB 65 183 48

HSL 112.44, 0.58%, 0.45%

LAB 65.91, -57.41, 55.56

 

CMYK 71 / 0 / 82 / 35

HEX #30A51D

RGB 48 165 29

HSL 111.62, 0.7%, 0.38%

LAB 59.55, -56.07, 55.4

 

CMYK 79 / 0 / 93 / 42

HEX #1F930A

RGB 31 147 10

HSL 110.8, 0.87%, 0.31%

LAB 53.15, -53.99, 53.9

 

CMYK 89 / 0 / 100 / 49

HEX #0E8100

RGB 14 129 0

HSL 113.49, 1%, 0.25%

LAB 46.7, -50.86, 50.33

 

CMYK 100 / 0 / 100 / 56

HEX #006F00

RGB 0 111 0

HSL 120, 1%, 0.22%

LAB 40.19, -46.69, 45.06

 

CMYK 64 / 0 / 73 / 29

HEX #41B530

RGB 65 181 48

HSL 112.33, 0.58%, 0.45%

LAB 65.27, -56.72, 54.91

 

CMYK 44 / 0 / 73 / 29

HEX #65B530

RGB 101 181 48

HSL 96.09, 0.58%, 0.45%

LAB 66.54, -46.83, 56.61

 

CMYK 24 / 0 / 73 / 29

HEX #89B530

RGB 137 181 48

HSL 79.85, 0.58%, 0.45%

LAB 68.45, -33.8, 59.12

 

CMYK 4 / 0 / 73 / 29

HEX #ADB530

RGB 173 181 48

HSL 63.61, 0.58%, 0.45%

LAB 70.97, -18.93, 62.43

 

CMYK 0 / 15 / 73 / 29

HEX #B59A30

RGB 181 154 48

HSL 47.82, 0.58%, 0.45%

LAB 64.28, -1.33, 56.24

 

CMYK 64 / 0 / 73 / 29

HEX #41B530

RGB 65 181 48

HSL 112.33, 0.58%, 0.45%

LAB 65.27, -56.72, 54.91

 

CMYK 73 / 0 / 63 / 29

HEX #30B543

RGB 48 181 67

HSL 128.57, 0.58%, 0.45%

LAB 65.03, -58.16, 46.84

 

CMYK 73 / 0 / 43 / 29

HEX #30B567

RGB 48 181 103

HSL 144.81, 0.58%, 0.45%

LAB 65.48, -52.87, 29.79

 

CMYK 73 / 0 / 23 / 29

HEX #30B58B

RGB 48 181 139

HSL 161.05, 0.58%, 0.45%

LAB 66.17, -45.31, 11.37

 

CMYK 73 / 0 / 3 / 29

HEX #30B5AF

RGB 48 181 175

HSL 177.29, 0.58%, 0.45%

LAB 67.11, -35.81, -7.12

 

CMYK 64 / 0 / 73 / 29

HEX #41B530

RGB 65 181 48

HSL 112.33, 0.58%, 0.45%

LAB 65.27, -56.72, 54.91

 

CMYK 75 / 0 / 85 / 22

HEX #33C81E

RGB 51 200 30

HSL 112.59, 0.74%, 0.45%

LAB 70.94, -66.59, 65.5

 

CMYK 83 / 0 / 95 / 15

HEX #25DA0B

RGB 37 218 11

HSL 112.46, 0.9%, 0.45%

LAB 76.41, -74.19, 73.15

 

CMYK 64 / 0 / 73 / 29

HEX #41B530

RGB 65 181 48

HSL 112.33, 0.58%, 0.45%

LAB 65.27, -56.72, 54.91

 

CMYK 52 / 0 / 59 / 36

HEX #4FA343

RGB 79 163 67

HSL 112.5, 0.42%, 0.45%

LAB 60.12, -44.57, 41.46

 

CMYK 35 / 0 / 41 / 44

HEX #5D9055

RGB 93 144 85

HSL 111.86, 0.26%, 0.45%

LAB 55, -29.23, 26.07

 

CMYK 15 / 0 / 17 / 51

HEX #6B7E68

RGB 107 126 104

HSL 111.82, 0.1%, 0.45%

LAB 50.74, -11.47, 9.69

 

CMYK 1 / 12 / 0 / 52

HEX #796B7A

RGB 121 107 122

HSL 296, 0.07%, 0.45%

LAB 46.96, 8.44, -6.31

 

CMYK 24 / 0 / 73 / 29

HEX #89B530

RGB 137 181 48

HSL 79.85, 0.58%, 0.45%

LAB 68.45, -33.8, 59.12

 

