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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41B202 it is the complementary color #BE4DFD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41B202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41B202 shade: #46B200, #57C410, #68D623, #79E836 and #8AFA49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41B202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41B202 shade: #41B202, #30A000, #1F8E00, #0E7C00 and #006A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41B202 shade: #40B102, #70B102, #9FB102, #B19402 and #B16402

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41B202 shade: #40B102, #11B102, #02B122, #02B151 and #02B180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41B202 shade matches the following richer shades: #40B102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41B202 shade: #40B102, #45A210, #49941F, #4D852D and #51773C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41B202 shade: #9FB102, #71B102, #42B102, #13B102 and #02B11F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41B202 shade: #235F01, #328801, #40B102, #4FDA02 and #60FD09

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41B202 shade: #41B202, #02B194 and #B10288

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41B202 shade: #41B202, #0242B1 and #B10242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41B202 shade: #41B202, #02B194, #7102B1 and #B1021F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41B202 shade: #41B202, #0299B1, #7102B1 and #B11902

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 99 / 30

HEX #41B202

RGB 65 178 2

HSL 98.52, 0.98%, 0.35%

LAB 64.14, -57.69, 64.38

 

Complementary color

CMYK 25 / 70 / 0 / 1

HEX #BE4DFD

RGB 190 77 253

HSL 278.52, 0.98%, 0.65%

LAB 55.43, 71.8, -68.12

 

CMYK 61 / 0 / 100 / 30

HEX #46B200

RGB 70 178 0

HSL 96.4, 1%, 0.35%

LAB 64.28, -56.53, 64.81

 

CMYK 56 / 0 / 92 / 23

HEX #57C410

RGB 87 196 16

HSL 96.33, 0.85%, 0.42%

LAB 70.56, -58.09, 68.15

 

CMYK 51 / 0 / 84 / 16

HEX #68D623

RGB 104 214 35

HSL 96.87, 0.72%, 0.49%

LAB 76.77, -59.23, 70.08

 

CMYK 48 / 0 / 77 / 9

HEX #79E836

RGB 121 232 54

HSL 97.42, 0.79%, 0.56%

LAB 82.94, -60.03, 70.87

 

CMYK 45 / 0 / 71 / 2

HEX #8AFA49

RGB 138 250 73

HSL 97.97, 0.95%, 0.63%

LAB 89.04, -60.58, 70.9

 

CMYK 63 / 0 / 99 / 30

HEX #41B202

RGB 65 178 2

HSL 98.52, 0.98%, 0.35%

LAB 64.14, -57.69, 64.38

 

CMYK 70 / 0 / 100 / 37

HEX #30A000

RGB 48 160 0

HSL 102, 1%, 0.31%

LAB 57.82, -55.45, 59.44

 

CMYK 78 / 0 / 100 / 44

HEX #1F8E00

RGB 31 142 0

HSL 106.9, 1%, 0.28%

LAB 51.42, -52.72, 54.2

 

CMYK 89 / 0 / 100 / 51

HEX #0E7C00

RGB 14 124 0

HSL 113.23, 1%, 0.24%

LAB 44.95, -49.34, 48.93

 

CMYK 100 / 0 / 100 / 58

HEX #006A00

RGB 0 106 0

HSL 120, 1%, 0.21%

LAB 38.39, -45.19, 43.61

 

CMYK 64 / 0 / 99 / 31

HEX #40B102

RGB 64 177 2

HSL 98.74, 0.98%, 0.35%

LAB 63.79, -57.59, 64.09

 

CMYK 37 / 0 / 99 / 31

HEX #70B102

RGB 112 177 2

HSL 82.29, 0.98%, 0.35%

LAB 65.67, -43.09, 66.38

 

CMYK 10 / 0 / 99 / 31

HEX #9FB102

RGB 159 177 2

HSL 66.17, 0.98%, 0.35%

LAB 68.62, -24.19, 69.93

 

CMYK 0 / 16 / 99 / 31

HEX #B19402

RGB 177 148 2

HSL 50.06, 0.98%, 0.35%

LAB 62.11, -1.11, 65.85

 

CMYK 0 / 44 / 99 / 31

HEX #B16402

RGB 177 100 2

HSL 33.6, 0.98%, 0.35%

LAB 50.06, 25.49, 57.62

 

CMYK 64 / 0 / 99 / 31

HEX #40B102

RGB 64 177 2

HSL 98.74, 0.98%, 0.35%

LAB 63.79, -57.59, 64.09

 

CMYK 90 / 0 / 99 / 31

HEX #11B102

RGB 17 177 2

HSL 114.86, 0.98%, 0.35%

LAB 62.98, -64.58, 63.11

 

CMYK 99 / 0 / 81 / 31

HEX #02B122

RGB 2 177 34

HSL 130.97, 0.98%, 0.35%

LAB 62.99, -64.18, 56.98

 

CMYK 99 / 0 / 54 / 31

HEX #02B151

RGB 2 177 81

HSL 147.09, 0.98%, 0.35%

LAB 63.39, -59.19, 38.23

 

CMYK 99 / 0 / 28 / 31

HEX #02B180

RGB 2 177 128

HSL 163.2, 0.98%, 0.35%

LAB 64.17, -49.96, 14.53

 

CMYK 64 / 0 / 99 / 31

HEX #40B102

RGB 64 177 2

HSL 98.74, 0.98%, 0.35%

LAB 63.79, -57.59, 64.09

 

CMYK 64 / 0 / 99 / 31

HEX #40B102

RGB 64 177 2

HSL 98.74, 0.98%, 0.35%

LAB 63.79, -57.59, 64.09

 

