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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41B558 it is the complementary color #BE4AA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41B558. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41B558 shade: #46B553, #57C766, #68D979, #79EB8C and #8AFD9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41B558. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41B558 shade: #41B558, #30A345, #1F9132, #0E7F1F and #006D0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41B558 shade: #41B458, #49B441, #68B441, #87B441 and #A6B441

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41B558 shade: #41B458, #41B477, #41B496, #41B3B4 and #4194B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41B558 shade matches the following richer shades: #41B458, #2DC84C, #19DC40 and #05EF34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41B558 shade: #41B458, #55A064, #688C70, #7C797C and #906587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41B558 shade: #69B441, #4AB441, #41B456, #41B475 and #41B493

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41B558 shade: #2B773A, #369649, #41B458, #5AC46F and #79CF8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41B558 shade: #41B558, #4188B4 and #B4415A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41B558 shade: #41B558, #5641B4 and #B45641

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41B558 shade: #41B558, #4188B4, #B4419F and #B46D41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41B558 shade: #41B558, #4165B4, #B4419F and #B48F41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 51 / 29

HEX #41B558

RGB 65 181 88

HSL 131.9, 0.47%, 0.48%

LAB 65.65, -52.27, 37.75

 

Complementary color

CMYK 0 / 61 / 12 / 25

HEX #BE4AA7

RGB 190 74 167

HSL 311.9, 0.47%, 0.52%

LAB 50.26, 57.32, -27.24

 

CMYK 61 / 0 / 54 / 29

HEX #46B553

RGB 70 181 83

HSL 127.03, 0.44%, 0.49%

LAB 65.73, -51.89, 40.33

 

CMYK 56 / 0 / 49 / 22

HEX #57C766

RGB 87 199 102

HSL 128.04, 0.5%, 0.56%

LAB 72.12, -52.14, 38.96

 

CMYK 52 / 0 / 44 / 15

HEX #68D979

RGB 104 217 121

HSL 129.03, 0.6%, 0.63%

LAB 78.43, -52.19, 37.61

 

CMYK 49 / 0 / 40 / 8

HEX #79EB8C

RGB 121 235 140

HSL 130, 0.74%, 0.7%

LAB 84.68, -52.13, 36.32

 

CMYK 45 / 0 / 37 / 1

HEX #8AFD9F

RGB 138 253 159

HSL 130.96, 0.97%, 0.77%

LAB 90.85, -51.98, 35.08

 

CMYK 64 / 0 / 51 / 29

HEX #41B558

RGB 65 181 88

HSL 131.9, 0.47%, 0.48%

LAB 65.65, -52.27, 37.75

 

CMYK 71 / 0 / 58 / 36

HEX #30A345

RGB 48 163 69

HSL 130.96, 0.55%, 0.41%

LAB 59.21, -51.64, 39.19

 

CMYK 79 / 0 / 66 / 43

HEX #1F9132

RGB 31 145 50

HSL 130, 0.65%, 0.35%

LAB 52.7, -50.51, 40.55

 

CMYK 89 / 0 / 76 / 50

HEX #0E7F1F

RGB 14 127 31

HSL 129.03, 0.8%, 0.28%

LAB 46.14, -48.55, 41.54

 

CMYK 100 / 0 / 89 / 57

HEX #006D0C

RGB 0 109 12

HSL 126.61, 1%, 0.21%

LAB 39.52, -45.5, 41.48

 

CMYK 64 / 0 / 51 / 29

HEX #41B458

RGB 65 180 88

HSL 132, 0.47%, 0.48%

LAB 65.33, -51.89, 37.36

 

CMYK 59 / 0 / 64 / 29

HEX #49B441

RGB 73 180 65

HSL 115.83, 0.47%, 0.48%

LAB 65.31, -52.97, 48.21

 

CMYK 42 / 0 / 64 / 29

HEX #68B441

RGB 104 180 65

HSL 99.65, 0.47%, 0.48%

LAB 66.49, -44.07, 49.85

 