CMYK 44 / 0 / 73 / 29

HEX #65B530

RGB 101 181 48

HSL 96.09, 0.58%, 0.45%

LAB 66.54, -46.83, 56.61

 

CMYK 64 / 0 / 73 / 29

HEX #42B530

RGB 66 181 48

HSL 111.88, 0.58%, 0.45%

LAB 65.29, -56.5, 54.95

 

CMYK 73 / 0 / 64 / 29

HEX #30B542

RGB 48 181 66

HSL 128.12, 0.58%, 0.45%

LAB 65.02, -58.27, 47.27

 

CMYK 73 / 0 / 44 / 29

HEX #30B565

RGB 48 181 101

HSL 143.91, 0.58%, 0.45%

LAB 65.45, -53.22, 30.8

 

CMYK 64 / 0 / 73 / 55

HEX #2A741F

RGB 42 116 31

HSL 112.24, 0.58%, 0.29%

LAB 42.89, -39.86, 38.37

 

CMYK 64 / 0 / 73 / 42

HEX #359528

RGB 53 149 40

HSL 112.84, 0.58%, 0.37%

LAB 54.45, -48.74, 46.8

 

CMYK 64 / 0 / 73 / 29

HEX #41B530

RGB 65 181 48

HSL 112.33, 0.58%, 0.45%

LAB 65.27, -56.72, 54.91

 

CMYK 60 / 0 / 68 / 20

HEX #53CD42

RGB 83 205 66

HSL 112.66, 0.58%, 0.53%

LAB 73.48, -59.52, 56.75

 

CMYK 47 / 0 / 54 / 16

HEX #71D563

RGB 113 213 99

HSL 112.63, 0.58%, 0.61%

LAB 77.28, -51.16, 46.93

 

CMYK 64 / 0 / 74 / 28

HEX #41B730

RGB 65 183 48

HSL 112.44, 0.58%, 0.45%

LAB 65.91, -57.41, 55.56

 

CMYK 73 / 5 / 0 / 29

HEX #30ACB5

RGB 48 172 181

HSL 184.06, 0.58%, 0.45%

LAB 64.54, -29.76, -14.29

 

CMYK 0 / 73 / 34 / 29

HEX #B53077

RGB 181 48 119

HSL 327.97, 0.58%, 0.45%

LAB 43.17, 58.54, -9.31

 

CMYK 64 / 0 / 74 / 28

HEX #41B730

RGB 65 183 48

HSL 112.44, 0.58%, 0.45%

LAB 65.91, -57.41, 55.56

 

CMYK 73 / 64 / 0 / 29

HEX #3042B5

RGB 48 66 181

HSL 231.88, 0.58%, 0.45%

LAB 33.69, 33.17, -62.89

 

CMYK 0 / 73 / 64 / 29

HEX #B53042

RGB 181 48 66

HSL 351.88, 0.58%, 0.45%

LAB 41.74, 53.86, 21.69

 

CMYK 64 / 0 / 74 / 28

HEX #41B730

RGB 65 183 48

HSL 112.44, 0.58%, 0.45%

LAB 65.91, -57.41, 55.56

 

CMYK 73 / 5 / 0 / 29

HEX #30ACB5

RGB 48 172 181

HSL 184.06, 0.58%, 0.45%

LAB 64.54, -29.76, -14.29

 

CMYK 9 / 73 / 0 / 29

HEX #A430B5

RGB 164 48 181

HSL 292.33, 0.58%, 0.45%

LAB 43.28, 63.61, -46.77

 

CMYK 0 / 69 / 73 / 29

HEX #B53930

RGB 181 57 48

HSL 4.06, 0.58%, 0.45%

LAB 42.71, 49.47, 33.7

 

CMYK 64 / 0 / 74 / 28

HEX #41B730

RGB 65 183 48

HSL 112.44, 0.58%, 0.45%

LAB 65.91, -57.41, 55.56

 

CMYK 73 / 27 / 0 / 29

HEX #3084B5

RGB 48 132 181

HSL 202.11, 0.58%, 0.45%

LAB 52.36, -8.54, -32.99

 

CMYK 9 / 73 / 0 / 29

HEX #A430B5

RGB 164 48 181

HSL 292.33, 0.58%, 0.45%

LAB 43.28, 63.61, -46.77

 

CMYK 0 / 46 / 73 / 29

HEX #B56130

RGB 181 97 48

HSL 22.11, 0.58%, 0.45%

LAB 50.2, 30.09, 41.92

 

Description

Color code: HEX #41B730 | qconv.com Color code: HEX #41B730 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 183 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 183 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 74 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 74% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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