CMYK 57 / 0 / 90 / 36

HEX #45A210

RGB 69 162 16

HSL 98.22, 0.82%, 0.35%

LAB 59.11, -50.75, 58.29

 

CMYK 51 / 0 / 79 / 42

HEX #49941F

RGB 73 148 31

HSL 98.46, 0.65%, 0.35%

LAB 54.76, -43.56, 50.56

 

CMYK 42 / 0 / 66 / 48

HEX #4D852D

RGB 77 133 45

HSL 98.18, 0.49%, 0.35%

LAB 50.15, -34.83, 40.42

 

CMYK 32 / 0 / 50 / 53

HEX #51773C

RGB 81 119 60

HSL 98.64, 0.33%, 0.35%

LAB 46, -25.03, 28.13

 

CMYK 10 / 0 / 99 / 31

HEX #9FB102

RGB 159 177 2

HSL 66.17, 0.98%, 0.35%

LAB 68.62, -24.19, 69.93

 

CMYK 36 / 0 / 99 / 31

HEX #71B102

RGB 113 177 2

HSL 81.94, 0.98%, 0.35%

LAB 65.72, -42.73, 66.44

 

CMYK 63 / 0 / 99 / 31

HEX #42B102

RGB 66 177 2

HSL 98.06, 0.98%, 0.35%

LAB 63.84, -57.12, 64.16

 

CMYK 89 / 0 / 99 / 31

HEX #13B102

RGB 19 177 2

HSL 114.17, 0.98%, 0.35%

LAB 63, -64.43, 63.13

 

CMYK 99 / 0 / 82 / 31

HEX #02B11F

RGB 2 177 31

HSL 129.94, 0.98%, 0.35%

LAB 62.97, -64.36, 57.82

 

CMYK 63 / 0 / 99 / 63

HEX #235F01

RGB 35 95 1

HSL 98.3, 0.98%, 0.19%

LAB 35.09, -35.52, 40.95

 

CMYK 63 / 0 / 99 / 47

HEX #328801

RGB 50 136 1

HSL 98.22, 0.99%, 0.27%

LAB 49.84, -46.79, 52.95

 

CMYK 64 / 0 / 99 / 31

HEX #40B102

RGB 64 177 2

HSL 98.74, 0.98%, 0.35%

LAB 63.79, -57.59, 64.09

 

CMYK 64 / 0 / 99 / 15

HEX #4FDA02

RGB 79 218 2

HSL 98.61, 0.98%, 0.43%

LAB 77.17, -67.68, 74.94

 

CMYK 62 / 0 / 96 / 1

HEX #60FD09

RGB 96 253 9

HSL 98.61, 0.98%, 0.51%

LAB 88.33, -75.02, 83.48

 

CMYK 63 / 0 / 99 / 30

HEX #41B202

RGB 65 178 2

HSL 98.52, 0.98%, 0.35%

LAB 64.14, -57.69, 64.38

 

CMYK 99 / 0 / 16 / 31

HEX #02B194

RGB 2 177 148

HSL 170.06, 0.98%, 0.35%

LAB 64.64, -44.87, 4.16

 

CMYK 0 / 99 / 23 / 31

HEX #B10288

RGB 177 2 136

HSL 314.06, 0.98%, 0.35%

LAB 39.86, 68.96, -24.93

 

CMYK 63 / 0 / 99 / 30

HEX #41B202

RGB 65 178 2

HSL 98.52, 0.98%, 0.35%

LAB 64.14, -57.69, 64.38

 

CMYK 99 / 63 / 0 / 31

HEX #0242B1

RGB 2 66 177

HSL 218.06, 0.98%, 0.35%

LAB 32, 28.44, -63.34

 

CMYK 0 / 99 / 63 / 31

HEX #B10242

RGB 177 2 66

HSL 338.06, 0.98%, 0.35%

LAB 37.45, 62.66, 15.91

 

CMYK 63 / 0 / 99 / 30

HEX #41B202

RGB 65 178 2

HSL 98.52, 0.98%, 0.35%

LAB 64.14, -57.69, 64.38

 

CMYK 99 / 0 / 16 / 31

HEX #02B194

RGB 2 177 148

HSL 170.06, 0.98%, 0.35%

LAB 64.64, -44.87, 4.16

 

CMYK 36 / 99 / 0 / 31

HEX #7102B1

RGB 113 2 177

HSL 278.06, 0.98%, 0.35%

LAB 31.18, 65.43, -64.38

 

CMYK 0 / 99 / 82 / 31

HEX #B1021F

RGB 177 2 31

HSL 350.06, 0.98%, 0.35%

LAB 36.91, 61.19, 37.1

 

CMYK 63 / 0 / 99 / 30

HEX #41B202

RGB 65 178 2

HSL 98.52, 0.98%, 0.35%

LAB 64.14, -57.69, 64.38

 

CMYK 99 / 14 / 0 / 31

HEX #0299B1

RGB 2 153 177

HSL 188.23, 0.98%, 0.35%

LAB 58.01, -24.85, -22.02

 

CMYK 36 / 99 / 0 / 31

HEX #7102B1

RGB 113 2 177

HSL 278.06, 0.98%, 0.35%

LAB 31.18, 65.43, -64.38

 

CMYK 0 / 86 / 99 / 31

HEX #B11902

RGB 177 25 2

HSL 7.89, 0.98%, 0.35%

LAB 37.93, 57.27, 50.79

 

Description

Color code: HEX #41B202 | qconv.com Color code: HEX #41B202 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 178 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 178 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 99 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 99% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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