CMYK 25 / 0 / 64 / 29

HEX #87B441

RGB 135 180 65

HSL 83.48, 0.47%, 0.48%

LAB 68.15, -32.95, 52.13

 

CMYK 8 / 0 / 64 / 29

HEX #A6B441

RGB 166 180 65

HSL 67.3, 0.47%, 0.48%

LAB 70.27, -20.42, 55.03

 

CMYK 64 / 0 / 51 / 29

HEX #41B458

RGB 65 180 88

HSL 132, 0.47%, 0.48%

LAB 65.33, -51.89, 37.36

 

CMYK 64 / 0 / 34 / 29

HEX #41B477

RGB 65 180 119

HSL 148.17, 0.47%, 0.48%

LAB 65.83, -46.49, 21.83

 

CMYK 64 / 0 / 17 / 29

HEX #41B496

RGB 65 180 150

HSL 164.35, 0.47%, 0.48%

LAB 66.5, -39.53, 5.84

 

CMYK 64 / 1 / 0 / 29

HEX #41B3B4

RGB 65 179 180

HSL 180.52, 0.47%, 0.48%

LAB 67.02, -31.05, -9.98

 

CMYK 64 / 18 / 0 / 29

HEX #4194B4

RGB 65 148 180

HSL 196.7, 0.47%, 0.48%

LAB 57.65, -15.17, -24.17

 

CMYK 64 / 0 / 51 / 29

HEX #41B458

RGB 65 180 88

HSL 132, 0.47%, 0.48%

LAB 65.33, -51.89, 37.36

 

CMYK 78 / 0 / 62 / 22

HEX #2DC84C

RGB 45 200 76

HSL 132, 0.63%, 0.48%

LAB 71.14, -63.83, 49.76

 

CMYK 89 / 0 / 71 / 14

HEX #19DC40

RGB 25 220 64

HSL 132, 0.8%, 0.48%

LAB 77.14, -73.1, 61.05

 

CMYK 98 / 0 / 78 / 6

HEX #05EF34

RGB 5 239 52

HSL 132.05, 0.96%, 0.48%

LAB 82.92, -80.19, 70.69

 

CMYK 64 / 0 / 51 / 29

HEX #41B458

RGB 65 180 88

HSL 132, 0.47%, 0.48%

LAB 65.33, -51.89, 37.36

 

CMYK 47 / 0 / 38 / 37

HEX #55A064

RGB 85 160 100

HSL 132, 0.31%, 0.48%

LAB 59.88, -36.7, 24.25

 

CMYK 26 / 0 / 20 / 45

HEX #688C70

RGB 104 140 112

HSL 133.33, 0.15%, 0.48%

LAB 54.94, -18.57, 10.95

 

CMYK 0 / 2 / 0 / 51

HEX #7C797C

RGB 124 121 124

HSL 300, 0.01%, 0.48%

LAB 51.17, 1.74, -1.24

 

CMYK 0 / 30 / 6 / 44

HEX #906587

RGB 144 101 135

HSL 312.56, 0.18%, 0.48%

LAB 48.24, 23.09, -11.9

 

CMYK 42 / 0 / 64 / 29

HEX #69B441

RGB 105 180 65

HSL 99.13, 0.47%, 0.48%

LAB 66.54, -43.75, 49.91

 

CMYK 59 / 0 / 64 / 29

HEX #4AB441

RGB 74 180 65

HSL 115.3, 0.47%, 0.48%

LAB 65.34, -52.72, 48.25

 

CMYK 64 / 0 / 52 / 29

HEX #41B456

RGB 65 180 86

HSL 130.96, 0.47%, 0.48%

LAB 65.31, -52.18, 38.32

 

CMYK 64 / 0 / 35 / 29

HEX #41B475

RGB 65 180 117

HSL 147.13, 0.47%, 0.48%

LAB 65.79, -46.88, 22.86

 

CMYK 64 / 0 / 18 / 29

HEX #41B493

RGB 65 180 147

HSL 162.78, 0.47%, 0.48%

LAB 66.42, -40.26, 7.39

 

CMYK 64 / 0 / 51 / 53

HEX #2B773A

RGB 43 119 58

HSL 131.84, 0.47%, 0.32%

LAB 44.25, -37.37, 26.66

 

CMYK 64 / 0 / 51 / 41

HEX #369649

RGB 54 150 73

HSL 131.88, 0.47%, 0.4%

LAB 55.15, -44.98, 32.32

 

CMYK 64 / 0 / 51 / 29

HEX #41B458

RGB 65 180 88

HSL 132, 0.47%, 0.48%

LAB 65.33, -51.89, 37.36

 

CMYK 54 / 0 / 43 / 23

HEX #5AC46F

RGB 90 196 111

HSL 131.89, 0.47%, 0.56%

LAB 71.42, -48.83, 33.57

 

CMYK 42 / 0 / 33 / 19

HEX #79CF8A

RGB 121 207 138

HSL 131.86, 0.47%, 0.64%

LAB 76.39, -40.59, 26.37

 

CMYK 64 / 0 / 51 / 29

HEX #41B558

RGB 65 181 88

HSL 131.9, 0.47%, 0.48%

LAB 65.65, -52.27, 37.75

 

CMYK 64 / 24 / 0 / 29

HEX #4188B4

RGB 65 136 180

HSL 202.96, 0.47%, 0.48%

LAB 54.06, -8.48, -29.74

 

CMYK 0 / 64 / 50 / 29

HEX #B4415A

RGB 180 65 90

HSL 346.96, 0.47%, 0.48%

LAB 44.55, 48.58, 10.61

 

CMYK 64 / 0 / 51 / 29

HEX #41B558

RGB 65 181 88

HSL 131.9, 0.47%, 0.48%

LAB 65.65, -52.27, 37.75

 

CMYK 52 / 64 / 0 / 29

HEX #5641B4

RGB 86 65 180

HSL 250.96, 0.47%, 0.48%

LAB 36.09, 39.33, -58.27

 

CMYK 0 / 52 / 64 / 29

HEX #B45641

RGB 180 86 65

HSL 10.96, 0.47%, 0.48%

LAB 47.93, 36.48, 30.05

 

CMYK 64 / 0 / 51 / 29

HEX #41B558

RGB 65 181 88

HSL 131.9, 0.47%, 0.48%

LAB 65.65, -52.27, 37.75

 

CMYK 64 / 24 / 0 / 29

HEX #4188B4

RGB 65 136 180

HSL 202.96, 0.47%, 0.48%

LAB 54.06, -8.48, -29.74

 

CMYK 0 / 64 / 12 / 29

HEX #B4419F

RGB 180 65 159

HSL 310.96, 0.47%, 0.48%

LAB 46.96, 57.2, -27.75

 

CMYK 0 / 39 / 64 / 29

HEX #B46D41

RGB 180 109 65

HSL 22.96, 0.47%, 0.48%

LAB 52.97, 24.1, 36.11

 

CMYK 64 / 0 / 51 / 29

HEX #41B558

RGB 65 181 88

HSL 131.9, 0.47%, 0.48%

LAB 65.65, -52.27, 37.75

 

CMYK 64 / 44 / 0 / 29

HEX #4165B4

RGB 65 101 180

HSL 221.22, 0.47%, 0.48%

LAB 43.84, 12.71, -45.84

 

CMYK 0 / 64 / 12 / 29

HEX #B4419F

RGB 180 65 159

HSL 310.96, 0.47%, 0.48%

LAB 46.96, 57.2, -27.75

 

CMYK 0 / 21 / 64 / 29

HEX #B48F41

RGB 180 143 65

HSL 40.7, 0.47%, 0.48%

LAB 61.42, 5.2, 45.79

 

Description

Color code: HEX #41B558 | qconv.com Color code: HEX #41B558 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 181 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 181 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 51 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 51% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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